Star Wars: Episode I Holographic Effects



Me in holographic form aboard the Trade Federation Battleship



Darth Sidious in holographic form for comparison

Welcome to the Star Wars: The Phantom Menace holographic effects web page. Holographic effects in movies go back to at least to the mid 1950's when Forbidden Planet was made. I surmise that George Lucas must have got his inspiration for creating Star Wars projection holograms from this movie.

Creating holographic effects for the original Star Wars trilogy were accomplished by first shooting the actors on black sets and then projecting the video images onto a TV screen. That image was then filmed directly off the TV onto film and then matted into the movie. The inherently low resolution of standard TV's resulted in Star Wars holograms having their distinctive scanlines showing.

For the new trilogy, Lucas wanted to preserve the distinctive scanline look for the numerous holograms that would be shown in SW:TPM, but he also wanted to bring the effect completely into the digital realm. For TPM, the actors to be portrayed in holo form where first filmed against either black or blue screen. This film was then scanned into computers and 2D image processing was used to create the actual holographic look. Artifical digital signal noise was then introduced to create the interference patters seen lacing the various images. I decided that I would attempt to create one of these holo effects by placing myself in the middle of a scene from TPM.

This effect ended up being much more difficult to create than I thought it was going to be. In fact, this holographic effect involved the most amount of general and special purpose compositing of any project I've ever worked on. I ended up spending about 20 - 25 hours worth of development and testing just to figure out how to create this effect. And actually creating the resulting hologram shown on this web page required 11 hours of work and rework to complete. I also had to develop two new special purpose image processing algorithms to help me. On this project, I also used my special purpose program developed to composite light saber effects. And as always, Photoshop served as my underlying general purpose image processing software.

The first thing that I had to decide on was what type of SW:TPM holo effect I wanted to create. I noticed that in TPM there are two basic types of holo effects. One type is a full color, although blue tinted, hologram effect. There is also a blue tinted black and white holo effect as well. Perhaps these different types of holograms represent different levels of Star Wars universe technology, like color and b/w TV in our day. In any case, I decided to do a straight b/w hologram, since I was having enough trouble just trying to figure out how to do that.

Foreground and Background Plates

My version of the holo effect started by me first finding a background plate from TPM that I could use to place myself into. Many of the photos that I would have loved to have used already had holo effects added to them, or the photo was to small to be of any use. I ended up finding a nice big photograph of the scene aboard the Trade Federation battleship where the battle droids are waiting outside the reception room to see if Obi-Wan and Qui-Gon have been killed by the poison gas attack. So I scanned and enlarged this picture until I reached my working image size of 2700 x 1106 pixels. I then saved this image off for future use and then reduced this image down to 700 x 287 pixels for display on the net. Below is a smaller representation of the scene that served as my background plate.



The original color background element

Next I had to photograph myself in my Jedi Knight costume. This element would serve as the actual foreground holographic image that would be composited into the background scene. This was done by me simply getting into my Jedi costume and shooting a picture of myself in my apartment against a black velvet background with appropriate lighting. Below is the original color picture of me in my costume.



The original color foreground element

Forming the Basic Holographic Image

With these two base elements in hand, I could now begin the real effects work. The first thing that I had to do was turn the foreground element into a b/w image. This was done by me simply doing a mode change from RGB color to Grayscale. The next thing I needed to do was take this b/w image and change it back into a pseudo RGB color image by adding the bluish tint to it. This color change adds the holographic color quality to the image. To do this I needed a piece of special purpose software. This software essentially takes as input two colors that the user wants to transition between in the resulting output color image. The program then determines what the minimum and maximum pixel intensities are in the b/w input image. Then it looks at the intensity of each pixel in the b/w image and does a linear interpolation between the two user defined colors to determine what each pixel's output color should be. The program then writes the resulting color ouput image out to the disk as a RAW RGB color image. Click here for complete details about how the program works. Below is what the b/w input image looks like after it has been turned into a pseudo color image.



The base pseudo color hologram

Adding Holographic Scanline Distortion

The next step is adding the scanline effect to our hologram. To do this I made another special purpose image processing program that can geneate this type of image. Basically I made a program that reads in an input image, which I feed in the pseudo color image, and this program basically just outputs the same image back out to disk. The difference is that for every other scanline, it reduces the color intensity of these scanlines to just 35% of full. This effectively adds the scanlines to the hologram. The Jedi holo effect element is now ready. Click here for complete program details. Below is what the scanline adder program would produce for a input image that was all white.



Scanlines applied to a test image

Making the Foreground Cover Matte

The next thing I needed was a cover matte. To obtain this I basically just loaded up the original foreground element on the background canvas of Photoshop and created myself a new channel. I then made the new channel the active channel and allowed the background canvas to show through. Then I just used a paint brush to very carefully trace out my Jedi costume outline in the channel. After I had traced out my outline, I then filled in the outline so that I had a holdout matte. I actually needed a cover matte so I just inverted my holdout matte. Below is the cover matte that I made.



Cover matte for the foreground element

Making the Hologram Semi-transparent

Next I needed to make the hologram look semi-transparent. If I simply superimposed my hologram onto the background image, then the hologram would look to transparent. To get around this problem what I did was use my cover matte to actually darken the background under where I was eventually going to be standing. By darkening this background prior to superimposing my holo image, this made it look like the hologram was actually blocking out the background in addition to letting some of it through.

To do this, I loaded the background element into Photoshop's canvas layer and I created a new layer. On this new layer I just painted the layer to be pure black. I then associated a layer mask with this new layer and I pasted my newly created cover matte into this mask. I then set the transparency on the layer to 47% and set the layer to standard normal compositing. I then merged the layers and the results are that wherever my Jedi image falls on the background, the background has been darkened by about half. Below is what resulted from this procedure.



Making the hologram semi-transparent

Forming the Resulting Hologram

The next to last step in the process is to actually composite the modified background element with my holo Jedi element. To do this, I used my light saber compositing software. Click here for complete details about how this program works.

Adding Ethereal Glow

The last step in the process is adding the ethereal glow around my holo image. To do this I just took my cover matte and traced out the glow shape on the cover matte in white. Then I just inverted this matte. I then loaded the nearly complete composite effect onto Photoshop's canvas layer, and I then created a new layer and painted this layer entirely in the color R=150 G=200 B=250. I then associated a layer mask with this new layer and I pasted my newly created cover matte into this mask. I then set the transparency on the layer to 33% and set the layer to standard normal compositing. I then merged the layers and what resulted is an erie glow around my image. Below is the cover matte that I used to create the hologram's ethereal glow.



Cover matte used to add ethereal glow

Comments

I found this project to be a fairly difficult short term project. It took me many weeks of on and off again thinking about how I could duplicate the holo effects created for TPM. Many of the problems I had dealt with how to dial in the correct settings for each of the various steps that had to occur along the image processing pipeline. In fact, I still don't know if I have the various settings correct. There probably aren't any "correct" settings. By tweeking the various settings along the way, you could make the hologram different colors and intensities, as well as making the resulting hologram more or less transparent. I do know that I spent a lot of time making adjustments to get where I'm currently at.

I do think the results that I have been able to get are very realistic. I especially like the fact that in dark areas of the hologram, you can see through the hologram to the background, and the background still has an erie bluish tint added to it.


Last Updated: June 25, 2000
HTML URL: http://geocities.datacellar.net/~special_effect/sw_hologram.html
E-Mail: special_effect.geo@yahoo.com or click here
1