Spiral
Written by Stephen DeKnight
Directed by James A. Contner
Original Airdate: April 24, 2001
Plot: Buffy and Dawn barely escape Glory after the hell-god discovers the
true identity of the key. In order to get away from Glory, Buffy and the
Scooby-gang flee in Spike's Winnebago. However, the Knights of Byzantium
pursue the Key, intent on destroying it.
Review
Warning: The power of the SPOILERS for the latest episode of Buffy the
Vampire Slayer, "Spiral" is simply overwhelming. The simplest thing to do
ot avoid them is to turn back now.
In short: Another solid outing.
Last week, Buffy left us at a major crossroads--at long last, Glory
found her Key. Now, the question was--what would she do about it?
The answer is: pursue it at all costs.
And the other question--what will Buffy do about it?
Of course, on some level, as a fan, I realize that in order for Glory's
plan to come to fruition, she will have to capture Dawn. But what I didn't
realize is just how entertaining, suspenseful and edge-of-your-seat Joss and
company would make that journey.
I've got to give credit, once again, to Stephen DeKnight for a nicely
done script. His last script was "Family Ties" back in January when Dawn
found out her true identity. And now, here we have a story dealing once
again with secrets revealed and their consequences. And all of it was
nicely done.
I've also got to give credit to James A. Contner for the direction of
the scenes in the Winnebago. The battle around the Winnebago and on top of
it was some of the best directed and edited I've seen on the show. And for a
series that makes a lot of its bread and butter on believable fight scenes,
that is high praise. There was obviously a lot of dedication--not only from
the director, but from the actors and the stunt doubles and the technical
people who all brought that to life. That scene along was unnerving and
compelling. Watching Buffy battle the Knights on top of the Winnebago
remidned me in a lot of ways of the battle on the tank from "Indiana Jones
and the Last Crusade."
But, one battle scene doesn't a good episode make.
What made this episode a nicely done one was the character scenes and
the sheer amount of information we found out about Glory and her plan.
Indeed, ever since Ben almost revealed the true nature of the Key and
Glory's power back in January, I've been eagerly anticipating getting some
larger details of the entire picture. And, at long last, we got some.
The idea that Glory is a deposed ruler of a hell-like dimension--and
that she was thrown out for being too cruel is interesting. It also
explains her all-consuming desire to get back home and to find the Key. And
to hear the exact nature of what the Key is and what it can do was nicely
done. I can even buy that the fate of the entire universe is at stake (no
pun intended) this time instead of just the world. (But then again, I'm a
Doctor Who fan and the Doctor and company save the entire universe on a
pretty consistent basis, so it's not really anything new there!)
And we certainly found out that Glory's had other plans for her victims
other than just feeding off them. (Why she feeds off them is something I'm
not quite clear on yet..but we do have two more episodes to find out). But,
it appears as though it wasn't just feeding, but it was a task of raising
more minions for her. If that's so, then it brings up a question--when Ben
becomes Glory at the deserted gas station, why doesn't Tara side with Glory?
It's interesting. Perhaps it's only a signal to now come forward and the
real task of defending Glory will come as the true use for the Key begins.
Another point that was nicely done was Buffy's continued self-reliance.
Indeed, she became almost general-like in the story. She was the one making
the decisions, trying to plot strategies. She also kept herself at a
distance from her troops. Indeed, in the Winnebago, Buffy retreats to a
back room to think and we constantly see her as being apart from the Scooby
gang. Also, we see her forcefulness as she insists that Spike has to come
along as it's of good strategic value in trying to go up against Glory.
Buffy's also rock solid determination that no one will die on her watch is
superbly done. And it certainly makes the final scene that much more
powerful as Buffy finally is forced to retreat not only physically from her
friends but mentally as well. How this plays out in the next two episodes
should be interesting.
Another point of interest is the magical power Willow has.
And how much of it seems to be a dark power. We saw last week that her
eyes turned black when she used the dark powers to confront Glory. And this
week, we saw this come through again. It honestly makes me wonder if Willow
hasn't opened a door and is now on a path that will lead her to greater
danger than before. She certainly has shown she can cast dark spells and
will do it. I wonder if without Tara's centering influence, if her journey
to the dark side of magic might not be accelerated. And I also noticed
this week and last that her eyes got to look like Doc's when he was casting
spells a few weeks back. That is certainly something to keep watch for in
the coming weeks.
And, again, all of the supporting cast got moments to shine. Again, I
will point out just how good Anthony Stewart Head, James Marsters and
Michelle Trachtenberg were. And Nicholas Brendon got some nice time as
well--and I have to admit I enjoyed Xander's Sergeant Rock
references--though I wondered if he might not be more of the G.I. Joe
generation.
Overall, I really liked the episode. It's certainly set the stage for
the story to come. And it did it in a way that was utterly
edge-of-your-seat.
But, that doesn't mean it was perfect.
One big thing really comes to mind.
Namely, Ben coming to help Giles. Now, I understand that Buffy called
him and he came.
But, way back in "Blood Ties" Dawn witnessed Ben transform into Glory.
And it seems as though she might warn Buffy of this danger. Or at the very
least, Ben should have left as soon a he was done stabilizing Giles.
Indeed, his line of "wearing out his welcome" came true in a huge way when
he transformed from himself into Glory.
But that kept bugging me--simply that Dawn should have warned Buffy.
But, I will admit that the scene had me going, "Get him out of there!"
and talking back to the TV while it played out. And I've rarely spoken to
the on-screen characters. Well, at least not since the Farscape season
finale when I was literally yelling for Crichton to do something to save
Aeyrn. (If you've seen it, you know what I'm referring to. If not, why
aren't your watching Farscape yet?!? Outside of Buffy, it's the best show
on TV, hands down).
Well, that's about it for now, except a few small things...
--Anya's wanting to cook Spam was pretty funny. I wonder if she knows
just how bad Spam really is.
--Spike's getting his hands sliced open to buy Buffy time to kick some
Knights of Byzantium behind was nicely done. The scream of pain from Spike
as she goes up top to battle the Knight was great.
--I loved the scenes between Dawn and Buffy. The writers have really
got the whole big sister/little sister relationship down.
Well, that's about it for now. All in all, a nice episode that kept the
momentum toward the season finale coming. This story is picking up speed
each week and, honestly, seven days are far too many to wait for the next
installment.
My rating: 8.0 (out of 10.0)
Next up: Glory's got the Key and Buffy is MIA inside her own mind...
Review Copyright 2001 by Michael T. Hickerson. All Rights Reserved.
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