THEY SOLD THEIR SOULS TO SANTA

WRITTEN - August 1995

First Performed December 14th 1995, Sutherland Memorial School of Arts, NSW. as part of `SCROOGED' (festival of short plays on the theme of Christmas) by Roundabout Theatre and Community Projects

Cast -
LYDIA - Anna Collins
JULIANA - Sally Anne Schulz
GARY/JAY - Andrea Moggridge
FRANK - Nigel McPaul
RAY - James Wallace
MARNIE - Corinne Cavanagh
PAM - Amanda Peterson
CHRISTIAN - Dean Barry
GABBY - Josh Ewes
FLO - Roberta Tuckwell
ALISON - Megan Oliver
CHARLOTTE - Nicole Ketelaar
YOUNG MAN - Ryan Paranthoiene

Directed by Sally Dixon.


ABOUT `THEY SOLD THEIR SOULS TO SANTA'

This was my stab at a bonafide capital C Christmas Play. I always liked it because the audience loved it, the actors enjoyed performing it, and it tells a simple story effectively, which to my mind are the essential elements of good theatre. It was the last play I wrote before winning the award (August 1995, while I should have been studying for the HSC) and marks the end of the era when I could simply turn out plays with ease, and in a very short period of time, which I believe is the best way to write. SANTA was a spontaneous, unpremeditated play, written on a given impulse which allowed the themes to coalesce more naturally and the play to be more uncontrived, a method I find frustratingly difficult now. After winning the award, I found it difficult to write at all for some time and still have not wholly rediscovered the feeling of being able to write without abandon any more.

I always wanted to write a Christmas play but in an atypical way - it's a time of year conducive to dramatic situations, as anyone knows. It's one of those times we take notice of because we are instructed to place it in the `memories' section of our minds. The play was conceived as a riff on the Christmas pantomime crossed with the domestic drama, which is more or less what I achieved. There seems to be two types of Christmas plays - ones based on `A Christmas Carol' and those based on the Nativity (observe any sitcom Christmas episode for evidence of this), mine obviously being the latter. A lot of people tried to draw autobiographical conclusions on this play (and looking back I can see their point) but I can honestly say that the only character that was drawn from real life was Marnie (everyone who knew her real-life counterpart recognised her straight away, but I better not say who she is). The relationship between Marnie, Lydia, and was based on the one between Molly, Darlene and David, on `Roseanne' (don't underestimate sitcoms for source material. They are more like a stage play than any other form of TV, and they have to be sharper and more engaging because a theatre audience doesn't have the option of changing the channel). It was performed in December 1995 as part of a series of plays about Christmas, called `Scrooged'.

By the way - watch out for your subconscious, especially when you're writing unlikeable characters. You never know which family member or acquaintance you might accidentally base them on!


THEY SOLD THEIR SOULS TO SANTA

by Camille Scaysbrook

CAST (7 female, 6 male - JAY is doubled by the actor playing GABBY) :-

GARY (DAD) - Lydia's father. Wants Christmas Lunch to go well but would rather man the barbecue than actually do anything constructive. Kindly but passive.

JULIANA (MUM) - Lydia's mother. Stubbornly insisting to herself that she is not at all flustered about hosting Christmas Lunch. Determined to make sure a Christmasy Time Is Had By All.

LYDIA - The main character. A teenage girl going through an `aggression and antagonism' stage. Thoroughly disgruntled with the whole commericial concept of Christmas and engendering an intense dislike of her cousin Marnie.

FRANK - A friend of Lydia's Dad. The sort of large, garrulous man whose every gesture is noisy and enormous, but with a good nature. Being set up with Pam after a nasty separation.

RAY - The son of Frank who has come along to the Christmas Party because his girlfriend dumped him on Christmas Eve. Evidently going through a similar stage to Lydia and garbed in similar clothes.

CHRISTIAN - Marnie's younger brother. The sort of child that no amount of Anne Geddes shots could make cuter, more endearingly innocent and sweet - minded.

MARNIE - Lydia's cousin. An airhead. but sometimes a little more on the ball than she initially appears. The sort of girl that this time last year was listening to Girlfriend but now thinks Silverchair `go off'.

PAM - Marnie and Christian's mother. Young, rich, brainless and shallow. Being set up with Frank after the latest divorce.

JAY - A friend of RAY's who lives nearby. A generic teen in a football jersey.

GABBY - Jay's younger brother. To cut a long story short, angelic.

FLO - Lydia's grandmother. Terse and not at all doddery. On far more of a rapport with Lydia and more similar a character to her than Juliana is.

ALISON - Marnie's sister. The kind of nine year old that makes death by flagellation seem not archaic or questionable at all.

YOUNG MAN - Jay's uncle. Biblical - looking.

CHARLOTTE - Alison's younger friend who looks upon her with quiet awe but spends most of her time being bossed around by her.

Setting :-
A normal suburban household which is hosting the annual family Christmas party. A decoration of some sort exists on nearly every surface. On stage right is the backyard - an outdoor dinner table, all set for Christmas lunch. In the corner is a barbecue surrounded by cooking paraphenalia (this can be situated offstage instead if one is not available) . On stage left is the kitchen and lounge room - a kitchen table, Christmas tree, stereo and lounge. For SCENE 3 this part of the stage can be covered in old sheets and surrounded by junk to emulate a garage. The guests - excepting Lydia and Ray - wear suitably `Christmasy' attire.


THEY SOLD THEIR SOULS TO SANTA

SCENE 1 - The guests arrive. The kitchen, where Juliana is making brandy butter and Lydia is looking sullen. There is a ring at the doorbell)

JULIANA - Will you get that, darling ?

LYDIA - Oh terrific. This'll be the Baywatch Family.

JULIANA - Shhh! Lydia . If you're going to be in one of your moods today ...

LYDIA - Okay, okay.

(Pam enters, with Allison, Charlotte and Marnie in tow and the sleeping Christian in her arms)

PAM - Helloooo! Sorry I'm late but the kids got me up at 4:14 to open the presents. Lydia! Goodness, you've lost some weight!

LYDIA - (With false sincerity) Well, you know what I say, Aunty Pam. If you're gonna binge, you better purge ...

PAM - You know what? That's exactly what I say to my girls, too!

MARNIE - We're just like twins, Lyd! Aren't we?

(She tries to hug her. Lydia jerks away.

PAM - You and Marnie are so alike!

(Lydia coughs to cover up her laughter.)

LYDIA - Yes we are. Although she looks like she could do with a little more of the purging. Ow!

(Juliana kicks her under the table and begins to sprinkle a little brandy in the brandy butter)

MARNIE - Oh, Lyd, you're such a crackup! You should be on Seinfeld or something!

PAM - Oh look, Jules ... your brandy butter is always so ... so wimpy! Let me take this, hm?

(She takes the brandy bottle and sprinkles it liberally into the bowl.)

JULIANA - What did you get for Christmas, Marnie?

MARNIE - Ohhh, look! I got my CD player! Aaaand a giant teddy bear!

LYDIA - How handy. A companion you don't even have to blow up.

MARNIE - Oh he's so cute! Look, Lyd! Look at the diddle bitty Teddy! (she hands it to Charlotte, who is overwhelmed by its size) Now I know why Mum told me to leave out a doona cover instead of a stocking!

LYDIA - Geez. You can tell someone's in it for Jesus.

ALISON - Where's my present, Aunty Juliana!? I want my present NOW!

PAM - Alison, say please, darling.

(Juliana distributes the presents.)

MARNIE - Ohhh! A Silverchair CD!

JULIANA - To match Lydia's!

LYDIA - Great. I'm so thrilled.

ALISON - I thought I asked for a Paper Making Kit!

PAM - Alison, say thankyou, darling.

(She throws it down and amuses herself dropping Santa chocolates into the bowl of punch on the counter)

JULIANA - Oh, I'm so sorry I didn't get Alison's little friend a present.

ALISON - Well she can have mine. I hate it, it sucks!

PAM - (threateningly) ALISON! Don't give away your gifts!

JULIANA - (to Charlotte) And how old are you, sweetie ?

CHARLOTTE - I'm five and a half. I'm turning six on April 6th.

JULIANA - Oh, how sweet.

(She looks ruefully at her own niece)

ALISON - (to Charlotte) C'mon. Let's go and put beer in the non - alcoholic punch.

(They leave).

MARNIE - What'd you get, Lyd?

LYDIA - Nothing. And would you stop calling me that, I'm not what you screw on top of a cranberry sauce jar!

MARNIE - (innocently) Oh. Do you prefer bench tops then? (an evil look is exchanged between both girls) How come you got nothing?

LYDIA - I told Santa to donate it to the Bosnian War Appeal.

MARNIE - (aghast) But... but why'd you do that?

LYDIA - Well I just don't think getting giant sized Teddy Bears has a whole lot to do with the birth of some guy who eventually got nailed to a tree, that's all.

JULIANA - Don't be ridiculous, Lydia. Of course we got you something.

LYDIA - But Mum, I told you not to!

JULIANA - There's just no pleasing you, is there?

LYDIA - I'm not opening it.

MARNIE - I'll open it for you.

LYDIA - Get bent!

JULIANA - Lydia!

MARNIE - It's all right Aunty Juliana. It's just a stage she's going through. We learned about it in Society and Culture.

LYDIA - D'you ever learn about Medieval Diet Torture?

MARNIE - What's that ?

LYDIA - They used to take you to a place like Gloria Marshalls.

MARNIE - Yeah ?

LYDIA - And feed you pigs guts and rabbit heads and things. And then you'd die of embarrasment trying to squeeze into your size ten swim suit.

MARNIE - Ohmy God, How embarassment!!! We never covered that. (laughs innocently) It sounds awful.(innocently) Were you ever subjected to it?

LYDIA - (dropping the charade) I was about to ask you the same thing.

DAD - (sensing fireworks) Well, better fire up the ol' barbecue. Gotta get those snags under way. Have you seen our new barbecue, love ?

MARNIE - Uh ... no Uncle Gary.

DAD - She's a beauty. All teak finish, teflon coated hotplate...

MARNIE - Oh. Sounds really great Uncle Gary.

DAD - Hey. How'd you like to come and christen her, ay ?

LYDIA - Yeah, why don't you do that, Marnie? After all, a flame job can't be that different from a ....

JULIANA - LYDIA! That's enough!

(Marnie gives up, smiling. DAD, delighted, leaves discussing his BBQ with her. Lydia fumes.)

LYDIA - God, it's enough that all the bloody drunk relatives have to come, I've gotta put up with the world's first living Barbie Doll!

JULIANA - Listen. I don't care if she's not nice to you. The Christmas Season is about suffering in silence.

LYDIA - Silly me, I always thought that was Easter. Is that stupid drunk jerk friend of Dad's coming?

JULIANA - Yes, Frank is coming. He's bringing his son along, and you'd better be nice to him. Frank reckons he's just broken up with his girlfriend and he took it a bit hard.

LYDIA - Goody goody gumdrops. Let's all play with Frank Junior.

JULIANA - Besides, he's dressing up as Santa for the kiddies. You've got to admit that's very nice of him.

LYDIA - Hmph. It'll probably turn them off Christmas forever.

JULIANA - And .... well, with Aunty Pam a little bit lonely after the divorce and everything ... and Frank still hasn't found anyone ....

DAD - Juliana, could you come out here for a sec? I accidentally got some fat in the fat tray!

JULIANA - (leaving) I'm keeping my eye on you, young lady.

(Flo enters.)

FLO - G'day Lydia. God, here we are again at the annual Christmas Extravaganza. Thank God it only comes once a year.

LYDIA - You read my mind, Gran.

FLO - Oh ... look , I bet your mum didn't put enough brandy in the brandy butter. She never does. Always comes out weak as a wet Kleenex. Needs that oomph.

(She empties still more brandy into the brandy butter and stirs)

DAD - G'day Flo! Hey, guess what I got! Ever heard of the Propane Queen ?

FLO - No . Not since the Mardi Gras.

DAD - She's a beaut. Three hotplates, teflon coated grill - latest technology - and, get this ....!

FLO - Oh, I can see I'm going to have to go see this, aren't I. I'll see you later, sweetie. I think there's a young man out there for you.

LYDIA - Huh ?

FLO - Looks like a bit of a sort to me ... what do they say ... `a lush honey?'

(A ring at the doorbell. It's Frank and Ray.)

LYDIA - Mum! Frank's here!

(Frank enters, obscuring Ray.)

FRANK - G'day love! Geez, you're growing up to be a bit of a looker, aren't you! Listen, have you met my son?

(Ray creeps from behind his father and shakes hands with Lydia. She is pleasantly - very pleasantly - surprised)

RAY - Hi.

LYDIA - Hi.

RAY - Nice shirt.

LYDIA - Oh, thanks!

FRANK - How 'bout I leave Ray with you, love? You can show him 'round, eh ?

RAY - Oh, well ... actually, OK. Sure.

LYDIA - OK. .... Um ... go right through Frank, Dad's out the back.

FRANK - Yep! I'll Just load myself up with a couple of coldies.

Turn the lights back on 1