Duncan MacLeod, Methos and Cassandra belong to The Powers That Be. I make
no profit from this, unfortunately, so if you happen to be one of those
Powers, please don't sue me. I'm broke anyway.
This story was written as part of the lyrics wheel and is based on the
song "Crossing a Canyon," written by Neil Osborne and 54-40, performed by
54-50. It's used here without permission.
Thanks go to Linda, who convinced me to participate in the lyrics wheel.
And thank you Canadian Girl for the intriguing lyrics. No beta on this
story, so blame any typos on me.
Before all the Methos fans start flaming me, please understand that I
have nothing against the ROG. He's my favorite immortal, and I love him
dearly. However, the idea for this story has been bouncing around in my
head for quite some time and finally pushed its way onto my computer
screen. It's not my fault!
Duncan MacLeod moved silently through the stone corridors and rooms,
devoid of light and life for more than fifty years, since the defeat of
the Four Horsemen. He stepped carefully over fallen debris and mouse
droppings, and he panned his flashlight around him, searching for ...
what? He wasn't sure. Something had drawn him back to this place after
five decades, a nagging feeling that the fight with the Horsemen had not
truly been finished.
The flashlight blinked out, leaving MacLeod cursing quietly in the
blackness. He shook it a couple of times to no avail and dug into his
backpack for replacement batteries. After several minutes of fumbling in
the dark, he installed them in the flashlight. It still refused to work.
Great, he thought. Here I am, trapped in the endless maze of the
Horsemen's base camp with no light. This is just what I need.
He quickly did an inventory of his supplies: He had enough water and food
in the pack slung across his back to last several days, so he probably
could find his way out before dying of hunger or thirst. Yes, it was time
to leave. Returning to the Horsemen camp probably was just some crazy,
useless quest, anyway.
Before he could turn around, however, the feeling in the back of his
mind, the itch that had brought him here, intensified to a maddening roar.
He couldn't leave yet, it said. Not yet. He had to finish what he had come
here to for. He had to go on.
So, sliding his hands along the wall, MacLeod blindly made his way
forward. After what seemed hours of stumbling through the dark, a faint
light filtered down the corridor. He wondered if he either was imagining
things or had inadvertently discovered an exit. The light grew brighter
with every step.
At the end of the corridor, he splashed down into a knee-deep pool that
filled an enormous room with a ceiling so high he couldn't see it. In the
center of the room, secured to the side of a large metal cage, burned a
torch. Inside the cage, a dark figure moved weakly, At first, MacLeod
mistook the figure for a large rodent, but as he drew closer, he felt an
immortal presence.
She lay face down on the cage floor, her dark hair matted into a tangled,
dirty mess. Her clothes were tattered and caked with blood. But MacLeod
would have recognized her anywhere, in any state.
"Cassandra," he murmured.
She stirred and twisted to stare at him with wide, wild eyes. "You came,"
she whispered, her voice hoarse and weary. "I knew you'd come. I've been
calling you for so long."
Who could do this to her? MacLeod moved around the cage to the locked
door. He tugged on metal bars, which rattled noisily but did not budge.
Cassandra laughed harshly, which set her into a coughing fit. When she
quieted, she faced MacLeod. "That will do you little good. I should know.
I've spent many years trying to open that door."
"Then how do I get to you?" MacLeod asked.
"Key," she whispered. "You need the key."
"Where is it?"
She licked her cracked, bleeding lips. "He has it. You'll have to kill
him to get it."
"Who is he, Cassandra? Who has done this to you?"
"Who do you think?" she spat. "Everyone who knows of this place is dead --
except for three."
MacLeod nodded. "You, me and ..."
He broke off as he felt an immortal approach. He reached across his back
and grabbed hold of his sword hilt, protruding from his pack, but did not
draw it. A tall figure slowly splashed toward the cage. The figure stopped
halfway across the room, in the shadows, and stood silent for a few
moments -- then he began to laugh.
Chills shivered up MacLeod's spine at the emotionless sound.
"Show yourself," MacLeod yelled. The immortal did not move. "Who are you?"
"Think for a moment, MacLeod, and maybe you'll answer that question
without my help," the immortal answered. The voice sounded as familiar to
MacLeod as his own -- and, yet, its unfamiliar coldness grated at him.
"Methos?" he asked.
"Give the man a cigar," the immortal answered.
"Methos, what's going on here?"
"I should think that would be obvious to a bright boy like you."
MacLeod circled the cage and approached his old friend. The 5,000-year-
old immortal had hardly changed in the decades since they last had seen
each other -- but something had happened to him. The innocence of Adam
Pierson had been replaced by a cold indifference that set MacLeod on guard.
"How long has she been here?" MacLeod whispered.
Methos smiled, but there was no humor in the expression. "Since a couple
of days after you obligingly took Kronos' head. I never did thank you
properly for that, did I? He was probably my last real obstacle to winning
the Game."
"All this time," MacLeod replied, his tone unbelieving, "and you didn't
tell me. You've been hiding her here, torturing her for half a century?
Why? This isn't like you, Methos."
Methos eyes glinted dangerously. "And what am I like, MacLeod? A reformed
mass murderer?" He snorted. "Do you really think there is such a thing?"
"Methos, you're my friend," MacLeod said.
The older immortal chuckled and stepped forward. MacLeod subconsciously
retreated and reached over his shoulder to finger the hilt of his sword.
"Your friend," Methos growled, "was just as much a fantasy as Adam
Pierson. I am not what I seemed. I am Death."
Methos walked casually around MacLeod and approached the cage. Cassandra
whimpered and slunk to the opposite corner as Methos grabbed the bars and
stared intently at his prisoner.
"You know who I am, witch," he whispered. "Do you really think he can
beat me?"
MacLeod touched Methos lightly on his shoulder, but the immortal did not
react. "Is this a Dark Quickening? I can help you if you let me. You know
this is wrong."
Methos brushed off MacLeod's hand but still did not turn. "You really are
a piece of work, MacLeod. You trust so easily, and that will be your fatal
mistake.
"Let me explain something to you. I've seen more in five thousand years
than you could ever comprehend. I've learned that time and space and
morality -- especially morality -- are vast. It's like looking across a
canyon that is infinitely deep and wide. Your principles and petty
scruples mean nothing in such a world.
"Right and wrong, good and evil -- there is only a faint line between
them. But once you've crossed that line, once you've chosen your side of
the canyon, there's no going back."
MacLeod furrowed his brows in confusion. "What are you saying? Once a
Horseman always a Horseman? I don't believe that."
Methos turned and smiled coldly. "I'm a very good actor. I fooled you. I
fooled Kronos." He nodded toward the cage. "But I couldn't fool her."
"So you trapped her here, so she wouldn't tell your secret," MacLeod said.
"Now you're catching on," Methos replied.
"So why tell me?"
"We both know that only one of us will leave here alive, so it doesn't
matter."
MacLeod drew his sword. "It's come to this then."
"As it was destined to, from the day you walked into my apartment."
"We don't have to do this," MacLeod said, almost pleading. "I still
believe you can become the man you've pretended you were for hundreds of
years. That goodness has to be in you somewhere. Let me help you find it."
Methos shook his head and drew his sword. "The road I'm on, only road I
know."
MacLeod sighed and nodded sadly. "Good-bye then."
Methos attacked with a ferocity MacLeod had never glimpsed before in the
immortal he had known, and he fell back beneath the precise, deadly blows.
He quickly realized that all the times they had sparred, Methos had been
holding back.
MacLeod found himself on the defensive, desperately fending off the
expert attack without finding a chance to turn the tables. Then, Methos
smoothly entered into an unfamiliar sequence of moves, and before MacLeod
understood what was happening, Methos had sent his sword splashing into
the water. He looked helplessly into the eyes of Death and did not flinch.
"Good-bye, MacLeod," Methos said softly.
He swung at the Highlander's neck, cleanly severing the head, and
Cassandra wailed in loss. The Quickening came, and the force of it drove
Methos to his knees, shouting in pain and ecstasy. Through the haze, he
heard the screams and cries of Cassandra as she realized she'd lost her
last chance at salvation.
The Quickening ended, and Methos pulled himself to his feet, using his
sword as a crutch as he once again approached Cassandra's cage. She cried
uncontrollably with her face pressed against the cold concrete floor of
her eternal prison.
Beautiful, Methos thought.
"You chose a weak champion," he whispered. "Haven't you learned yet,
witch, that I will be the One? You cannot beat me, but I can punish you
until the day when we are the last two. On that day, you will die."
Recovering more of his strength, he retrieved a whip and chains from
where they hung on a nearby wall and pulled a small, iron key from his
pocket. Cassandra seemed not to notice.
"That day won't come for quite a while, though," he continued. "So, in
the meantime, we will find other amusements."
He grinned maliciously. Oh, what a glorious day, he thought, for the
beginning of the end of the world.
The end
Crossing a Canyon
written by Neil Osborne and 54-40
performed by 54-50
Sitting on the edge atop a canyon
I'm a piece of time too small to name
There's a sign that's hanging over me
Let me disappear and try again
I'm no prophet but I've seen things
When right and wrong become too close
In that moment of my greatness
I become afraid and watch it go
CHORUS
And the day is long
And the bridge is gone
And the river has washed away
The road I'm on
Only road I know
Everybody's got a problem
Something to do with self control
You gotta tell somebody if you got one
You can't pretend you didn't know
Staring out across the canyon
My eyes won't tell me what to see
If I let go I could be floating
From the river to the sea
CHORUS
If I let go I could be floating
From the river to the sea
CHORUS