The

Madness

Of Mad

Monk III

CAST

Mussolini – God, dictator etc.

Mad Monk III – Hero, monk

Miss Tableofresultso – Monasteri cook

Death – The shapeless one

Announcer – As the name suggests

Friar Ronald Macdonald – Gatekeeper

Friar Sockit Tome – Head Friar

Father Steward – A steward

Friar Fred Basset – No-one in particular

Friar Corsa – Friend of Mad Monk III

Friar Laguna - Ditto

Friar Nova – Same again

Wheeler Dealer – Cunning minion

Deathmerchant – Strong minion

(Trent Reznor – Industrial guru)

Mayfly – As the name suggests

Monks 1-27

Angels 1-33

Minions 1-42

Big Busty Women 1-12

Paper Boys 1-3

Bloke

(Satan)

By Roberto Ricardo

 

 

 

 

 

 

Satan versus CHRIST

Hand or forehead "the mark of the beast"

so they can buy or sell.

Compiled by Watson Goodman Free – not to be sold

 

J’arretais par une pasteur de la rue l’autre

Jour et, mon dieu, elle a dit le plus grand

Plein des conneries je n’entends jamais.

Alors, si vous n’aimons pas mon travail,

Trouver Sister Boston parce qu’elle est plus

Amusant que je n’espere jamais etre. Merci, diu.

 

The madness of mad monk III

By Roberto Ricardo

As the music of The Madness of Mad Monk III dies out, the curtain is drawn to reveal the scene of a monastery in Luxembourg. It is 1947 and our hero is moping about outside the gates of the Monasteri di Bobbio Merchantshippio.

Mad Monk III: Oh, woe is me. Is life really worth living? Not for me, I doth think. Why, why lord, do you have to be so mean? As if it’s not bad enough, you first take my parents at an early age and you now have to take my only friend. Whatever had Pete done to offend you master, or is it simply because I have offended you? You didn’t have to take it out on Pete, he’d never hurt anyone – well, apart from those little children. Take it out on me, God, come on, deal your best blow. The frame of mankind has always been like a dishwasher nozzle, spraying out cleaning fluid in the desperate attempt to cleanse, but so far it has failed. If the dinosaurs were blue, then how is it that a butterfly that flaps its wings in one continent forces a man to leap off a building in another? One of life’s little mysteries has become as clear as mud to me now, life is death and death is life, so what is the summit of life? Death, that’s what. That’s what we all end up as. "All God’s creatures die and go to live in paradise." Tripe, they all go and live in Hell because Satan is evil and thus he tortures mankind to everlasting pain. Now, where did I put those balloons?

Mad Monk III fishes around in his pockets and lights dim. After a few seconds, lights return and Mad Monk holds a bunch of balloons (from trapdoor) aloft.

Ah, here they are. Look at me, reduced to selling balloons outside monasteries in the vain attempt of earning money to pay off my debts to the government. Pathetic. I bet you this bloke doesn’t want a balloon.

Bloke 1 enters stage left, walks over to Mad Monk III who offers him a balloon.

Would you buy a balloon off a poor, mute beggar, kind sir, guvnor?

 

Bloke 1: Sorry amigo, I havva no lire on my person. Au revoir, hombre.

Bloke 1 exits by right, holding a black candle he picked up at monastery gate.

Mad M: See, what did I tell you. No-one wants balloons, not so soon after the war. What hope is there for me?

Suddenly there is a bright flash of light and a large crash of thunder. And hark, is that a beautiful choir of angels (1-33) singing "Yup Yup Yup"? Yes, it is.

Angles: We were wondering the plains of Mars,

And we saw a little tree,

Which bore the names of all God’s creatures,

From the human to the flea.

While we were floating through the landscape,

Full of ghosts and gods and truths,

There was an ugly, greedy sergeant,

Who was speaking to some youths.

Yup yup yup, yup yup yup

Why are all the scratters scratting,

Why are all the scrubbers scrubbing and

Why doth all the women moan?

This sergeant, he thought he knew it all,

How to solve the Earth’s vast toil.

To rule his world in perfect torture,

Was his aim and final foil.

Repeat Chorus.

Go to bridge.

Repeat Chorus.

Now the world has found its good saviour,

A monk he is, some say mad.

But there is one thing we can all say,

At least he isn’t too bad.

Repeat Chorus.

We finally see the angels in full as their leg kicking entrance is now complete.

Angel 1: Hello there, Mr Mad Monk III, sir. We are here to tell you how you can repent all your sins and reach prosperity quickly, drink to your hearts content and be as rich as a millionaire in seconds.

Mad M.: Tell me, oh apparition to my eyes.

Angel 1: Join the monastery. Bye.

Exit angels in time with the orchestral arrangement of "Yup Yup Yup."

Lights go down.

Scene Zwei

Lights come back on and, is that the courtyard of the monasteri? Is that the doorman, Friar Ronald Macdonald? It is, you know.

Ronald: Hey, Mr. Geoff, is that a knocking on the door? Oi, stop your damn knocking, I’m trying to get some bleeding sleep. God almighty (sorry lord). Knock after goddamn knock, that’s all you get in this job. Once you’ve got drunk, there ain’t a lot to do but sleep and then some bender comes along and ruins me dream. It was a good ‘un too. Sharon Stone was just seducing me on the Runaway Train at Alton Towers – I tell you, drink ain’t a good thing for lust. It gets you the birds but when you’ve got ‘em in your room you can’t do nothing ‘cos you’re too damn drunk. Oi, stop your flaming knocking butt nugget. Oooo, I’ve got a god awful headache (Sorry lord).

Gets to gate and opens it to reveal Mad Monk, holding his balloons.

No, no balloons today matey.

Shuts gate but Mad Monk keeps knocking. Opens gate again.

What do you want? As if it’s bad enough, you wake me from my sleep and now you won’t get lost.

Mad M.: Please sir, I want to join the Monasteri.

Ronald: Why d’you wanna do a think like that?

Mad M.: Might be fun. Besides, my life has gone from bad to worse. My pet tiger, Pete, died and my balloon business has been lacking in trade lately.

Ronald: Well, it’s too soon after the war innit? Ah, you look pretty desperate so come on in. Maybe I can get some flippin’ sleep now.

Scene Drei

Ah, here we are in Friar Sockit Tome’s chambers. Mad Monk III is ushered in by Friar Ronald Macdonald. When seated, Ronald Macdonald leaves the room. A shot is heard and a scream from Friar Macdonald.

Ronald: Aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaargh.

Sockit: Hmmm. Right, Mad Monk isn’t it?

Mad M.: Hello senor, how goes it hombre?

Sockit: Yes. Now then, you want to be a monk at this here monasteri then?

Mad M.: You betcha sweet life.

Sockit: OK. I’ll have to wrote out a form for you to see if you are viable for a place at the Monasteri di Bobbio Merchantshippio. Have you been visited by the almighty God, Benito Mussolini?

Mad M.: Nope, but a load of angels came down, sang a beautiful chorus and then told me to become a monk.

Sockit: Ah, that’s good enough. OK, I’ll get Father Steward to come and show you to your room. It’ll be dinner time in a couple of hours, you’re free to roam the grounds as long as you walk in the path of the lord.

Mad M.: Cheers, big ears.

Father Steward knocks on the door and grabs Mad Monk. He is taken out of the room with some force. The lights dim.

Scene Vier

There is a crack of thunder and a flash of lightning, supposed to scare the audience. Make it loud, OK. Anyway, we’re in the dining hall. Monks 1-27 are wandering aimlessly about, rubbing their stomachs to symbolise hunger. The orchestra soon starts up again.

Monks 1-27: Oh my life, I am so hungry it hurts,

When is it dinner time? I want my food.

I long for sausages and french fries,

I need some gruel to change my mood.

Come on dear friend and open up the pot,

And fill my bowl full of your tasty stuff.

I’ve waited all day long to fill my tum

I really hope you’ve got enough.

 

Miss Tableofresultso: Grubs up boys!!!

It’s a monasteri life for me,

A monasteri life for me.

I’m as happy as can be, (tee hee!)

Now it’s a monasteri life for me. (Yippee!)

Now I’ve got my grub, I’m content

I’m all full up and getting fat.

Now all I want is to go to the pub,

To swig a beer and chat.

Repeat chorus twice.

Miss Tableofresultso is standing at the back of the stage on a platform, dishin’ out bowls of gruel to the slavering monks. Finally Mad Monk gets his and sits down with his new found comrades. As the sweeping violins that mark the end of "It’s A Monasteri Life For Me" fade out, our hero gets up and goes to Miss Tableofresultso, the beautiful but headstrong nun. There’s a kind of hush.

Mad M.: Please Miss, I want some more.

Miss: More? More? More? Yeah, OK, here you go. Don’t know how you can stomach this stuff, tastes like contaminated stable mud to me.

Mad M.: Oh, I haven’t eaten for years, I was a balloon seller.

Miss: Well that’s understandable, no need for balloons so soon after the war.

Is love blooming? I think so. Well, the lights dim once more.

Act Two

It’s a month later. We’re still at the Monasteri. To be precise, we’re in Mad Monk’s room, where he is meditating - sort of.

Mad M.: Oh my sweet Tableofresultso. You are so beautiful to me. You always give me seconds with a smile, making my digestive experiences so much more enjoyable. I need you, like a poet needs the pain, like a flower needs the rain. Oh, please love me because since we’ve met, my life has become so much more meaningful. You have given me a reason to live, not Mussolini, although it pains me to say so. I want to be with you always - we have so much in common, we get on so well and you say you love me, you say I am your best friend but I can’t help but think you don’t mean it in a romantic sense. You will be mine, I’m sure of it, but I just don’t know how to make you mine. There’s not a lot of need for sweet talk in the balloon selling business you see, except maybe "Please buy a balloon, it’ll match your eyes so beautifully." Oh, I digress. Your hair is the colour of roses and your scent is of the night. I love you, I love you, I lo-huh-hove you, that’s all I want to say - please be mine or I will have to leave the Monasteri and return to my humble life selling unwanted wares.

Oh God, here comes the love song. We can hear Miss Tableofresultso’s voice although she isn’t actually on stage. Verse 1 by Mad Monk, 2 by Miss Tableofresultso and the rest together. Got that? Good. It’s called "Ooooh baby, Ooooh baby, We’ll Be Together Forever, No Matter The Weather, Roll In Heather, Whatever." Enjoy.

I’ve loved you since the moment we met

You saved me from my emotional debt,

All I want is for you to be mine

Any ole place and any ole time.

Repeat Verse 1, this time accompanied and slightly faster.

Miss: Oh monk-y you’ve the sweetest face,

To deny your love would be a disgrace.

So I too wish us to be just one,

Let’s get together and have some fun.

Both: Ooooh baby, Ooooh baby

We’ll be together forever

No matter what weather

Roll in heather

Whatever

Miss: Let’s consummate our love right now,

Let’s just ignore any religious vow.

You’re a monk and I’m a nun,

We’ll get together and have some fun.

Oh thank the lord that’s over. I reckon I’m gonna be sick. Miss Tableofresultso walks on stage, dressed in a lovely dress and looks lovingly at Mad Monk.

Mad M.: My darling, come to me and let us make this night ours and ours only.

Miss: Even though I’ve only known you for a month, I feel I’ve known you for my whole life. Fate has brought us together – it’s a fact mam.

 

They kiss. Lights dim. Spotlight on Angel 1, who has just flown in.

 

Angel 1: Mad Monk III, he has a bird.

Scene Two

The next morning in the dinner hall. Packed full of monks waiting for brekkie. The orchestra plays a few themes of "It’s A Monasteri Life For Me." A tall bloke in a big cloak with a scythe walks on, waves to a monk, Friar Fred Basset and approaches him.

Death: Oh hello there, Fred. Have you seen Friar Macdonald about?

Fred: Ah, yes. He’ll be in his room probably.

Death: Cheers.

Goodbye, ye shapeless one. Action turns to Mad Monk III and friends (Friar Corsa, Friar Laguna and Friar Nova), sitting stage left.

Corsa: Eh, Mad Monk, me old bucko, heard you pulled.

Mad M.: Ay, the lovely Miss Tableofresultso. She’s a right ‘un, I can tell you.

Laguna: Ah, we don’t want to hear about that though, this is a family play.

Mad M.: Right you are, Friar Laguna, right you are. Oi, Nova, why you looking like that at me, senor?

Nova: I thought you loved me.

Mad M.: Right, OK. (Pause) So the earth is round, is it then Friar Corsa?

Corsa: You betcha life it is. Round as a balloon it is. Spherical in fact.

Mad M.: Oh, don’t talk to me about balloons. Before I came here I sold…

Nova: Yeah, yeah, we’ve heard all about your goddamn balloons before and to be quite honest, they were boring then and they’re still boring now. So just shut up about them.

Mad M.: Sure – sorry, loverboy.

Nova: Don’t call me loverboy, leading me on like that. I ain’t eating with you.

Get lost then. Meanwhile Miss Tableofresultso comes along, with spatula.

Corsa: There she is, lads and what a fine pair of legs she’s got.

Mad M.: You eyeing up my lady? Am I gonna have to kick you in?

Corsa: Yeah, go on, I dare you. Fighting for the woman you love, how romantic, makes me feel kinda warm inside.

Oh what a tough guy. They start fighting. Monks stand back, aghast at the horrors they are witnessing. The orchestra wakes up, playing the intro to the turbulent "I Need That Chimney Sweep Love."

Corsa: In the dead of the night, I will come in your room and chop off your fat head.

Now that you have pulled the biggest nun here, you think that you’re so great.

But I will make sure that you do not live, that you will be dead,

You think that you’re tough, but I know I am, so come and fight me, mate.

Mad M.: Come on then hard man, give me your best but I will soon beat you,

You stand there so proud, unaware of my strength, you’ll never win.

I have my woman, right by my side, and now you have who?

This room’s on my side, you will fall quick, I’ll chop off your shin.

I need that chimney sweep, love.

Otherwise I will creep, love,

In the pits of hell for being a loser,

Killed by a monk – ba dap ba doo.

Repeat all of that again.

Corsa: I see you and I want to cut you up.

I loved your bird more than you will ever do.

Why oh why does life have to be this way,

Why oh why does love have to betray… the soul.

Repeat chorus.

Mad Monk grabs a broom handle and sticks it right through Corsa’s chest. Blood floods the stage and Corsa writhes around in pain. The monks stop cheering – it’s getting a bit messy. Mad Monk kneels by the corpse.

Mad M.: Why oh why did I have to kill you, my best friend?

Laguna: ‘Cos he was scanning your woman.

Mad M.: Oh yeah. Shut up you, this is supposed to show my humane side. In this world of strangers, you were the only one who was a good friend to me.

Nova: (From rear) What about me?

Mad M.: Apart from Nova.

Laguna: And me.

Mad M.: Shut up! All of you, leave us alone please. Go away, go away.

All leave. Mad Monk sits, clutching corpse, crying. Lights dim.

Scene Three

We’re in the coridors of the monasteri. Enter hooded figure again.

Death: Eh lads, has anyone seen Friar Corsa?

Fred: Oh, he’s with Mad Monk.

Death: O.K., cheers. See you soon.

Fred: Let’s hope not.

Death: Ha ha ha ha. How little you know, naïve ones.

Monks 1-27 wander about the place, eventually Mad Monk III walks in.

Mad M.: Fa la la la fa la la la. What is this? Is this a dagger I see before me, it’s blade pointing down? Oh no, it’s only a crucifix. Phew, for a moment then I thought I was gonna kill the bishop, inexplicably take over the monasteri and then bring about my own ruin by getting very paranoid. That’s a relief. A horse, a horse, my bucket and mop set for a horse. Oh how this merry life pitter patters on in its usual vein, how I was I couldst be a kite, soaring above the mountains in Venezuela, feeding on innocent mountain shrew. Not feeding on my friends like a cannibal.

The orchestra now comes in as the intro is complete. "Why Must I Be A Cannibal, Baby?" begins like a forest fire. Mad Monk III sings it, of course.

I’ve always lived my life like a family man,

I’ve always done the best I think I can.

So now why do I have to be,

An ant under the smallest tree,

A murderer, that’s all I am.

 

Friends come and go, it’s very well known,

But you shouldn’t be the one who makes them moan.

It seems that I am now,

More disgusting than Spanish chow,

So I will now go somewhere and groan.

 

Why must I be a cannibal, baby?

Why must I eat all my friends?

Why have I got no table manners?

I hope this platter of death soon ends.

Repeat second verse and chorus.

Instrumental bridge and chorus.

Good, that’s over. But look, here are those angels again. Well, one of them. Make sure all of the lights are on, blindingly bright, O.K.? That’s fine.

Angel 2: G’Day you miserable dag. Cheer up, you grim wriggler.

Oh yeah, she’s Australian.

Mad M.: Uh hello. Are these premonitions again?

Angel 2: Nah, don’t worry, I’m as real as a fridge full of lager, mate. In case you were wondering, I’m here to cheer you up a bit, mate. You’ve been a bit down lately, ‘ere, have a beer, mate.

She hands him a can of Australian lager.

Mad M.: Cheap lager isn’t going to help me get over the predicament I’m in. I need Benito to tell me that I’m forgiven, I need the love of a good woman and I need a clear conscience.

Angel 2: You’ve already got a good woman’s love and you’ll have a clear conscience when you drink this can, mate. Besides, Mussolini does forgive you, why do you think I’m here, pillock mate. Stop your moanin’ and groanin’ and have a good swig of the golden nectar, mate.

Mad M.: (He does) Yuck, (hick) got any wine, senorita of the bush.

Scene Four

Lights went down, now they’ve gone up again. Fine. So now we’re in the kitchens of the monasteri with Mad Monk III and Miss Tableofresultso.

Miss: God almighty, Mad, what were you thinking of. Have you truly lost your mind once and for all? Corsa was your best friend.

Mad M.: You think I don’t know that? You think all this time he was my worst enemy? Do you think I’m bloody stupid or something? For crying out loud, I saw him treating you like a piece of meat and I just flipped, I had to do something about it or everyone would have been looking at you like him.

Miss: That’s all very noble, but did you have to kill him?

Mad M.: Yes! If I hadn’t, someone would have eventually anyway.

Miss: That’s not a very good argument, sugar pie.

Mad M.: But Val, I love you and I want to be with you always. With other monks eyeing you up, how can I compete with their boyish good looks and ambidextrous diligence? You would leave me for sure. I had to stab him with the chimney sweep, love.

Miss: Ah, Mad, you’re so sweet, I forgive you. Here come and get a good woman’s lve before we both burn in hell.

Another love song, so soon? God, this is turning into an American sitcom. This one’s the suspiciously titled "If I Was Your Hose, Would You Squirt Me At The Flowers?" It’s not as good as it sounds. Lights dim a little bit.

Mad M.: In the midnight lagoon I swim around so free,

I look at all the flowers and wonder if they’re looking at me.

They are so dry and bare, they haven’t drank for weeks,

But you, you can help them – you have what they seek.

Miss: Oh, I couldn’t save them from dehydration,

Without your help, my sweet sensation.

You have the water to keep them thirst free,

I’m glad you can do similar things to save me.

Both: If I was your water hose would you squirt me at the flowers?

Our love has great stamina, we could go on for hours and hours.

We are such a great thing, I hope we never die,

So use your hose and save me and never say goodbye.

Just say "hi," never "bye," never sigh, just say "my oh my oh my….." – we’ll never die.

Miss: Flowers are beautiful when they ain’t dyin’ (Ain’t mistakin’ fat mamma)

Death just isn’t pretty, to you I ain’t lyin’.

When I’m around you, I can’t help but squirt,

To save the flowers from the selfish dirt.

Repeat chorus twice.

Lights dim as the orchestra finish the lovely tune.

Scene Five

Meanwhile, deep in the pits of hell, Death is having a chat with a certain bloke with horns and a long forked tail. If Satan isn’t available to play this cameo please miss out this scene because if you don’t, Lucifer will make sure you suffer a long and horrible death. Minions 1-42 can walk about behind them, heads bowed and humming "Love Is All Around" (That Wet Wet Wet thing).

Death: We got a problem, boss. There’s a certain monk up in Luxembourg who has stolen the chosen one from right under your nose. It’s a radical suggestion, I know, but I reckon he’s gonna marry her. (Satan looks vexed) I, I, I don’t know how it happened boss, but I reckon she likes him too, err, boss.

Satan: Bugger. Hmm, what shall we do now then? Well, we could kill him I suppose. That might plunge her into a fit of depression and maybe she’ll turn to me as her master.

Death: Yeah, you never know – stranger things have happened.

Act Three

Well, it’s a month or two later and everyone is happy. But hark, is that Mad Monk walking around the gardens of the monasteri? Is he rabbiting to himself? I think he is – let’s listen in.

Mad M.: Friends, people, french fries, come to my banquet of the Soiled Grip and taste the spoils of the Franco-Sieden War. The law will take itself into its own hands and free Petre Gringo from hos honourable captive. Oh, oh, oh everything is falling around about me. We had a happy wedding day, a lovely service but now it seems that my marriage is ruined. I know she’s having an affair with Nova, that treacherous snake. She will pay, the sun comes out in the day, she will pay, hey hey hey. Mars will give us the secret to the formula to produce all the Cheerios we will ever need and then we will live ever tremulous.

Hello there, Miss Tableofresultso

Miss: Hi, honeybun.

Mad M.: Salutations, my lovely wife. Where have you been, sweetie-pie?

Miss: Err, I’ve been cooking the dinner, like I have to do every morning for you damn monks (pardon me French).

Mad M.: Yeah, right. So, have you seen my good friend Nova about? I’m supposed to dig a weed for him, but I don’t know which one. There’s so many in his allotment - I’m such a better gardener than him.

Miss: Yes, love, course you are. He was hanging about the kitchens with me, looking for some chocolate.

Mad M.: Oh is that what you call it now?

Miss: Erm, yes, why - what do you call it?

Mad M.: I don’t think about things like that. Leprechaun on Hadrian’s wall, dandelion on Plato’s ball, I sense terror in John Paul’s call, let’s all go and murder Saul.

Miss: I’m off, you’re losing it man.

Bye

Mad M.: Go on then, leave me. I always knew you never cared for me, you heartless cauliflower cress making, gravy boat pouring, chicken roasting cook. Oh, what have I done, what have I done? Now I must don the wigs of the Three Lights of Grandingsippo. To the vestal chamber I must go.

Scene Two

Yes, we now go to the aforementioned vestal chamber. The centrepiece is a delightful wig, coloured in brilliant shades of yellow, green and pink. All around it are pictures of bloodied men on crosses, candles, women with halos and a big picture of Benito Mussolini a.k.a. Tom Hanks. In walks Mad Monk. He’s singing, hence the orchestra are playing. The song’s "Gradingsippo."

Mad M.: My wife’s gunna leave me, ho ho ho

What shall I do now? I just don’t know.

There’s only one more thing that I can do,

I’ll don the wigs of Gradingsippo,

I’ll pretend to be a hippo,

And join a battleship crew.

 

I’ll put the wig on now,

It hurts my head – ow, ow.

She won’t cook any more chow

‘Cause she’ll die, that cheating cow…

Oh sweet Benito, this really is the end,

There’s always one more wife a little further round the bend.

Oh repeat it all again.

Then, for about five minutes, the orchestra can make lots of weird crashes and bangs. Finally, it all goes quiet as Mad Monk stops flinging his arms about wildly and looks serious.

 

Mad M.: My life is turning topsy-turvy right in front of my eyes. It’s like the story of the chaffinch and the magpie. The chaffinch has run out of bread for the winter, you see, and he knows that the magpie always has some spare so he went to visit the magpie and said, "Eee amigo, kann Ich habe ein stuck brot, bitte?" But the magpie was a selfish bird so consequently and with good reason, the magpie denied the request. "I don’t think so, gringo. Why don’t you just go to the shops and buy some?" The chaffinch was disheartened by this unsociable behaviour but he took the magpie’s advice and bought a loaf of bread for himself. Thus he spent the winter healthy and nourished.

I remember, my mother used to tell me that story every night and said, "The moral of the story is don’t go asking magpies for food, dear. Go to the shops instead. It’ll be less soggy that way." She was a wise lady, my mother. Oh who’s that yonder looking at me?

In walks Wheeler Dealer, who is, as the name subtly suggests, a cunning fox of a man who will stoop to any level to get what he wants. He walks in very confident, like he owns the place. All this is kinda irrelevant though, cause he dies by the end of the scene.

Wheeler: Yo, home boy, how’s it hanging dude? (Stereotypes, I love ‘em)

Mad M.: Not too bad, I guess. Erm, who in Benito’s name are you?

Wheeler: Wheeler S. Dealer, at your service, man. I own this joint.

Mad M.: I thought Bobbio Merchantshippio was the monasteri owner.

Wheeler: Yeah, well he was, once, but that was about thirty years ago. He’s dead now and I bought the monasteri off him. I kept the name though, cause I liked it – Monasteri di Bobbio Merchantshippio, got a nice ring about it. I once bought the Monasteri di Crudfinger Grafton, out in Jacksonville, but I didn’t like the name so I changed it. It’s now the Monasteri di Flowery Sugarlily.

Mad M.: That is a much nicer name. I have a relative who went there.

Wheeler: Oh yeah? That’s a coincidence.

Mad M.: I think life is one long coincidence. I remember once travelling to Austria, by horse and wagon, you know, and I knew that some friends of mine were returning from where I was going and it just so happened that we saw each other in Liechtenstein. When I arrived there, I also chanced upon my long lost brother, living in the same place.

Wheeler: Cor, that’s spaced out, man. Anyway, I’ve just arrived here and I was wondering what the chicks are like in this here monasteri. I saw this real foxy one, cooking some liver.

Mad M.: Hey, that’s my wife, amigo, keep your eyes off her, you punk.

Wheeler: Chill out dude. Only commenting on my observations.

Mad M.: Well, we could do without your comments.

Wheeler: Yeah, whatever man. Got a good pair of legs though, sport.

Mad M.: I said, we could do without your comments. Do you want your head kicked in or something? I don’t like people looking at my wife.

Wheeler: O.K. man, sorry sorry. (Under breath) She’s as ugly as sin, anyway.

Mad M.: Right, that’s it, you die.

A fight ensues. It starts by Wheeler getting a kick in the stomach. You can make the rest up. While all this is going on, the orchestra plays the tune to "I Need That Chimney Sweep Love." It ends though, with Mad Monk picking up a dagger which was lying about and stabbing Wheeler in the face.

Oh God, I killed him. What am I going to do now? There’s only one thing I can do. I will have to roam the streets of Luxembourg. The wig has done me no good (So take it off), it hasn’t explained any of my questions so I must seek solace in the winding roads of my fair city. Goodbye, sweet monasteri, for now.

Dum de dum dum duuuuummmm.

Scene Three

Welcome to the pits of hell. Death and Satan are having a little chat. Satan has a cigar and he lights it in a hard way. I know, he takes a minion, cuts off his finger, lights the blunt leftover with a zippo and lights the cigar off that. Remember that if Satan isn’t available, this scene must be omitted, no-one can portray the dark master with enough skill as he, you see. You’ve been warned.

Satan: Oh, it’s a lovely day today. I’ve never felt so relaxed. I got Ben Folds on my radio and a cigar in hand. (Sings along to tape) Underground, underground, underground, weeee. Ah, my friend, what is the good news you have to tell me?

Death: Ah, yes, well. We had a little problem.

Satan: Problem?

Puts his cigar out in the palm of the fingerless minion.

Death: Yes, guvnor. Erm, the monk killed Wheeler.

Satan: Oh bugger. Damn. Well next time we will have to use brute force rather than extreme cunning. That Wheeler was a bit of a weed I suppose. This time, we’d better not fail. Send down Deathmerchant, my dear sir. I’d like to see the monk fight him. Ha ha ha.

Death: O.K. fair enough. I’ll go prepare his battleaxe for the massacre.

Satan: You do that – be careful not to cut yourself. I’ll just finish my cigar.

Scene Four

O.K., so we’re on the streets of Luxembourg. Lots of Big Bust Women (1-12) are roaming about the place, selling their wares (eg. bananas, mugs with pictures of Luxembourg sites on them etc.) as well as a few paper boys (1-3), looking fed up. In walks Mad Monk.

Mad M.: So here I am in the streets of Luxembourg, it’s such a fair town to happy home in. but yet there is a deep yearning in my heart for something new, something different. The faeries have taken my last watermelon and I have nothing but the seeds left to chew on. But nothing is as bad as the gnomes who refuse to surrender my creamy-white lightsocket which has undergone so many refurbishments in the past, it’s turning into a one man band.

Paper Boy 2: Hallo, squire, fancy purchasing a quality newspaper off a poor orphan boy, guv’nor. It’s a fair cop, you caught me red ‘anded an’ all. But I didn’t do it, I’m a red ‘erring y‘hear. Ooh, me plates o’ meat are givin’ me blisters red as a London bus I say, apples and pears, apples and pears.

Mad M.: Push off, I was in the middle of a soliloquy there.

Paper Boy 2: Sorry kind sir. I don’t get much of a part in this play and I get paid more money if I say somethin’. D’you want some more. Cor blimey guv’nor, dodgy deals ahoy, apples and pears, apples and pears.

I think it’s about time we had another song, don’t you? O.K., this one’s called "Nice, The Streets Of Luxembourg, Aren’t They?" It features Mad Monk and Paper Boy 2 on backing vocals.

Mad M.: I’ve lived in this town for about a year,

An’ I’ve come to think I like it here,

But it looks like I’m gonna have to leave,

I’ll grab my bags and I will heave…..

Them onto my back like an old pack horse,

Don’t worry, I’ll pack lightly of course.

But there’s one thing that I will have to take,

I can’t leave here without my cake.

‘Cos cakes make you happy,

Even if your wife never will.

Oh cakes make you happy,

If I don’t get one, I will have to kill.

The streets look all empty in this despair,

They used to be jolly when I had no care.

But if I had a cream cake to eat,

I could fly a plane and live in Crete.

‘Cos a cake makes me happy,

Even though this life is so long.

Yummy cakes make me happy,

Come and join in with my song.

Paper Boy: Here here

Heave

Inspector Morse

Fondant Fancy

Jelly baby on my tongue

Hope I don’t suck too long,

The baptists are out in force,

Quick, call Inspector Morse.

 

Chair

Delete, error! error! error!

Springboard to the goldmine

Ding dong chime chime,

They got their hats on of course

Quick, call Inspector Morse.

Brings out a placard from stage left, with the words to the chorus.

Sing chorus 23 times, making each section of the auditorium sing a chorus each.

After, the orchestra gets up and parades around the theatre with glee, playing the chorus in a ragtime style. Lift those slides, you trombones! Majestic end….

Orchestra go back to the pit and have a rest.

Mad M.: Look, I just told you to push off, so will you just say some cockney slang and get lost please.

Paper Boy 2: Cor blimey guv’nor. A right bit of bovver an’ no mistake. Grab me trouble and strife and go down to Camden market and get me a bowl of jellied eels. Apples and pears, apples and pears. (My agent’s number is…)

Paper boy finally leaves. He can only do Cockney, by the way, so unless you’re the talent scout for Eastenders or something, don’t bovver his agent.

Mad M.: Right, I can carry on with what I was saying before. Ah yes, the streets have lost so much of their awe and enchantment. Did I ever tell you about the time when me and the missus went for a walk in the town? Even the blood spilled by the victims of terrible muggings seemed colourful – now it’s just turned a murky brown. Oh what has happened to our love, my dear Val. We used to be such a loving couple. We used to run in the rain, play games of trench jumping (Patented 1995 by Robert Richards, historian) and walk people’s puppies for them because we felt the love we had could spill into the little dogs and make them happy. But I guess that’s all gone now, hasn’t it? You like Nova, that’s fair enough, but you don’t have to hide it from me. A relationship is supposed to be based on trust – I can’t even rely on you to tell me when you’re having an affair. Oh sweet senorita, sweet senorita. I can see the sun ride in the distance in our desert as the mariachi plays our tender song…

Spanish guitar plays gentil version of "If I Was You Hose…"

…I am lifted above this depression temporarily and then smashed upon the rocks below. I look up and see the vultures encircle me, calling to their cohorts, "Here coes lunch." But the fish in the ponds can play their piccolos (Agitation creeps in) and the herons their bass clarinets because I’m sick of it all. I don’t need to be pushed around…

Guitar begins to sound the familiar strains of "Why Must I Be A Cannibal."

…like a table that isn’t sat at anymore. The brand names will succumb to my gregorian chant and collapse in a fit of exhaustion as they bleed their final drop down into the catacombs of the Devil. There is but one thing left for me to trust in – just one entity I can place my trust in. Thank you Mussolini for giving purpose to my otherwise pointless life.

Enter Mussolini

Mussolini: It’s a no problem, si?

Exit Mussolini

Mad M.: Cor. My God, appeared to me like a bolt of lightening shot at me by one of his angels. Satan will not tempt me to join his side – sure I’ve killed a couple of people, but Mussolini will forgive me, he knows what it’s like to be put under such stress when you can’t live up to the standards that your friends set you. The handsome, oh so pretty Nova can have my wife. But not without a fight, I can tell you. God, I’m thirsty.

Enter Deathmerchant with a glass.

Deathmerchant: Here, have a drink, you little punk. A drink of your own blood. Ha ha.

Mad M.: Oh God, what the hell else can go wrong in my life? My wife’s left me, I’ve murdered one of my best friends and I’m always confused. Now this great big oaf has come down from God knows where with his massive axe gleaming, offering me a cup of blood. At least I’ve got a lot of lines.

Deathmerchant: Yeah, tough life in a Luxembourg tragedy, innit?

Fight ensues. The orchestra kicks up into the discordant and arty-rock dirge called "Death of Deathmerchant." Note concrete shelter player. It’s a tense battle, no-one knows who’s going to win it’s so close. It’s quite surprising where Mad Monk gets his great energy from – let’s just say it’s a gift from Mussolini. Anyway, Deathmerchant looks as though he’s going to win for most of it, but in the end – guess what? – he dies from a heart attack. Just like that.

Mad M.: Oh my God, it looks like my life’s going to end,

Such a wasted life – I have no friend.

Me wife’s left me

Me wife’s left me

And I’m getting sick of saying it.

Sick, sick, sick out a brick.

Gross misconduct – yeee haa

Here’s Inspector Morse – neee naw

Call an ambulance, ‘cos I’m gonna die.

Why – why – why? I’m gonna die. Oh no.

What?

Repeat it anyway.

6 mins, 23 secs of guitar feedback and/or screaming.

Deathmerchant: Oh my heart.

Aaaargh.

Aaaaaaargh.

God that hurts.

Save me, mother. Looks like me time has come.

Bang the trumpet, sound the drum.

Brought that attack to the heart room.

Guess Mad Monk’ll never get his doom.

Bye.

Mad M.: Cor, there’s a bit of good luck, amigos. You’d have never thought he would have had a heart attack, just as he ws about to detach my head. Luck must be on my side. I can hear the lord of my life calling me and he screams my name like a red balloon. Did I ever tell you I was once a balloon seller? Sales not so good so soon after the war. Anyway, this scene’s gone on for far too long. I’m off back to the monasteri.

Phew, that’s enough of that. Guess who’s going to be in the next scene.

Scene Cinq

Yes, we’re back in the pits of hell, surprise, surprise. Enter Satan and Death together. Please remember to omit these scenes if Satan isn’t available.

Satan: This is really getting on my wick now. You’ll have to go down yourself. I’d come down too, but since I’m not going to appear in every production, it’d be a bit pointless if the showdown scene had to be omitted. I’m evil, but not that evil.

Death: Fair enough. I’ll give him a good hiding, don’t you worry sir.

Minion 15: Hello

Oh sorry, dozed off there. Enter minion 15.

Satan: What do you want?

Minion 15: A raise. We’ve had a little vote on it and we all feel that we aren’t getting paid enough.

Satan: Oh well, I’ll see what I can do.

Minion 15: We want action now. We want a raise – what can you do?

Satan: Nothing.

Minion 15: Fair enough. Thanks for listening, oh dark one.

Satan: No problem…

Minion 15 exits

….. dick.

Satan leans back on his throne. Pulls out a cigar, puts it in his mouth, clicks his fingers and up shoots a flame.

It’s good to be in control. So many managers come up to me asking how they can improve their output and I tell them to start at the bottom. Show the workers who is boss. They ask for a raise? You tell them where to stick their raise. Bye.

Act Four

We’re back at the monasteri. To be precise, we’re at the gate of the monasteri where Friar Sockit Tome is moping about.

Sockit: I was once the chief Friar at this place and now look what’s happened to me. Someone kills the gateman and I get the damn job. Ten years I devoted to this place, ten years. Praising Mussolini and how am I awarded? I get to stand out here in the cold all night with nothing but a bottle of vodka for company. What a wretch of a man I have been reduced to.

Knock knock (It’s Mad Monk)

Knocking knocking knocking. Will the devil never stop sending me on such pointless errands? I tell you – and this is the stone cold truth – I was walking into a betting shop the other day and the whole room was jam packed, not enough room to fart in there, there wasn’t. Anyway, I digress, I walked up to the bookie and asked him, y’know, a tenner on Nice Whiskas Matey Is That All You Got For A Dollar and he told me that the odds were 20-1. "Well," I said, "In that case, raise it to twenty quid." He said – he was a weird bloke, this bookie, he kind of spoke with a Swedish accent, he said, "Vot? Twenty pounds from a monk on a horse?" I said, "No, I walked here, there aren’t even any stables at the monasteri."

Keep on knocking

Alright, alright. I’m a coming. Blinking hell. The apples keep shouting my name but I refuse to answer. On principle, you see. I don’t see why I have to keep telling them to shut up. They’re only doing it to annoy me. And the oranges – God, they never shut up. Moan moan moan moan moan, that’s all I get from them. Whinge about this, whinge about that. But the bananas, quiet as mice. Never hear a peep out of them. Although, that depends on whether the apricots are about. They have an evil streak in them, twisting the bananas around their little fingers.

More knocking

O.K. Here I come. I’m just opening the door, no need to keep on with your incessant knocking. Shut up apples, please!

Opens door

Mad M.: Well it took you long enough.

Sockit: Oh, I’m sorry sir. Please don’t take out your frustrations on a poor old gatekeeper.

Mad M.: Just get out the way and let me through.

Sockit: Fair enough, squire.

Mad Monk walks off stage.

I can see something bad happening to him, he seems all full of rage,

I can predict all these things accurately, because I’m an old sage.

Scene Two

We’re in the kitchens of the monasteri. Miss Tableofresultso is washing up.

Miss: Oh what is up with poor Monky? He has been acting very strangely lately. It’s like he’s being very suspicious about me. I don’t know what he thinks I’ve done, all I do is wash up after a load of old monks. Not very exciting, I know, but at least I make an honest living for an honest man. I am very honest indeed. Honesty is the best policy, that’s what I say. Too many cooks spoil the broth. Too many hands make light work. Two’s company, three’s a crowd. One, two, buckle my shoe, three, four, knock on the door. This sounds like him now – it seems like ages since I last saw him. I hope he’s cheered up a bit.

In walks Mad Monk – a man on a mission. Miss Tableofresultso opens her arms to him. Orchestra start the introduction to "Get Away From Me, You Cheap Trollop." It’s a very fast but poppy song. Slow start, mind.

Hi honey, you’re home.

Mad M.: Don’t give me any of that. I’m sick of your lies, sick of your deceit. All along I gave you everything you wanted – the honey from the bees, the cherries from the trees – and what thanks do I get? You run off with one of my closest friends.

Miss: No I haven’t. Who anyway?

Mad M.: See, lies lies lies. You know quite well who. Nova was always a dirty, selfish old man. I knew it wouldn’t be long before he tried to get his hooks into you. But I never thought you would succumb to his come-ons. The reindeer from Lapland have always been unfaithful to me but this is the last bedouin. I’ve wandered the desert of souls for more than a week now and I can only find one way out. The greatest yeti on earth has provided me with the solitary bagel that will solve all my problems with just one majestic blow. The seagull may know the way across the oceans but I won’t search around the graveyards of Finland for all my life. Roger roger. Bravo foxtrot tango. Ha, you know that I have watched you from afar. You know that the albatross around my neck has bitten off more than the giant peach and by God is he full now. I can barely pick my stomach up from off the ground. But the merriness of election campaign success is floating through the airwaves as we speak and now that I have been given the yeti’s reply, I can dance safely to the lambada without risk of the grey haired chip frier coming to fry my head, battered in a layer of blood red skin.

Miss: What is the answer?

Mad M.: It is time for you to die.

Miss: You’ve lost it. Here, snap out of it before the devil finally steals your mind.

She slaps him. Mad Monk stands back aghast. Tempo of the song picks up.

Mad M.: Get away from me you cheap nasty trollop

When you served us food you gave me an extra dollop

But now I’ve had enough

This may sound a bit rough

But I’m going to have to kill you.

You, you, you – hoo hoo hoo

Miss: I don’t know from where you get these crazy thoughts,

But I’m not attracted to any of your monk cohorts

I’m an honest young lady

Although my memory’s a bit jady

I swear I haven’t slept with your friend

Friend, friend, friend.

Both: I know we haven’t really been best of chums,

I know we’ve seen some doldrums,

I know we may be breaking up,

I know we may be taking up..… too much in our lives

Miss: But I don’t want to die.

Bit of a bridge

Repeat chorus

Merge into the song "Time To Die My Little One."

Mad M.: Well no-one wants to die my dear

No-one here at least, I fear.

Mussolini has told me that I

Must enable you to die,

It’s time for you to die, my little one.

Tempo slows down into an almost balladic (?) form.

The summer has always fringed on my heart

But the winter has, oh so often, torn me apart

When we met I was happy

They had to buy me a nappy

‘Cause I couldn’t hope to control my bowels.

 

Now you have gone and left me all alone,

I’m not going to be the one who has to moan

My life has had so much pain

You could fit in a train

Please send it far away to Alice Springs.

 

So I’ve got my knife to kill you, my love.

I’ll transport you to the angels above.

Please don’t cry too loud,

We have a nervous crowd

And Bethlehem’s a fair distance away.

There’s a crack of thunder and a kitten miaows as Death walks in.

Music suddenly becomes dreadfully fast.

Death: Satan has already sent down two men

To take your life quickly but then

You beat them both and he is mad,

He sent me down – I’m a nasty lad

And I’m gonna rip your goddamn lungs out.

Mad M.: So you too want to join in the fun

And murder like Atilla the Hun.

The pipes, the pipes are blowing,

A corpse will need a towing,

Never will that body be mine.

Death: Don’t be so cocky you plucky boy,

Even a monk couldn’t save the city of Troy

And what a muddle they were in -

Ten times bigger than the one you’re in.

How you gonna get out of this one then?

Mad M.: Maybe I’ll win you never know,

After all, you seem an easy foe.

Danger is my middle name,

Miracles my only game.

Only I will achieve glorious fame,

Negative vibes – I put ‘em to shame.

Know that I will be your killer.

This is all getting a bit daft.

They fight. The music slows down to a halt.

Death: It takes a heartless man to enter London’s society these days, but a heartless man will never be a rag and bone man.

Mad M.: Ah, but I’ve seen his nature and he smiles at me like a politician does to win a useless vote.

Death: A married man may be able to live with a woman, but a marred woman will never live in happiness again.

Mad M.: Yes, but the happy man will always have a grin, but a chappy man will often have sore lips.

Death: Most musicians are frightfully igly, but a lot of magicians are small Lancashire gimps.

Mad M.: The beggar will always need to ask for money yet the pegger will always be able to dry his clothes.

Death: This society plunders the world for robbers and thieves but cobbers and leaves get let off.

Mad M.: Me thinks you look too kindly on him because his lisp is like that of a netted seal.

Death: Ah, the charted land may be free to roam safely, but the cheated hand will always choose trumps.

The music starts up again as the song is continued. It now enters the lounge singer easy listening phase. Sing sweetly now.

Mad M.: Da da dee doo dah

Blan blan dee dee doo

Skidip dee doo dah

Shplan foo nee noo

 

Well I left my baby in Luxembourg

The angel in a devil dress

Well I miss her sweet caress

Oh I, oh I left my baby.

 

I loved her more than flowers can sing

That beauty with her hair a mess

Aphrodite had looks that were less

Oh I, oh I loved her a lot.

Miss: I’m still here, you know.

Death: So am I, dee doo dai

Dee doo how how how

Sun like a great big cow

Blee dee doo da skin diddle do dah

 

Well that’s all in the past you stupid monk,

You may think that you’re very tough

But are you sure that it’s enough?

Oh that, oh that’s all long gone.

 

I left my skin in San Francisco

And I left my brain in New Orleans.

My lungs may still be in Moscow

But there’s still bone ‘neath these jeans.

 

So now it’s time to die my little one,

I haven’t known you well, but it’s been fun.

My chiropodist may be ill,

My dietician on the pill.

But now it’s time to die my little one.

Mad M.: Forget you.

Oh dear, the fighting ensues. As things get very close, the faint buzzing of a mayfly can be heard above the clashing. It gets louder and seems to get more frantic, as if it’s been knocked about during the turmoil. Suddenly it stops and Mad Monk lets out a bloodcurdling scream.

Mad M.: Ow. What the hell was that? Jeez, it’s causing a throbbing, my veins feel like they’re exploding.

Miss: (Running to him) Oh my dear, what has happened to you my sweet? Was it the fly we could hear? Was it poisonous?

Death: Unless I’m very much mistaken, it was the feared Liechtensteinian common mayfly. Very poisonous, must of hurt, I’d imagine. On of the major symptoms is a fatal miscarriage. Never mind, I’ll stop the pain.

He lifts his sword and brings it down fast towards Mad Monk. But alas, the monk collapses and Miss Tableofresultso gets the brunt of the blade. Oh no.

Miss: No…….

Mad M.: You great big oaf, what have you done now? Not content with sort of killing one man, you kill his beloved in his great hour of need. You cruel, vicious man. Have you no heart?

Death: Oh bugger. I wasn’t supposed to do that. The whole point in me coming down here was to save her from you so that Satan could have her as one of his prized minions. Oh God, is he going to be angry. I’m in for it now.

Mad M.: You mean to say that all this is about Satan wanting her as a minion?

Death: That’s what I just said wasn’t it?

Mad M.: I was just clarifying. But as I speak, I can feel the blood pouring out of my veins as the mayfly saps at my life source, filling itself ‘til it bursts. Why should life pass me by at such a steady pace and then in my time of dyin’ flow through like a raging river. It makes me so sad. The pain inside me comes from all directions; there’s the physical pain, of course, but then there’s the emotional pain of my wife now bleeding beside me and the fact that my balloon business has collapsed once and for all – I now have to leave behind my life in the monasteri and the fact that I have just gone through a miscarriage really rips me apart. Oh God, oh Mussolini, please take me away to a better place, a better place than this. There must be something else, there must be something good, far away, far away from here. But why now? I have had such a relentlessly poor life, you would have thought something good would have happened before I’d died. It’s so tragic, I’m so tragic. The only thing vaguely decent that has happened to me was meeting the lovely Miss Tableofresultso and now look what’s happened to her. Her head chopped off and her spleen soaking up the floor cleaner as I speak. Oh what I would have done to save our marriage. If that home wrecker, Nova had not succumbed to the pleasures of evil, none of us would be in this mess. Mess? Mess? Chess – God that is such a dull game, the knight attacks the rook who yells "Help me momma, the gracious pig swiller is after me again," but we all know what’s going to happen next, don’t we? Oh yes. The pig swiller will grab his toupee and fling it into the eternal fires of Rachmaninov which will cough it up complaining of ear ache and then where will we be? Horses riding topless theoughout the country, ice cream vans jumping off cliffs in order to save the world form phantom cider lollies, brass giblets frying themselves in milk to overcome the toils of daily scrub baths. Oh my, oh my. Splash me into the pools so that I can finally meet my end, so that I can be at one with the breakfasts that plague my liver. The Liver Bird may come to heat my boiler but the scouser will not want to see his beloved statue powering my home appliances. He’ll come over here and shout, "Oi, Mad Monk III, you may think you can just take all the monuments in the country, but you’re not taking one of ours, OK?" I’ll gladly give it him back though because Eros is always willing to lend a hand. Oh petty, petty life, it seems that it is almost time to leave you, so I will, before I am killed by the struggle. Goodbye, goodbye, you’ve been a lovely audience. Thank you all for coming and have a pleasant trip home.

He dies.

Death: God almighty, I thought he’d never go. Anyway, I’ve got a dilema now, haven’t I? What is the boss gonna say to me now? He’ll have my guts for garters and no mistake. I guess I could kill myself but that might be a tad extreme. Then again, the guv’nor will probably kill me anyway so I guess I could always choose my own form of death, which would be nice. Oh I don’t know. I think I’ll sing a song.

Right you are. O.K. The orchestra strike up with the funkadelic "Death’s Song – The One Near The End." Hear the bass twang. Backing wails by Mad Monk and Miss Tableofresultso.

Death: Oh I could die or I could die

The options now will never end.

Kill myself or be the killed,

Have you got a life to lend?

 

Death by name and death by nature,

Sounds like me alright.

I want to end up on a bonfire,

But can you set bones alight?

 

Death, death, death, death, death, death to Death

Hard to say it all within a breath.

Who’d have thought my time would come?

Goodbye guv’nor, goodbye Mum.

 

Satan never was a kindly man

Even when smoking on his cigar.

He’d kill anyone who got on his nerves,

They could come from near or afar.

Repeat chorus (Death, death…. Bit)

End with the shooting of a gun.

So what should I do? Come on, somebody help me.

It has been rumoured that this part of the overlong scene was simply an homage to Nine Inch Nails’ frontman, Trent Reznor. It may be omitted. A crack of lightning rings out and in walks Trent Reznor.

Trent: Hey pig. I believe I can help you. Come, get closer, I won’t bite you. The ruiner will get Mr Self Destruct if you don’t watch out and then we’ll end up in a pig march. I’m going to a warm place to meet a big man with a gun and it’ll hurt if the downward spiral takes its toll and the eraser enter the becoming. Anyway, I do not want this so I will help you with your dilema. Your heresy is almost reptilian.

Death: Err, fine. Satan will kill me if I don’t kill myself.

Trent: No problem, kill yourself.

Death: OK then, thanks for the advice.

Trent: It’s OK. I’ll be off then.

Death: See ya.

Trent: Bye.

He leaves.

Play can resume where it was left off if past 30 seconds were omitted.

Death: Yes, I think I will have to kill myself.

Reaches into pocket and pulls out a silver pistol, raising it up to his skull.

Hmmmm, handy. Goodbye cruel world and thank you Roberto Ricardo for quite a handsome part in your wonderful play.

Shoots himself. Blood comes pouring out like a "steaming scarlet brook."

"Scene" Three

Announcer: (Offstage) So thus ends the tragic story of Mad Monk III. To catch you up with what happened to the more minor characters, I have been employed. OK, Nova, suitor to Miss Tableofresultso (allegedly) left the monasteri and became a balloon seller. He felt it was long enough after the war to carry on the tradition and his shrewdishness earned him millions. Laguna is still a poverty stricken monk. Friar Sockit Tome has regained his position as head of the monasteri since the former head was found hanging from a large bridge. Mysteriously. Satan is very cross, to say the least, but has caught his eye on another possible minion, the cockney paper boy. Mussolini is still head of a cult religion. And I? I am still an announcer. So everyone, give a cheer for the cast as they sing the farewell song, "The Unsettler."

O.K. then, this one’s bit dark. It starts off very mysterioso, as the Italians would probably say and never picks up. the large proportion of the cast sing a bit of a verse each. It’s all a bit of a dirge, but spinechillingly dour.

Death: She’s in my dreams all through the day

And sometimes in the night.

Mad M.: She scratches at my skull relentlessly,

Not letting me wonder elsewhere.

The temptress knows just how I feel,

She doesn’t let on herself.

Miss: The temptress digs her heels in harder,

Not knowing when I’ve had enough.

Her repulsive looks draw me even closer

The freakiness brings a smile to my face.

Bloke 1: The image of her frightens the heartless

In the darkness she appears alight.

She’ll speak rarely unto you,

She’ll hiss and glare ‘til you bleed.

Deathmerchant: But the temptress knows not she is unwanted

By the world, yet she carries on.

Nova: The struggle to be loved is one to avoid.

She ignores it with a doubtful smile.

I do not know whether I crave her yet,

There will always be somebody.

Monk 16: I’m gonna chop off your damn legs, little dancing girl

I’ll hack off your arms, pretty petty boy

You both think you’re so far above me,

Well I pity how far you are beneath me.

Mad M.: Be content in your ignorance.

Take pride in your idiocity.

So, if you ever meet a temptress

Don’t let the claws skewer into you.

Ignore the innocence, her false warmth

Unless you feel you could benefit from her.

All: Altogether now!

Good, huh? Well that’s the end. Bye for now……

Thanks to Owen : For speaking rubbish for the last two years.

Thanks to Shaun : Primarily for the use of his purple watering can.

 

 

 

 

The Madness of Mad Monk III

by Roberto Ricardo

Notes on author

Roberto ricardo is a world renowned playwright and novelist. Best remembered by his shortish story, "the caution horses," about the exploits of a dismembered crew who sail about a bit conquering minor nations. It won him the ivor novella award for "good stories about sailors" and has since produced 23 celebrated works. He is worshipped in many countries, primarily Scandinavian, who feel they can relate to his rather unique sense of humour. He was knighted in 1995 after his book, "the effect of surface area on the growth of cabbage leaves," outsold every book ever written in every single country in the universe, ever. The demigod would be quite pleased if this play Is performed in every theatre in the world but only if Wolverhampton grand is avoided. At the age of 17, he feels that the next step is to write a bible that all his fans can read before they go to bed. habensienoch platzfreibitte 1997

The Madness Of Mad Monk III

"Yeah, it’s very good. I’ve read it thirty times now and each time it’s like a new experience for me. I can’t begin to tell you how wonderful it is, I might get over excited." Jonservai Hurdygurdy.

"Whoever made up this play should be made poet laureate of the whole world. Oh he is? Fair enough."

"Sorry, I haven’t read it. Aaargh, that hurt."

"It’s absolutely brilliant. The frogs need not plague me any more even though the sirens rip out my heart everytime the bathroom sink explorers find a fishfinger."

"What happened to the shower scene?"

"Yeah, not bad."

Copyright 1997 by Frenchlesssonsmakemeecstatic Publications

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