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Love Can Build A Bridge Naomi Judd with Bud Schaetzle | ||||||||
This is the story of the rise and forced decline of Country
Music's most successful and best-loved duo of the 1980s: Naomi
and Wynonna, The Judds. It charts through Naomi's eyes, their
beginnings as Diana Judd Ciminella and Christine Ciminella of
Ashland, Kentucky. The book also includes the occasional
paragraph including the name of
Ashley, the unsung Judd, and
current Judd movie star celebrity au jour.
I think it is my duty to mention that the first thing you will need to sacrifice in order to enjoy this book is any desire for the truth. Several years after its 1993 publication, it became public knowledge that Wynonna was not the child of Michael Ciminella, an idea the book, without ever including a sentence, 'She was Michael's baby,' more than supports, without ever touching on any other parental possibilities. Ultimately, the story is told through Naomi's dreamy, and often cliched fairy tale imaiginings. And even though it is obvious her version is somewhat engineered, as were the Judds (despite their claim to Kentucky, they spent many years in California, and numerous other PR machine stretches), her character often comes off as controlling, deluded, sensationalistic, and near the end, a saintly martyr. My reccomendation is: if you loved the Judds as I do, don't read this book, it will only disappoint. If you disliked the Judds, and Country Music already, stay away. Indulgent "biographies" like this will only give you fodder for futher disapproval. | |||||||||
546 pp.
Reviewed by Alicia Bennett
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"I looked over and saw Ashley, Larry, and Mom on my right, Ken on my left, and the fans before us. It seemed as if the stage were being levitated. As we stood hand in hand, beginning our last song together, I knew this was the bottom of the ninth in the World Series with the bases loaded and Wynonna up to bat. As I joined my dearest companion in harmony for the last time , it was like lucid dreaming. I felt like a dragonfly, suspended in air, with gossamer wings beating very, very fast. As Wynonna hit the impossibly high notes with a church soloist lung power, she looked like a Pre-Raphaelite painting. She was so beautiful with her chin tilted upward in soft golden light beaming down like a ray from heaven. Tears, sparkling like diamonds, cascaded down her cheeks. It was a supernatural, sacred moment and nothing will ever outshine its brilliance."[For fun: count similies and methaphors used in above excerpt] Send your comments. |