Tim McGraw, Toby Keith, Martina McBride, John Michael
Montgomery, Michelle Wright, Lee Roy Parnell, I could go on
naming the Artists I have been privileged to be on stage
with as I've toured the United States
and Canada. From Phoenix, to Grand Prairie, Alberta (by the
Alaska Highway), to Thunder Bay, Ontario, Denver, Indiannapolis,
Dallas, and as they say, everywhere in between.
We all have our story about how we ended up in Nashville hoping
to get that chance to be on top, to finally make it.
And in 1987, I sold everything I owned except my van and
keyboards and drove through Sarepta, Louisiana to pick up my "new
boss" on the way to San Angelo, Texas, for our first gig. His
name was
Trace Adkins, the band was Bayou.
And, for me, this was the beginning of years to come, week to week,
paycheck to paycheck, club to club, living out of suitcase and
staying in damn near every motel in Texas.
Trace was a struggling musician like the rest of us trying
to make a name for himself on the Texas circuit. Playing what he
calls kamikaze country. That's anything from Merle
Haggard to Commander Cody and the Lost Planet Airmen. If it was going to
put food in our stomachs, he'd call it on stage. I learned alot,
to say the least. I was in awe how we could go night after night,
wondering how we were going to get anywhere doing this for very
long. But, Trace kept us working until finally in the Summer
of 1989 he'd had enough. He went back to Louisiana to try and
regain his perspective, then he moved to Nashville. I stayed in
Texas.
I had no plan except honoring the remaining six months of gigs "Bayou"
had on the books and wondering what to do next. Three more bands
took me through 2 1/2 more years of the same thing, a blind
quest to make something of myself. The Summer of 1992, I moved
to Nashville. It was the best move I ever made.
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