Album Reviews

Until now, we have just two album reviews. Below are reviews of "Songbook" and "Where your road leads". The first review was first published in the leading magazine "New Country" and written by Bob Cannon. The second was entered by Lee Von Sayles. If you have a review you would like to enter, please mail it to M.R.Hoksbergen@kub.nl

Songbook

Where your road leads

Trisha Yearwood, Songbook (1997, MCA)

Rating: *****

Only six years have passed since a painfully awkward Trisha Yearwood stepped on stage to open for Garth Brooks. Given that, Songbook represents the steepest learning curve in country music history. Yearwood proved immediately that she possessed some of Nashville's most powerful pipes; even more astounding was her command of subtlety and nuance. Yearwood boasted a defiant innocence on early hits like "She's in love with the boy" and "Wrong side of Memphis," and on "The woman before me" and "Walkaway Joe" she conveyed complex (and often contradictionary) emotions with ease. The three new tunes here only add to Yearwood's status. "How do I live" (which she sang for the Con Air soundtrack after the film's producers rejected LeAnn Rimes' version) is a spine-tangling ballad of devotion and desperation. The duet with Garth Brooks, "In anothers' eyes" (co-written by Brooks) is a complex tale of two friends expressing their mutual insecurities, and their common fear that their lovers will realize their shortcomings. The album's standout-track, however, is Stephony Smith and Sunny Russ' "Perfect love" which declares that romantic bliss is found not in fireworks, but in insignificant moments like reading the sunday paper together. Its irressistible melody (and clear-eyed outlook) makes it one of Yearwood's most exhilarating tracks to date. Even though it omits killer tunes like "Everybody knows," "Believe me baby (I lied)," and "I wanna go too far," Songbook is an embarrassment of riches from an artist who ups the ante for every other country singer she steps to the mic.

Trisha Yearwood, Where Your Road Leads (1998, MCA Nashville)

As Trisha Yearwood increasingly assumes the role of country music's female representative to the world, her appeal becomes increasingly broad, and her material reflects it. Is it less country as a result? Only to the extent that a large part of country's shifting role is to provide substantial relationship songs to an audience in search of same - regardless of musical category. The songwriters here reflect that same new sensibility: a Carole King song is as at home with Yearwood's maturing vocal delivery as is a composition by Al Anderson, Sharon Vaughn, Diane Warren, Victoria Shaw, Bob DiPiero, Allison Moorer, or Annie Roboff. Yearwood has a great deal more in common with King than would seem apparent at first. She may well be the closest thing in popular music to a new Streisand.

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