|
||
|
||
|
||
|
||
|
||
|
||
|
Lev: Advanced
|
(A) |
2 STEPS FORWARD, COASTER, TRIPLE STEP,
2 STEPS FORWARD
|
1-2 | Step R. forward, Step L. forward |
3-4 | Step R. beside L., Step L. in place, Step R. back |
5-6 | Step L. beside R., Step R., Step L. beside R. (L.R.L. in place) |
7-8 | Step R. forward, Step L. forward |
(B) |
RONDEA, RONDEA, TOUCH, STEP, TOUCH,
STEP
|
1-2 | Touch R, behind L. and sweep R. ½ circle in front of L., Step R. in front of L. |
3-4 | Touch L. behind R. and sweep L. ½ circle in front of R., Step L. in front of R. |
5-6 | Touch R. to side, Step in front of L. |
7-8 | Touch L. to side, Step in front of R. |
(C) |
MONTEREY, L. KICK BALL CHANGE
|
1-2 | Touch R. to side, Turn ½ R. onto R. (Pivot on L.) |
3-4 | Touch L. to side, Step L. beside R. |
5-6 | Touch R. to side, Turn ½ R. onto R. (Pivot on L.) |
7&8 | Kick L. forward, Small step back on ball of L., Step on R. in place |
(D) |
|
1&2 | Shuffle forward (L.R.L.) |
3-4 | Step R, forward, Turn ½ L. onto L. |
5&6 | Shuffle forward (R.L.R.) |
7&8 | Shuffle forward (L.R.L.) |
(E) |
CROSS, STEP, TRIPLE STEP, SIDE, TOUCH,
KICK BALL CHANGE
|
1-2 | Cross R. over in front of L., Step L. back |
3&4 | Triple Step to R. side (R.L.R.) |
5-6 | Step to L. side on L., Touch R. beside L |
7&8 | Kick forward R., Small step back on ball of R., Step L. in place |
(F) |
CROSS, STEP, TURN ¼, TRIPLE
STEP, SIDE, TOUCH, KICK BALL CHANGE
|
1-2 | Cross R. over in front of L., Step L. back |
3&4 | Turn ¼ R. as you triple step to R. side (R.L.R.) |
5-6 | Step to L. side on L., Touch R. beside L. |
7&8 | Kick forward R., Small step back on ball of R., Step L. in place |
Begin Again |
Song | Artist | CD Title |
BPM
|
Choice |
High Powered Love | Emmylou Harris | New Country | 146 | Signature |
It Only Hurts When I Cry | Dwight Yokam | New Country | 126 | **** |
Why Haven't I Heard From You | Reba McEntire | Read My Mind | 112 | Teaching |
This dance was published in Country Weekly Magazine in the November 17, 1998 issue. |
Choreographer's Note: This step description
may be freely copied and distributed provided it is not altered in any
way.
All rights reserved. Revised by the choreographer Jan. 16, 2002 |