Playboy - July 1993


by Bruce Williamson


Readers of Virginia Woolf's 1928 novel know that to make any movie version of Orlando (Sony Classics) is an act of daring. All the more credit to British adapter and director Sally Potter for reworking Woolf's fanciful tale. It's a witty, wondrous art film about a character whose life story lasts 400 years and involves a sex change from male to female. Orlando recaps centuries of English history with gender-bending aplomb.

Actress Tilda Swinton manages to be both androgynous and seductive as Orlando, a young man who wakes up as a woman one 18th century day and dryly addresses the camera to say: "Same person, no difference at all--just a different sex." Quentin Crisp, in drag, plays Queen Elizabeth I and takes time to fondle Orlando, who is clearly more interested in a worldly Russian beauty named Sasha (Charlotte Valandrey). Later, in Victorian England, the female Orlando rides off on horseback with a swashbuckling American adventurer (played dashingly by Billy Zane).

At the brainteasing climax of his/her career as a nobleman, poet, foreign ambassador, lover, author and mother, Orlando shows up whizzing through modern London astride a motorcycle. Familiarity with the book may help to explain it all. But don't bet on it, just go for it. Questions about life, love, sexual identity and self-discovery are scattered like confetti through Potter's vibrant Orlando--a cinematic somersault of spectacular dimensions.

COPYRIGHT Playboy 1993


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