A Primer to Understanding the Fundamentals of Kata Performance
Introduction
Kata is the essence of Karate. Kata study has and always will be the very definition of Karate study. Within the Kata lies every single detail of every single technique of each Karate system.
In order to promote Kata in any objective way, that is so that it remains truly the foundation of the science of Karate study, the rules and regulations concerning its judgement within the sport must be based on a Karate system's true Kihon (basic) fundamentals.
WKF is an authority on the technical aspects of Karate including that area which is essentially the science of Karate-the Kata.
One of the foremost attractions of WKF for those who would dismiss the "sport" of Karate as arbitrary and even threatening to the integrity of the Martial Arts, is WKF's ability to attract the most respected world-wide Masters on the subject who have been traditionally at odds and diverse. Their role, through the Referee Corps and Technical Committee, has been to arrive at a consensus on the correct (and incorrect) pedagogy which governs the Karate standard. With this in mind, that standard should be challenging, and be the definitive "library", if you will, of all traditional Karate knowledge. In addition, WKF should be able to be presented as the ultimate educational institution with full inclusion of the four major Japanese styles. This defines WKF as the only Karate "university" available as well as the foremost arena in which to test that knowledge as a master of the subject, and as a competitor.
Important Points Concerning the Judgement of Kata
Competitors must demonstrate that they have an understanding of the characteristics of the Kata through the Kata performance. Those characteristics as described below:
Understanding the meanings of the moves which are manifested through:
2.All moves should be based on valid applications.
3.No additional or stylised moves which are meaningless.
4.The multi-point criteria of Kata judgement:
The Kata performance must have demonstrated correct focus of attention ("Chakugan"), use of power, good balance, proper breathing, correct timing and distance.
The performance should also be evaluated with a view to discerning other points.
Reasons for Understanding the Characteristics of Kata
1.Each Kata has unique characteristics which serve as special learning tools to the developing Karateka. If these moves are mixed, or arbitrary, the Kata loses its effectiveness as a development exercise on many different levels. There is no longer a systematic development which serves as an incremental process toward imprinting correct form, correct physical stimulation, the honing of impulse and breath control, etc.
2.If alterations are made often, on an individual basis or whim, Kata as a learning Corps will lose their characteristics thus standards will be lost.
3.When performing Kata, body applications must be true to the Karate system's Kihon (fundamentals) and must not be altered to make it easier to maintain control for appearances sake (i.e., stances must have correct transitional phases and not be allowed to lift up and down for the sake of easier stability. The level of difficulty is eliminated as well as the efficiency of movement when the Hara is disregarded and the performer allowed to move incorrectly from stance to stance. The validity of the movement in Kumite can be lost to theatrical value. When performing Katas, such changes of body applications belie the original purpose of Kata which is the physical and spiritual (character) development.
Deep stances to higher ones
Timing stylised too much which does not prove the physical conditioning of the performer
Using the feet and arms which are divorced from the body - "pushing off" from the feet rather than initiating the moves properly through the hip
The body does not move as a unit with arms and legs trailing the form incorrectly
Judgement of Kata: Attention to Kihon
When judging Kata, the critical attention must be paid to the proper use of the body. While there are different styles in the WKF, there are small differences in the same Kata. These differences are minimal in nature and not important. What we must emphasise is not the minimising the number of Katas in general, but place educational emphasis on that Kihon underlining each of the four major systems. The basic application is what counts. Correct Kihon is the determining factor when it comes to evaluating valid and practical application.
Kata Judgement
1.Understanding the meaning of each movement and the realisation that each Kata and its required movements have various levels of Bunkai.
2.Be able to differentiate between those unnecessary and meaningless movements and those which are valid.
3.Be capable of expressing proper mental concentration (spirit), decorum and character.
4.Proper application to achieve maximum performance, (slow/fast; expand/contract) the ability to demonstrate range and contrast of movement. Full inner and outer body control.
5.Proper footwork and distribution of body weight. i.e.:
Understanding the proper distribution of Back Stance in Shotokan system. Whether the Neko-Ashi-Dachi distribution of the Shito system is the same as the Wado system's three different ones, etc. The difference between each stance in each system. No meaningless stamping of the feet for sound effect. No extra movement (telegraphing movements or after-movements) at all.
6.Proper breathing. Do not use upper body to breath; do not raise shoulders; loud unnecessary noises - all of these are poor examples of breathing. Knowing when breathing should be audible and when it should not. "Shorting" or audible breathing through the nose is a gross error.
7.Understanding the sable stance (which is able to demonstrate the ability to deliver as well as to receive the action) with the hip level down, shoulders down, elbows in and armpits closed; proper foot position with proper weight distribution on the foot (edge down, ability to control stance is also demonstrated in the transition of that stance into the next. Power and control is demonstrated with the ability to transfer with the Hara level and evenly. Rising up after the foot placement is a gross error instance and diminishes greatly the level of difficulty. Also the "settling" motion of the hips in a stance is a gross error. Each movement must have Kime, each series of techniques must have Zanshin.
8.Proper Embusen. With some exceptions, this is a very important element of Traditional Kata which ultimately signifies a "safe return home", Zanshin, perfect finish and the idea that Kata is a pre-arranged pattern in which we demonstrate consistency in a thoughtful, scientific way.
Inclusion of the Body of Knowledge - Kata
Confusion of Kata judgement comes in on various points,
but the argument that Kata understanding relies on the pattern itself is
a poor one. The understanding and therefore the correct judgement of Kata
relies upon an intimate knowledge of the Kihon being demonstrated. Therefore,
our emphasis should be on the continued exposure to the myriad of Katas
developed by all traditional systems and most specifically on the Kihon
of those system. With Kihon understanding a Kata Judge can well judge all
Katas before him armed with a conceptual knowledge of the pattern and system
and with the absolute understanding of that Kihon. Levels of difficulty
are judged not by the length of a Kata, the obscurity of a Kata, the theatrics
of a Kata, but it's flawless application of Kihon within that Kata. Zeroing
in on Kihon immediately separates the "performer" of Kata from the true
Karate-Ka who is performing. Kihon knowledge makes the judgement objective,
not subjective; scientific, not theatrical. In the last 15 years, the world
of Karate has worked to standardise Karate through Karate's four major
system: Shito, Wado, Shoto, and Goju. Painstakingly, the WKF Referee Council
and Masters world-wide gather to consolidate knowledge and communicate
among their peers in order to promote their systems intact and with integrity.
Gradually, each Kata is reviewed, examined, refined to the last detail.
Each system has submitted to the WKF Referee Council all of those Katas
incorporated and promoted within their respective system. From this material,
an official list (the full body of knowledge) of Kata is made up from those
system. For competition, there is selected from this greater body of Kata
a minor list which best reflects a sample range of Kata from which competitors
may freely select to perform in the first two rounds of Kata elimination's.
This "minor" list now includes 22 Katas. From the major list, the Kata
competitor may select any Kata to perform. The "mandatory" or minor list
referred designated as the "Shitei" list. The major list is the "Tokui".
Master Seminars and Referee Clinics delve into those points of fundamentals
specifically required for uniform judgement of any Kata from the major
list and further promote the minor list by going over each Kata by Karate
system in a systematic way. In this way the WKF has expanded itself as
the largest and most specific Corps of Karate information world-wide. Kata
will hopefully remain as the essence of our Art, so Karate-do is able to
define itself indeed as an Art and sport incomparable to the typical "fighting"
sports of boxing, kick boxing, wrestling, fencing, etc. The integrity of
the Karate systems will remain intact as the Kihon are preserved within
the Kata and are recognised as the primary points of Kata performance in
the competition field. Therefore, the sport of Karate and WKF will be alluded
as the body which preserved the tradition and pedagogy of Karate rather
than diluted or diminished it. As with any construction of any library
of renown, our success as a University of Karate knowledge and ideas depends
upon the quality and quantity of books dwelling within. This collection
of information is done piecemeal, bit by bit, book by book, with no editorialising
of the pages within. To limit Katas, to remove Katas for the sake of expediency
in uniform judgement would be the same error made when competitors change
moves or eliminate moves within the Katas themselves in order to justify
their personal physical limitations or lack of knowledge. Our role is to
expand, define and promote World Karate in a way in which we honour the
work presented before us by passing it to the next generation intact and
with greater understanding.