Conservation framing goes by many names, incuding: MUSEUM FRAMING, ARCHIVAL FRAMING and PRESERVATION FRAMING. But, it's all the same thing. Simply put, it means using materials and techniques to protect the work and to do it in such a way that the work will not be at risk over time. All CONSERVATION FRAMING should also be reversible.
CONSERVATION FRAMING should be used on all Original art, Signed and limited edition prints, Historical papers and photographs, Important mementos, etc.
There are many ways that improper framing can damage work. The most common ways are: High acid matting. Many framers use regular mat board and cardboard backing, both of which are very high in acid and lignin. In time, this WILL cause paper to turn yellow or brown or spot. The paper can become brittle and may deteriorate to a point beyond saving. Conservation framing can not reverse the damage, but it can slow or stop it's progress.
Light is a subtle but sure enemy of art. UV light, as well as other components of light can cause damage in many ways. The most obvious damage is FADING. Usually fading is so gradual that it isn't noticed till it's too late.
Here at FRAME FARM, we offer CONSERVATION quality glass which blocks virtually all UV light This greatly protects the work and helps maintain the original brilliance of color. We also offer ACID FREE mat boards and backing. We NEVER use inapprpriate glues or tapes which can "bleed" through.
The topic of CONSERVATION FRAMING cannot be fully covered here. If you want or need more information, come by with your work or questions and I will be happy to discuss your specific concerns in greater detail.
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