>
From: rlr1@ukc.ac.uk (Richard Rowlands)
Date: Fri, 09 Jun 95 15:28:16 GMT
Subject: CRD : "WHATEVER" by OASIS
.------------------.
| OASIS : WHATEVER |
`------------------'
G D Em D
I'm free-ee to be whatever-I----
C D G D
Whatever I choose and I'll sing the blues if I want,
G D Em D
I'm free-ee to say whatever-I----
C D G D
Whatever I like and if that's what you like it's alright,
Em A
It always seems to me----,
C G D
you only see what people want you to see----
Em A
What are you gonna be----,
C D
before you get on the bus and drive no fuss - and blah, blah, blah etc...
^^^^^^^^^^^^^^^^
(What does he say? Who knows?!)
(AND SO IT GOES ON "G, D, Em,D, C, D, G, D." UNTIL...)
Dum, dum, dum "No care in my mind" (or something like that!)
Does the guy sing through a fuzz box or what?!
Wonderwall
Stick a capo on the second fret and use these chords :)
F#m7 - 022033
A - 320033
Esus4 - xx0233
B7sus4 - x02033
B7sus4* - x02233
Dadd9 - x32033
A/G# - 2x0033
Your 3rd and 4th fingers stay on the E and B
strings on the 3rd fret throughout the song :)
INTRO:
[F#m7] [A] [Esus4] [B7sus4] (x4)
VERSE 1:
[F#m7]Today is [A]gonna be the day that they're
[Esus4]gonna throw it back to [B7sus4]you
[F#m7]By now you [A]should've somehow
realiz[Esus4]ed what you gotta[B7sus4] do
[F#m7]I don't believe that [A]anybody
[Esus4]feels the way I [B7sus4]do
About you [Dadd9]now [Esus4] [B7sus4]
VERSE 2:
[F#m7]Backbeat the [A]word is on the street that the
[Esus4]fire in your heart is [B7sus4]out
[F#m7]I'm sure you've [A]heard it all before but you
[Esus4]never really had a [B7sus4]doubt
[F#m7]I don't believe that [A]anybody
[Esus4]feels the way I [B7sus4]do
About you [F#m7]now [A] [Esus4] [B7sus4]
PRE-CHORUS:
And [Dadd9]all the roads we
[Esus4]have to walk are [F#m7]winding
And [Dadd9]all the lights that
[Esus4]lead us there are [F#m7]blinding
[Dadd9]There are many [Esus4]things that I
Would [A]like to [A/G#]say to [F#m7]you,
but I [Esus4]don't know [B7sus4*]how
CHORUS:
Cause [Dadd9]maybe [F#m7] [A]
[F#m7]You're gonna be the one that
[Dadd9]saves me? [F#m7] [A]
And [F#m7]after [Dadd9]all [F#m7]
[A]You're my [F#m7]wonder
[Dadd9]wall [F#m7] [A] [F#m7] [Silence]
VERSE 3:
[F#m7]Today is [A]gonna be the day but they'll
[Esus4]never throw it back to [B7sus4]you
[F#m7]By now you [A]should've somehow
realiz[Esus4]ed what you're not to[B7sus4]do
[F#m7]I don't believe that [A]anybody
[Esus4]feels the way I [B7sus4]do
About you [Dadd9]now [Esus4] [B7sus4]
PRE-CHORUS:
And [Dadd9]all the roads that
[Esus4]lead you there are [F#m7]winding
And [Dadd9]all the lights that
[Esus4]light the way are [F#m7]blinding
[Dadd9]There are many [Esus4]things that I
Would [A]like to [A/G#]say to [F#m7]you,
but I [Esus4]don't know [B7sus4*]how
CHORUS:
Cause [Dadd9]maybe [F#m7] [A]
[F#m7]You're gonna be the one that
[Dadd9]saves me? [F#m7] [A]
And [F#m7]after [Dadd9]all [F#m7]
[A]You're my [F#m7]wonder
[Dadd9]wall [F#m7] [A] [F#m7]
CHORUS: (again)
Cause [Dadd9]maybe [F#m7] [A]
[F#m7]You're gonna be the one that
[Dadd9]saves me? [F#m7] [A]
And [F#m7]after [Dadd9]all [F#m7]
[A]You're my [F#m7]wonder
[Dadd9]wall [F#m7] [A] [F#m7]
I said [Dadd9]maybe [F#m7] [A]
[F#m7]You're gonna be the one that
[Dadd9]saves me? [F#m7] [A]
[F#m7]You're gonna be the one that
[Dadd9]saves me? [F#m7] [A]
[F#m7]You're gonna be the one that
[Dadd9]saves me? [F#m7] [A] [F#m7]
SOLO:
G|---------0-----|
D|------------2--| 8 times
A|--3-2-3--------|
E|---------------|
For the solo just use the same
chords as the chorus :)
Wonderwall
--------------> CAPO 2nd FRET <---------------
Chords used in this transcription:
022033 - F#m7
320033 - A
X00233 - Esus4
X02033 - B7sus4
X32033 - F#m7aug5
Basically, you're using Em7, G, Dsus4, A7sus4, and Cadd9 shapes except with
a capo. Whee!
Verses:
Listen to the recording for the rhythm. For each line of lyrics, play the
following progression:
[F#m7, A, Esus4, B7sus4]
Verse 1:
Today is gonna be the day that they're gonna throw it back to you
By now you should've somehow realized what you gotta do
I don't believe that anybody feels the way I do
About you now
Verse 2:
Backbeat the word is on the street that the fire in your heart is out
I'm sure you've heard it all before but you never really had a doubt
I don't believe that anybody feels the way I do
About you now
Prechorus:
[F#m7+5, Esus4, B7sus4]
And all the roads we have to walk are winding
And all the lights that lead us there are blinding
[F#m7+5, Esus4]
There are many things that I
*This part has quick changes, listen closely*
[A, Esus4, F#m7, Esus4, B7sus4]
Would like to say to you, but I don't know how
Chorus:
[F#m7+5, Esus4, F#m7]
'Cause maybe
You're gonna be the one that saves me?
And after all
You're my wonderwall
Verse 3:
[Same progression as the earlier verse]
Today was gonna be the day, but they'll never throw it back to you
By now you should've somehow realized what you're not to do
I don't believe that anybody feels the way I do
About you now
[Same progression as prechorus]
And all the roads that lead you there are winding
And all the lights that light the way are blinding
There are many things that I would
Like to say to you
But I don't know how
[Same progression as chorus. Have you caught on yet? Good! :) ]
I said maybe
You're gonna be the one who saves me?
And after all
You're my wonderwall
I said maybe
You're gonna be the one who saves me?
And after all
You're my wonderwall
I said maybe
You're gonna be the one who saves me?
You're gonna be the one who saves me?
You're gonna be the one who saves me?
For the little solo at the end, just make something up in F#m pentatonic
and you'll be all set. You can make it as sweet or as nasty as you like.
Wonderwall
Tune guitar in standard EADGBE tuning
CHORDS USED:
F#minor A Major B Major D Major Esus4
EADGBE EADGBE EADGBE EADGBE EADGBE
244222 002220 224442 x00232 022200
INTRO:
(Acoustic-sounding guitar)
F#m A Esus4 B
F#m A Esus4 B
F#m A Esus4 B
F#m A Esus4 B
VERSE 1:
F#m A
Today is gonna be the day
Esus4 B
That they're gonna throw it back to you
F#m A
By now you should've somehow
Esus4 B
Realised what you gotta do
F#m A
I don't believe that anybody
Esus4 B D Esus4 B
Feels the way I do about you now
VERSE 2:
F#m A
Backbeat the word is on the street
Esus4 B
That the fire in your heart is out
F#m A
I'm sure you've heard it all before
Esus4 B
But you never really had a doubt
F#m A Esus4
I don't believe that anybody feels
B F# A Esus4 B
The way I do about you now
BRIDGE:
D Esus4 F#m
And all the roads we have to walk are winding
D Esus4 F#m
And all the lights that lead us there are blinding
D Esus4
There are many things that I would
F#m Esus4 A
Like to say to you
Esus4 B
But I don't know how
CHORUS:
D F#m A
Because maybe
F#m D F#m A
You're gonna be the one that saves me?
F#m D F#m A
And after all
F#m D F#m A F#m (hold) A
You're my wonderwall
VERSE 3:
F#m A
Today was gonna be the day
Esus4 B
But they'll never throw it back to you
F#m A
By now you should've somehow
Esus4 B
Realised what you're not to do
F#m A
I don't believe that anybody
Esus4 B
Feels the way I do
F#m A Esus4 B
About you now
BRIDGE:
D Esus4 F#m
And all the roads that lead you there are winding
D Esus4 F#m
And all the lights that light the way are blinding
D Esus4 F#m Esus4 A
There are many things that I would like to say to you
Esus4 B
But I don't know how
CHORUS:
D F#m A
I said maybe
F#m D F#m A
You're gonna be the one who saves me?
F#m D F#m A
And after all
F#m D F#m A F#m
You're my wonderwall
D F#m A
I said maybe (I said maybe)
F#m D F#m A
You're gonna be the that who saves me?
F#m D F#m A
And after all
F#m D F#m A F#m
You're my wonderwall
D F#m A
I said maybe (I said maybe)
F#m D F#m A
You're gonna be the one that saves me? (that saves me)
F#m D F#m A
You're gonna be the one that saves me? (that saves me)
F#m D F#m A F#m
You're gonna be the one that saves me? (that saves me)
ENDING:
Solo TAB (Play 8 times):
E ---|-----5-2-|-----
B -3-|-2-3-----|-----
G ---|---------|-----
D F#m A F#m
D F#m A F#m
D F#m A F#m
D F#m A F#m (hold)
Champagne Supernova
A
How many special people change
G
How many lives are living strange
F#m E
Where were you when we were getting high?
Slowly walking down the hall
Faster than a cannon ball
Where were you while we were getting high?
Some day you will find me
Caught beneath the landslide
In a champagne supernova in the sky
Some day you will find me
Caught beneath the landslide
In a champagne supernova
A champagne supernova in the sky
Wake up the dawn and ask her why
A dreamer dreams she never dies
Wipe that tear away now from your eye
Slowly walking down the hall
Faster than a cannon ball
Where were you when we were getting high?
Some day you will find me
Caught beneath the landslide
In a champagne supernova in the sky
Some day you will find me
Caught beneath the landslide
In a champagne supernova
A champagne supernova in the sky
G
Cos people believe that they're
A
Gonna get away for the summer
G
But you and I, we live and die
D/F#
The world's still spinning round
E
We don't know why
Why, why, why, why
How many special people change
How many lives are living strange
Where were you when we were getting high?
Slowly walking down the hall
Faster than a cannon ball
Where were you while we were getting high?
Some day you will find me
Caught beneath the landslide
In a champagne supernova in the sky
Some day you will find me
Caught beneath the landslide
In a champagne supernova
A champagne supernova in the sky
Cos people believe that they're
Gonna get away for the summer
But you and I, we live and die
The world's still spinning round
We don't know why
Why, why, why, why
A-G-D/F#-F-G
A-G-D/F#-F-G-F-G-F-G-A
How many special people change
How many lives are living strange
Where were you when we were getting high?
We were getting high
We were getting high
We were getting high
We were getting high
a question: anyone think that the F#m should be a D/F# [200232]??
I'm not too sure
Champagne Supernova
A5add9:xm2200
A5add9/G:3m2200
A5add9/F#:2m2200
A5add9/E:0m2200
m = mute this string
A
How many special people change?
G
How many lives are living strange?
F#m E
Where were you while we were getting high?
A
Slowly walking down the hall
G
Faster than a cannonball
F#m E
Where were you while we were getting high?
A
Some day you will find me
G
Caught beneath a landslide
F#m E
In a champagne supernova in the sky
A
Some day you will find me
G
Caught beneath a landslide
F#m E A
In a champage supernova, a champage supernova in the sky
(Play that riff over this)
e ------------------------------------------------------------------
B --------------11--------------------------------------------------
G -9h11p9---9-10---9h11~p9----------------------9~~~----------------
D ------------------------------7--7h9p9----------------------------
A ---------------------------7-9----------9-7-----------------------
E ------------------------------------------------------------------
(1:23)
A
Wake up the dawn and ask me why
G
A dreamer dreams she never dies
F#m E
Wipe that tear away now from your eye
A
Slowly walking down the hall
G
Faster than a cannonball
F#m E
Where you while we were getting high?
A
Some day you will find me
G
Caught beneath a landslide
F#m E
In a champagne supernova in the sky
A
Some day you will find me
G
Caught beneath a landslide
F#m E A
In a champagne supernova, a champagne supernova in the sky
G A
Cos people believe, that they're gonna get away from the summer
G
But you and I, we live and die
D/F# E
The world's still spinning round, We don't know why, why, why....
(Play this over the beginning chords)
e --------------------------------------------------------------
B -12b-10--10------------10-12-12b-10--10-----------10-12-12b---
G -------11--11------9-11------------11--11-----9-11------------
D --------------9-11-----------------------9-11-----------------
A --------------------------------------------------------------
E --------------------------------------------------------------
(3:05)
e ------------------------------12~---------------
B -10--10------------10-12-12s14~-----------------
G ---11--11-----9-11------------------------------
D ----------9-11----------------------------------
A ------------------------------------------------
E ------------------------------------------------
NOTE: The second verse uses this little thing instead of the 9-11-10 riff
from above. Just listen to the CD, they toss in one of these two riffs
every so often like they did with the 9-11-10:
D -----7-- AND G -------9-----9--
A -7-9---- D --9s11---11s9---
A
How many special people change?
G
How many lives are living strange?
F#m E
Where were you while we were getting high?
A
Slowly walking down the hall
G
Faster than a cannonball
F#m E
Where were you while we were getting high?
A
Some day you will find me
G
Caught beneath the landslide
F#m E
In a champagne supernova in the sky
A
Some day you will find me
G
Caught beneath the landslide
F#m E A
In a champagne supernova, a champagne supernova in the sky
G A
Cos people believe that they're gonna get away from the summer
G
But you and I, we live and die
D#/F E
The world's still spinning round, we don't know why, why, why....
(Then over the bridge, the chords and counts go like this:)
A A G G D/F# D/F# F G
A A G G D/F# D/F# F G
A A G G D/F# D/F# F G
A A G G D/F# D/F# F G
F G F G A A G G
F#m F#m.......(then you are back into that beginning riff)
(If you think I'm gonna tab the 4 or 5 guitars over that noise/distortion
bridge, you wrong)
A
How many special people change?
G
How many lives are living strange?
F#m E
Where were you while we were getting high?
A
We were getting high?
G
We were getting high?
F#m
We were getting high?
E
We were getting high?
A
We were getting high?
G
We were getting high?
F#m
We were getting high?
E
We were getting high?
A
We were getting high (to fade out)
e -----------------------------------------------------------------
B -----------------------------------------------------------------
G -----------------------------------------------------------------
D -9b--7-----7-7---9b--7--7-9-7-7--9b~~~(hold)--9~~~(release)-7----
A -------7-9-------------------------------------------------------
E -----------------------------------------------------------------
(6:45)
e -------------------------------------------------------------
B -------------------------------------------------------------
G -------------------------------------------------------------
D --7-----7~-------------------------------9b~~~~~~--------------
A ----7-9---7~-9-7---------7h9-----7h9~-------------------------
E -------------------------------------------------------------
(7:02) (7:09) (7:12) (7:16)
Don't Look Back in Anger
Chords used:
C X32010
G 320033
Am X02210
E7 020100
F 113211
Fm 133111
G#/E7 420100
[Verse 1]
C G Am
Slip inside the eye of your mind
E7 F G
Don't you know you might find
C
A better place to play
[Am, G] - Transition chords, played quickly
[Verse 2]
C G Am
You said that you'd never been
E7 F G
But all the things that you've seen
C
Slowly fade away
[Prechorus]
F Fm C
So I start a revolution from my bed
F Fm C
Cos you said the brains I have went to my head
F Fm C
Step outside the summertime's in bloom
G
Stand up beside the fireplace
G#/E7
Take that look from off your face
Am G F G
Cos you ain't ever going to burn my heart ouuuuuuuuuut
[Chorus]
C G Am E7 F
So Sally can wait, she knows it's too late
G C
As we're walking on by
C G Am E7 F
Her soul slides away, but don't look back in anger
G C
I heard you say
[Mini solo over once through the verse progression]
Note: I think this solo is mostly in A-minor pentatonic.
[Verse 3, prechorus, chorus, are all same progressions as earlier]
Take me to the place where you go
Where nobody knows
If it's night or day
Please don't put your life in the hands
Of a Rock and Roll band
Who'll throw it all away
Gonna start a revolution from my bed
Cos you said the brains I have went to my head
Step outside the summertime's in bloom
Stand up beside the fireplace
Take that look from off your face
Cos you ain't ever gonna burn my heart ouuuuuuuuuut
Chorus again:
So Sally can wait, she knows it's too late
As she's walking on by
Her soul slides away, but don't look back in anger
I heard you say
[Solo over prechorus chords]
Again, this solo is based mainly on pentatonic ideas. The length is once
through the prechorus progression. Double the length if you want to solo
a bit longer. Work those bends and kick some more emotion into an already
emotional song!
[Drum fill]
Chorus again, but endings:
F (upstroke)
But don't look back in anger
Fm
Dont look back in anger
C
I heard you say
Once more through the verse progression, then end on:
C
At least not today
Live Forever
[G]Maybe, I don't [D]really wanna know
what ya [Am7]garden grows
cuz I [C]just wanna [D]play.
[G]Lately, did you [D]ever feel the pain
In the [Am7]morning rain
as it [C]soaks you to the [D]bone?
[Em]Maybe I just wanna [D]play
wanna live but don't wanna [Am7]die
maybe I just wanna breath [C]
maybe I just don't [Em]believe
maybe you're the same as [D]me
we see things that I'll never [Am7]see
you and I are gonna live [Cadd9]forever
[G]Maybe, I don't [D]really wanna know
what ya [Am7]garden grows
cuz I [C]just wanna [D]play.
[G]Lately, did you [D]ever feel the pain
In the [Am7]morning rain
as it [C]soaks you to the [D]bone?
[Em]Maybe I'll never [D]be
all the things I wanna [Am7]be
now is not the time to [C]cry
now is the time to find out [Em]why
I think you're the same as [D]me
We see things I'll never [Am7]see
you and I are gonna live [Cadd9]forever
{c:guitar solo I}
[G]Maybe, I don't [D]really wanna know
what ya [Am7]garden grows
cuz I [C]just wanna [D]play.
[G]Lately, did you [D]ever feel the pain
In the [Am7]morning rain
as it [C]soaks you to the [D]bone?
[Em]Maybe I just wanna [D]play
wanna live but don't wanna [Am7]die
maybe I just wanna breath [C]
maybe I just don't [Em]believe
maybe you're the same as [D]me
we see things that I'll never [Am7]see
you and I are gonna live [Cadd9]forever
gonna live forever
{c:play this 6x}
{c:end alternating between Cadd9 and Em.}
Joan Osborne
One of us
Intro (repeat 3 times):
E (1)
+---------2---4-----+
|-------------------|
|-------------------|
|-------------------|
|-------------------|
+-------------------+
| . + .
----------------------------------
1,2,3 |
1 F#m D A E
++-5---------------------------------------0-------0-------2---4-----+
||---------2-------2---3---5-----------2-----------0-----------------|
||*--------2-------2-------2-------2--------------------------------*|
||*-----------------------------------------------------------------*|
||-------------------------------------------------------------------|
++-------------------------------------------------------------------+
| . + . + . + . | . + . + . + .
----------------------------------
4 |
A E
+---------0-------0-------0---------+
|-----2-----------0-------0---------|
|-2---------------------------------|
|-----------------------------------|
|-----------------------------------|
+-----------------------------------+
| . + . + . + .
If
| . + . + . + . | . + . + . + .
2 F#m D A E
God had a name, what would it be? And would you
4 F#m D A E
call it to His face, if you were faced with Him in
6 F#m D A E
all His glory? What would you ask if you had
8 F#m D A E
just one question? An'
10 D D5add9 E Esus Esus E E E
Yeah..., yeah..., God is... great.
12 D D5add9 E E6 E6 E E E
Yeah..., yeah..., God is... good.
14 D D5add9 E Esus Esus E E E
Yeah..., yeah..., yeah, yeah, yeah... What if
| . + . + . + . | . + . + . + .
chorus 1:
| . + . + . + . | . + . + . + .
16 F#m D A E
God was one of us? Just a
18 F#m D A E
slob like one of us? Just a
20 F#m D A E
stran - ger on the bus, trying to make his way...
22 F#m D A E
home... If
| . + . + . + . | . + . + . + .
| . + . + . + . | . + . + . + .
24 F#m D A E
God had a face, what would it look like and would
26 F#m D A E
you want to see, if seeing meant that you would
28 F#m D A E
have to believe... in things like Hea-ven, and in
30 F#m D A E
Jesus and the saints, and all the prophets? An'
32 D D5add9 E E6 E6 E
Yeah..., yeah..., God is... great.
34 D D5add9 E E6 E6 E
Yeah..., yeah..., God is... good.
36 D D5add9 E Esus Esus E E E
Yeah..., yeah..., yeah, yeah, yeah... What if
| . + . + . + . | . + . + . + .
chorus 2:
| . + . + . + . | . + . + . + .
38 F#m D A E
God was one of us? Just a
40 F#m D A E
slob like one of us? Just a
42 F#m D A E
stran - ger on the bus? Trying to make his way...
44 F#m D A E
home... Trying to make his way...
46 F#m D A E
home... Back up to Heaven all a-
48 F#m D A E
lone. No-bod-y calling on the
50 F#m D A E
phone..., 'cept for the Pope, maybe, in
| . + . + . + . | . + . + . + .
52 D D E E
+-2-----------------------------------------------------------------+
|-3-------2-------2-----------2---2---2---2---2---2/\---------2p0---|
|-2-----------------------------------------------------------------|
|-0-----------------------0-----------------------------------------|
|-------------------------------------------------------------------|
+-------------------------------------------------------------------+
| . + . + . + . | . + . + . + .
Rome...
54 D D E E
+---------------------------------------------------------7----/9---+
|-2-----------2-----------2-------7---7---9---9---10--10------------|
|-------------------------------------------------------------------|
|-----0---2-------0---4-------0-------------------------------------|
|-------------------------------------------------------------------|
+-------------------------------------------------------------------+
| . + . + . + . | . + . + . + .
56 F#m D A (57) E
+-9---9---9---9-9-9p7-7---7-----------------------------------------+
|-----------------------------101010p99-9-9p7-7---7-----------------|
|-----------------------------------------------9-----9---6---------|
|-------------------------------------------------------------9-----|
|-------------------------------------------------------------------|
+-------------------------------------------------------------------+
| . + . + . + . | . + . + . + .
58 F#m (58) D A (59) E
+-9---9-9-9p7-----7b9(10)(10)---------------------------------------+
|-------------10--------------101010--101010p99---9p7-7---7\--------|
|-------------------------------------------------------------------|
|-------------------------------------------------------------------|
|-------------------------------------------------------------------|
+-------------------------------------------------------------------+
| . + . + . + . | . + . + . + .
| . + . + . + . | . + . + . + .
60 D D5add9 E Esus Esus E E E
Yeah..., yeah..., God is... great.
62 D D5add9 E E6 E6 E E E
Yeah..., yeah..., God is... good.
64 D D5add9 E Esus Esus E E E E
Yeah..., yeah..., yeah, yeah, yeah, What if
| . + . + . + . | . + . + . + .
chorus 3:
| . + . + . + . | . + . + . + .
66 F#m D A E
God was one of us? Just a
68 F#m D A E
slob like one of us? Just a
70 F#m D A E
stran - ger on the bus? Trying to make his way...
72 F#m D A E
home... Like a holy rolling
74 F#m D A E
stone... Back up to Heaven all a-
76 F#m D A E
lone. Just trying to make his way...
78 D5add9 D5add9 D5add9 D5add9
home...
80 D5add9 D5add9 D5add9 D5add9
No-bod-y calling on the
82 D5add9 D5add9 D5add9 D5add9
phone..., 'cept for the Pope, maybe, in
84 D5add9
Rome...
| . + . + . + . | . + . + . + .
============================================================================
Alternate fingerings are referenced by measure number in parentheses
(e.g. (1)) above pertinant measures.
Timimg mark lines are interspersed throughout where necessary.
Measure numbers are listed down the left side of the page.
Intro, alternate fingering (repeat 3 times):
E (1)
-------------------
|---------7---9-----|
|-------------------|
|-------------------|
|-------------------|
-------------------
| . + .
------------------
1,2,3 |
F#m D A E
-----------------+-----------------+-----------------+-------------------
||-10--------------+-----------------+---------5-------+-5-------7---9-----|
||*--------6-------+-6---7---8-------+-----6-----------+-4----------------*|
||*--------7-------+-7-------7-------+-7---------------+------------------*|
||-----------------+-----------------+-----------------+-------------------|
-----------------+-----------------+-----------------+-------------------
| . + . + . + . | . + . + . + .
------------------
4 |
E
-5-------5---------
|-4-------4---------|
|-------------------|
|-------------------|
|-------------------|
-------------------
| . + .
A (57) E
+-...----------------------------------------------------------+
|-...-----10-10-10p9--9--9--9p7---7-----7----------------------|
|-...--------------------------------9--------9-----6----------|
|-...-----------------------------------------------------9----|
|-...----------------------------------------------------------|
+-...----------------------------------------------------------+
. | . + . + . + .
58 F#m (58)
--(7b)9--9--9--9r7-----...
|------------------10---...
|-----------------------...
|-----------------------...
|-----------------------...
-----------------------...
| . +
A (59) E
+-...----------------------------------------------------------+
|-...-----10-10-10----10-10-10p9--9-----9p7---7-----7\---------|
|-...----------------------------------------------------------|
|-...----------------------------------------------------------|
|-...----------------------------------------------------------|
+-...----------------------------------------------------------+
| . + . + . + .
Notation:
(7b)9: bend 7th fret up to the 9th fret pitch before picking the string
9r7 : pick the bent string and release to the original fret pitch
/ : slide up
\ : slide down
h : hammer on
p : pull off
(n) : play fret n on a previously bent string
Timing line notation:
| : measure start (1st beat)
+ : beat marks (2nd, 3rd, and 4th beats)
. : 8th note marks, used where necessary
Chords:
D5add9 : xx0230
Esus : 022205, 022200
E6 : 022120
