THE TESTIMONY OF THE MAD ARAB
THIS is the testimony of all that I have seen, and all that I have learned,
in those years that I have possessed the Three Seals of MASSHU. I have
seen One Thousand-and-One moons, and surely this is enough for the span
of a man's life, though it is said the Prophets lived much longer. I am
weak, and ill, and bear a great tiredness and exhaustion, and a sigh hangs
in my breast like a dark lantern. I am old.
The wolves carry my name in their midnight speeches, and that quiet, subtle
Voice is summoning me from afar. And a Voice much closer will shout into
my ear with unholy impatience. The weight of my soul will decide its final
resting place. Before that time, I must put down here all that I can concerning
the horrors that stalk Without, and which lie in wait at the door of every
man, for this is the ancient arcana that has been handed down of old, but
which has been forgotten by all but a few men, the worshippers of the Ancient
Ones (may their names be blotted out!).
And if I do not finish this task, take what is here and discover the rest,
for time is short and mankind does not know nor understand the evil that
awaits it, from every side, from every Gate, from every broken barrier,
from every mindless acolyte at the alters of madness.
For this is the Book of the Dead, the Book of the Black Earth, that I have
writ down at the peril of my life, exactly as I received it, on the planes
of the IGIGI, the cruel celestial spirits from beyond the Wanderers of
the Wastes.
Let all who read this book be warned thereby that the habitation of men
are seen and surveyed by that Ancient Race of gods and demons from a time
before time, and that they seek revenge for that forgotten battle that
took place somewhere in the Cosmos and rent the Worlds in the days before
the creation of Man, when the Elder Gods walked the Spaces, the race of
MARDUK, as he is known to the Chaldeans, and of ENKI our MASTER, the Lord
of Magicians.
Know, then, that I have trod all the Zones of the Gods, and also the places
of the Azonei, and have descended unto the foul places of Death and Eternal
Thirst, which may be reached through the Gate of GANZIR, which was built
in UR, in the days before Babylon was.
Know, too, that I have spoken with all manner of spirit and daemon, whose
names are no longer known in the societies of Man, or were never known.
And the seals of some of these are writ herein; yet others I must take
with me when I leave you. ANU have mercy on my soul!
I have seen the Unknown Lands, that no map has ever charted. I have lived
in the deserts and the wastelands, and spoken with demons and the souls
of slaughtered men, and of women who have dies in childbirth, victims of
the she-fiend LAMMASHTA.
I have traveled beneath the Seas, in search of the Palace of Our Master,
and found the stone of monuments of vanquished civilisations, and deciphered
the writings of some of these; while still others remain mysteries to any
man who lives. And these civilisations were destroyed because of the knowledge
contained in this book.
I have traveled among the stars, and trembled before the Gods. I have,
at last, found the formulae by which I passed the Gate ARZIR, and passed
into the forbidden realms of the foul IGIGI.
I have raised demons, and the dead.
I have summoned the ghosts of my ancestors to real and visible appearance
on the tops of temples built to reach the stars, and built to touch the
nethermost cavities of HADES. I have wrestled with the Black Magician,
AZAG-THOTH, in vain, and fled to the Earth by calling upon INANNA and her
brother MARDUK, Lord of the double-headed AXE.
I have raised armies against the Lands of the East, by summoning the hordes
of fiends I have made subject unto me, and so doing found NGAA, the God
of the heathens, who breathes flame and roars like a thousand thunders.
I have found fear.
I have found the Gate that leads to the Outside, by which the Ancient Ones,
who ever seek entrance to our world, keep eternal watch. I have smelled
the vapours of that Ancient One, Queen of the Outside, whose name is writ
in the terrible MAGAN text, the testament of some dead civilisation whose
priests, seeking power, swing open the dread, evil Gate for an hour past
the time, and were consumed.
I came to possess this knowledge through circumstances quite peculiar,
while still the unlettered son of a shepherd in what is called Mesopotamia
by the Greeks.
When I was only a youth, travelling alone in the mountains to the East,
called MASSHU by the people who live there, I came upon a grey rock carved
with three strange symbols. It stood as high as a man, and as wide around
as a bull. It was firmly in the ground, and I could not move it. Thinking
no more of the carvings, save that they might be the work of a king to
mark some ancient victory over an enemy, I built a fire at its foot to
protect me from the wolves that wander in those regions and went to sleep,
for it was night and I was far from my village, being Bet Durrabia. Being
about three hours from dawn, in the nineteenth of Shabatu, I was awakened
by the howl of a dog, perhaps of a wolf, uncommonly loud and close at hand.
The fire had dies to its embers, and these red, glowing coals cast a faint,
dancing shadow across the stone monument with the three carvings. I began
to make haste to build another fire when, at once, the gray rock began
to rise slowly into the air, as though it were a dove. I could not move
or speak for the fear that seized upon my spine and wrapped cold fingers
around my skull. The Dik of Azug-bel-ya was no stranger to me than this
sight, though the former seemed to melt into my hands!
Presently, I heard a voice, softly, some distance away and a more practical
fear, that of the possibility of robbers, took hold of me and I rolled
behind some weeds, trembling. Another voice joined the first, and soon
several men in the black robes of thieves came together over the place
where I was, surrounding the floating rock, of which they did not exhibit
the least fright.
I could see clearly now that the three carvings on the stone monument were
glowing a flame red colour, as though the rock were on fire. The figures
were murmuring together in prayer or invocation, of which only a few words
could be heard, and these in some unknown tongue; though, ANU have mercy
on my soul!, these rituals are not unknown to me any longer.
The figures, whose faces I could not see or recognise, began to make wild
passes in the air with knives that glinted cold and sharp in the mountain
night.
From beneath the floating rock, out of the very ground where it had sat,
came rising the tail of a serpent. This serpent was surely larger than
any I had ever seen. The thinnest section thereof was fully that of the
arms of two men, and as it rose from the earth it was followed by another,
although the end of the first was not seen as it seemed to reach down into
the very Pit itself. These were followed by still more, and the ground
began to tremble under the pressure of so many of these enormous arms.
The chanting of the priests, for I knew them now to be the servants of
some hidden Power, became much louder and very nearly hysterical.
IA! IA! ZI AZAG!
IA! IA!! ZI AZKAK!
IA! IA! KUTULU ZI KUR!
IA!
The ground where I was hiding became wet with some substance, being slightly
downhill from the scene I was witnessing. I touched the wetness and found
it to be blood. In horror, I screamed and gave my presence away to the
priests. They turned toward me, and I saw a loathing that they had cut
their chests with the daggers they had used to raise the stone, for some
mystical purpose I could not then divine; although I know now that blood
is the very food of these spirits, which is why the field after the battles
of war glows with an unnatural light, the manifestations of the spirits
feeding thereon.
May ANU protect us all!
My scream had the effect of casting their ritual into chaos and disorder.
I raced through the mountain path by which I had come, and the priests
came running after me, although some seemed to stay behind, perhaps to
finish the Rites. However, as I ran wildly down the slopes in the cold
night, my heart giving rise in my chest and my head growing hot, the sound
of splitting rocks and thunder came from behind me and shook the very ground
I ran upon. In fright, and in haste, I fell to the earth.
Rising, I turned to face whatever attacker had come nearest me, though
I was unarmed. To my surprise what I saw was no priest of ancient horror,
no necromancer of that forbidden Art, but black robes fallen upon the grass
and weeds, with no seeming presence of life or bodies beneath them.
I walked cautiously to the first and, picking up a long twig, lifted the
robe from the tangle of weeds and thorns. All that remained of the priest
was a pool of slime, like green oil, and the smell of a body lain long
to rot in the sun. Such a stench nearly overpowered me, but I was resolute
to find the others, to see if the same fortune had also befallen them.
Walking back up the slope that I had so fearfully run down only moments
ago, I came across yet another of the dark priests, in identical condition
to the first. I kept walking, passing more of the robes as I went, not
venturing to overturn them any longer. Then, I finally came upon the grey
stone monument that had risen unnaturally into the air at the command of
the priests. It now upon the ground once more, but the carvings still glowed
with supernatural light. The serpents, or what I had then though of as
serpents, had disappeared. But in the dead embers of the fire, now cold
and black, was a shining metal plate. I picked it up and saw that it also
was carved, as the stone, but very intricately, after a fashion I could
not understand. I did not bear the same markings as the stone, but I had
the feeling I could almost read the characters, but could not, as though
I once knew the tongue but had since long forgotten. My head began to ache
as though a devil was pounding my skull, when a shaft of moonlight struck
the metal amulet, for I know now what it was, and a voice entered into
my head and told me the secrets of the scene I had witnessed in one word:
KUTULU.
In that moment, as though whispered fiercely into my ear, I understood.
These are the signs carved upon the grey stone, that was the Gate to the
Outside:
An this is the amulet that I held in my hand, and hold to this very day,
around my neck as I write these words:
Of the three carved symbols, the first is the sign of our Race from beyond
the Stars, and is called ARRA in the tongue of the Scribe who taught it
to me, an emissary of the Elder Ones. In the tongue of the eldest city
of Babylon, it was UR. It is the Sigil of the Covenant of the Elder Gods,
and when they see it, they who gave it to us, they will not forget us.
They have sworn!
Spirit of the Skies, Remember!
The second is the Elder Sign, and is the Key whereby the Powers of the
Elder Gods may be summoned, when used with the proper words and shapes.
It has a Name, and is called AGGA.
The third sign is the Sigil of the Watcher. It is called BANDAR. The Watcher
is a Race sent by the Elder Ones. It keeps vigil while one sleeps, provided
the appropriate ritual and sacrifice has been performed,: else, if called,
it will turn upon you.
These seals, to be effective, must be graven on stone and set in the ground.
Or, set upon the altar of offerings. Or, carried to the Rock of Invocations.
Or, engraved on the metal of one's God or Goddess, and hung about the neck,
but hidden from the view of the profane. Of the three, the ARRA and the
AGGA may be used separately, that is to say, singly and alone. The BANDAR,
however, must never be used alone, but with one or both of the others,
for the Watcher must needs be reminded of the Covenant it has sworn with
the Elder Gods and our Race, else it will turn upon thee and slay thee
and ravage thy town until succour is to be had from the Elder Gods by the
tears of thy people and the wailing of thy women.
KAKAMMU!
The metal amulet that I retrieved from the ashes of the fire, and which
caught the light of the moon, is a potent seal against whatever may come
in the Gate from the Outside for, seeing it, they will retreat from thee
SAVE ONLY IF IT CATCH THE LIGHT OF THE MOON UPON ITS SURFACE
for, in the dark days of the moon, or in cloud, there can be little protection
against the fiends from the Ancient Lands should they break the barrier,
or be let in by their servants upon the face of the earth. In such a case,
no recourse is to be had until the light of the moon shines upon the earth,
for the moon is the eldest among the Zonei, and is the starry symbol of
our Pact. NANNA, Father of the Gods, Remember!
Wherefore, the amulet must be engraved upon pure silver in the full light
of the moon, that the moon shine upon it at its working, and the essence
of the moon incantations must be performed, and the prescribed rituals
as given forth in this Book. And the amulet must never be exposed to the
light of the Sun, for SHAMMASH called UDU, in his jealousy, will rob the
seal of its power. In such a case, it must be bathed in water of camphor,
and the incantations and ritual performed once again. But, verily, it were
better to engrave another.
These secrets I give to thee at the pain of my life, never to be revealed
to the profane, or the banished, or the worshippers of the Ancient Serpent,
but to keep within thine own heart, always silent upon these things.
Peace be to thee!
Henceforth, from that fateful night in the Mountains of MASSHU, I wandered
about the country-side in search of the key to the secret knowledge that
had been given me. And it was a painful and lonely journey, during which
time I took no wife, called no house or village my home, and dwelt in various
countries, often in caves or in the deserts, learning several tongues as
a traveller might learn them, to bargain with the tradespeople and learn
of their news and customs. But my bargaining was with the Powers that reside
in each of these countries. And soon, I cam to understand many things which
before I had no knowledge, except perhaps in dreams. The friends of my
youth deserted me, and I them. When I was seven years gone from my family,
I learned that they had all died of their own hand, for reasons no one
was able to tell me; their flocks had been slain as the victims of some
strange epidemic.
I wandered as a beggar, being fed from town to town as the local people
saw fit, often being stoned instead and threatened with imprisonment. On
occasion, I was able to convince some learned man that I was a sincere
scholar, and was thereby permitted to read the ancient records in which
the details of necromancy. sorcery, magick and alchemy are given. I learned
of the spells that cause men illness, the plague, blindness, insanity,
and even death. I learned of the various classes of demons and evil gods
that exist, and of the old legends concerning the Ancient Ones. I was thus
able to arm myself against also the she-devil LAMMASHTA, who is called
the Sword that Splits the Skull, the sight of whom causeth horror and dismay,
and(some say) death of a most uncommon nature.
In time, I learned of the names and properties of all the demons, devils,
fiends and monsters listed herein, in this Book of the Black Earth. I learned
of the powers of the astral Gods, and how to summon their aid in times
of need. I learned, too, of the frightful beings who dwell beyond the astral
spirits, who guard the entrance to the Temple of the Lost, of the Ancient
of Days, the Ancient of the Ancient Ones, whose Name I cannot write here.
In my solitary ceremonies in the hills, worshipping with fire and sword,
with water and dagger, and with the assistance of a strange grass that
grows wild in certain parts of MASSHU, and with which I had unwittingly
built my fire before the rock, that grass that gives the mind great power
to travel tremendous distances into the heavens, as also into the hells,
I received the formulae for the amulets and talismans which follow, which
provide the Priest with safe passage among the spheres wherein he may travel
in search of the Wisdom.
But now, after One Thousand-and-One moons of the journey, the Maskim nip
at my heels, the Rabishu pull at my hair, Lammashta opens her dread jaws,
AZAG-THOTH gloats blindly at his throne, KUTULU raises his head and stares
up through the Veils of sunkun Varloorni, up through the Abyss, and fixes
his stare upon me; wherefore I must with haste write this indeed, it appears
as though I have failed in some regard as to the order of the rites, or
to the formulae, or to the sacrifices, for now it appears as if the entire
host of ERESHKIGAL lies waiting, dreaming, drooling for my departure. I
pray the Gods that I am saved, and not perish as did the Priest, ABDUL
BEN-MARTU, in Jerusalem (the Gods remember and have mercy upon him!). My
fate is no longer writ in the stars, for I have broken the Chaldean Covenant
by seeking power over the Zonei. I have set foot on the moon, and the moon
no longer has power over me. The lines of my life have been oblitered by
my wanderings in the Waste, over the letters writ in the heavens by the
gods. And even now I can hear the wolves howling in the mountains as they
did that fateful night, and they are calling my name, and the names of
Others. I fear for my flesh, but I fear for my spirit more.
Remember, always, in every empty moment, to call upon the Gods not to forget
thee, for they are forgetful and very far away. Light thy fires high in
the hills, and on the tops of temples and pyramids, that they may see and
remember.
Remember always to copy each of the formulae as I have put it down, and
not to change it by one line or dot, not so much as a hair's breadth, lest
it be rendered valueless, or worse: a broken star is the Gate of GANZIR,
the Gate of Death, the Gate of the Shadows and the Shells. Recite the incantations
as they are written here, in the manner this prescribed. Prepare the rituals
without erring, and in the proper places and times render the sacrifices.
May the Gods be ever merciful unto thee!
May thou escape the jaws of the MASKIM, and vanquish the power of the Ancient
Ones!
AND THE GODS GRANT THEE DEATH
BEFORE THE ANCIENT ONES RULE THE
EARTH ONCE MORE!
KAKAMMU! SELAH!