XL HISTORY ARTISTS PORTFOLIO MAIL ABOUT

THE COMPLETE XL EXHIBITION HISTORY
93-94  94-95  95-96  96-97  97-98  98-99 99-00 00-01 01-02 02-03 03-04
Clare Quilty Jr., by Oleg Kulik. Photos, video
A photo from exhibit and a piece of video (QTime, 268Kb)
A Facile Glance, by Evgeny Nesterov. Photo-installation
A Detail of installation, and some close views of a face
catalog essay
Quiet Don - 2, by Lyudmila Gorlova. Photo-stories (Moscow Photobiennial-98 program)
Just one shot from the story of Cossack love and absurdity
catalog essay
Diva, by Aidan Salakhova. Live and interactive Polaroid photo-installation (Moscow Photobiennial-98 program). Sponsored by Polaroid
A couple of 2000 Polaroid pictures made by viewers, and Aidan herself
Safer sex is my choice, by Tanya Lieberman. Photo-installation (Moscow Photobiennial-98 program)
Les Paradis Artificiels, by Igor Makarevich. Photo-installation (Moscow Photobiennial-98 program)
Detail of installation
I Don't Eat Anybody (And That's A Terrible Truth), by Sergei Shutov. Installation
Fragment of "The Holy Grail" painting and some more bloody bears
One Potato, Two Potato, by Konstantin Zvezdochetov. Installation
View installation, some works and a video clip
Moskou Vandaag (Moscow Today) - XL at Museum of Contemporary Art, Gent
Museum curator Bart de Baere likes what's going 'Deep into Russia' (object by Oleg Kulik); FENSO group installation
Pro Yxo (Profressional Ear), by 'Mitki'. Installation + live action at the opening
Dmitry Shagin is ready to give his ear to Evander Hollyfield, just for $1 mln...
Order for the army of arts, by Anatoly Osmolovsky. Installation
Osmolovsky has just typed another order, and it's stamped right on the wall.
Drawings, by Maria Serebryakova. Drawings
Kulik Daily, by Lyudmila Bredikhina. Fake press installation
Critic Milena Orlova (OM magazine) likes her style being falsified, true Kulik in a national talk show
catalog essay
What I saw, by Irina Nakhova + Haul Ass Dude, by John Tormey (at ICA, Moscow). Two discommunicating interactive installations
View of Nakhova's installation + QTime video
catalog essay

1