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Quite amazing really.
The good mood seems to be holding.
It has been a hectic week. One filled with old friends, both in
their physical and not so physical forms. I hadn't realized how much I had
missed them.
And this.
Silly me. I thought I was happier within my cave.
I'm making a video for my father, since I've given up on the notion
that he might come visit us.
Fleeting images of my commute to and from the design studio in
Nagoya; miles and miles of cerulean blue ceramic tiled roofs on rotting
metal structures, interrupted every few seconds by a rice paddy. The horse
track at Kasamatsu, and the men who crowd onto the train after a race still
clutching their forms and their dreams and stinking of last drags of cigarettes
and lost wages. Clark asked me if the economy here is really as bad as the
papers say...perhaps this is an indication. Perhaps not. Three years ago,
this was very much a cash culture. Now, I often find myself stuck at checkout
lines behind people who are learning how to use a credit card for the first
time.
Indications are everywhere.
Gaggles of girls in their platform boots and micro mini skirts
stand and shiver in the aisles of the train. It's below zero, but fashion
dictates this madness. I pull my own coat and scarf tighter around me and
wonder if I was ever that young.
A phone rings and everyone begins
rummaging in their purses and pockets. I'm glad I have a wide angle lens
and caught that. He probably wouldn't believe it otherwise. The shops in
my area are giving pagers and phones away for free in hopes that you will
sign up for the actual phone line through their shop, thus guaranteeing
them the commission.
The woman for whom the bell actually tolled is quite
a piece of work. She is probably in her early fifties, but has opted against
aging gracefully.
I have seen light blue- and lavender-haired "ladies
who lunch" on my native soil, but the green and dark purple shades
that are popular with older women here still take me by surprise. This woman
has gone with a forest green, but only at the front and sides...the back
remains black. Expensive clothes and expensive jewels, all lacking any semblance
of taste. Her phone is obviously not one of the freebies; it is in a shade
of green which matches her hair too closely to not be specially ordered.
Her nails sparkle as she grips her toy.
She speaks loudly, and disdainfully,
to someone who she refers to in the diminutive. I think at first there is
a child on the other end of the line (she looks like the sort to talk down
to children and pinch their cheeks) but after telling them how to heat up
the food in question, she remarks "we'll drink beer when I get there!"
and hangs up.
I can't decide whether to add an explanatory over-dub to the
video or leave the ambient noise as is. I rarely narrate; the camera is
small and people tend to ignore me when I'm filming, but somehow I think
talking to myself would attract more attention.
I silently thank the woman
for adding a touch of color to my video and turn my lens towards the front
of the train. This is possibly my favorite shot. I love to lean out into
the aisle on an almost empty train and film through the glass doors of each
car as it twists and snakes its way home. Here and there, a passenger makes
their presence known with a dangling arm or a sleeping, bobbing head.
I
have a great photo of my friend Alex feigning sleep on a similar train ride.
He is off center; the focal point of the shot is the long, almost uninterrupted
aisle.
We are nearly at my tiny local stop. I usually go one stop further, to the city center, and walk back to my house. Along the way, I window shop and pick up groceries. Today, for the sake of the video, I'm taking the
short route. Our station is so small that there is no ticket collector.
Instead, you walk down the length of the train from which you have disembarked
and give your ticket to its conductor. He smiles for my camera, and I thank
him. I fleetingly imagine my dad getting a kick out of me speaking the language.
He's always telling me how proud he is of how far I've gone out into the
world. Of how well I've learned to communicate. I constantly tell him that
I'm far from fluent, and still highly dependent on others, but he doesn't
seem to believe me.
Oh well, I suppose pride is a parent's prerogative.
My walk home is not as brisk as usual, as I'm trying to hold the
camera steady. I'm glad I opted for the closer stop because it feels like
snow is imminent. There is none on the ground, but it is definitely below
zero and the clouds are low. I pan over the row of ancient houses, wondering
how they would survive an earthquake. I'm sure my dad will wonder the same
thing. This area hasn't had a major quake in my lifetime, and the experts
debate over whether or not we are overdue. I have reached my block and I
am certain he will be relieved to see our house is much newer. I, however,
know better. The structure may be newer, but the house itself was built
by a carpenter for himself and his family. The materials were left over
from other jobs and it is an insane jumble of mismatched surfaces and oddly
shaped rooms. I'm not complaining, the oddness suits us. Our own little
Winchester Mystery house. Perhaps tomorrow I will add some footage of the
house's interior so he can see how bizarre it really is.
Shooting this video has made me focus on the things I take for
granted on my daily movements through this world. How many people enjoy
their commute as much as I do? I rarely bury my nose in a book...other people
are too fascinating, especially when they are being gloriously, typically,
mad.
siempre,
Shy
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