<dicephalus>

<title>

dicephalus

thomas greuel

</title>

Some authors should be paid by the quantity "not" written

</essence>

based on nothing but bullshit. The characters and actions in this accumulation of junk are purely fictional. Any resemblance with characters or actions from novels or movies known to you are results of the author's lacking imagination. No animals were harmed in the course of the making of that book.

</disclaimer>

<meta>

This novel is not written in chapters since the idea is quite artificial to life. The concept of a chronological order of events that can be sliced up into chapters is alien, and so is the coherence and constant flow of life that is suggested in narratives. Modern mankind swings from one more or less memorable moment to the next, constantly being forced into different roles and stereotypes — hence the change of and recourse to different styles that are merely episodes. Some episodes last longer, some are shorter, some are more interesting, others more significant. Sometimes multiple episodes start at the same time. Sometimes one ending is the beginning of the next, but most of the time, there are several going on simultaneously. Hence this structure that is similar to html-tags.

</meta>

Speakings from the tongue of an experienced simpleton who obviously would rather be an emasculated infantile complainee. The note should be pretty easy to understand.

<story>

His hair falling into the sink marked the retreat from power. Vulnerability was sinking in. By accepting it, Butch became invincible. He had shaken off his old self; shed his skin; hissed at his reflection, looking like a madman. As yet, his new look was alien to him. Stripped from the past and open to a new dawn. He threw some clothes into a sports bag. Just a few. There was no need for excessive luggage. He loaded the files he had worked on for the last couple of months up to the internet to inform his on-line friends and left a short note to his roommates. They didn't expect him back that early. He slammed the door behind him, leaving his camera behind that he used to take wherever he went.

He headed for the supermarket. The cold breeze on his bare skull was unpleasant and surprising. He would get used to it. He was used to the cold. It struck him that everybody was looking at him. All dressed in black, only stubbles on his head. Desperate. Nobody gave him a second look.

Eccentric outer appearance is nothing to raise an eyebrow at. Excessive egomania has become the status quo. Attempts to reach individuality by focussing on clothes and accessories must fail.

</realisation>

All true wisdom is found on T-shirts.

</misosophical findings>

At first Butch didn't realise that a mere shaved head was nothing exciting. He was still too puzzled to think straight. The whole world seemed to revolve around him today and so he expected minor changes to be noticed by complete strangers. He knew that his spirit had changed for good. His hair might grow back, but he was convinced that he would never be the same. Those good old times were gone and replaced by an approaching new dawn.

The fire that burns twice as bright, burns half as long.

</blade running truth>

With that truth in his hands, he walked tall through the aisles of the supermarket. Proud like a God. He was yet to figure what kind of God. A Demi-God would do for him. There was no need for hypocrisy.

Comment on the family in 20th century American drama.

</nightmare revisited>

He picked up two bottles of Jack Daniels, some candy bars, a dozen bags of pistachios — they were hard to find in England — an armful of fags — the first for four years — and a plain silver zippo. Style and looks were all that mattered — even if no one would care. A means of self-fulfilment.

Did I ever tell you that this here jacket for me is a symbol of my individuality and my belief in personal freedom?

</wild at wisdom>

Whatever. Butch's mind was fired with quotes and references now. He would have preferred that a couple of hours ago, and he would have preferred something more substantial than movie quotes, but he couldn't help it and so he just let them flow.

As he walked through the alleys of cereals and canned ravioli, he knew that he was about to break down all bridges to this country. He would never again eat German fish sticks and pea soup. He wouldn't be missing them either. There was disgusting food available in England also. The plastic pizzas there were even worse. He couldn't wait to get there.

All stocks and futures he held had been sold with a single phone call. Another reminiscent of being a responsible fuck head. Overboard with being responsible. His credit card was bursting with cash. He was ready to go. The lure of nicotine was bugging him.

Scratching his bald head, he was reminded of his new state. He opened the pack and lit one right in the queue in front of the check-out. The first inhaling reinstalled the addiction that had been asleep for some time. The cigarette felt alien on his lips. In a way, he felt like it was his first ever. The smell was not exactly pleasant. The dizziness the nicotine produced presented not the perfect feeling. He had thought that reviving the addiction would create fireworks of joy. Instead he became aware of inhaling the stale taste of fresh smoke and sucking on a plastic filter. It was nothing like he had expected of his first cigarette. And yet the addiction was irrevocably revived. After a few weeks, he would just light them without a second thought. But it wasn't the prospect of profane intoxication. It was a decision not based on any weakness but rather a long suppressed hedonism that needed to be released in the course of his metamorphosis. It was a philosophical decision.

A leading authority is someone lucky who guessed right.

</misosophical findings>

The pleasure was only slightly disturbed by the old hag next to him, nagging. He didn't have to look at her to notice that she belonged to the pestilent army in grey; those about to be harvested by the scythe-man, yet still desperate to piss off whoever gets in their way.

Explain the concept of roles in Max Frisch's narrative work.

</nightmare revisited>

She complained that smoking was not allowed in the supermarket in her loud, obtrusive voice. Butch wondered what might have led her to the conclusion that anyone (and in particular he) would care for her opinion and why she thought she had a right to get in his way. For the hell he couldn't remember giving her the right to talk to him. He wondered why she didn't just get ready to fertilise the daisies. He tried to find answers to any of those questions in her worn-out face, but couldn't find anything but ruin and decay.

Cause there ain't no cure for the summertime blues.

</cock ran rumble>

And a vicious vitality. There was something encouraging in the disgusting heap of age that was piled up in her. Old, obnoxious age still getting on everyone's nerves. It was not really an alternative for him, but Butch liked it anyway. However, that was no justification to let her get away with it. Butch turned around to face her. He stared at her as if he was going to kill her right there in front of the checkout. She shut up. He felt the rebel in him. It was silly but good. He poked her shoulder and blew smoke in her face, slightly rolling his eyes to simulate a malfunctioning Terminator ready to initiate self-destruction mode.

Fuck you, asshole.

</cyberdyne 1000>

The woman never said another word. Butch paid, left.

A small win for me, a giant victory for my ego.

</strong armed response>

</hag rag>

He went to his car, pleased with the rather silly, yet successful, show of power. What use was there in intimidating old people? But in the end he had to start somewhere, and no matter how small, it was a grain of self esteem regained after all his stock had been crushed to tiny molecules.

Even though I might have acted like an idiot, ridiculous, naive, insane, childish as fuck maybe, dumb, trivial, bloody stupid, dumb as a thumb, thick as a brick, scum of the earth, little piece of shit, vermin, disgusting prick, shit head, worthless fucker ... shit, what did I want to say?

</detecting reflecting>

Still he was pleased with himself. Harassing pensioners - a felony - a fuck.

He went to his car and keyed

PUGNACITY TOUR 99

</tattooing varnish>

in big letters all over the hood, threw the butt away - professionally, as if he had never stopped smoking. He drove off the grey parking lot with screaming tyres and Stravinsky's Le Sacre Du Printemps blasting from the car stereo. He was not the regular hoodlum, but an educated, sophisticated one — almost with an academic degree. He put his head out of the window and flickered his tongue at some blonde walking by.

Ich will deine Fotze lecken!

</german translation>

I want to lick your cunt!

</english translation>

Butch laughed and made obscene gestures when she gave him the finger in disgust. Sounding the horn for a whole minute. Using both lanes of the street. Shifting gears too late. Making the engine scream. Butch utterly enjoyed his new self. Enough of earnest, adult attitudes. Enough of rotting away in the course of futile endeavours to become a responsible citizen. The dawn of a new day.

It's 106 miles to Chicago. We've got a full tank of gas, half a pack of cigarettes, it's dark and we're wearing sunglasses.

Hit it.

</blues bull>

The rebel. The guy with nothing left to lose. The lonesome cowboy. The Outlaw. Whatever. Only hours ago he had been a respectable young man with hopes and aspirations - actually, it had been a long time since he would have considered himself aspiring. Now he was something else, not what he wanted to be, but he had to adjust the situation. Now it was way in the past, no need to look back. He was no Orpheus. His eyes were firmly on the future. With grim determination, he disregarded red lights, traffic laws and whatever other regulations were in his way. He was not yet Marlon Brando, but he was on his way there. There went another yellow light! Thinking about what else it would take, he reached down, got the whiskey and took a mouthful. It burned in his throat, and tears shot into his eyes. He coughed several times, spilling the expensive whiskey over his clothes.

Now I smell like a bum. I'm getting there!

</thought>

Butch headed for the motorway, just avoiding an accident. For a second he thought that they might have jotted down his license plate number. Butch laughed at the thought of the police ringing his doorbell long after he had left the country. Only if they caught him on the way out of Germany would he be in trouble. Worrying about that for a moment, he washed the thought away with more liquor. Doing 110 where he was allowed to do 70 - kilometres that is, he would have to switch into Imperial mode.

Childhood memories crept up about going on holidays with his parents. It felt roughly the same. The sensation of the beginning of a journey. The anticipation of great things ahead. A year ago he had last felt it. This time it was different. He did not have to worry about having switched off the oven or whether he had forgotten his toothbrush. It was the first time he went on a trip on his own. He had to focus on the evil American next to him, not to be reminded of his loneliness, but Jack was also his friend and he helped him as good as he could. He was not really heading anywhere, although there was a destination. There was no doubt in his thoughts. He was just glad to escape and put as much distance between him and this place as possible. He got on the motorway.

Butch considered his car to be somewhat inappropriate. He would have preferred a huge car, a whale, a road-shark. Something American maybe, some utterly senseless, hedonistic giant car. A 70s monster with a tank big as an elephant's bladder, a hunger bigger than a killer whale's. Something destructive, something vile, something extraordinary. Instead he was faced with a shoebox. An economic, average mass-production. Reliable, economic, efficient and not in the least Baroque or fun to drive. It was something sensible. Something silly. Some symbol of might and abundance. Not that he needed more speed. It was just about feeling the raw energy when gently touching the throttle. Not that he was still able to gently touch the throttle. But the mere potential was what mattered. A street tank. Something that would lull him into a state of false security. Not that he needed security. False security was what he was after. He was stuck with a shit car on a road to nowhere. Not that he was after a feeling of freedom. Not in the middle of Europe. Only his swerving from left to right on the roads made him stick out of the faceless mass of people with a genuine destination. He had none.

The landscape flew past him. He didn't waste a glance at the houses passing him. Road signs indicated that he had entered Belgium, but he didn't notice passing the border. He faintly remembered that there was some sort of speed limit in Belgium, but couldn't remember what it was, so he continued speeding with the throttle firmly pinned down. The car was not going that fast anyway - not even at full speed.

Smoking one cigarette after the next and listening to the same symphony over and over again. He consumed more and more mileage along with more and more fags. Soon he forgot the unfamiliarity of a cigarette in his mouth. The routine of the addiction had taken over quicker than he expected. At first Butch kept the window open to throw out the stubs, but his skull felt cold from the wind coming in and so he closed it, turning the inside of the car into some smoking chamber. He flicked the stubs on the floor and briefly wondered whether they would catch fire. Instead he just noticed an annoying smell of smouldering plastic. He grabbed the bottle and drowned the smell with some more whiskey. On impulse he spilt some over the still smoking cigarette. Butch was curious to find out whether the liquor would catch fire. It didn't. All it did was add some disgusting odour to the obtrusively clean interior.

The streets were empty. It was early afternoon and most people were still at work. Jack was loosening up the mood. Speed limits were of no concern. His stomach began to feel sore. He hadn't eaten anything all day. The alcohol went straight into his brain, blurring his vision. Several times he subconsciously reached for the absent touch of the seatbelt on his chest. He had told himself not to wear it. No more security, no more dancing on ropes with safety nets underneath. There was not much more he was thinking of. His mind ran somewhat blank, but it was no problem. Getting some relief after the agonies of this morning was only justified. And so he leant back in his seat, dizzy from alcohol and cigarettes, heading way too fast to Ostend. He became hypnotised by the markings on the concrete that flew past him monotonously. He did not notice much of the cars behind him, sounding their horns, flashing their headlights in complaint. The much too loud music became inaudible as he was lulled into a daze. Only when the car screeched along the crash barrier, he was woken up. He looked out of the window while continuing to keep the complaining car pushed to the crash barrier. Sparks flying from the screaming metal kissing metal formed bizarre fireworks. Butch was fascinated by the sparks and considered hitting the barrier again. In the rear view mirror those little stars disappeared as he swallowed distance. He noticed that the other cars behind him held a respectful distance.

Never come close to a wounded wolf. There is nothing more dangerous. If you people realise that, you have taken the first step to understanding my determination.

</animal kingdom>

Butch was pleased. He deliberately crashed into the barrier again, admiring the noise and sparks. When he was about to lose control of the car, he stopped these games and got off the throttle and headed for the next service station to get some rest. He switched off Stravinsky.

He needed something non-alcoholic to drink and something to eat, to soothe his sore stomach. It took him several attempts to open the door that was slightly dented in. The painful noise was music to his violated stomach. A friendship of mutual minds. Along the whole side, from mudguard to mudguard, the enamel had been scratched off. Exposed metal was shining like an abrasion. Perfect. The pain the car had had to endure was obvious. He liked it better now, and maybe he had chosen the right symbol. An American monster wouldn't have represented him as well as his own mediocre economy car, abused and tortured by arbitrary wrath. The car he had driven and cared about for years. Within a couple of hours the value had dropped into the deepest sink. He considered trying to make the car flip over so that it would be bruised and bleeding all over, but there was no way he would be able to control that without completely destroying it. And Butch still needed the engine running to get him to wherever he was heading to. The cold breeze of the clean air caused some irritated headaches. There was nothing he could do and nowhere he could be to make him feel happy. There was nothing one could do in the wake of Waterloo to soothe the humiliation of the ultimate defeat. Not even childish behaviour.

The Two Rules of Success: 1. Don't tell everything you know. 2. ...

</misosophical findings>

Butch sat down, suddenly feeling dizzy. Stress, hunger, humiliation, depression and life in general and in particular had done their part in bringing him down.

A wave of tiredness and thoughts to be jigsaw-puzzled around his head.

Anyway. No need to get into that yet again. I'm starting to repeat myself. The fireworks. Horizontal fireworks. Horizontal fireworks on a motorway in Belgium. That's significant. After all, Belgians invented French Fries. Horizontal, virtual French Fries on a motorway in Belgium. Golden and crispy. The Golden wonder and yonder. That would do me good. Some greasy meal to absorb the gall and violently raging toxic, battling it away in my stomach would improve my health significantly. The seven circles of health. Pizza Inferno. Can you get that in Belgium? Although hot spicy food is not really that great when you're having problems with your health. Or is it? Why not go for the first choice? I'll have the golden Belgium fireworks with Mayonnaise. You know what they put on French Fries instead of ketchup? Mayonnaise. Goddamn - I seen 'em do it man. I'm drowning in that shit.

</head hunting>

While he observed the car, slightly puzzled, a fat mid 50s man came up to him. He looked at Butch in disgust. Butch stared back, without saying anything. He could imagine where this conversation would lead. The man was the epitome of evil. A well-respected family man, overweight, probably went bowling once a week with his friends, reasonably well off, yet not rich. A house in the suburbs of Brussels. Two kids, a wife. The essence of disgust combined in one person. Butch didn't have to wait long for the lecture to start. The man was mad and he spoke German like all those multilingual Belgians. Unfortunately Butch was not in the state to listen, he was still occupied with the crispy fireworks. His concentration broke into tiny pieces of shining diamonds, scattered on the floor as a tiredness overcame him.

</a last gathering of gall>

Nice to meet you. Sorry for my initial negative prejudicial assessment of your character. I'm sure you are a nice person.

</noticing new notions>

... you mad? ... out of your mind ... crashing into barrier ... accident ... danger ...

</missing moral magic>

How come those Dutch and Belgium people all speak three foreign languages? They must have big brains. Strange, though, that the man is acting like a German. I used to like Belgians. You don't take them seriously. You don't take Germans seriously either, but Germans are harder to avoid and ignore. Belgians you just overlook. No arrogance in there, but you just overlook them. Strange. Oh, wait. The man is talking. Let's listen in.

</noticing new notions>

... out of your mind ... road rage ... menace to society ... irresponsible behaviour ... felony ... danger ... should not be driving ... drunk ... license taken away ... inform the police ...

</missing moral magic>

Meanwhile back in Butch's head.

big nose ... red cheeks ... chill man ... a nose hair ... dancing when upset ... up and down ... to and fro ... funny ... hilarious ... go to circus ... the outrageous dancing nose hair ... become famous ... what a gifted person ... now it's bending ... do the hustle ...

</noticing new notions>

In fact, I think I am going to call them right now!

</missing moral magic>

What? Where? When? Who? Pay attention or risk detention ... What are you saying, kind man? I suppose he's talking about the police. Well, go ahead and call them. Lock me away for the rest of my sorry life. On second thought - maybe not.

</noticing new notions>

</joined soloversation>

Butch was feeling slightly sorry that he couldn't bring up the due respect to the impressive performance of the nice Belgian who went through all this hassle just to try to entertain and distract him. It struck him that the man must have followed him off the motorway, that the man had interrupted his own journey just to talk to him. He was impressed.

There is still kindness in the world. I'm impressed.

</Butch is impressed>

Listen, I have to get some things. It was nice talking to you. Have a good journey and I appreciate you taking your time to cheer me up. I'm sure we will meet again and then I'll buy the coffee. How does that sound? Anyway, I have got to go. Have a good journey and drive careful.

</conversation>

another soloversation

</correction>

</wicky wacky>

Butch left the man standing there to get some food at the station. The fat Belgian was outraged that Butch didn't bother to listen. Butch only briefly noticed the man taking out a mobile. He spent no thought on it. Food was vital now and everything else could wait.

He went to the shop, ordered a fat and overpriced hot dog and the golden crispy fireworks. They filled him and relieved his stomach. He drank a coke. Immediately he felt better, trying to understand some lorry drivers beside him talking French. He didn't get what they were saying. Butch bought some more nutritious food than the candy bars he already had and went back to his car.

When he returned he noticed his license plate and thought of the man with the mobile who was nowhere to be seen. Thinking about the stunt he had pulled on the motorway, he thought that the police might take an interest in it and in taking him off the road. It would be better to leave the place as soon as possible. Although the food had made him even more tired, he left the station. Not that the thought of police was intimidating him. He just wanted to avoid them. He got back on the road to make it slightly harder for them to catch him. Although Butch was somewhat looking for a short yet entertaining high-speed pursuit, no one bothered him. He was not the dangerous maniac that everyone was anxious to take out. No Charles Manson. Maybe more of a slightly whacked Charlie Brown.

He didn't try any other tricks back on the road. No speeding, no swerving from lane to lane. Butch got behind a lorry and stayed there. Enough of challenges for now. He knew that Ostend wouldn't be too far away. Brussels was getting closer and the traffic increased. The E40 went straight through the city. Butch had taken that road so often that he had no interest in looking at the city. He had gone to Ostend numerous times to get to England via ferry.

He stopped at another station later on to get a break from driving. He pulled the seat back and listened to a radio station broadcasting a jazz concert. His mind dangled back and forth. Thinking of all sorts of things. The colour of grass and flowers, the litter, garbage cans, rubbish. He was too tired to create and wallow in another depression. He thought about the occurrences that morning but with an indifference that allowed no room for emotions. His stock of self-pity was exhausted for now. He was sure though, that he would find the opportunity to recharge it. Self-pity seemed to be his guardian angel and sole companion.

He arrived at Ostend in the middle of the night, going straight to the ferry port and station, avoiding the city centre. He had picked up his ex there some time ago when she came over to visit him. He couldn't really remember how many months ago that was. He had never paid any significance to time, but things had changed lately and so he tried to get the months right.

He bought a one way ticket on the ferry. It was more expensive than he had thought. He had always booked in advance at a much lower price. But the outcome of that day couldn't have been anticipated - at least not seriously, and so he had to pay the higher fare. But money was the least problem he had. Actually there was no problem involving money. There was still time before he could board the ship. He found the bottle of Jack Daniel's somewhere on the floor and left the car to walk through the station beside the ferry port. The place was very familiar to him, and nothing seemed to have changed. A place where nobody wanted to be, but where everyone had to wait, anxious to continue their journey. Now, and once again, he was waiting there. With the slight difference that he was not anxious to get anywhere, that to him Ostend station was not just a stop that killed precious time but rather the status quo.

Although late in the evening there were still some people in the little bar. The ticket clerk sat with a few locals, there were some tourists, the inevitable female student travelling with backpacks and feminist literature, some homeless seeking a warm shelter. All this was very well known to him and so he did not waste any time admiring the 19th Century architecture or to walk to the abandoned platforms of the station.

He loathed the atmosphere and familiarity. He had slept on the hard wooden benches, he had observed the timetables. Everything was painful. The timetables on the walls seemed to be the same he had studied in indifference just to do something that would kill time. The billboards he had analysed months ago to distract him where still the same. It was just as if he was waiting for her to arrive with the next ferry.

I should have gone to Calais to cross the channel.

</applied pestilence>

Instead, he was faced with a massive cemetery of pleasant memories gone bad. He remembered how he had spent slimy hours there waiting to be able to board the ship that would bring him to his love - the woman further on known as ex. He had waited there for his angel - the bird from here on referred to as bitch - to arrive for a weekend. He thought about how long distance relationships were built on those short, tense periods of time. Extended weekends, short weeks. Ostend was spoilt for him. This was no friendly place anymore. It used to be one where time stood still. The place where waiting turned into agony and the place for farewells. Now it was a hell of butchered memories.

The more recent past swept up into his memory. In nightmares he had foreseen it numerous times. Reality had not been much worse.

The block hit him immediately when he walked into the room. Three grumpy professors whose time he was stealing, sitting behind a huge desk with his chair in the middle of the room. Too far from the desk to have a medium over which to reach contact to them. To create some sort of bond. Only the desktop lamp shining in his face was missing to make it a perfect interrogation scene in some Arabian police station. Sweat was forming on his forehead. His mouth dry. Senses sharpened, knees soft as butter. The first question would be crucial he thought, if he could get into a relaxed mood, shake off the initial nervousness, everything would be fine. It didn't work like that. Through all of the orals he remained stiff, tense, tightened up. The questions he was given never suited him, he was never able to comfortably answer them. The only constant thing in all his stuttering was the way he focused on the professor playing with his pen. Like the rattlesnake hypnotising its prey with a dance before it strikes. Exam nerves. Phobia.

What is the connection between Faust and Hamlet?

</nightmares revisited>

He scanned his mind. What he found was a wasteland. Nothing. His name. He could remember his name but that was about it. Now the answer was obvious. Both are Nordic tragic heroes, rational, unable to deal with their emotions, dealing with suicide — he could go on for ages. He was able to answer half the questions now. Would half have been enough? Would he have made it with those 50%? Or was his phobia only one reason for his destruction? If so, the other 50% were obvious.

Explain the relevance of the narrative frame in Boccaccio's Decameron.

</nightmare revisited>

The "FAIL" was a relief. At least the procedure was over. Nothing else mattered at that point. He would have signed his death sentence to get out of there. Like all those innocent buggers that had to serve as scapegoats.

Q: What were leeches used for in the 19th century.

A: Who fuckin' cares. What has that got to do with literature?

</nightmare revisited>

After he had shed one single tear, he was ready to take up his new identity. When he left the building, it had turned into a grim, determined smile. He was into Übermensch-mode. Invincible. The impact of his decision did not affect him, everything had been thought about in great detail, his agenda was philosophically water-proof. It was acting out a plan. And that thought prevented him from actually considering what he was about to do.

</flashback>

He had considered fundamental changes, but he had had no real options. Going to Tibet to become a Buddhist monk? Sitting on a rock, musing about life in asceticism. Learning to breathe or to walk or whatever these Buddhists do and learn. He was not the type. There was no use in trying to escape like that. Facing the facts. That's what it was all about.

</endeavours>

Avoid reality at all cost.

</misosophical findings>

The bitch. The fuckin bitch. The cunt. Change the subject. Change thoughts. She was going to see what she had done. Payback time. He would not reach his destination without making very clear that she had to take some of the consequences. The fucking little bitch. He calmed down. At least a bit. Thinking of something else. These ex alerts had been around and ever-present since she dumped him, about half a year ago. The worst timing one could possibly have. Well, it wasn't any of her concern. The bitch. The fuckin bitch.

<self—pity>

He would have been over her by now, if she hadn't decided to throw him in the gutter at the time when he would have needed some support the most. The one moment where some cover would have been appreciated. No wonder he had fucked it up. With her he could have made it. Without her, no way. Three days. Three days.

</self—pity>

</ex alert>

The waiting hall was familiar. Although late in the evening there were still some people in the little bar. The ticket clerk sat with a few locals, there were some tourists, the inevitable female student travelling with backpacks and feminist literature, some homeless seeking a warm shelter. All this was very well known to him and so he did not waste any time admiring the architecture or to walk to the abandoned platforms of the station.

He just couldn't do it. Whenever he sat down in front of his books, his mind shut firmly, and there was no way he could take in any of the things he had to learn. He had to fight himself to copy things out of books to gain any information at all. But it was by no means a sensible way of learning. It was like a survival instinct that prevented him from wasting more valuable memory on useless information about Medieval English literature, linguistics, or whatever else was deemed necessary to know while studying at university. All his life he had learned things that had been imposed on him without questioning them. But at twenty-five, the time was up. He was old enough to decide for himself what was necessary and what not. Most of the crap that was expected from him was not. And so he paced into inevitable defeat with open eyes. He knew how much he had to learn to make it in the exams, and whenever he sat in front of the computer he knew that he was by far not doing enough to survive it. But there was nothing he could do but stare, sit there, find better things to do then learning and go into these exams hoping for the best, knowing that it was not good enough.

</recollection>

<quote>

I don't have the passion anymore

</quote>

What is there to say when everything has been said? What is there to do when everything has been done? What is there to sing when everything has been sung? What is there to lie about when everything has been lied about? What is there to confirm when everything has been confirmed? What is there to paint when everything has been painted? What is there to photograph when everything has been photographed? What is there to deny when everything has been denied? The only things that will come, are repetitions and alterations of the same concept. That's all. Is there any need to say what others have said before? All has been turned into a stereotype. Every character you see has been there before, every mood there is has been explored and made public.

They say that a million monkeys banging on a million typewrites will eventually create the complete works of William Shakespeare. This might not be true but the concept is correct. With billions of people sharing the same culture, it is only a question of who's first in creating a somewhat new thought. They say there is no story to be told that hasn't been told before. The only thing you can do is present it in a way that it hasn't been presented before. But the essence remains the same. Hence there is no reason to create anything, knowing that it is not creative anyway. So why say another word? Why read another sentence? Why compose another tune? They say that there are two basic topics to deal with - love and death. Once you experienced them in one way or another you are stuck with getting the details. However, there is a point where you know every detail you need to know, when your hunger for information or experience is satiated. And then? Get a lobotomy and start all over again? Not a viable option.

</worn out thoughts>

People who think they know everything are a great annoyance to those of us who do.

</misosophical findings>

He was dissected from these thoughts by the call to board. He got into the car and queued with the other people after passing customs. Families, workers, tourists, whoever.

Getting safely on the ferry was more of a problem than he had thought. He had drunk yet more alcohol waiting for the ferry and when he got back into his car he noticed his head spinning quite a bit.

It should be dancing - yeah!

What should we do with the drunken passenger early in the morning?

</gee a bee>

Getting on those bloody ferries usually involved highly skilled manoeuvres, which he was barely able to perform while sober. Being drunk didn't help at all. He would almost say that it was counter-productive. And so he tried to drive as carefully as possible so that he didn't bump into anything. However, as he followed all instructions of the staff he figured that a lot of Britons would go on these ferries in a slightly inebriated state, using any opportunity available to make good use of the cheap continental alcohol with the low taxes. And in the end he could always use the excuse that he was a bad driver. He was anyway. Eventually, he managed to get on the designated spot some grumpy member of staff (or was "sailor" the proper term?) pointed him to. He swore never to drink while driving again.

yeah, right!

</oh come on>

The regular procedure would have been to find some space to sleep in. Some seat or maybe some space in the aisles. That was the usual thing to do on these ferries. The atmosphere was very casual. Most of the passengers were rather common. Workers, families on vacation anxious to save as much money as possible. Well-off people would use the Chunnel or planes. Butch could have done either, but he preferred simplicity. There was something ancient and anachronistic in his quest, and that quest demanded travelling by ship and motorised carriage rather than planes or going through tunnels. Crossing the border over night meant hundreds of passengers spreading out over the seats, lying in the aisles, wrapped up in sleeping bags. Although very tired, he did not feel quite like joining the crowds in a happy bed-in. The shared intimacy of sleeping bum to bum with a stranger on the filthy floor of a rotten ferry, a "soul-monger" as they said in German, was not his type. He didn't find too much fun in wondering who might have spilt his precious puke on the floor and what dog piles shoes had stridden through before they were cleansed on the ferry's carpet. He needed to be alone. Not that he hadn't been enough already. This very morning he had had to face two professors and they had been more than he could handle. He thought that having his life bombed justified some temporary misanthropism.

I am the Michael Hutchence of pity. A has-been.

</inxs - need you tonight>

I'm only lonely when I'm around people.

</stereotype>

stereotype 1. n. formula, mould, pattern, received idea, cliché 2. v. categorise, conventionalise, dub, pigeonhole, take to be, standardise, typecast

</worn out thoughts>

He walked over the ship trying to find something interesting, some spot that no one else knew about. The only thing he found were Britons and people speaking multiple languages - but mainly Britons. There was something utterly pleasant in listening to them, their lingo. The annoying pitched voices of the women had left him wondering numerous times whether there was some genuine defunct in female British DNA, or whether they considered them to be cute.

Going abroad is almost like coming home.

</excited brit trip>

These voices presented him with his first contact with the land of the Queen he had had for several months. At last he found some enthusiasm in going to Britain. In the end seeking pleasure had never been on his mind when deciding to go on this quest. It had been about searching and eventually finding something, but not about fun or comfort. Now he realised that he was anticipating England for more than a personal mission to be set to. The thought was pleasant, even though it was a thought partly based on his arrogance towards the country and its citizens.

In the end he found the amusements and decided to stay there for some time. He spent the whole journey playing pinball machines and virtua-cop — a 3D-arcade shooter where you blast criminals away with a plastic gun. It was not the most recent game there was, but these places never stored the latest arcade games. He was looking forward to getting to the Trocadero in London, where the latest of the late games were served. Drinking tax-free beers, for a change and regardless of his resolution, didn't contribute to his accuracy at shooting the bad guys. Actually for some time he did nothing but shoot this innocent victim in the bank, that remotely resembled his ex – well for him it did. Or maybe the resemblance merely resulted from the shared sex He had got used to the fact that his memory had nothing better do to than to link everything he came across in everyday life to his ex. Butch felt sorry that he had shared so much with her, that he had given her the opportunity to intrude in his life on such a scale. To leave all these traces in his memory. Before another self-pity attack hit him, he threw another coin in the slot and shot some more bad guys and victims. He found too much fun in these games to let anything bring him down. After all, he had just had a massive whining-attack. No need for yet another one.

To everything

Turn, turn, turn

There is a season

Turn, turn, turn

</hippie wisdom>

At present he was happy with jumbled, unrelated thoughts and mere games of reaction. A relief from all the responsibilities he was faced with - or rather had been faced with.

be evil

be invincible

be invulnerable

be mean

be selfish

survive

</agenda>

survive?

</agenda revisited>

Through the whole passage he did not go on deck, for although he had never crossed the channel together with his ex, and had only few memories with ships linked to her, he couldn't help but stumble into ugly thoughts. Memories of her invaded his mind. He was pissed off with them. Butch was loosing focus. His new identity was drowning in self-pity. It was time to change into rebel mode again. He shot four victims, lost all his lives, went to a pinball machine where some 10 year-old boy was playing. Last Action Hero. Not a great machine. This was not about pinball. It was about power. Butch went up to the British kid.

Avoid people at all cost.

</lesson to be learned>

- Get lost.

' What?

- You heard me.

' I'm playing here.

- [whispering threateningly.] You don't want me to repeat my words, trust me.

' [losing confidence, screaming.] Dad! [running off.]

Butch went to the machine to continue the abandoned game. The kid had done a lousy job. 3rd ball and nowhere near an extra game. He managed to get a multiball, but his play was based on reflexes, not on strategy. His pinball skills were beyond keeping the ball in game. He had no interest in the game itself. It was just a waste of time. Scaring off the approaching father was easy. When the bloke started to make a fuss, Butch switched into whacked mode. He left the ball going down, shifted the fag in his mouth, and slowly inhaled, his eyes always on Daddy's. He kept the smoke inside and extinguished the cigarette on the back of his hand. The smell of burned flesh crept into his nostrils, nerves screaming, echoing in every brain cell. But he flinched. Daddy was not prepared to deal with perverted madmen, and so Mr. Family left Butch's territory to buy his son a Pepsi. It was so easy to scare people off. The madness factor frightened them. Butch was good at that. Just important oral exams with people who were not that easily impressed caused slight problems for him.

Butch waited motionlessly until dad and son were out of sight. Then he ran for the next bathroom to cool the pain off. Another painful reminder for the next couple of weeks. By the time he would get to wherever he was heading to, he would be a physical wreck. He liked the thought.

Butch went to his car after that incident. He had no interest in the pinball machines after he had them all for himself. No one to boss around. No one to show off to, even if it was just a kid. Although it was forbidden to go to the car decks during the journey, he did it anyway. He didn't want to be around people. After trying some doors, he found one open, got into his car and poured some Jack Daniel's over the hand to disinfect the wound. Butch did not know whether it needed disinfecting, but at least it hurt like hell. He was not into pain, yet he needed the assurance that he was still alive. He slightly regretted the little stunt he had pulled as soon as he observed the wound. It would take ages to heal, and as long as the wound was still open, it would hurt badly. That was what he got from being the cool dude. At least he had impressed the jerk. He tried to get some sleep. Butch had always had a problem sleeping in cars and the burn on his hand didn't really help. He folded his long legs into the car as good as possible, to find a comfortable position to sleep in. It did not work. He shifted position every other minute but could not make himself comfortable.

<quote>

I don't have the passion anymore.

</quote>

stereotype 1. n. formula, mould, pattern, received idea, cliché 2. v. categorise, conventionalise, dub, pigeonhole, take to be, standardise, typecast

</worn out thoughts>

Sleep came over him swiftly. After all he hadn't slept properly for more than 24 hours. He was woken up by engines starting around him. His watch told him that he had slept for less than an hour, but he felt slightly better and relaxed. He thought about looking for paracetamol or aspirin, but he was pretty sure that his searching would be futile. His stomach was yet again sore from the alcohol. From the opening bow door he could see land. Dover. England. People on these ferries always started their engines too early. There was still a lot of time left, but everyone was anxious to get off. He felt as if he was in some sort of race with drivers hot for the best position. Maybe like this Oklahoma race for land back in the 19th century. He had to force himself not to start the engine when there were at least another ten minutes before they would roll off. Even though he was just as anxious to get onto British soil, he tried to retain as much coolness as he could master. Butch sat up, lit a cigarette. He had a massive hangover. The beer and the liquor had been slightly too much for him. He wondered for a second whether he would have to puke, but decided against it. It was better to keep it all in.

Reality is an illusion created by alcoholic deficiency.

</misosophical findings>

Finally the cars started rolling off the ferry. Next to him he noticed the kid he had bullied off the pinball machine. He still looked intimidated and realising that even his omnipotent father hadn't been able to stand up to Butch, made him even more scared. The fear was clearly visible in the kid's eyes. Butch gave his father a mad smile. Daddy avoided the stare and instead turned to his son to tell him off for something he hadn't done. He started the engine.

</ferry mayhem>

When his tyres touched English asphalt, he switched. Switched from driving on the right hand side to the left. Switched from speaking German to English. Switched from being eloquent to using a foreign language he was not mastering to his full satisfaction. Switched from thinking in German to English. He had done it several times. Nothing special. Not even the traffic was a problem. Of course this was the first time he was entering without a pleasant purpose. He thought about how he would raise hell with his ex, how he would scare the shit out of her. Get the ultimate pleasure from seeing her cry.

Last time they talked on the phone, Butch had cried — not her.

</ex alert>

The thought went by swiftly. Revenge was the word. Not that he could get much revenge. In the end he had been dumped and not her. There was no loss he could make her suffer from. Unless he went to indulge in terror. He had contemplated the thought. Phone calls at night, dead rats in the mail. She would have known where it came from. It would have been a sign of weakness, lack of style. No need to display that in front of her.

Customs was routine. He had thrown some peppermint in to be able to smuggle the Jack in his veins safely into her Majesty's kingdom. The officer was not paying too much attention, a brief look on his passport was all before he grumpily handed Butch the document and waved him to get out of his sight. He drove up the small road from the harbour and immediately turned left to get out of Dover. Although he had waited at Dover a couple of times, he had never gone into the town centre.

Now he was a fuck up. He had never considered himself such, but things had changed recently. He had never been a good student nor Mr. Happy, but neither had he been on the verge of destruction, plagued by manic depressions. The system had kept him young for a long time. Studying, denying him responsibilities had held him back from becoming an adult. But eternal youth was tiresome. He longed for something more than mindless fun. The more years passed by, the urge became stronger. The urge for something more. Anything. He could not name it. But there had to be something. Anything. The further he went, the more he realised that there wasn't anything. It was no "fin de siecle" or generation x, it was just ... nothing.

</reflection>

Murphy was an optimist.

</misosophical findings>

While he refilled the mire in which to wallow, his thoughts went off to more fundamental questions. The sleep inducing dullness of the road made his mind wander off in directions that were triggered by the remembrance of the orals and the demands of the studies that had occupied his mind for so long. They were now over for good. No more piling up useless knowledge.

Why is intellect an admired asset of human character when its impact is most destructive to mental health? Man has barely learned to walk and talk when he is thrown into school. Know what I mean? I mean, we have to learn all those things, first reading and writing and then maths and history and science and literature and whatever else. Those that have the potential just go on and on with it, learning more and more remote things, until they are wondering about quantum physics, English Romantic Poetry or Existentialism. It is generally accepted that with sufficient potential it becomes a condition sine qua non to expand cognitive knowledge not only to boost chances for an advanced professional career, but also to grow as a person. The assumption that knowledge equals an increase in quality of living is unchallenged. Thus it is generally assumed that intellect and knowledge equal satisfaction and even happiness. However, moving from theory to reality, man finds a different story. Many highly educated people are by no means satisfied with their existence. Quite the opposite seems to be true with many of them being stricken in grief and pain as a result of a deep insight into life. Their wit and analytic qualities make them aware of the real plights of individual life in opposition to the ideals of human existence. It becomes unbearable for many intellectuals to stand reality in the wake of great humanistic ideals. The insight turns into almost physical pain. And the comparison of this insight with the individual's personal life often turn into an insurmountable leviathan.

Did you hear about the dyslexic, agnostic insomniac who stays up all night wondering if there really is a Dog?

</misosophical findings>

Let us take a look at our relatives. Animals are said not to reflect about life, although the monkey who recognises his reflection in the mirror has taken the first glimpse of his ego. There is grief among animals, but this grief is never the result of an insight into its own existence, it is a grief caused by the death of a mate or offspring. In general, animals lead very happy lives if they are not plagued with disease or physical pain. There is no suicide among animals. The mass deaths of dolphins have not been traced back to a conscious decision to end their life, it might be a malfunctioning of their sonar. Lemmings are trying to reach new shores when going into the water. Animals hunt, eat, drink, mate, sleep all day long. Sometimes they have to fight their way up in hierarchies or for the female. Under these circumstances there are some animals leading less happy lives at times. However, those are exceptions. They have to fear enemies but only temporarily. An existence without pain or grief is impossible, even for animals, but -

The light at the end of a tunnel may be an oncoming train.

</misosophical findings>

</philosophical essay>

</worn out thoughts>

The road signs passed by while he was dealing with this intellectual wanking. He had done this very same mental masturbation numerous times, and these strings of thoughts were as worn as the lingerie catalogue hidden under the mattress of a thirteen year-old boy. Yet they had become good friends in sour times, and so he picked them up over and over again as there was nothing else he was interested in, like the thirteen year-old desperately waiting for the next issue of his favourite wanking-literature to be released.

The markings on the street lead straight ahead. It's a symbol of utter beauty. There are no turns nor breaks. It's a long straaight road. The markings onn the street leead straight aheaad. They suggest that there is no alternative way. No alternativve. A single roadd for all to follow. Exxit. a ssimplle paath forrr all. A single rrooad foor alll to follllooooow.

Whhhat weee arrrre allll aaaaaaffter. Withhhhouuut tuurns or

alternaaaativesss. Nooothing to deccccide nothhingg to decccide nothinggg tooo

wonnnnder about a cooww wheeere doo cowws go att nighhhht annnd nowwwwonder.

Thhis isss a niicee

thhoughhht - wherrrwas iiii? yeeeahh

thhhat woullld bee niccce to live withhhhhhout

decissssssions to be made i wannnnto doooo that hypodizzinnng maaaaarkings maaake youtireeed

tootiired to

thiiinkk probbbbably.

...

....

Yaaaaaaaaaaaaaaaawwwwwwwwwwnnnnnnnnnnn -

...

....

wrjklthömqvp437895z298p45mvöa,f BLUE SCREEN sfuawo sfopgi et we wt,g sgjk59wj03t üwe. e riu,vwoe riuc.q weiür u,qruc, qüwr ,.qwi orf,.aio wrovtilwt fux.qweior u,qcwüeruü f-8249 571´5r opwri2/( ?§()% SYNTAX ERROR 41968769 awrtw4utm faskjk hsgh MALFUNCTION shfawer q45ßq jasf q487t q8 dkfah 89tßq hr asfal7wexplicitlyricsrtq27849 wf asf 4 apwf awzp wrq w zqw qwr q42r249ß712ß weu rsdf asfh q2ß45´4 EFÜ F IOFU WZERTSGFeuirhp ERT(Q$(%Z pw9tz ajfh q4ßzt/(§%&§& §$(%/"§$ OQEFnomessageofsatanimplementedhere sffh asehr4 q24 wej athrt hawrtzqw4u tqi4t 4z quiwzt qwt qwtqwuitz qiwotq47 q4 z47z74zq 74z7 45 UNABLE TO PROCESS DATA ...

RECHARGE BATTERIES

RESTART SYSTEM

...

exit

</log of sleepiness>

Butch managed to get to a shabby service station before he nodded off. He made another attempt to sleep in the car. But no more than two hours of sleep was granted before the sun rose and made futile any further attempts to rest.

Where the fuck am I?

I feel like shit.

A human trash can.

What have I done to deserve being in the middle of nowhere?

What have I done to deserve being a fuck-up?

What have I done to deserve being such a miserable motherfucker?

Ah shit, no more whining.

<self-pity>

Three days. Three days before she dumped him, she had told him she loved him. Three days. Within three days everything had changed. Three days in which they hadn't even talked. Three days in which he had no opportunity to do anything wrong. Women. Only women can be such bastards. They are into this emotional shit. Men aren't. It's the women that demand to be told that they are loved over and over again. A man would never think of starting to talk about love unless he felt it. For a woman, this means everything and nothing. They don't keep quiet until you finally tell them you love them. When they hear it, they are pleased and keep quiet - for a week or two and then it starts all over again. Women want to stake their claims. That's why they are into rings. By having a man wear their ring, they claim their possession. It doesn't mean anything to them though. As fast as they can take off a ring, they can quit loving. Three days. If a man says he loves a woman without her pushing for it, provided he is not just trying to get to her good stuff, it means everything to him. They don't just say it. They mean every fucking letter in it. Like Sailor refused to sing "Love Me Tender" to Lula in "Wild At Heart" until he was sure that he wanted to marry her. Men and women are completely different there. Butch would never have said something about love if he hadn't meant it. The word was vital to him. To men. Women are fuckin slugs, no backbone, no principles, no dignity. Three days. Only stone cold freaks can turn from "I love you" to "get the fuck out of my face" in three days. No wonder he fucked up life and graduation and whatever he had started recently.

</self—pity>

Actually it might not have been all her fault. He saw the defeat coming, it was not that he could have done anything about it. Whenever he tried to sit down to learn he was struck by a tiredness that made him unable to read on, to learn only the smallest fraction. It was not all her fault, but she would have helped him. He knew that with her help he could have made it. Graduation meant dire times, but he could have forced himself to his desk, learning all this futile crap. Writing e-mails and letters to her during his breaks would have been good enough to keep himself going. Visiting her for a weekend after the first session of exams would have been enough to look forward to. He could have made it if she had not decided to destroy him. After his demolition he spent his time playing stupid computer games, being drunk, listening to the most pretentious songs about broken hearts, finding some immense wisdom in them. He concluded that it was her fault to a very large extentd.

Of course it was not her fault.

</addition>

What the hell. Let's get to London. Get out of the car. Get something to eat. Get into the queue on the M20. Get going. For whatever reason, to whatever destination, for whatever purpose.

* Aching back

** Sore stomach

* Tired

***** Depressed

* Unfocused

** Disorientated

*** Broken hearted

***** Whining

*** Worn

* Deranged

*** Destructive

***** Destroyed

</check up>

Looks good enough to me: Let's go!

Act to avoid thinking.

</agenda for the day>

</detached awakening>

Thousands of drones on the road, getting to work in their economy cars with expressionless faces. Butch felt like the odd one out. He was the one who had no job to go to. No destination. Not even holidays. He had no reason to be where he was. No goal. No legitimisation. Butch would have loved to do the nine-to-five treadmill. It was soothing, numbing, killing any reflection and pain. There was no sign of life in these faces. Sure they were smiling, talking, listening to the radio, wiping the sleep from their eyes. Animals do that too. There was nothing left in them. What a brilliant thought. Butch craved it. A fulfilling job, a boring life, no pain no gain, nothing. Looking into the cars passing by he saw lifeless machines getting to their workplaces. What a brilliant prospect. No irony intended. What a brilliant way to spend one's life. Thoughtless, painless, content in their lack of humanity. People working their fat butts off are not in the position to wonder about their lives. They just go ahead, get up in the morning, go to work, come home at night, eat, shit, screw their wives, go to bed, get up in the morning, go to work, come home at night, eat, shit, screw their wives, go to bed, get up in the morning, go to work, come home at night, eat, shit, screw their wives, go to bed, get up in the morning, go to work, come home at night, eat, shit, screw their wives, go to bed, get up in the morning, go to work, come home at night, eat, shit, screw their wives, go to bed, get up in the morning, and then it's Saturday, and they go shopping and watch the game, and then it's Sunday and they read the Sunday paper and watch another game. And then it's winter and yet another year has passed. What kind of heaven is this? Paradise.

Or is that too much asked?

</question>

Butch did not have any goal in London. He had no clue why he had chosen London to be his favourite city. A fake sense of metropolitan arrogance maybe. It was a heap of unpleasantness. An accumulation of people, business and some forlorn culture. The European capital of the financial market. And the place where this silly person with the crown on her head dwelled. Maybe this aspect of being torn, the tension between being thriving and modern and at the same time utterly antagonistic and old-fashioned was the attraction. Butch didn't know. Maybe it was just because of the Tube.

He just wanted to cruise the town, check for exhibitions at the major galleries, and... well check the exhibitions at the major galleries. What else is there to do in London? The city was reasonably familiar to him. He went through the V&A, National Gallery and the Tate but ex alerts shook him to a degree that he broke off the tour. This was probably the city of hell in terms of memories with an agonising sting. There was also something else in this place. The loneliness of a gigantic city. The anonymity of a hostile metropolis. The destruction of man. For a second he thought of all those Blake poems about London and chimney sweepers and Dick van Dyke in Mary Poppins and Joseph Conrad and H.G. Wells, the much better authors of the same period, and finally he realised that he was alone in that city, that there were no friendly places around he could turn to.

What better place is there to be lonely than a crowded one?

</big question>

Sitting in a Burger King over a Whopper menu he wondered what to do. After finishing his junk food and spilling some sauce on his shirt, he noticed that he was still wearing the same clothes he had worn at the exam. The only difference was the ketchup on his white shirt and the offensive smell sparked by a lack of personal hygiene over the last day. Butch decided to shed his skin even more. Walking down Oxford Street with his credit card in his pocket he went from one over-priced shop to the next until he ended up in a completely new outfit. Still dressed in black but now in a modern black. Maybe slightly too much of the world-weary intellectual than it was good for him, and certainly too fashionable for his taste. But acquiring a new identity demanded unfamiliar clothing. His own glasses prevented him from getting some of these fly-shades that would have covered his eyes from any visual attack by hostile civilians. With these he would have been truly invincible. Too cool to be hurt. Too fucking cool for this. However, his dented, insufficient eyes that were the window to his soul - as some philosopher or just some agony aunt had stated somewhere - demanded glasses. And so they kept screaming out his weakness. Seeing his reflection in a shop window revealed the appearance of his new looks to him. He felt strong observing his picture there. With a bit of practise he could turn into a true Medusa, he figured. Able to slay anyone with a mere look. He was already able to do that with his tongue - or maybe he wasn't anymore - but in general his misanthropy was great enough not to find any pleasure nor interest in butchering people. His contempt towards others was too insurmountable for him to care about the destruction of others. And the most recent situation had just enhanced that state of mind.

When Butch had reached the end of Oxford Street at Hyde Park, he was also out of his wits. He decided that he needed a place to stay and resting on a park bench was not really his idea of a good time spent in London. Butch concluded that he had to attach himself to the first human being that would show only a glimpse of interest in him - fuck misanthropy. Not that he was looking for anything like human touch, but then again a living port of call would make things simpler during his stay in London. He had no clue how long he would stay there, anyway.

</let the good cars roll>

What is there to say when everything has been said? What is there to do when everything has been done? What is there -

</worn out thoughts>

He sat in the McDonald's at Marble Arch on a Big Mac Menu and the Telegraph, the Guardian, the Independent and even the Times. Butch figured that with nothing to do he might as well read all the major papers available to get back into British mode and groove. However, the papers didn't really offer him any new insights. Politics didn't matter to him, sports he was completely indifferent about, culture was nothing of his concern, and the economy was none of his business. Time passed slowly as he began to dip the cold fries in the lukewarm coke and watched the liquid dripping off the soft piece of potato before he ate it.

stereotype 1. n. formula, mould, pattern, received idea, cliché 2. v. categorise, conventionalise, dub, pigeonhole, take to be, standardise, typecast

</worn out thoughts>

The new outfit changed his appearance and it also changed his perception. He was yet again back into invincible mode and utterly determined to make the best of the situation. The city was his for the taking.

The only results will be repetitions and alterations of the same idea. The only result will be repetitions and alterations of the same idea. The only result will be repetitions and alterations of the same idea. The only result will be repetitions and alterations of the same idea. The only result will be repetitions and alterations of the same idea. The only result will be repetitions and alterations of the same idea. The only result will be repetitions and alterations of the same idea.

</worn out thoughts>

<fuck>

He dipped another fry.

</fuck>

</forced strength>

Later on Butch sat in some Pub in an unfamiliar part of the city. A shabby place. It was packed. Well, it was 10:30 p.m., only half an hour to go before the little British people had to go to bed. Frank Sinatra was pouring from rather cheap speakers. Butch was bored. Keeping up the evil image was hard. Pubs and bars had never been his type, and he wondered where to find a bed. Probably some cheapo hotel somewhere. Sipping his third Guinness he watched the locals. He had nothing on his mind. Some guy in a remote corner caught his attention. Dressed like Jeff Goldblum in Jurassic Park, black trousers, black leather suit, Ray Bans, displaying the same arrogant attitude as he did.

We would make a great couple. Same clothes, same appearance, same state of mind, same disgust painted all over our faces, same fuck-all attitude. We would make a great team.

</same lame frame name>

Butch sat there for a while observing the man before he noticed what he was involved with. Every few minutes someone came by, sat opposite to him, they exchanged some words and then something which Butch could not see. It was not hard to guess though not even for Butch. The actions were so casual and inconspicuous that they screamed for attention. After observing the procedure for some time, Butch took his glass. He was reminded that he wanted something the guy had. Butch went to the guy and sat next to him. The man in black was about Butch's age. He didn't say a word.

</unlikely scenario>

- So

* So?

- What have you got?

* And what, Sir, are you talking about?

- Drugs. What have you got for sale?

* [slightly mocking.] Why, Constable, I hope you are not suspecting that I have something to do with illegal narcotics? I would never go near them.

- Let's cut the crap. I want heroin.

* Heroin? Gee, Mr. Policeman, I would not know anything about this [searching for the word.] hieroglyph, no what was it again?

- [sipping on his stout unimpressed.] Listen, pal. You know that I am not enforcing the law, and I know that you are selling things.

* Yeah, you are even too stupid to represent the law. And you got an accent. Dutch?

- German.

* Okay, Fritz, what do you want?

- As I said, I want heroin.

* Just a wild guess, but you have no clue about these things, right?

- [nods in agreement.].

* So, tell me, my square-headed friend, why would I sell the magic powder to you and not powdered sugar - provided I did the business you suggest? It seems you wouldn't know the difference anyway.

- Because I would kick your ass?

* You don't look like that kind of person.

- You're right [Pause.]. Listen, just sell me the stuff. I don't care if you rip me off. I am old enough to know what I am doing and you are old enough to see a profitable deal.

* Otto - you don't mind if I call you Otto, do you?

- No problem, and can I call you arrogant dickhead?

* Sure.

- Fine, dickhead. Let's get to business.

* [Pause. Looking at Butch.] I like you.

- [Impatiently.] I love you too, so?

* You are too hasty. What's your name?

- Butch.

* You may call me, let me think ... Protagoras.

- [Unimpressed.] Protagoras? Like the Greek dude?

* What Greek dude?

- The Sophist.

* [Pleasantly surprised.] You are learned.

- The business.

* [A bell rings.] Last round. I tell you something, let's go somewhere and discuss it there. I know a club where we can go, have some bevvies, maybe pick up some pussy. How about it?

- Can't you just fucking sell me the shit? I don't want to marry you first.

* Come on, Adolf!

- Adolf was Austrian.

* Was he? A reason more to come with me.

- [Considering for a moment.] Okay.

* Great, but first let's have some more drinks. They're on me. [Slamming a pill on the table.]. This is for increased pleasure. Also on me.

- Jesus, you are generous. How can you make a profit like that?

* Don't worry about my business.

While MIB went to get the last drinks for the night, Butch thought what a prick he had run into. He considered leaving right there, but when he thought what else to do or where to go, he had no port of call, and so he stayed and watched the tall moron who pretended to be the nihilistic intellectual of the month getting more beer, and in some weird way he was also looking forward to the friction and some tough verbal playing. It was an atmosphere of obvious mutual contempt, but at least the rules were clear, and so Butch found interest in the little quarrels that were already sketched out. Butch was pretty sure that the Man in Black was not his calibre in terms of intellect, but he was not into smart-arse-wanking here, and so he only casually went through his philosophy drawer, opening the very first file of pre-Socratic philosophy and browsing through the Sophist pages. Just in case the bloke was in for some mind wrestling. The whole idea about us living in another age of relativity concerning ethics was not new to him. Butch had written an essay about the "Terror of Individuality" for some uni magazine a couple of years ago. All this shit was not new to him. The MIB wouldn't be able to impress him with the ambiguity of morality or whatever his big thesis was. He presumed he was in for an extensive lecture on contemporary philosophy and zeitgeist later this evening. Maybe after taking one of these pills that lay innocently on the stained table in humble beauty. Butch eyed it suspiciously and considered hiding it under his tongue rather than to swallow it. These synthetic drugs had never been his type. Smoking weed, sure no problem, but acid or X, which he presumed that was, had never interested him. Seeing someone on a horror trip ages ago had satiated his appetite for those kinds of entertainment. Taking care of someone locked up in Toon Town being constantly hit by pianos, pushed off cliffs and blown up by an evil alliance of the Coyote and the Road Runner was not his idea of a fun day out. The MIB returned with two warm Guinness.

- Cheers mate.

* You don't have to give me this fake working class Cockney lingo.

- Whatever you say. You're the boss [they both sip on their beers.].

* So tell me, why do you want scag? You are no junkie.

- Are you always that nosy? I thought you people would operate on a no-questions-asked policy.

* [uninterested.] Just curious.

- So, how much would I need and how much do I pay?

* [looking at Butch.] Not the time for business. I tell you what, the two of us hit the clubs tonight and tomorrow you get your scag for free. You know the procedure: The first one's always free. Besides I like you [viciously smiling.].

- [considering.] Yeah okay. So tell me, why are you so fond of me? I think you're an arrogant little prick. Why do you want to spend time with me?

* I bet you're coming along regardless. You may claim to hate me, but you are trying to be like me. I have not found out why that is, but my great interest is in discovering the reason. My lovely kraut, you may act tough, but your desperation is pouring out of every orifice. I will reveal your problem and cure it. Trust me.

- What's an orifice?

* Forgive me, my foreign friend, a hole, body opening. I should be more aware of my language and not confuse you with big words.

- [coldly.] Thank you. I am so glad you care about my language deficiency. And furthermore I appreciate your trying to be my little Mephistopheles. We will see who's the servant and who the master.

* [leaning over to him with a knowing grin.] I have no clue what you're talking about.

- [coldly.] I bet you don't.

* [small awkward pause in which MIB's self—confidence is slightly shaken.] Great! [picking up the pills and giving one to Butch with an exaggerated gesture.] Fuel.

Butch looked at the pill for a second, then at the smile on MIB's face. He noticed a hint of amusement and arrogance. MIB opened his mouth slowly and unrolled his long tongue. He put the pill on the tip, moved his tongue provocatively and then swallowed the pill, washing it down with his beer. All through this rather ridiculous act he smiled at Butch who was still considering and finally decided not to swallow it but to store it in the pockets of his cheeks - like a hamster. He felt that he would have plenty of opportunities to check out Mr. Happy. For now he wasn't in the mood for any artificial substances. He spit out the pill as soon MIB wasn't watching. No need to display any weakness in front of him. The company would be about being macho.

</meeting the man>

* How long have you been here?

- Arrived today.

* How long are you staying?

- Don't know. Till I have enough.

* And then?

- Move on.

* Where to?

- No goal.

* So what's wrong with you?

- Can't a man travel these days without being frowned upon?

* You are wounded. I can sense it. I can smell it. I can see it. I'm a predator. I know these things. Trust me. You have suffered from some terrible fate. You can act, but you can't convince. So what is it? I bet it's some to do with a bird. She told you to hit the road and you're heartbroken, right? It's always women. And now you are searching for someone to heal it. I'll stitch it together. Stick around with me and I heal your bruises.

- Wow, impressive little talk. Thanks, but no thanks. I'm not a faggot anyway.

* Neither am I. I'm your partner in crime. I'm your thief in the night. I'm your friend in need and your shoulder to cry on. Stick with me and I'll stitch your wounds.

- You're a freak.

* It works pretty well.

- Nice try. Goodbye.

* A poet.

- A madman.

* A great team.

- A mistake.

* Amiss takes.

- Ok, let's cut the crap. I'm not interested in your company.

* I think you are. You will stay, trust me.

- What makes you think that I have any interest in mingling with a fucking drug dealer?

* Who would you rather spend your time with? A pusher or a shover? I'm selling, I don't indulge in those substances. A pusher is an idiot, I am a business man.

- And a fucking arsehole.

* Honey, you can churn out as many insults as you like, they don't affect me. Come on, let's cut this disgraceful tug of war. What other plans do you have? I bet none. Leave whenever you like, but try before you drop.

- Jesus Christ, you must be desperate for company. Alright then.

* Great. That's settled. We're leaving.

- Where to?

* I know a nice little club somewhere nearby.

- Clubbing through the throbbing London scene? I don't think I'm into that.

* Come on, what else is there to do? Come along and I give you shelter for the night or as long as you like to stay at my place. Too intellectual for some fun?

- Too smart to bore my balls out.

* Too much of a stuck-up bastard methinks.

- Fuck off. Alright, I'm coming along. But I don't think I'll stay for long.

* Sounds like I should be glad to have you keep me company. I am not that desperate to stick with people who don't appreciate my company.

- Don't make a fuss about it. Jesus, no need to get bitchy here. I'll come along and with icing I really, really enjoy your company. You are my best pal, and I wouldn't be able to live without you by my side. Alright? Does that solve the issue?

* You are a fucking bastard. You passed. And now lighten up and quit whining. You'll enjoy it.

- I doubt it, but I need a bed.

* Fine, it's a deal. And now tell me about your wounds.

- There is nothing much to say. What's it to you anyway?

* Then why the hell make such a fuss?

- Alright then, if it makes you happy. I'm here to kill myself. Fucked up graduation, lost my girlfriend. That's it.

* Ah, the big secret! Sounds good to me. A little wimp. Cute. Broken hearted and out of his wits. I feel for you my little pity-seeking friend. If our collaboration will last, then I will be most happy to poke my dirty fingers in your wound. But at present I don't feel like exploiting your weakness.

- Sure, whenever you feel like it.

*Great, then that's settled. Come on then. I hope you're not falling into a depression seeing me and my popularity in the places we'll be heading to.

- Don't worry about me. I can handle it. You don't seem irresistible to me.

* Wait and see. Do you want some Prozac?

- Thanks for the concern, but I can handle it.

* Sure? I don't want you to have a panic attack.

- Don't worry, I can handle it.

* You already said that. Your insistence isn't very credible.

- Listen pal, cut it out. I'm fine.

* My oh my, why such aggression?

- Fuck you. Big mistake telling you. Let's go.

* I'll have to keep an eye on you.

[Exeunt]

Butch felt immediately that it was a big mistake telling him about his plans. However, the prospect of having a place to stay was reason enough to stick to MIB. Although he was not sure whether the guy was the meanest fucked-up bastard around or a partner in crime. It didn't matter. All that counted was the prospect of a bed and not having to stay in a cheap hotel or worse some bed and breakfast on the country side with some helpful and amicable widow who is dying for some attention and entertainment. Or in other words: Butch tried to avoid any contact with fully grown natives. He knew that there was nothing more pitiful and disgusting in the world as settled Brits (or any other accumulation of suspended animation in the world).

Entering the club. Before entering the club there is some queuing involved. The idea is that people are so desperate to get in, and so many people want to get into this highly frequented place, that they are willing to wait for half an hour. Even if it's still early. So they wait and line up with a bunch of people. The club can't be too exclusive, the people are decently dressed but they are not wearing the trademarks of highly explosive manufacturers on their sleeves as a ticket to get in. The artificial anticipation is working even with Butch who is not too keen on getting in, but hates the futile waiting even more. MIB seems to be excited. He is filled with genuine expectations, shuffling his feet, talking some bullshit vividly gesturing. It becomes apparent that he is not the same cold blooded fucker that Butch considered him to be. Not the same cold blooded fucker as Butch. They are getting closer to the entrance and those two bouncers become visible. There is not much to say about them. They look like all bouncers. Working out, dressed extremely well. They probably don't think they need to rely on any weapons under their jackets. Maybe there is a baseball bat under the counter, or maybe there isn't. They are also the meat inspectors, deciding who gets in and who doesn't. MIB is dressed fashionably enough and Butch is still wearing the formal clothes he wore at his exam. Shaved heads are also very fashionable at the moment and so they shouldn't have any problems. A quick wash up in the toilet of the pub they were in, some after shave from MIB and the offensive smell of travel is covered. The people in the queue are not dressed much better than them. Some even worse. So Butch and MIB should pass the inspection. Yet there is always an element of uncertainty. Butch hates this assessment of people and he loathes these bastards. There is nothing he can do about it other than to avoid these places. But that is not up to him right now. They come up to the inspection. A quick routine check up in all available arrogance suffices to ensure that Butch and MIB are worthy to pass the gates of the club. They pay some cash to get in and get the usual fluorescent stamp on the back of their hands that serves as the ID of the night. They pay and get a plastic card. Butch doesn't take a second look at it although he doesn't really know what it's good for. Presumably to get a free drink. He puts it in his pocket and follows MIB downstairs.

* Let's delve into the underground.

There are neon lights leading down From far off there is a distant and dull thundering of the music to be heard. The place is not too big, it seems. Everything is cramped. People are pushing and shoving, on their ways up or down the stairs. Butch is feeling quite uneasy as he dislikes crowds of people. There is no phobia involved, just a slight feeling of discomfort. There are hot bodies pressing against each others. Bass lines pumping. Darkness torn by rays of light. Humidity that can be sliced in layers of sweat and heat. Taking the next corner leads into the realms of clubbing. Stomach grumbling from music going straight into the groin. Verbal communication is withdrawn by dozens of dozens of decapitating decimals. Well, you can tell by the way I use my walk, I'm a woman's man — no time to talk. Seventies night. Or at least the seventies section. MIB jumps straight unto the cramped dance floor that is lower on a lower level than the platforms on which the cool people stand to watch the wiggling crowds, swaying to and fro like the tide rolling in and out of a polluted haven. Butch decides that he's rather a cool dude than part of an amorphous mass mingling maniacally. He assumes the high ground and observes the venue. Coloured super troopers flash out of tune in a dull replication of on and off, dying bodies in cold red and blue. The music jackhammers right into the stomach. Around him beautiful people and wannabes. The secretary that turns into sex goddess mode just like the secretary that unsuccessfully tries to shed her professional skin by dressing like a cheap whore and wiggles what she has more like an ambitious yet unskilled stripper than like a graceful member of the human race trying to have some unspoilt fun. It's her secretarial glasses and her official moves, the shy and devote gestures that disable her to appear like she belongs there when dancing away from the cramped floor on a prominent spot. Music loud and women warm, I've been kicked around since I was born. It's a rather sad sight to watch in its forced endeavour. Three mirror balls dispense shiny pock marks over the faces of the dancing tides of young flesh. Sweating body fluids dripping on stampeded floors. Lighters forcing focus on sudden individuals before they disappear again in nightly oblivion. Jesus Christ, foot tapping to And now it's all right. It's ok. And you may look the other way. We can try to understand The New York Time's effect on man. A simple neurotic order discards the unholy urge to participate in the groove. The I'm too fucking cool for this shit attitude needs to be kept at all cost. Whether you're a brother or whether you're a mother. People desperately trying to stick out of the heap of in-individual blobs of bull by jerking their hands in the air. Just to force attention on them. It only works for a fraction of a second, only when another pock mark illuminates the figure in question. You're stayin' alive, stayin' alive. Most of the dancers lost in their own world of broken concentration and short attention spans. Little autistic creatures. Feel the city breakin' and everybody shakin'. Eyes cruising the location to find something to hold on to. To no avail. What sticks out is much more disgusting than the tantalising rhythm. And we're stayin' alive, stayin' alive. And the bloody foot is tapping to the music again. Stop it, for heaven's sake. Ears tortured and muscles sore and sorry on Monday. But there is no need for regrets as there is not much more to live for than the Friday nights out. Little by little the disgust is forced out in rhythmic pulses. Butch will not go to ask the pitiful business man still in working suit where his car is, and he will not leave the place to key the silver Mercedes of the naively entertained, slightly fat-bellied sucker who regardless of his endeavours in squash is unable to keep his figure and is happy to loose his composure for the night. The music is just too hypnotic right now. Maybe later. Rock Your Baby Sexy mama. Woman, take me in your arms. Rock your baby. Woman, take me in your arms, Rock your baby. There's nothing to it. Just say you want to do it. Open up your heart. And let the loving start. Oh, woman, take me in your arms. Rock your baby. Woman, take me in your arms. Rock your baby. Yeah, hold me tight, With all your might. Now, let your loving flow, Real sweet and slow. Oh, woman, take me in your arms. Rock your baby. Woman, take me in your arms. Rock your baby. There is a morbid attraction in the chubby yet sincere movements of the sorry sucker who will be lost in darkness sometime but at present remains clearly visual in the centre of Butch's attention, who repeatedly has to stop his foot and now his hands from participating in the aerobics of coolness and exhaltation. And what about the silly lyrics of the songs. Time to bitch about the awful music, the mindless jabber of juggling jeremiad rhymes that don't make sense but are efficient in their results.

I love to love. Everyone after someone to pick up. But my baby just loves to dance. Sixteen year old girls dressed like twenty-six. He wants to dance. He loves to dance. He's got to dance So I love to love But my baby just loves to dance. Explicit in their dressing. I love to love. But there's no time for a romance. No, no, no oh. Wow, doesn't anybody care about the crap sung? In fact Butch doesn't care either. He is too busy trying to resist the fucking rhythm. And now there is yet another song starting. People are rolling on and off the dance floor with every new song starting and the last one has emptied the place quite a bit. Only the die-hards that will stay whatever happens and dance to whatever is played will remain there. Every new song attracts a lot of attention and whenever the first people recognise the next tune, there is a yell of joy going through the crowds. With the next the excitement is reaching its peak. You can dance, you can jive. And even Butch finds himself considering to leave his place for a second. What a revolting thought he thinks and the thought vanishes thinking that it was not very thoughtful to consider it. Having the time of your life. Masses are flowing to get down on the floor to shake their booties and wiggle everything they have. There is a huge amount of flesh for show. Women in perfect shape and short tops, maybe slightly too much make-up on their faces that are only fractionally lit and force attention to particular ones. See that girl, watch that scene. Just to explore whether there is something interesting in them. The mirror ball becomes an invaluable aid in observing the girls. Dig in the Dancing Queen. Although they are not really Dancing Queens, just highly attractive women. Friday night and the lights are low. Yeah that's the scenery. Humid humming of transpiring tiny drops of sweat on their arms and necks, brushed away by their long hair. Looking out for the place to go. The glittering skin deserves attention and demand contact. Where they play the right music, getting in the swing. You come in to look for a King. The graceful attention that reveals momentary beauty becomes fascinating and addictive. A need to create a bond by taking part in the activities is vital to appreciate the going-ons. Anybody could be that guy. There is no direct sexual implication in all this. Night is young and the music's high. That is a lie. There is nothing but sex in this place. Yet, Butch is not interested in taking home a chick. Not that he has either a home or - no time for that shit. Live for the moment. And the moment is benign. With a bit of rock music, everything is fine. The short pieces of clothing reveal breasts of all sorts and in all their beauty and perfect or interesting shape. But the interest is based more in the grace than in the tits. You're in the mood for a dance. Butch has to stop himself from diving into the crowds. And when you get the chance... There is not much that holds him back. A faint remembrance of his chosen role as Mr. Supercool - but changing his plans has never really bothered him too much. Only who constantly changes can remain true to himself. Enough of this intellectual wanking. You are the Dancing Queen, Young and sweet, only seventeen. Enlightening in its beauty. People singing along to the music. Butch forming the words on his lips. No participation of vocal cords, but no one would be able to hear it anyway. And no one would care. Dancing Queen, feel the beat from the tambourine. You can dance, you can jive. Butch has to go to the dance floor. He can see MIB somewhere, singing along from the top of his lungs, dancing frantically. Having the time of your life. See that girl, watch that scene. The sweaty skin of the women demand attention while groinish dances rise like yeasty boys. Dig in the Dancing Queen. Fingers slowly moving over the it, softly touching it, smelling it, kissing it. Sex and drugs and Rock'n'Roll. Partitioned beauty. Roaring refrains. The flood breaks loose. Fighting the way to the dance floor brushing against sweaty skin. Passing the cool dudes. You're a teaser, you turn 'em on. The first moves are awkward and misplaced. Adapting to wiggling. Wave your hands like you just don't care. Too involved to consider the stupidity of that statement. Leave them burning and then you're gone. Raging rhythms rise rolling roams. Gentle giants gross gorgeous girls. Beats of brave bastards boil bragging bowls. Loosen languishes limps. Closing eyes as glittering rays of light caress pearls of reflecting glow. Looking out for another, anyone will do. Beauty bares motioned sights in gentleness. Looking out for another, anyone will do. Basses bashing amicably. Feet kissing shiny floors in softened touch. Looking out for another, anyone will do. And while the ears take in the sheer powers of shattering might and beautiful minds in unison transform into motional poetry. Looking out for another, anyone will do. A crowd of like-minded giants share their peaceful thoughts. You're in the mood for a dance. Ejecting negativity in gallons, leaving solemnity. You're in the mood for a dance. Royalties rise, reeking in purity. And when you get the chance... An element of ecstasy in dignified exhalation. Building up to the extraction of utter joy in all its facets and wealth: And when you get the chance...

And when you get the chance,

You are the Dancing Queen,

Young and sweet, only seventeen

Dancing Queen, feel the beat from the tambourine

You can dance, you can jive,

Having the time of your life

See that girl, watch that scene,

Dig in the Dancing Queen

</evangelic truth>

A shelter of jubilation and praising. A sermon of divine intervention. Lead into temptation of praises. Separated songs succeed successfully in super-natural sanctification, somewhat seeming superb on strict strives of singularity. Block busting brags with lightning of warmth and dexterity diminish deeds of dehumanised degradation. Devilish deeds did doomed demoralisation. Fried fashion fills frantically forced femininity. Eat earth even eagerly. Throw thumping thorns thoroughly. Shattered shimmers shuffle shrouded shingles. A lacking of vocabulary is evident. Running out of words as emotional extermination of incriminating evidence committed repeatedly. Replaced by mindless yet innocent and certainly approving fun and laughter. To rephrase the hitherto experienced emotional dispositions:

Fucking great.

</no full bull>

Hours pass and toxic substances depart continuously with the movement of socialising bodies. The tide washes MIB and Butch on the same bar to replace lost sweat with alcohol, and now and again they meet on the dance floor for a short alliance of beauty and like-mindedness. Butch overlooks the cynic smiles of arrogance and pity in the MIB. However, in general the experience is a solitary one: The music is kind enough to suffocate any attempt to communicate, and the shared solitude is consoling. There is an honest tiredness and exhaustion coming over him, and he knows that he will sleep well tonight - although he has no clue where.

The evening passes, swifter than expected. Butch is still entangled in the music and notices with some amusements that MIB has started to pick up some bimbo. A quick assessment tells him that MIB does not have a bad taste for a one-night-stand. Voluptuous breasts, no anorexic chick yet no fat-bomb. Surely a star in bed and a failure in everything else. Butch stops for a short while to check whether his loins would appreciate a pussy for the night, but his consummation of alcohol is not high enough to become that bold and he has no interest in any closer contact with the opposite sex at this point (or any other in the nearer or distant future he adds). The place becomes a home and shelter from the frenzy in all its chaos. People dive out of the darkness for the briefest moment and disappear again. Butch observes the people. The youth and beauty that exposes itself only to be appreciated but not long enough to find the ugliness beneath the superficial beauty. All is genuine, he can even see the bitch in a far corner opposite to where he is. Standing on a gallery, observing him. And then she is gone again. Unlikely yet not impossible. Before he can react, Butch's eyes are focussed on the next person that is thrown into the light of the gentle diamonds turning at the ceiling. An asceticism in all fair. Especially in the far corner where only occasionally a ray of light finds its way. Basses still caressing his stomach and sweat dropping from his forehead. Dizziness is disregarded just as the sore throat from the multiple cigarettes devoured over the evening. A mint would be nice, but all mortal feelings and pains are left out. And Butch dances on, turning to the far corner yet again, checking for his ex, waiting for yet another ray finding her face and bringing her back into his sight. But the mirror balls are merciless in their arbitrariness. Each face picked at random lacks the previously seen beauty and purity. And so there is nothing to do but to keep on floating with the sound waves in the sticky room and hoping. MIB is near again with his prey for the night. Indulging in a public foreplay on the dance floor. Butch hardly notices. He's praying. Only briefly paying attention to her well-shaped body. Begging. Loosing touch with the music that has changed a while ago into the 80s, to Prince, the Simple Minds and Madonna. He moves closer to the centre to bring down the distance between him and the dim corner. But no matter how much he strains himself, he can't cut through the darkness in that blackhole that seems to swallow up the stars in its inhuman might. Whenever he seems to have caught her face he is left with frustration. His rationality kicks in to tell him that it is utterly impossible to find her here. But even if the odds are one against a million there are still people that win the national lottery every week. And hence the unlikeliness becomes highly probable. Along with his heart, his feet skip a beat until he stands still, transformed like a rock right in the centre of the dance floor, moving his head to find her. Where the hell is she? At least Butch has to be sure it's her. He leaves the dance floor to hurry into the notorious dark spot to find the ginger hair and all the well-known features he caught a glimpse of. He almost starts a fight with a black dude he pushes out of his way. It doesn't matter. She is gone. At least she is not in that spot anymore. But the place is big and hard to overview. Maybe she went for a drink. Maybe she went to the toilet. Maybe she is on the dance floor. All those people in his way obstruct his investigations. His quest - well not his quest, a lapsus linguae - a Freudian slip - his curiosity let's say. The terror of the noise is making any efforts to find her futile. He would shout through the place if there was any hope that he could find her there. Well, ok he wouldn't do that. Even if it's not her, he has to find the girl that resembled her. As long as he can't be sure whether he was right or wrong, as long as he can't find the impostor - well ok the look-alike - he won't be able to leave the place. There is no time to wonder what he would do or say if he found her, right now all that matters is that he finds her. Everything else is secondary and can be decided once the moment is there.

After about an hour and checking every face there is no reason to continue the search. Whoever she was, if it was her, she is gone. Butch briefly considers asking MIB for other places people might go to continue, but London is too big for this endeavour to be of any hope of success. It is too unlikely anyway that it was her. Fuck.

Fuck

</emphasis>

Bloody fucking shit

</more emphasis>

#$%&/@+* (watch it pal!)

</the most emphasis>

Butch looked around. Hours must have passed looking for the bitch. The club was beginning to empty. MIB and his bitch for the night were at it on some couch. They didn't seem to have any inclination to leave. Butch, however, had to leave. He loathed the place, the scenery, the people, the mindless gathering of morons and sex-hungry dumb wits. Only interested in a quick shag for the night. The cigarette butts on the floor along with the broken glass, remnants of people long gone to some other place or already in bed, rolling their hormone-reigned bodies under sheets or wherever. The sixteen year-old girls dressing like, and to be confused with, twenty-six, posing a legal risk to any guy who picks them up for fucking minors - and that is on top of the risk from the VDs they might carry.

Butch decided that there was nothing in him in this club and that he needed to catch some sleep. He tried to remind MIB of the promise of letting him stay at his place. It was hard.

- Hey, could you two stop it for a second? ... Hey! I'm talking to you!

* Could you please come again later? I'm involved in an important business meeting here.

- I suppose this is taking longer.

* It takes as long as it will take.

- Well, then I'd like to get some rest.

* This one here is mine. Get your own somewhere else.

- Remember what you promised?

* I never promise anything.

- About staying at your place?

* Oh, that.

- Yes, that.

* Sure, no problem. Mi casa e su casa.

- So, where is su casa?

* I tell you, wimp. But don't take my bedroom. We'll need that.

Butch needed to write the address down, then he left. When the cold air of the night hit him, he became aware that he had drunk quite a lot. His first, although quite short, thought was that he should leave the car and take the underground. But he knew that he wouldn't find the car tomorrow, and so he decided to take it, regardless of his inability to drive safely. There was no great inflated concept of being a rebel in this. He was just too lazy to get to MIB's place some other way. Several attempts were needed before he was able to unlock the car.

</divine comedy>

With a map of London on the steering wheel it took him half an hour and two one—way streets entered the wrong way to finally get to MIB's flat. When he finally found the address, he noticed two scratches along the whole side of his car that hadn't been there before. He must have hit something without knowing. He was pleased - actually he couldn't be bothered to attach any thoughts on this. He was more concerned about his stomach that was doing the mashed potato. Several futile attempts of trying to open the door finally made someone do it for him. The Oogie Boogie Man.

& [He's a mid 20 tall black man. His physique is not very strong, he looks like one of those skinny wimps that used to be beaten up in school. He wears shorts and a washed out t—shirt. He has a very strong American accent.] What's all that rumpus about?

- My name is Peter and this is a dog. [Falls into the flat.]. The little prick gave me the key. Said I could sleep here. He is fucking some cunt tonight or something.

& [uninterested.] Sure, whatever. Second door to the left. [points at the door.].

Leroy disappeared. Butch needed the toilet, only found a sink in the kitchen, puked, rinsed the small pieces away and stuffed the bigger ones down the drain as good as he could. At that point he was willing to discard the romantic idea of being a low-life. He tried to wash the stale taste off his tongue. It didn't work. Butch went into the kitchen to find something more tasteful to drink. He went for the beer to maintain the drinker's attitude and sat there trying to make the kitchen stop turning in his head. Finally he got up when he found out that it was of no avail. He tried to find the room he was supposed to sleep in. After opening a few wrong doors, he ended opening Leroy's. He sat on a very old desktop computer.

& Next door.

- I was wondering — oh, okay. [Butch stood there with all the knowledge he needed but still unsatisfied].

& [dryly.] Anything else?

- Er... not really. [short pause.] You don't like me.

& What makes you think that?

- Don't know. You are not very wordy.

& We're in the middle of the night.

- Right. [pause, then pointing at the screen.] What are you doing?

& Working.

- [stepping closer.] What are you doing?

& Typing.

- Okay, I get it. You don't like me. You are probably thinking I am the same dickhead as the idiot you are sharing this flat with.

& [ironic.] Well, I really like this Pythagoras.

- Protagoras.

& Whatever. The guy who was at strife with Plato all the time. Too intellectual for me.

- [smiling.] Did he tell you that?

& Yeah, sure.

- Okay, let me take you in on a secret. I happened to come across the Sophist philosophy by accident. Plato was a child when Protagoras died. It was Socrates. Okay? It's simple Socrates taught Plato. Plato taught Aristotle and Aristotle taught Alexander the Great. Simple to remember. Next time he plays the wise guy, tell him.

& Oh, I couldn't do that. He is too smart for me. He would wiggle his ass out of there and then I wouldn't know what to say. I am not a smart person. You know, I can read and write but that's about it. Never read Shakespeare and all that lot. I am not like him.

- Okay, maybe I get the opportunity to rub this under his nose.

& So who is this guy that he likes him so much.

- Sophists were pre-Socratic philosophers. You could hire them, and they would argue for whatever you paid them. They believed that there is no right or wrong, no good or bad, that there are just better or worse arguments. You can imagine that idealists like Socrates despised these defenders of relativity.

& So why does he love this guy so much?

- He likes to play the devil. I guess he thinks he can comment on the ambiguity of moral values in the modern world. I think it's ridiculous, but I might not be too different from him.

& [impressed.] So you are even smarter than that pancreas.

- I don't know about that. It's nothing to show off with unless you are challenged.

& You are safe from challenges from me. I am not as smart as you two.

- Well, it's just intellectual wanking. He is a fucking asshole, and I guess, so am I. Intellect can't compensate for lack of a decent character.

& Naw, man, you seem okay.

- [smiling.] Wait until tomorrow when I switch again.

& So what's your business with the man?

- Met him in a pub. Wanted to buy heroine from him.

& I hate that shit. I saw people dying from it. So you are on drugs.

- Nope, but let's not talk about that. I don't like it either. Let's say I have reasons to get it, but that is all you need to know. What about you? What are you doing here?

& Stand-up. I thought there was a market here for American humour. You know, Europe is so infested with American shit from TV, that I thought it might pay off to tell stories from the homies and the hood. You know drive by shootings, muggings, smokin crack. All that you people think about when talking 'bout blacks in the US.

- [interested.] Oh, so are you successful?

& Not yet. Knock on wood.

- Excuse me, if I say this, but you don't look like someone who would go on a stage and be a comedian.

& You're not the first one to say this. I can be quite different on stage, trust me.

- I guess we are all different people at times. [awkward pause after that stereotype.] So are you working right now?

& Small club, I might have something coming up on TV. Channel Four.

- That sounds good.

& We'll see. So what are you doing?

- Technically my desired job is pretty comparable to yours. Teachers have to be entertainers and comedians. But in reality I am on a secret quest to find a mythical place of wealth and abundance.

& Sounds exciting.

- Sounds secret. What's that? [pointing at the screen.].

& Snapping.

- Snapping?

& It's ghetto humour. Two guys battle each other with insults and jokes, whoever has to laugh first or runs out of things to say loses.

- Sounds good. Can I have a look?

<yo' momma>

Yo'momma like a golf course: Everyone gets a hole in one!

Yo'momma like a refrigerator: Everyone puts their meat in!

Yo'momma so fat she shaves her legs with a lawn mower.

Yo'momma so fat she uses a mattress as a tampon.

Yo'momma so ugly she has to get her vibrator drunk first.

Yo'momma so ugly she wore a pork chop to get the dog to play.

</yo' momma>

- Wow, this is heavy stuff!

& Yeah, I give them the bad mothafucka shit they think we use all day.

- And they buy it?

& Sure, they like the primitive stuff. When we are makin’ fun of ourselves. You know, they can't call us no niggers, it's an insult, you know, to call us niggers, so they like it, when we call ourselves niggers and act like they think we do in the ghetto.

[Enter MIB in his arms a styled up girl, barely 20 in miniskirt, too much make-up that is smeared all over her face. She is constantly giggling. They are both under the influence of drugs.]

* Friends, Nazis, Nubians, Lend me your ears. I've come to bury my magic stick in her, not to praise her. [to girl.] Look at that! It's the Oogie Boogie Man and Gruppenführer! A friendly genocidal gathering. May I introduce you? This is a genuine Kraut, direct descendent from Joseph Goebbels. Educated, wise and with a death wish. And this is Leroy Washington from Harlem or Compton or wherever. The whole hood has saved for his ticket to England. Some sold their pump guns, some their crack pipes and the Bloods and Crips held a two-for-the-price-of-one pussy sale They even put the weekly drive-by shootings on hold. All to give the most gifted boy from the hood a chance to make it. Do the right thing, homey. [pointing at the girl.] And this is ... [thinking.] whatever. My dear friends, I would like to attend to you, but I have to orally satisfy this vagina here [reaches under her skirt between her legs, she giggles more.]. Oooh, she is ready to go! Well, my friends, [to Leroy.] maybe later you can stick your hot, throbbing, African organ in her, [to Butch.] or you can play meet me in the gas chamber. How about that? [full of pathos.] When will we three meet again? In thunder [kisses her on the mouth], in lightning [buries his face between her breasts], or in rain? [kneels down to attempt to shove his head under her skirt. She giggles]. When the hurly-burly's done, when the battles lost and won. That will be ere the set of sun. [louder] Hedonism my friends! [Exit MIB and girl].

& [for a while Butch and Leroy just sit there stunned at the scene they just witnessed] What an idiot.

- Yep. [pause]. I guess sleeping is out now. I don't have a bed.

& There's a sofa in the kitchen.

- I'm not really tired. Can I help you with this? [pointing at the screen]

& Writing jokes?

- Sure, I used to be really funny.

& [smiling] Whoever claims to be funny is definitely not. You can bet your ass on that.

- Try me.

When I came home today I found my cat on the sofa as always, but ya know what? It was nakid. Completely buttnakid. All fur gone. So I ask my missus about it and ya know what she says? She says,: But honey, don't you remember what you said last night? You told me to shave the pussy.

</laugh now>

Leroy wasn't too impressed with the joke, but he said he'd consider adding it to his repertoire. Breadcrumbs for the untalented, Butch thought. He had never been good at telling jokes and this one was about the only one he could remember. They sat together for a couple of hours working on Leroy's program. Occasionally sex noises from next door were heard and Butch and Leroy wondered whether she was faking it. The noises didn't last for too long. Butch would have thought that MIB was some extremely good fucker. The chicks seemed to fancy him.

Butch wasn't really of much help to Leroy, he just sat and listened to Leroy practice his latest jokes. Occasionally Butch would make some extremely critical comment and suggest a different way of presentation or maybe rephrasing, but in the end it was more about Butch drinking MIB's beer and listening. Leroy didn't drink at all.

<un-american activity>

Fucking, abstinent Yankee. Those bloody Puritans! No history, no culture, no style.

</un-american activity>

There was not much substance Butch could contribute to the evening. Being somewhat tired although unable to sleep, he enjoyed sitting there with the young aspiring artist. He appreciated witnessing a positive and creative act. The sun was rising when Butch finally decided to catch some sleep. He went into the kitchen, realising that he had had way too many beers, found a smelly, stained blanket and immediately fell asleep in his clothes.

</the oogie boogie man>

Waking up the next morning Butch had a major hang over. His headache prevented him from thinking about how he had gotten into this flat. Butch had a complete blackout. He found that he was lying on a rotten sofa in the kitchen. He listened for some activity in any of the rooms but everything was quiet. Far away he heard some faint noise of traffic down on the street. Looking out of a small window only revealed the front of a Victorian brick-walled house. England. He remembered where he was and kind of how he had gotten there. Dirty dishes piled up in the sink. The floor was ridden with stains like the skin of someone suffering from the plague. Butch lit a cigarette and inhaled the nicotine that caused a stale taste in his mouth and made his stomach revolt. He fought the need to take a dump for a while and got up to take a sip of water from a stained cup that might have contained coffee or coke at some time. Now even the mould seemed to have died. It did not matter. His attempts to recall last night was somewhat futile and did not seem very interesting, and so his thoughts went back to how he had gotten to England. The memory of his failure at uni and his way here was now dim and seemed to have originated a long time ago. He reached up to his head and felt his bald skull. He was too fucked to feel depressed though. All his plans, the whole plan B seemed silly right now, but he acknowledged that he was not in a state to make any judgements about decisions he had made in the past. It struck him, that it was ages ago since he had last felt like that.

There was a certain charm to the dump he had slept in. He got up and opened the fridge. It was more or less empty. A loaf of bread covered with mould, a shrunk apple and some dirt on the bottom of the fridge. Dried milk, some crumbs of bread and some empty bottles of beer. It was more of a science project than food. He decided to go for one of two cans of cider that were left from a six—pack and sat back on the sofa, sipping the reasonably strong cider and lighting another cigarette. His stomach was revolting, having to process yet more alcohol and cigarettes, but Butch ignored the feeling. He found a radio, reached over to switch it on but when he was unable to find a decent channel he switched it off again. He was slightly bored sitting there without knowing what to do. For a short while he thought he felt like Charles Bukowski. Now all he needed was a cheap woman beside him and an old manual typewriter. He considered getting up and leaving but could not really think of any place to go. He was in need for some plan. Something more concise and thought through than just: Go to London, spend all money and then move on. But this was not the time for plans, and so he just remained there bored and without a clue what to do. He thought about making some noise to wake up the other people in the flat. In the end he decided against it, knowing that any noise would cause his head more agony. And so he sat back, leant his head against the wall and let his mind linger. It didn't go anywhere, and so he just sat there without thinking of anything, slowly falling asleep again.

When he woke up, some pussy was wiggling in front of his face. Butch could not remember the name of the girl, but he was in clear sight of her private parts. She was wearing nothing but a short t-shirt and with her bent over the fridge it did not quite cover her butt. She took the other can of cider out of the fridge and opened it. After taking a sip she turned around and became aware of Butch's presence. Their eyes met but she showed no sign of embarrassment nor inclination to talk to him. Instead she just walked out of the kitchen without a word. That was okay with Butch who was not in the least interested in a conversation with her, and her sight did not arouse him in any way, although her pussy remained on his mind for some time. It presented more of a scientific interest to him than anything else, but he was not quite sure in what way. The only thing he knew was that he felt no lust to play with it. It was more like reflecting a doctor's examination he had just witnessed.

He had noticed that she was quite pretty — her face was. He estimated her to be around 16 — too young for him, not that he had any chances with her. She seemed like some half-witted easy meat, and even if he was wrong with his first impression, there was no need for small talk about the weather or whatever. A very brief ex alert flashed through his mind. Thinking of that he wondered why he was looking for any of the guys to wake up. He had no interest in talking to them about the weather either. So why not get up and leave right away? He only considered it for a short while and then decided to stay and see what these guys might have for him. He felt that both had their interesting sides that might entertain him for some time before he would grow tired of them and move on to another random destination.

There was nothing for him to do. He lit another cigarette and felt his stomach revolt. He choked and just managed not to throw up. He felt almost like some character from a Bukowski short story. He should have liked the thought, but at present he was just too sick to feel any attraction in being a low-life. He sat back on the sofa and dozed off.

After another hour of waiting for anyone to show, he got up and left for a walk. Butch wandered through the streets of London, not really knowing where he was. Although he had a map with him he left it in his pocket and restricted locating his current whereabouts to memorising where his car was. His hands in his pockets he walked to the grey streets until he found a tube station that brought him into the heart of the city. Not knowing where to go he entered the first metro that arrived and sat down on the shabby seat. It was one of those ancient trains that had probably been into service when Queen Victoria reigned. He didn't know whether to admire that sense for history in the British or whether to laugh at it. But that thought only briefly distracted him from his hang-over. His lack of a destination made him consider to make a whole tour with the Circle Line that seemed to go round London like a giant underground carousel. He wondered whether it would bring him back to Victoria Station where he had entered it. Soon he grew tired of this stupid idea. While the artificial lights in the tube soothed his grumpy mood, and the monotonous rattling of the old train had something comforting about it, he disliked the masses of people being swept in and out like the tide. Being able to let the inner misanthrope out to play provided him with some fun. His evil stares pierced the harmless tourists on their way to Madame Toussaud's or wherever they were heading to. It filled him with mild satisfaction to pour some fear unto the innocent visitors that must have taken him for some junkie with a long criminal record. He scratched his head to suggest lice while staring down even the most heroic family men that had decided to go on a mission defending their families from the evil goals of ruthless bums. He played that game for some time before the awareness of his silly behaviour spoiled the fun of it. More than that, however, it were those two black kids that got on at Paddington. Their shameless display of being in love, their constant kisses and the close embrace they held each others in penetrated his invincibility, and all his attempts to visually attack them were of no avail. He focussed all his hatred on them. Their silly, fashionable clothes, their looks, their behaviour but more than that their arrogant display of power, wealth and abundance. Finally he had gathered enough gall that he thought he had to puke right there in the train - preferably all over those two opposite him. Without even noticing him they won the battle. People in love were almighty, Butch thought. He faintly remembered the feeling but was not in the mood for any retro. At Baker Street he had enough and discarded his plan to go all the way round Circle Line. A wave of relief of the passengers followed him when he got off the train. It was only a small consolation. He took the Bakerloo Line to Piccadilly. He found a seat. Butch stared at the litter on the floor beneath his shoes and only raised his head to check for the stations when the train stopped and the tide ran in and out again. He decided to play some video games at the Trocadero, check into the National Gallery - maybe even the National Portrait Gallery which he had thoroughly avoided so far. After all who wanted to see portraits of dead Lords and other has-beens? He walked over to Trafalgar Square without checking whether Lord Nelson was still standing on his column, watching over the countless grey pigeons, celebrating some ancient victory that Butch should have known about. He didn't have to take a floor plan of the National Gallery. Although the thing was some sort of a maze he had been there so often that he found his way around easily. He just had to pick a destination. Without too much enthusiasm he headed for the DaVinci that was located in a tiny darkened room. He had never understood what was so special about it. Apart from the Last Supper in Milan he had never been impressed by DaVinci's artwork although Butch considered Leonardo to be the most notable man of the Italian Renaissance and he considered his Studies on the Proportion of Man to be the symbol of the whole period. More than Raffael, Botticelli or even Michelangelo. He admired this man for his multiple talents, his inventions, his insight and to a smaller extent even his art - although he found the Mona Lisa the most overrated painting. When he visited the Louvre years ago he had almost walked past it and was in no way impressed by it. But today he was too pissed off with everything to find delight in any of the art displayed. The masses of ignorants that were shoved through the halls like spectators of a side show on a fair kept him from loosing himself in any of the paintings. The solace he was looking for in this nearly sacred temple of truth and beauty was denied, and to make it all worse, he passed Bacchus and Ariachne by Tizian. The painting where the Bitch had first pressed her body against his. Maybe the beginning and source of all his grief and the ruins he had to face now. Certainly the beginning of their relationship - even if they had never paid any significance to the place or the painting. Only now he briefly established some sort of connection between their relationship and the theme of the painting. But Butch was neither inspired nor very interested in weaving a network of similarities. He tried not to let this memory destroy the beauty and grace of the picture but it didn't quite work. Butch briefly thought about the many once pleasant things he couldn't do anymore as they were now connected to painful memories. He decided never again to attach any pleasant thoughts to things that meant something special to him when being with another woman. The idea of having an "our song" would backfire heavily once the relationship was over. The pleasant emotions related to it turned into painful memories. Butch regretted the loss of so many songs and things that he had found utter joy in but that were pestered now. The good times of the past made his present worse. It would be wiser only to choose insignificant songs or those rarely heard in a future relationship. Maybe of some unknown opera he never listened to anyway. Butch quickly realised the nonsense of that thought as he made his way back to the exit just to get into the 19th century section where he decided to spend a closer look at some Pointilist painting by Seurat which he faintly remembered to be there. He had a dim feeling that it would provide him with some insight. The atomisation of our world and the construction of a coherent whole from unrelated single dots. But seeing the masses that drooled towards him in thick slime on his way back to the entrance spoiled his interest, knowing that the 19th century section with its Van Goghs, Cezannes and all those other highly popular Impressionists would be crowded. He left the National Gallery without much new insight, other than that it still looked the same as it had at his last visit. Why would they want to change it, anyway?

The only thing he took with him was the certainty that he needed to be away from people. He decided to go to the Trocadero to play some arcade games. It would help him to focus his attention on some lifeless computer, and the place wouldn't be quite as crowded as the National Gallery. The darkened atmosphere and the faint noises of the machines were what he needed now. While lights were flashing, there was a drowsiness in the air, probably sparked by the dim lights. He had always liked the numbing atmosphere. The fact that time seemed to stand still in there. Thinking about it, the people there looked hypnotised. It was certainly calmer and less noisy than in the National Gallery, although the guards there seemed to do nothing but sleep, and they were grateful for any tourist asking for the best way to the Buckingham Palace. Butch had always wondered whether they were injecting carbon dioxide into it - maybe to preserve the paintings - to create that drowsiness. There was no way he could remain in that Gallery for longer than an hour without feeling incredibly tired. If so than the Trocadero certainly did the same with oxygen. There was something that kept him awake at the amusements. He spent 20 pounds playing pinball machines, Time Crisis and other shoot-em-ups. There was no aggression in him killing these aliens and bad guys. It was down to mere reflexes. A gentle hypnosis with his eyes fixed to the screen. The senselessness of the tasks in these games was a relief, and when he finally left after a number of hours (he could not tell how many he had spent there) to be drowned in the masses of tourists, he felt much better and more relaxed. He briefly considered going to the Tate Gallery or the Courthauld Gallery (almost an insider's tip - a miserably small gallery with some of the most well-known paintings), but his watch told him that they would probably be closed now. He wondered what to do next. It was too early to go back to the guys' place. He decided to watch some film, and after realising the refreshing effects of escapist arcade games he chose some popular SF-flick. Something stupid and silly was just what he needed, he thought. Butch sat on an empty park bench at crowded Leicester Square. Lazily observing tourists in trainers giving their feet a time out. Children playing and running around, and some nutter practising his T'ai Chi in the middle of the most crowded square in London. What a place to find the peace and quietness for such meditation, he thought. But there was no arrogance or bitterness in this thought. The different languages brought to his ear by a gentle breeze reminded him that he was a stranger among strangers. A thought he found utterly consoling. There was almost a Mediterranean imagery to the scenery. It wouldn't have looked much different at the Fontana de Trevi in Rome on a clouded afternoon. Ars vivendi in the midst of stiff London. A sanctuary, Butch thought, but he also knew that this was just because he was much too tired to collect enough energy to hate. Sleepiness overwhelmed him on this park bench and he didn't even mind when a young Spanish family sat next to him. Feeding their two little children with McDonald's junk food and somewhat showing that stoic calmness that only young parents can have. Routinely they wiped their two toddlers' mouths, handed them the cokes and disregarded all signs of stress evoked by their offspring.

Butch's eyelids grew heavy and so he decided to go into the cinema before he would fall asleep on this park bench. By the time the film started, he was fast asleep and catching up on some of the sleep he hadn't had for the last couple of days. He woke up with the credits rolling.

Maybe I can act happy to a point that I believe it myself

</solutions>

Before trying to find the way to the guys' place he got a hot kebab, stopped at an off-licence, got some cheap red wine and as many cans of beer as he could carry to replace the bevvies he had drunk last night. Butch had no clue whether he would stay there for another night or not. He didn't know where to go to, whether he would still be welcomed there or whether he wanted to spend another night there. It turned out that MIB had already missed him.

* Where have you been?

- Out. Did the tourist trip.

* Your first time to London?

- Used to live in the area a couple of years ago.

* So you are almost a local.

- No need to get personal.

* You're right, I apologise. So what are we going to do tonight?

- I don't know. I haven't planned anything.

* You are such a lucky guy. You got me. I'll show you around. Tonight we are going out.

- I don't think so. I was thinking of a quiet night in. Watch the Nine O'clock News or something with Leroy.

* Leroy's out working.

- Working? What does he do?

* Pizza delivery. The other shit he's doing is just a hobby or something. Playing the friendly nigger isn't providing a living.

- Shit.

* Yeah, he is really antagonistic to go out working.

- You're living on welfare, I guess.

* I'm self-employed.

- I forgot.

* So, will you come with me tonight?

- Maybe. Another thing. How long can I stay here?

* As long as you want. Or rather as long as I want. I don't mind having guests, and my income is great enough to pay the rent.

- I can throw in if you want.

* No need. If you're desperate, you can be in charge of the beer in the fridge. That will be more than your share of the rent. You can be my little toy boy. My clown. My jester. Entertain me. If you are good, you can stay. If not you're out.

- I can understand why you don't have any real friends. So where are we going then?

* Out.

- Very descriptive.

* First I have to take care of some business though.

- Sure, satisfy the customers.

Butch was somewhat glad to have a "friend" like MIB. They shared a mutual contempt for each other. For Butch it was quite understandable that MIB was disgusted. Butch felt that his vulnerability was transpiring through every pore, and he figured that MIB was looking for prey. For someone to sell his drugs to or to contaminate him with some other evil that he could pull a profit from. Or maybe he just sensed that they had a lot in common. While Butch was not in particular search for a pal, he was glad to get some distraction, someone to entertain him, to show him around and especially to introduce him into the realms of applied misanthropism and ruthlessness. Their mutual disgust in each other's character was only partly felt. Partly they were two of a kind. Castor and Pollux. The coldness of MIB's actions, the lack of any positive emotions. He craved that state of complete indifference with a sharp wit. A year ago he would have had nothing but contempt for such a person. Now he seemed to be the messiah.

— How do I know that this stuff is for real and not just powdered sugar?

* You are suspicious my friend. But you are right not to believe me. I shall give you proof. You get the first one for free.

- Thank you for that generous offer -

* It's not generous, that is the usual procedure. I'll be making enough money on you later on. Acquisition of new customers.

- I don't want to be hooked on that shit.

* Then why do you want it? Want to play a prank on someone?

- None of your business.

* Just curious.

- Curiosity killed the cat.

* I'm impressed with your phrase book English.

- Thank you very much. Now back to business.

* You are almost as desperate as my other customers.

- Well, then you should be comfortable with the situation.

* I am. No problem on my side. So, if you don't want to try I have to give you some other way to give you proof of the quality of my product line.

- I would be grateful for that.

* Here's the plan. We will test the skeg on an unbiased third party. Its reaction to the intoxication shall give you prove about the high quality of the junk in question.

— Fine. Who's going to be the guinea—pig?

* What about the girl there?

— No school girls.

* I forgot. You got principles.

— Shut the fuck up and pick someone else.

* Gramma there? You distract her, I shoot in her arm.

— Don't you need a vein?

* They aren't crucial.

— You want to turn a grandma into a junkie?

* Nay Sire, thou shallst not believe everything thou readst in the papers. You don't turn into a junkie after one shot. She'll walk on clouds, but it won't last, like her time left on this planet. Old folks are resilient anyway.

— How do you know?

* A man knows these things.

— Still, no grandmothers.

* Even more principles. You are a hard man to please.

— And you can stop talking like a phrase book. I am the fucking foreigner who has to resort to these things.

* If it makes you happy.

— That's better.

* Great. [pause] How about the little doggy there? [pointing at a little black poodle that is walking after the old woman, barking and leaving territorial pissings all over the place]

— Gramma's doggy? It works on dogs? That would be interesting.

* Why not. They're only human.

— [citing] I don't know, just where I am going and I don't know just where I've been, but I'm gonna try for that kingdom, if I can, cause it makes me feel like I'm a man, when I put a spike into my vein, and I tell you things aren't quite the same.

* Let us show the little doggy what heaven feels like.

- Yeah, but how do I know that you shoot him heroin?

* Trust me, you'll see.

[MIB prepares the heroin. Butch observes closely. When MIB is done, they follow the old woman and the dog.]

- You're the last person on earth I would trust.

* Very wise of you. I tell you what, you distract the hag. I get the dog.

- Fine. You know that these geriatrics here look exactly the same as in Germany. Now the regular Brit dresses like a bad circus clown, but your geriatrics look just like ours. Well, okay they got even less taste for clothing.

* United colours of zombies.

— I get the granny's attention. You get the dog. [Butch runs after the old woman and approaches her from behind.] Ekskus mi, miladi?

% Yes? Can I help you?

— Kud iu tel mi how I kan get to se Baakinhem Palast from hir?

% The Buckingham Palace? Why that is quite a way off. Have you visited Madame Tussaud's?

— Oh, I am not in se mod for a shag rait nau.

% You know, Madame Tussaud's, don't you?

— No, I dont sink so. I want to wisit se Kween. Wer pleaz is se Baakinhem Palast.

% Well, that is quite some way off from here. Let me see — I think the best way is to go left to Baker Street and take the Jubilee Line down to Green Park. That would be the easiest way.

[Butch checks on MIB who is still trying to get the barking dog.]

— I want to go ser with feet, you no.

% Well, that will be hard. It is a very long way. I am not exactly sure how you can walk there from here. But it is a very long way. Maybe three miles, I would say.

— Plis, trai to explain.

% Alright, let's see. Go down Baker Street to Oxford Street. And then, let's see. [Butch checks again on MIB who is holding the barking dog by its left hind leg. He is giving Butch the okay—sign while fighting with the squirming dog.] You turn left — no right at Oxford Street — there is Selfridges nearby — do you know Selfridges? Anyway, you go to Marble Arch. It's a big arch near Speaker's Corner at Hyde Park — and then you go down Park Lane. At the South end —

— Ekskus mi. I sink I hef tzencht mai decishin. Sis is to kompliketet fo mi. I wil tek se andergraund. Sank you fo your help.

[Butch leaves the woman standing there and vanishes behind a bush where MIB is standing with the dog in his arms.]

* Here we go, our little guinea pig. Hold it.

- You sure this is such a good idea?

* Why not? You want proof. Here it is. The dog is man's best friend. If it works on the vermin here, it works on you.

- How do you know how much he can take?

* He? I don't know. I have no clue whatsoever. I just take half of the regular dosis.

- Half? That's too much. Look at the little thing. This dog weighs about a tenth of you or me. So you should take a tenth.

* I'll be generous. Let's say a third.

- An eighth.

* What is this? We're not bargaining here. What is it? Are you scared? Backing out? You wimp.

- I just don't want you to kill him.

* Hey, I'm a drug dealer. I've killed people. That doesn't seem to be a problem for you. But you are scared about a dog? Get your priorities right.

- You seem to be proud of it.

* You have a problem with that?

- Nope, go ahead and prepare the shot.

* Already done.

- Then shoot.

* Good boy. Here we go. [Injects some of the heroin into the dog's behind.]. Now watch. [MIB lets the dog down. Almost immediately it starts to get shaky on its feet and drops down on the floor. Shaking his head slowly like in a trance.].

- Shit man, you killed him. He's going to OD.

* Naw, man. He's in heaven. Right now he's in dog heaven. He's screwing the whole dog pound. Bitches of the finest breed. Maybe it's even into kink. Maybe it likes to act like humans. Maybe it dreams of being spanked. Who knows? All I know is that this little canine here is the happiest dog on earth. There is nothing this one wants more. No bones, no steaks, no chasing cats, no pissing at trees. Heroin. Look at it. [The dog is lying flat on the ground with open eyes. Its chest is slowly heaving up and down.

- You're sick.

* Who told you? I thought you wanted to be a little immoral. Changed your mind? Just look at him. No lice bugging him, no worms up his butt bugging him. No pain. He is floating in a pool of happiness. There is no dog bigger. No cat fast enough to escape. No leash powerful enough to hold this little bastard. There is no place in the world it would rather be than where it is right now. Nothing can defeat it. It's invincible.

This dog is God.

- Dog si god sith.

* What's that?

- Natural talent.

* I'm impressed.

- So how long will this last?

* Oh, a couple of hours I would say.

- And what's the granny going to do?

* She'll bring it to a vet and he'll tell her that it's high. That's all. Nothing special. We'll leave it here. Grandma will find it. Fancy a pint?

</scanning for prey>

Violent mood swings are healthy friends.

</truths>

Butch had never been much of a man of the past. Dwelling in memories had never attracted him. He always had his eyes firmly on the future. For the first time there was no target to focus on and although he looked back at the good times with the bitch now more than he had ever done, there was still no remedy. Unfortunately the thoughts were rather sad and torturing than they provided any solace. The only sentiment the past seemed to offer now was loss. And while he tried to avoid to delve into lost worlds, he was constantly and without control reminded of little, maybe insignificant yet utterly agonising situations and memories he had shared with the bitch. Butch considered it to be not the smartest idea to have come to England to avoid those. But he knew that these thoughts would have been present anywhere he would have gone. Somehow he thought that a reason for him coming to the place that had started his decline was to seek a cathartic cleansing. He still hoped that after seeing the ground he would be able to rise again. Rise like Phoenix from the ashes. And that sentiment meant that there was still a glimpse of hope in him, that his quest marked nothing but an attempt to regain an appreciation for life. Butch was not sure whether he would succeed in this. He somewhat doubted it, and did not spend too much hope in endeavour. He noticed though that he had stopped thinking about his failure at uni. But that was about all the positivity he was able to extract.

Sitting on Trafalgar Square, watching those crippled pigeons frantically chasing after crumbs the tourists fed them. Butch regretted not having brought his camera to capture the scenery. He noticed the stumps on which some of them limped over the grey asphalt. Their claws were absent, as if they had rot away or been amputated due to injuries caused by anti-pigeon-mines in some paramilitary bird-war. The high number of those amputations made him wonder whether pigeons' feet were somewhat inappropriate for living in the city. He wondered whether their feet had been torn off getting stuck somewhere or whether it was a slow and agonising rotting away caused by some minor injury that could not heal. He wondered how painful these injuries must be and how the pigeons could survive without catching lethal infections in their open wounds. It must have been incredibly painful to suffer from such an injury. Butch neither felt compassion nor pity with them. There was a certain kind of humour in seeing them limp.

Butch wondered whether these crippled pigeons would have any new insights due to their deficiencies. Maybe their disabilities lead them to a more careful life. Maybe they would be more conscious about the need to eat and drink, since they felt the pain of chasing for food. Maybe they would appreciate or maybe curse their hunger and praise health, which they were lacking. Are there appreciative pigeons? Philosophical, wise doves? Are they teaching the chicks? Yoda? Turning them into little Jedi Knights?

Grateful be for happiness you have.

Last it may not long.

Agony may lurk in every gutter. Chicken wire may harm you on every corner. Dark cats and evil rats come to get you.

May the force be with you.

</dove truth>

Ok, maybe not

</oh come on>

Glorious idea on the brink of the dawning horizon. He forgot what he was thinking about. So he got up and left.

</he lost it>

* You have to prove that you are worthy of joining the club

— What club?

* The club you are worthy of joining.

— Who else is in it?

* You mean apart from me?

— Yes.

* Exactly, you are absolutely right there.

— Oh, well done me.

* Indeed.

— What do I have to do?

* The procedure is always the same.

— Let me in.

* I will my friend. You'll go into this place of evil - the Virgin Megastore - and rescue the holy grail from the unworthy pagans.

— Where would I find this grail?

* The grail is manifested in all the CDs of Simon and Garfunkle which are available at this location.

— May I purchase them?

* Indeed you may not. You will have to carry them past the beret wearing fascistic gatekeepers that are trained in several of the finest martial arts available and will interpret the alarm bells as a declaration of war.

— I see. And where will you be?

* Where it's safe and warm.

— Well then, wish me luck, my dear friend.

* I am afraid, I must not do that.

— I thank you very much indeed.

* One thing though.

— And that will be?

* You have to recite the complete thirteenth chapter of Joyce's Ulysses.

— I'm afraid this one is unknown to me.

* In that case you may go, get the lyrics of Bridge over Troubled Water and recite them while obtaining the grail.

— So may it be then.

Even if you're paranoid, maybe they really "are" after you.

</misosophical findings>

Move to pop section and find Simon and Garfunkle

Right pocket:

Bookends — Sounds of Silence — Wednesday Morning, 3 a.m.

Oops, forgot — Check for cameras:

No visible cameras.

Left pocket:

Parsley, Sage, Rosemary and Thyme — The Concert in Central Park

Break seal:

Bridge Over Troubled Water

Take out booklet, open and pray:

+ When you're weary, feeling small, +

+ When tears are in your eyes, +

+ I will dry them all, +

+ I'm on your side. When times get rough +

Move towards exit:

Observing two grumpy, body-built, tough looking, big, illiterate, impotent, ego maniac, wanna—be, failed, black, cold—eyed, leather—shoed guards who will take no shit, have no mercy, don't hesitate, have no humour, are much better runners, much stronger, much more skilled, underpaid, physically unchallenged and generally pissed off.

+ And friends just can't be found, +

+ Like a bridge over troubled water +

+ I will lay me down. +

Observe:

Wait for the best time to dash passed those guards. Preferably when a lot of people are going passed them so that they are confused for a short period of time or wait for a time.

Remember:

Don't attract their attention.

Move to bargain shelf to observe less obviously:

+ When you're down and out, +

+ When you're on the street, +

+ When evening falls so hard +

Observe entrance:

About 2 dozen smiling jap-teens entering store.

One guard staring at blonde slut whose miniskirt hardly covers her pussy hair. Other talking to buddy.

Assess situation:

Good opportunity. Slowly walking to exit. Trying not to cause anyone's attention. Moving slower to wait for most traffic between entrance.

Hold ... Hold ... Hold ... Now:

When will security alarms go off? Only when passing or when coming close. Maybe I can avoid them. Last quote in

+ I will comfort you. +

+ I will take your part. +

+ When darkness comes, +

Sudden idea:

Push japs, so that they fall and obstruct entrance. Initiating ... Succeeded. Passing doors quickly. Turmoil. Alarm goes off. Dashing forwards. Checking guards. Both aware. Both have tracked me. Both move forward. Both are caught in heap of smiling yellow people spread all over the floor. Quickly pacing away. Outside Megastore.

Choose direction to flee:

1. Left — Oxford Street

2. Right — New Oxford Street

3. Ahead — Charing Cross

4. Behind — Tottenham Court Road

5. Down — Tottenham Court Road Tube Station

a — Northern Line

b — Central Line

+ And pain is all around, +

ad 1. Many people — has pros and cons — who will be more agile? — probably them.

ad 2. Less people — has pros and cons — who will be faster? — probably them.

ad 3. At present unable to figure where road leads.

ad 4. Unknown area — none—valid option.

ad 5. Possible cues at entrance — however, cinematographic escape by slipping through closing doors possible yet unlikely.

Memo:

Next time plan escape route in advance, stupid!

+ Like a bridge over troubled water +

Decide:

Unable to. Stop wiggling your arse to left and right in indecision!

Check on guards:

One has almost fought his way through yellow mass.

+ I will lay me down +

Decide:

Oxford street. Running like a madmen as fast as deemed impossible.

Check on guards:

One following, 10 meters — flashing insight: in imperial measures 30 yards — behind.

Body functions:

Breathe in and out. in and out. in and out. one foot before the next. move left foot — move right foot.

Don't stop quoting:

Hard to read these fuckin' small lyrics while running.

+ Like a bridge over troubled water +

in and out

in and o?t

Watch out:

Wow, almost crashing into geriatrics! Switching from pavement Oxford street. Avoiding oncoming cap. Cars' movements are easier to anticipate.

+ I will lay me down +

!n and out

Check on guard:

The bastard is coming closer. Grim, determined expression on his face. I can feel the floor shudder with every step of his giant feet. A mean motherfucker.

Where have I gotten mysel—

Check on guard again:

He knocked over some tourists!

Turn around:

Wow, almost hit by a car!

Check on guard:

He is down!

Body functions:

Slow down a bit.

+ Sail on slavegirl, +

i& a=d out

in <nd out

Check on guard:

shit, shit, shit. He's up again, ... but ... he is limping.

He's wounded. The odds are in favour of me.

Maybe I can beat the living crap out of that fucker. Yeah right!

Determine who's fucking idea that was:

Regrets? — Naw — Absolutely no regrets. Just a bit hairy right now.

Lungs malfunctioning.

What — slavegirl? What the fuck are they singing there? Rechecking. Slivergirl — no — Silvergirl. What is a Silvergirl?

+ Sail on Silvergirl +

Maybe I can pay him?

Change of direction:

Leaving Oxford street.

Maybe I can loose him in the smaller streets.

+ Sail on by +

Check on guard:

The bugger is still there. Who ever said today's youth had no stamina anymore?

[n +nd o$t

Read street sign:

Carnaby Street.

Hey, I'm on the famous Carnaby Street. The hippest fashion place in the 60s. Let's do an unguided/chased tour.

+ Your time has come to shine +

What? There isn't anything here apart from three or four tourist shops with London bric-a-brac. Boooh— it's a rip—off.

"My parents went to London and all I got is a t—shirt"

n' §n9 uo}

End of Carnaby Street. I am glad I did not waste any time on that one.

+ All your time has come ————————————

Let's forget this shit.

Change of direction:

Turn left.

Oh great, small streets, I can lose him here.

Where the fuck am I?

I bet he doesn't know either.

Ah, what the fuck - this is kinda fun -

+ to shine +

Check on guard:

The bastard is still there. I think I gained some space though. He is panting.

Memo:

The one who's running for his life is always faster.

ni )ad tou

So am I.

Panting, that is.

Check on guard:

Has he stopped?

Damn!

Change of direction:

Turn right.

Can't see the bugger anymore.

Lungs screaming from pain.

+ All your dreams are on their way. +

Check on guard:

He should be around the corner by now.

+ See how they shine. +

Body functions:

Slow down.

+ If you need a friend +

There he is. He has stopped. He has to lean against a wall.

Panting.

I am leaning against a wall.

Panting.

Guard speaks shaking his fists:

I'm gonna get you.

What, now? I don't think so. I'm walking away. Without a word. Too exhausted to think of anything to state my victory with.

+ I'm sailing right behind. +

+ Like a bridge over troubled water +

+ I will ease your mind. +

The guard remains there leaning against the wall, holding his injured leg, feeling his defeat.

Where the hell am I here?

Where is the next tube station?

Whose fucking idea was that anyway?

My lungs burning like after an anthrax treatment.

+ Like a bridge over troubled water +

+ I will ease your mind. +

I've had enough of that shit. I'm going home. Where's the next fuckin tube station?

</frail grail rail>

[MIB's kitchen. MIB and a mid 20s guy. Colourful and extremely fashionable clothes, several piercings, pink hair, tribal tattoos. Enter Butch. He's pissed off and slams the CDs on the table].

— Here is your fuckin' grail!

* So you made it? Congratulations. Now you are a member of... mmmh, whatever we said you were. Do you remember?

— Fuck off. At least I could have recited some more substantial lyrics than: Your time has come to shine, All your time has come to shine. [Pointing at the other guy.]. Who's that parrot?

* You don't know him?

— Should I? Looks like countryside Bob comes to the big city and tries to hit the scene. Watch out for Lola.

$ What? [to MIB.] What's he saying? Who is he?

* Shut up.

— L— O — L — A Lola.

* You too. This is the Triangle Brother. The hottest DJ and producer in the scene. You should look out for him.

— Wannabe star ODs in public toilet?

$ What about business?

—* [MIB and Butch.] Shut up!

* Let's get back to business. I just go and fetch the stuff [Exit MIB.].

[They both look at each other. Uncomfortable silence.]

- I get my coat.

$ You didn't have one on you.

- Ah shit [Exit].

</entrance exam>

After the two had left, Butch sat down in the kitchen. Usually he would lie down and take a nap in the afternoon. Lately he had suffered from severe tiredness. Sleep seemed to be the only remedy for his depressions. However, today he was not tired at all. Maybe this was due to the excitement and strain earlier that day. Butch briefly considered taking up sports again. Maybe that would cure him from his sleepiness, or maybe it would just serve to justify it. He decided against it. What use was there in chasing a tennis or squash ball in a square? He knew that this was no valid argument. After all his whole life was not in the slightest more meaningful. But there was no reason to indulge in physically painful activities when spiritually life was already unbearable. Butch noticed that once again he was about to dive into self-pity and so he forced his thoughts into a different direction. Funnily enough this intermezzo with the guard had been quite refreshing. This chase had given him a pleasure he hadn't experienced for a long time. He wondered whether this was due to the lack of consequences he would have had to face if he had been caught. What could they do? Charge him? Put him into jail for a couple of days? He would have loved to go into prison for some time. Just to see what it was like. A criminal record wouldn't harm him at all.

A cigarette caressed his sore lungs and there were a couple of Guinness left in the fridge. He had stopped long ago wondering how people could open these bastards without half of it squirting out. Must be a British thing. Just like Carnaby Street. The symbol of British cultural movement in the sixties. The place to be for the rebellious and hip youth of Swinging London. And now it was degraded to a bunch of bric-a-brac vendors ripping off tourists.

What a symbol.

And on the pedestal these words appear

"My name is Ozymandias, king of kings:

Look on my works, ye mighty, and despair!"

Nothing beside remains. Round the decay

Of that colossal wreck, boundless and bare,

The lone and level sands stretch far away.

</poetical flashback>

It was not history that had razed this powerful symbol of youth culture. Or maybe Carnaby Street never was one. Maybe this had all been a myth. Maybe just the mindless fashion crazed had gone there. How long had Seattle been the center of true Grunge before every mediocre wanna-be band came there to make it? With every music scout searching for the next Pearl Jam or Nirvana it was no wonder that inflation and commercialism killed the spirit and sucked its marrow out to leave nothing but a lifeless container that bears the logos of consumer goods.

The reason for this discontent is media. This world is about commercialism. It's not about capitalism versus communism, Catholics or Protestants, left or right, right or wrong, it is about Pepsi versus Coke. Nike versus Reebok. We are nothing but consumers. They tell us we can't live without Pepsi, and they repeat it over and over until we can't live without Pepsi.

Human life is based on discontent.

The reason for discontent is greed.

</confutse says>

But those are no new findings. It's been said like everything else has been said. And the constant repetition just turns it into a stale stereotype. They should declare Carnaby Street a monument. And -

Here lies Carnaby Street.

Symbol of the naive attempts

Of the youth to change the world.

See the result and tremble.

</on the pedestal these words appear>

</ramblings after runnings>

What the fuck, Butch thought. He got up, looking for some alcohol. This intellectual bullshit he constantly dealt with was pissing him off right now. Sitting there alone and for the first time able to contemplate since he had found some tranquillity, he noticed that life wasn't all that bad. It was a sudden insight concerning the determination with which he had pursued his goal for self-destruction. But in the end, what was there to worry about? He had cast off his German life and was absolutely free to go wherever he wanted to. He was free to go to any place he liked and to be chased through all city centres he desired.

Why not write a book about the ways, security personnel operate in different cities throughout the world? Or even a tourist guide. Shoplifting and sight seeing in the world's metropolises. The most charming and successful escape routes. Hit, run and watch in London, Barcelona, Berlin, Rome and Paris. There is a Virgin Megastore just near the Duomo and the Scala in Milan - not a very impressive building considering it was the first ever opera house - is just around two or three corners. He could easily move up the ladder by extending to Harrods, Das Kaufhaus des Westens or La Riscaldamente. There must be a market for such a product. In the end there are tourist guides for all sorts of minorities and special interest groups around. Combining travelling and adrenaline seems to be something new. Even folks suffering from kleptomania sometimes want to go on vacation and they might just as well do it in style.

</futuristic plans>

He was suffering from no limitations whatsoever. Butch realised that his plan to go to London had just been designed to open new alternatives and the suicide he had planned back in Germany was by no means imminent or inevitable. Quite the contrary. Butch felt his powers coming back and new options opened up. Of course they were by no means serious, but having shed off his bourgeois habits he had regained a new sense of life - at least he considered it a sense of life. In reality he knew that it was nothing but the last revolting against his fate that was already sealed. Butch had no proper plans that would ensure a decent future. However, at present it didn't bother him. All his defeats he had left behind and only the odd ex-alert shook him at times, but at least his professional defeat didn't bother him anymore. Maybe that was just because he had always known, that the demands of university had nothing to do with real life. In the end his professional destruction was proof that he had not surrendered to the ridiculous bullshit that was thrown on him by a faceless and thus illegitimate institution.

A restlessness grabbed Butch. On impulse he went to buy a used Leica and a handful of black and white films. The best was hardly good enough. Needless to say that he didn't have the skills that would have justified such an expensive camera. However, the charm of luxury and the old-fashioned brand name convinced him in the end and made him disregard the digital cameras that were available as well. He played around with the options of editing the films, adding extensive colour bleeding, screaming cold blue or any other fancy visual effects with a computer (he would have to buy). But the option of sober and honest black and white won in the end. Butch had no real idea what he would want to capture on film, but having a camera in his pocket was satisfying. He went into the heart of the city at first without knowing what to do and started shooting ugly and displaced tourists (mostly Americans) in over sized trainers, back packs and excessively comfortable and revolting clothes. Handycams and cameras dangling from their shoulders and pointing their fingers at every (stereo)typically British sight they came across in their pseudo-cultural crash-courses. Butch's disgust in these deplorable and visually offensive people was only mild at that stage. In the end he was a foreigner as well, no matter how hard he tried to convince himself that he was not.

For a start it was sufficient to suppress his apprehension of taking pictures of people without their consent. He would have felt more comfortable with a zoom lens, at least he would have been able to hide his intrusion into other people's lives. Finally he shook off these feelings. With the notion of being a correspondent of war, he tried to capture his environment in all its atrocity. A family of Yankees attracted his attention with their somewhat natural confidence in life and their body language screaming out their intrusion and openness. Butch despised that attitude even more than their outfit. The way they begged for attention and put themselves in the centre of the scenery without any other reason than their existence. He wasted two films on shooting these idiots at Westminster and even took the coach to the Tower to collect more samples of travelling scum. However, the Tower Bridge was too far off the centre to attract too many tourists. A fortnight to cover Europe demanded some cuts, hence no Tower Bridge - there is always the Rialto Bridge in Venice to see. Focussing on Americans was not really based on his disgust in these people in particular. He could have focussed on Germans that were just as if not more intrusive. He felt like hunting for Yankees now. He was bored with his own vomit evoking people and while he could have collected the same gall on Scandinavians, Spanish, Italians or whoever, it was easier to do it with Americans. Other than that they were people he had nothing against Americans.

Butch got back to Trafalgar square where he ended his session by taking pictures of the crippled pigeons. There was something appealing about those scavengers of dirt. When he ended this intermission, he did not really know whether he had accomplished anything. His interest in the pictures had somewhat vanished and for a brief moment he regretted having bought the camera and even more having wasted two films on nothing. His attention span was short these days and his moods volatile and subject to sudden change.

Compare Shelley's concept of the myth of Prometheus with Byron's.

Funny that I should think of that. Not really a nightmare, just a dim and distant reminiscent of the past. I guess not many of these will follow.

</reflection>

</nightmare revisited>

Discontinuity is the only reliable constant in life.

</insights>

The futility of that creative discourse hit him from close range when he sat in the Tube to get back to MIB, who he was supposed to meet at some pub. Butch had no clue what these pictures were good for. He had no need for them, he would never look at them again and there was nobody he could or wanted to show them to. After all he was just capturing the obvious and his skills were not great enough to add a new perspective to reality. It served no other purpose than to help him analyse his surroundings. This way too analytical approach to life was probably the cause of all his discontent.

He never had the film processed.

Time wasted.

Time wasted?

What a joke!

Glad for every minute that passes one way or the other.

</assessment of session>

What's there left to do if I can't even rely on my attitudes to survive the mildest mood swings?

</fucked>

</being creative>

Another encounter in a pub revealed the even more unpleasant aspects of MIB's character. Butch quickly found out why MIB clung to him, some deplorable arsehole on his way down. He didn't know whether MIB's politically incorrect views were genuine or just a means to sound more interesting or at least offensive than he actually was. His ramblings against blacks, women, gays, handicapped or whoever was not too original. It was probably nothing but an attempt to retain some personality. Yet, Butch had to listen to all the nihilism and all the ramblings and all the truths that MIB was more than willing to spill all over Butch who seemed to be the perfect wanna-be intellectual game for a wanna-be intellectual marksman.

We need war. No, my differently-abled companion, don't look at me like that. Ever read Macciavelli's The Art of War? There is an art to war, really. And we need to find it. Real old—fashioned war. Not this high—tech—nuclear—shit. Man against man. Somebody has to wash the shit away. We are drowning in insignificance. There is too much blahblah, too much political correctness. We bring up any cripple, wire them to fancy apparatuses to keep them alive. Social welfare. We need a healthy competition, not these neo—liberal economics that only serve giant corporations. We have to return to the concept of heroes. Modernism has constantly destroyed the concept of heroes. We need to regain the awareness of personal dignity, of grandeur. Have you ever read Carlyle? How about Nietzsche? You are not very well read, are you? You should know Nietzsche, my little illiterate friend. There is a will to power. Some of us long to be above others. Many feel the need to be ruled, but some have the urge to rule. No, man, it's not a question of racism or hatred. Even our Nubian fellow here can be a master, it is a question of will not genetics. We need to lift ourselves out of the mud of egalitarianism. There is aristocracy, and we need to encourage it to step forward. There are leaders and there are lead.

</antichristian ramblings>

- Do you?

* What?

- Fancy a pint.

* Have you listened to anything I said?

- Was there anything worth listening to?

* You're a bloody moron.

- Do you?

* What?

- Fancy a pint?

* For Christ's sake, you are such a fucking idiot.

- I think I'll have another one.

* I thought you were open enough to understand.

- How about some crisps?

* Or at least try.

- I think I'll go for cheese and onion.

* Fuck you.

- Anything else?

* You are a whining freak.

- No I meant, can I bring you anything else?

* [silence]

- Back in a second.

* You and me have one thing in common.

- You mean, I am an arrogant and deranged asshole too?

* Well, then we have two things in common. What's the other?

- We are both Peter Pans. We are both unable to grow up, to settle in or down .

* Sorry, Fritz, that's not true. We two have nothing in common. You are whining about whatever comes across - all the mindless little things that have no real relevance. I, however, have no problem whatsoever with life. I'm at peace with it. I live my life and do what I want to.

- No, man you are just as unwilling to grow up as I. And we are both in an age when we should show some adult behaviour.

* This is not about adult behaviour. Adult equals death. You might be little Peter Pan. I am not. Your little problems and whinings are those of teenagers. All this shit about your suicide ... come on! We are not playing in the same league. I walk, you crawl.

I am strong. I can smile and murder whilst I smile. You think you are fortune's fool. You and me, we will both die in the end, but you will have killed yourself full of tears, I will be killed for the tears I caused. I will die a happy man, you will die a rotten wreck. I will be happy to swap my kingdom for a means of transportation, you will swap your sword for a vial of poison. I'll be a God when I die, you'll be a piece of shit.

Life sucks and is meaningless. You know it, I know it, the world knows it. Live with it. You act like some mental fucked up feminist pop star. You are the Alannis Morissette of all male wankers.

It's like rain on your wedding day,

It's like a free ride when you are on anyway.

It's like fucking whining your life away.

What is your obsession with the meaning of life? For thousands of years people didn't care about the meaning of life -

Because it was set and not questioned.

</interception>

So what? So there was a God and a meaning. Now there isn't one left. Are you such a weak bastard that you can't provide yourself with a personal meaning? Can't you find the power to establish your own meaning? Jesus, be your own God!

</panned>

Why are you hanging around with me? Out of utter weakness. You want to be strong, but you are weak, and thus you hang around with the injured like me. You are some old leopard that can only go for the easy prey - that isn't anymore fast enough. You have to go after the old meat. You, my friend are the poorer of the two of us. This is the only way you can display your strength. Your only way to show your dominance is to pick a companion that is inferior to you. And if you look long enough you can always find one. You found me. Hurrah. Among the blind the one-eyed is king.

</afternoon pub session>

I wish I was special. Not another mediocre, pointless, superfluous sucker whose (in-)existence does not matter other than to other superfluous suckers.

</cravings>

A young man ain't got nothing in the world these days.

You know in the old days when a young man was a strong man.

All the people they stepped back when a young man walked by.

If you don't care where you are you aren't lost.

</quotes>

So I am not lost?

</question>

That's good to know.

</conclusion>

Stomach grumbling. Beer noises. Turning from left to right and back to left again. Like a pig over a fire. It starts to get uncomfortable. Health check. Stomach sore. Headache. Thirsty. Aching back. Assessment: All systems normal. Nothing to do. Getting up? Not really. Trying to sleep some more? Unable to perform snooze mode. Fuck. What the hell. Reminder! Low nicotine level. Peeling oneself out of the warm yet tar-less bed. Scratching balls - style matters - finding fags. Looking for lighter. Found. The first draw in the morning. Full and utter justification for dying of cancer or having one's leg sawed off. Finding a place to put the butt. How about the sink. Disposed and done. Whirling wizardry inside the head. Sing an ode to joy or a rap to dizziness. God save the tobacco plant.

</log of days>

Beer guts swaying to and fro beneath hollow caverns reigned by soccering pub mumblings on greased black hair and hooliganistically tattooed arms crawling from public houses to pissing bushes that at daylight are used as burger cans by uniform school girls in fuck me skirts while preferring taking that over seventeen eastern bros of duran city rollers that fall fat too early for their good and churn out brattish farts rolling past in trolleys to take place while concretely permed formerly female monsters seemingly in their sixth decade although hardly thirty go isn't that lovely and goochy goochy goo oh dear in screaming voices before stopping by at outskirtish supermarkets where unpolitical students stack shelves with baked beans eight pence a can to get sunny literature for black suited business spouses in flowered wallpaper living rooms watching nine o'clock news with british beef and kidney pie before sipping pints of lager at the local pub with the lads who fuck their dusty wives two point one times a week on average in suburban brick walled houses with vauxalls outside next to off licensed seven eleven red mailboxes per square miles that contain first class letters to the local mp whose constituency swings from left to right without anyone noticing substantial changes that are absent while the national lottery is moving more people than the grand national where stuck up traditionalists who claim to be eccentric when really they are nothing but silly cling to royalties and nothing more than show.

</sober young man>

The sad thing about clichés is that they are so incredibly valid and the utterance thereof is so incredibly wise. The sad thing is that there is nothing left but stereotypes. That there is nothing original around. That there is nothing new to explore. All there is has been there in one way or the other and there is a point when you realise that there is nothing more to come. I haven't been around that much. Haven't talked to that many people and haven't dealt with that many oddities. And yet even the strangest and weirdest occurrences don't leave any impact anymore. I am not a child anymore and I don't marvel at new things any more. What is there to do when everything has been seen?

</stereotypes>

Germans are much worse.

</british ones>

Breakfast? Naw - is there something to drink? Tap or beer - Going for the wet water. Stomach grumbles. Ignore the need for food. Fridge is empty anyway. Roaches roam through careless cupboards. The inequity of inertia dissolves travel guides and pedals. There is nothing to be done and nothing to be wanted. Mornings are boring. Telly. Killroy. Sesamestreet. Too early to go out. Too little energy to do anything. There would have to be a reason to consider anything to do. But there is none - at least no reason to go through the hassle of wondering what to do. Waiting for someone to come by with a little bit more activity. There is no one. They are working, still sleeping, out. A repetition in its alteration.

</log of days>

Another pub crawl through genetically aged on lager-soaked carpets - to be wrung after closing time - dream mongers and vomit vendors. Immediate misunderstanding of fun in staggering from one piss-hole to the next. Bladder-emptying burbs of speech noises. Crowded with the ugliest minds for show. Gracefully acknowledging a high level of booze oozing down smoothly. Being the walrus and they are the eggmen. Bomb carpets of prattle joining forces to become a toxic peril to sanity. Football and shopping and politics and girlfriends and fucking and love and leaving and rugby and work and getting sloshed and being pissed either as is or off. Temporarily stranded in yet another one that looks exactly like the previous although, sure this one has a much nicer atmosphere, that no one cares about as long as the beer keeps rolling in, filtering out the percentage and then leaving again, just as yellow, slightly warmed, void of carbon dioxide. Hence the quality of the pub should be measured by the quality of the pisshouse. A screaming injustice that such is not considered. Know the writing on the wall. What time is it? Off topic. On tab. Two enter inn. One equals point zero. Two equals two point three result of aftermath of afternoon refreshment. Listen in on conversation:

</setting the scene>

- I swear, someone's gonna get his head kicked in tonight!

* Way to go, tiger.

- Be on the alert, else it might be you.

* Give me your best shot.

- Do I sense any disbelieve?

* I would never dare invoke such suspicion in you.

- Fuck you! Your head's on the line here. My mistress' eyes are nothing like the sun. Coral is far out, man!

* Would you mind, keeping it down?

- Embarrassed to be seen with me in public? I just can't be seen with you!

* I should have known.

- Who told you?

* You shouldn't have started drinking early in the afternoon. Spoils the fun.

- Yes, mum! But what would you have done. She was on Countdown.

* You are losing it, my friend. She certainly wasn't.

- You didn't see the program. You should have though. The way she solved the conundrum was divine. BREKNDIGR. BREKNDIGR, do you hear me? You know what that is?

* Why am I even bothering?

- That's SHITHEAD. Just rearrange the letters. BREKNDIGR - SHITHEAD. There's the I and the D. Beautiful. Five seconds. Buzzer. BREKNDIGR.

* You are pissed.

- You would if you'd seen her. I just had to open a couple of cans of thinner. You would.

§ Excuse me.

- Yes, you are excused, dismissed. I hereby pardon you of all your sins.

§ Could you tell your friend here to keep it down?

* He's not my friend.

- Indeed I am not. We are two of a kind.

§ Just bugger off, ok? I don't want your mate to puke all over me.

- Do you bite your thumb, sir?

</repeatedly bumping into bloke>

<(co)incidentally spilling beer>

§ Hey, watch it!

- Wanna step outside?

§ Be my guest, mate.

Fine. Cut the BS and start the brawl. The rumble in the jungle.

</(co)incidentally spilling beer>

Take the skinny baldie out.

Hurry up, it's cold outside.

</pal words>

- Okay, let's have a fair fight.

§ Whatever.

- Let's talk about the rules.

§ He wants to talk about the rules! Rules? There are no rules!

- If you say so.

Instantly Butch tries to kick the bloke in the balls, but he is too slow. The bloke catches Butch's foot. Laughing, he holds it. Butch has to jump around on his other foot to keep the balance.

§ BUTCH Cassidy and the Sundance Kid. Seen it. Nice flick.

After having Butch jump around on one leg for some time, the bloke pulls him closer and hits him right on the nose.

whack

</fist on nose>

Butch drops straight to the floor. The bloke is standing there in anticipation of Butch getting up again, but Butch is wise enough not to. The audience goes back inside again. The show is over. The bloke stands there not knowing what to do. Butch slowly gets up again. He is sober now, he plays with his nose, pulling it to both sides.

§ Want some more?

- Er ... I'll think about it.

§ Anytime.

- You broke my nose.

§ Sorry, mate.

- Ah, well no problem. You're the first to break my nose.

§ My pleasure.

- Wow, you can hear the noise of the bones all through the skull.

§ Yeah, it's an evil noise.

- What about your knuckles? Are they okay?

§ Sure, mate. Fancy a pint?

- Why not.

They both go in and live happily ever after for the evening with Butch and the Sundance Kid having uncountable two pints before Butch pukes in a telephone box outside the pub, collecting all the prostitute's cards, handing them out to passing tourists, narrowly escaping arrest. Later on they engage in a conversation about football when they encounter insurmountable differences once Butch starts insisting, that the ball didn't cross the line in Wembley 1966, something that he would not care a flying fuck about when sober. However that state is beyond reach that particular evening, and so he starts insisting on this issue until the two new friends experience a significant crisis. In the course, some bystanders get involved and as a result, the Sundance Kid is faced with a challenge of three blokes who support a different football team. As the situation gets worse, Butch joins forces with the Sundance Kid to battle the three yobs. In a second fight, Butch is knocked out at the very beginning, while the Kid has to take two broken rips and a complicated fracture of the forearm. All through this, MIB remains impartial and manages to conclude the evening without any injury whatsoever, hence once again displaying an impressive superiority of intelligence. The wounds eventually heal and what prevails is a nice memory, source of funny anecdotes told at social gatherings.

</drunk young man>

After all is said and done, usually more is said.

</misosophical findings>

Going out to get the paper. The Independent. Not because it's the cheapest but because it is moderately left wing. A habit more than anything. Maybe getting some milk or some crisps. Cheese and Onion maybe. They don't have them in Germany. Or some candy. Just to check it out. It's not the stuff I am really after. But candy is the foundation of every contemporary culture. To know the candy of a country means to know the heart. I could choose anything else. The lack of decent priced orange juice or all the other things. You can spend weeks just trying to find German bread. The only thing I am really missing. Not to eat the soft chemical bread that will grow mould after two or three days. Even the French baguette can get boring after some time.

</log of days>

Amnesia. A complete and total amnesia. Wiping the hard disk of a computer with a strong magnet. Everything would have to be reformatted. The whole mind. No memories, no friends, no job, no identity, no language — especially no language. The possibility to start all new. From scratch. No history. A white page, an empty black board, a tabula rasa. The chance to choose life anew. Once again start from scratch. All mistakes you made in life, all wrong decisions, everything you regret would be undone. It would be heaven to suffer from a total amnesia. Rebuilding oneself. The opportunity to create oneself anew. To find life again. To mould oneself into a desirable character.

</imagine>

Reality is a crutch for people who can't handle drugs.

</misosophical findings>

Sometimes he sat for a whole shift looking into the kitchen (if that was the word) of a McDonald's. Observing the nice little college students and sixth formers, the housewives and school drop—outs preparing the food. Back when he was a man, he used to go to the terrarium in Cologne to watch the crocodiles for hours as they lay in their humid plastic habitat, motionless, maybe opening their mouths, displaying their giant teeth. He knew nothing about these reptiles. The beauty of the sleepy monsters resembled the tranquillity of peril. After some time it was him who kept motionless for longer than them. Just looking at them, a one-sided staring contest that wasn't challenged by the reptiles. Letting the mind run blank. Retreating into some fairy world. Every sudden movement of them tore him out of his void complacency. Even after dozens of visits he did not believe that he could tell the reptiles apart. He noticed when one was missing though. Other than that, he did not care much about the fish in the much too small basins, the bald tarantulas, or any of the other miserable animals that were displayed like side-show attractions. He just cared for the motionless crocodiles in the plastic basin and the opportunity to let his mind run blank.

There was Sarah at the counter. She worked three times a week and had another job in a night-club as a waitress. When she found out she was pregnant she had a nervous breakdown. She was only 17. She hardly knew the father, it was more or less wham-bam-thank-you-ma'am. But when she told him she couldn't have an abortion, he understood. He told her he would care for her and the child. He always wanted a family (although not that early) and he loved her. Three months later he was gone. Her friends told her to sue the bastard. She shouldn't let him escape his responsibilities. But she let him go. She did not want such a man to have raised her child. And so she worked hard to raise her child. She did not see the boy who was constantly sick and needed medication very often. When she came home from work she fell asleep almost instantly and so the boy was more or less raised by her grandmother. Her parents had kicked her out of the house when she told them about being pregnant. Now with 25 it was mere routine. She did not complain and she did not think of all the great plans she had had. She never had any plans apart from getting married and raising children. She had the latter but not the husband. No man would come near a young mother. She couldn't blame them.

There was John doing the fries. He should be at school at that time of day, but he was not. He attended a very prestigious musical college. He was talented and bound to be a famous jazz musician. His teachers were impressed with the way he played the trumpet and he was almost a little star in the small jazz pub he played every Saturday night. But he was not in school. They had kicked him out when they found out he was smoking weed. He was expelled immediately. Now he had to fight his way up without a proper education. He did not mind too much. He knew that school was not the place to boost his creativity. He knew that he could make it without school. He was even a bit glad when they caught him. Jazz musicians had to fight their ways out of the gutter. To play the blues meant to live the blues. Of course he had not thought that that meant working in a McDonald's. He hated the smell of the junk food on him. It stuck to his hair and skin and even smoking the cheapest fags could not extinguish the smell of oil and burgers. But whatever shit—job he did to keep the money rolling in, he always had a picture of his idol with him. Chet Baker never had it easy. Of course he was not such a great musician, but he had style. The little flat in the East End he was staying in was plastered with black and white posters of him. Miles and Dizzy inspired him more in terms of musical talent. But it was the white guy with the drug addiction and the tender voice who fell out of a hotel room in Amsterdam with a needle in his vein he was trying to be like. He had the proper way to live and die as a jazz musician. And so John was filled with pride when he was called to the headmaster to take his expulsion. He left with his head up and the trumpet under his arm, leaving everything else behind, knowing that he would make it someday, and that this incident would be another brick in the wonderwall of his genius. Walking off the school premises he was writing in his mind the chapter of his autobiography. The book he was to write in a few decades looking back on a life of fame and fortune.

David just worked there to save some money for a trip to Paris. He studied French history and language and was about to graduate but felt he needed some more practice. He never told anyone about Maria. The woman he had met at his last trip to Paris. She was at least fifteen years older than him. She never spoke about her age or lied when he asked her. He loved her. She had laughed when he had told her and that laughter almost broke his heart, but he also knew that she was not serious. She loved him as well. He could tell by the way she made love to him. No one woman could make love to a man the way she did without loving him. Of course he did not have anything to compare her to as she was the first woman he had slept with. His ultimate plan was to go and live with her. Find a job as a translator in Paris and marry her. She had patted his head and smiled like he was a little boy asking his own mother to marry him. She told him she could be his mother and that she had a daughter about his age. But he doubted she really had a daughter. She constantly told him lies or things that did not make sense. But that just added something to the mystery that surrounded her. And so all his thoughts were on her and the beautiful city of Paris — surely the most romantic place on Earth as he turned the burgers on the grill.

Julie had not much of a story. Her husband was in the army and killed in an ambush in Northern Ireland. But when that happened they were already living in divorce. He had an affair with her best friend. When she found out she was shocked at first, and she had no idea who to turn to. She longed to tell her best friend but obviously could not. A year after she found out she met her friend again in a supermarket. After the first awkward moment they quickly discovered that the spark that had always enlightened their friendship was still there. After some weeks they were able to laugh about the silly habits of their shared and now deceased husband and lover. He had a lot of those bad habits that ranged from the customary toilet seat that he always left open to the silly animalistic noises he made during sex. Unfortunately her husband's pension did not quite secure her a living and so she had to take an extra job.

Of course none of them had any such interesting vita. They were all ordinary people with ordinary lives. Nothing fancy. Nothing exciting. Nothing to waste a second thought on. Just like himself they were utterly boring, there was nothing thrilling about them. They were ordinary. They were. And only making up stories about them could briefly change that.

On his way back home he was suddenly confronted with a situation that found him unable to create a story. He was sitting in an almost empty train in the tube, browsing through the Independent without much enthusiasm. Somehow he had felt the urge to find out if anything had happened in Germany. If so, the Independent didn't deem it worth reporting. When he put away the paper he noticed this woman at the other end of the train. She was in her early thirties, dressed in an average way. Red hair. And she was crying. She sat there in a public place and cried. Butch wondered what to do. His first reaction was to go to her and ask her what was wrong. Maybe he could comfort her. Hearing her story might help her get it out of the system. Just showing that he cared might be good enough to make her feel better. He wondered whether she was asking for some attention. A pad on the shoulder. Some reassuring remarks that the world wasn't all that bad, that there is light at the end of the tunnel. Of course he didn't help her. He just sat there and observed, trying not to be too obtrusive. In fact he was so unobtrusive that he wondered whether she was thinking he avoided her on purpose. The situation was awkward. She held a handkerchief in her hand to wipe away her tears and although she was sitting on the other end, he could hear her sobbings. He experienced a heart-felt sympathy for her, and he had to admit to himself that her crying looked absolutely beautiful. Almost like a reflex his mind kicked in, telling him how foolish and irrational this feeling was. After all, who knew whether she really was a victim. She could have been some axe murderer regretting her latest kill. She could have been like the Bitch who constantly cried when she wanted to get her way. But there was no one around to emotionally blackmail. Apart from him, and he was pretty sure that this woman was so completely tangled up in her grief, that she didn't notice him.

Without the intention of playing games he wondered what had happened to her - that she was unable to keep her composure. No citizen of such a metropolis would so openly display their grief in public unless something extraordinary had happened to her. After all, this was the tube. The place where people pushed and shoved and fought their ways in and out. Of all places in the world this was the most improper to display emotions. His story making capacity was limited in that situation. The only thing he could think of was that her man had left her or that she had lost her job. Those options weren't really creative or interesting at all. They were likely. However, he wasn't interested in probability but in the extraordinary. But the extraordinary of that situation blocked him from any creativity. At last he saw some truth. Truth in an uncertain pain. A pain that was overwhelming. Maybe it was not a truly shattering pain. He didn't know and although he tried to think of something very ordinary, that might have happened to this woman, he couldn't come up with anything. His mind ran blank. He caught himself staring at her and felt guilty for being such a nosy bastard. She puzzled him, and he regretted indulging in these mind games in the wake of real agony.

In the end he just left at his destination through the door that didn't make it necessary for him to pass her. Later he deeply regretted not having found the guts to walk up to her and try to comfort her. It would have been a sign of humanity. It would have been an opportunity to dismiss his reigning self-pity. An opportunity to display care and compassion without any selfish intentions. But he didn't do it. He just went away.

</passing>

But would it really change anything? They would mould you back into your former shape. The shadow of the shed skin would haunt you. Friends would insist on their friendship, the old character would be tried to be reinstalled on you. It would turn into a feeling of complete hate. Hate against the former character, that is not anymore, that has died but is still ever-present. People who would not know what happened to you would have to be convinced. It simply would not work.

</imagine>

Getting home. Throwing the keys on the kitchen table. British locks do not really demand a key. They are so easy to break that a lock and key is just a waste of time. Getting a drink. Maybe some ultra strong cider or a beer. Sitting in front of the telly again. BBC 1, BBC2, ITV, Channel 4. Not much to surf through. Not much to choose from. In the early afternoon, all the game shows start. Fifteen to One, the number and letters show. Once I even got more letters than them. I the foreigner. Hurray. Not a great victory. But still a small one. Day in day out the same programs. Ready Steady Cook.

</log of days>

The light at the end of a tunnel may be an oncoming train

</misosophical findings>

There is a very minor disease that strikes elephants sometimes, it does not do much but paralyse the trunk, starting from the tip and working its way up. It does not hurt them at all. But the further it expands, the more difficulties they have drinking and tearing out grass or leaves. It is tragic to see how they try to feed themselves with this limb trunk. They see the food and the water, maybe they can even get some into the trunk but when they try to shove it into their mouth, it falls to the ground. They slowly die from malnutrition in the midst of abundance due to a minor failure.

Wondering what to do. Going out? Into the city? To do what? Checking out the latest records? Done that. Playing more video games? Been there. Going to yet another gallery or museum? Seen all. Filled to the brim with culture. What's it good for anyway? Cooking. Not that I am hungry. It's just that it kills time. Buying stuff. Shopping for Sauerkraut can fill a day - not that I am into Sauerkraut or missing anything German. Walking through the flat. Going through the drawers. Not out of curiosity - just to kill time. There is not much to be found. Just the regular stuff, the personal junk that doesn't mean much to anyone but the people that gathered it.

</log of days>

letzter stop

- Want some of my kebab? I think I'm stuffed.

& Thanks, but I just returned from my shift.

- Writing more routines?

& Yeah, at least trying to.

- Want some help?

& Don't get me wrong, but your type of humour and mine are a bit different.

- Wait. I got a classic. Students have a pretty hard life. For years they have to get up at six - because the shops close at half six. - How about that?

& Shops here don't close at half six.

- They do in Germany.

& We're not in Germany.

- Really? Are you sure? Shit this here sure feels like home.

& Well, then I think I can't use it.

- I suppose not.

& But thanks anyway.

- No problem, anytime.

& Been out again?

- Yeah. We stole some street signs and barricades and blocked one lane of Oxford Street. Didn't last long though.

& What for?

- I don't know. There was nothing else to do, so why not block a road for a few minutes? It would have been cool if it had lasted, but the police put the stuff aside pretty quickly. Maybe we pour a few packs of washing-powder into the fountain at Piccadilly. That will cause some mess and maybe even block the crossing. Who knows?

& The dynamic duo. You two fit together quite well.

- I don't know about that.

</leroyish lamentations>

Wake up and feel like a pile of shit.

Fucked and rugged and like a dip

Of potato sticks dunked into puke

And then up an ass's arse

Turn around and back again

With brown chunks and bits and pieces

And then ...

...

Ah fuck.

Why am I getting up every morning?

What am I doing here?

What's the use?

What's the purpose?

What the heck?

<insight> Where's my little rubber ducky? </insight> <inside> Could you please stop that noise </inside> <thoughts> Shall we go? </thoughts> <whacked wisdoms> The undiscover'd country, from whose bourn No traveller returns— puzzles the will, And makes us rather bear those ills we have Than fly to others that we know not of? </whacked wisdoms> <cool thoughts> It's 106 Miles to Chicago, We have a full tank of gas, ½ packet of cigarettes, It's dark, And we're wearing sunglasses. </cool thoughts> <quote> I don't have the passion anymore. </quote> <whacked wisdoms> Thus conscience does make cowards of us all, And thus the native hue of resolution Is sicklied o'er with the pale cast of thought, And enterprises of great pith and moment With this regard their currents turn awry And lose the name of action.— Soft you now! </whacked wisdoms> <ritual tool> Carpet knife </ritual tool> <thoughts> Yes, let's go. </thoughts> <whacked wisdoms> To sleep— perchance to dream: ay, there's the rub! For in that sleep of death what dreams may come When we have shuffled off this mortal coil, Devoutly to be wish'd. To die — to sleep. Must give us pause. There's the respect That makes calamity of so long life. </whacked wisdoms> <antichristian ramblings> We have to scrap social welfare. It's the only way to get this country back on track again. Look at the US, they don't have much public welfare, and they have virtually no unemployment. It's do or die there. We need this. There are too many couch potatoes here. Make people fear about their existence and they will learn. </antichristian ramblings> <poetry alert> With the lights out, It's less dangerous, Here we are now, Entertain us. </poetry alert> <ritual tool> electric power drill </ritual tool> <insight> I wanted to have achieved something before I was 30. </insight> <quote> It's the Cookie Monster! </quote> <antichristian ramblings> Solidarity is unnatural. In nature there is no such thing as solidarity. It's everyone for himself. We have lost our roots. We are out of tune with our origins. We are animals, and to return to an existence in dignity we have to find those roots. </antichristian ramblings> <quote> Ready, steady, cook! </quote> <ritual tool> 20 ft garden hose </ritual tool> <inside> I'm trying to get some rest. </inside> <ex alert> Gimme shelter. </ex alert> <nightmare revisited> Translate Chaucer's Knight's Tale into modern German. </nightmare revisited> <thoughts> They do not move. </thoughts> <whacked wisdoms> For who would bear the whips and scorns of time, Th' oppressor's wrong, the proud man's contumely, The pangs of despis'd love, the law's delay, The insolence of office, and the spurns That patient merit of th' unworthy takes, When he himself might his quietus make With a bare bodkin? Who would these fardels bear, To grunt and sweat under a weary life, But that the dread of something after death— </whacked wisdoms> <nightmare revisited> Is Willy Loman a tragic hero? </nightmare revisited> <ritual tool> 15 inch chainsaw </ritual tool> <whacked wisdoms> To be, or not to be— that is the question: Whether 'tis nobler in the mind to suffer The slings and arrows of outrageous fortune Or to take arms against a sea of troubles, And by opposing end them. To die— to sleep— No more; and by a sleep to say we end The heartache, and the thousand natural shocks That flesh is heir to. 'Tis a consummation </whacked wisdoms> <meta> Syntax Error. </meta> <cool thoughts> Hit it. </cool thoughts> <quote> I don't have the passion anymore. </quote> </mental pollution> <ritual tool> Bleach </ritual tool> <ritual tool> 3 pounds of salt </ritual tool> <poetry flash> I like it, I'm not gonna crack I miss you, I'm not gonna crack I love you, I'm not gonna crack I killed you, I'm not gonna crack </poetry flash>

</blocked thoughts>

</diversion from habitual wail>

</without a hangover or any other>

</waking up way too early>

* What are you contemplating early in the morning?

- What time is it?

* Noon.

- Shit, that early?

* The fuckin' Negro woke me up hours ago.

- I hate the work force.

* You can say that again.

- I hate the work force. Paying fucking taxes and stirring things up in the middle of the day.

* They should ban those fucking Negroes from coming here and trying to become middle class monsters.

- You know, I don't think this is a racial issue. In the end, these people invented Blues and Jazz and whoever invented Blues and Jazz can't be bad.

* Thanks for being politically correct. Yes, I admire those Afro-Americans as well.

- Never mind, just a reflex.

* Want a beer?

- I just woke up.

* You're right. Silly question [hands Butch a Heineken].

- Take a fag [takes one and throws the pack at MIB].

* There's nothing better than a homely breakfast in bed.

- You got it. What could be better to start a hard day doing shit?

* True.

A long pleasant silence during which both men smoke and drink like two old toothless cowboys sitting on a veranda in a cheap b-western. The sun is shining in and small pieces of dust are floating in the air, stirred up by Butch's blanket on the sofa. Outside faint noises of silly people aimlessly working are heard. A Sunday morning atmosphere in the middle of the week. Alcohol and nicotine on the sober stomach create a friendly scenery that leaves no room for pure comfort.

</happiness is a dish best served cold>

Avoiding soap operas. There is nothing more revealing about a country than knowing about its TV. But trying to figure out who fucks whom in Brooksite, East Enders or Neighbours or wherever is not my idea of getting to know a culture. Not that I am here to learn anything anyway.

</log of days>

* Sweet dreams are made of these.

- What?

* Just thinking of the sorry people working their arses off to pay their rents.

- Shit, they really are sorry? Sorry for what?

* To the salt of the earth!

- Cheers!

* Cheers! You know, we would make a great team.

- You really think so?

* Yeah. You should consider getting into business with me. MIB and son. The finest distributors of illegal narcotics. How about it?

- I don't like the MIB and son corporation.

* That's all I can offer for a start. Later we might switch to MIB and partner and finally to MIB and Butch. We might go into in- and export. I see great propositions for us.

- I don't think so. The goods you are travelling are not exactly of the kind that I would want to be associated with.

* You can get into it. The pay is quite well and your work hours are pretty flexible. The best thing is that you can keep people waiting. And the longer you do, the more they will appreciate you coming.

- Thanks for the offer, but no thanks.

* Don't throw it away so fast. You have nothing better to do, you need a diversion, you need a job.

- I'm not in desperate need for money, and in the end I could always sell pizza like Leroy.

* No way, you are too learned to sell pizza. You know things, you are almost a match for me. You should sell junk. You know, I could use a partner. It's hard to find someone who is not involved in the product himself.

- I appreciate your trust in me, but I think my ethics would come in the way.

* Yeah, I know. But you get used to it.

- You know, dealing drugs is a concept that is quite alien to my nature. But I'll think about it.

* You won't, but no problem.

[Another break. They light another cigarette and shake their cans of Heineken to check on the amount left.]

- Doesn't it bother you, that you are selling this shit?

* Not really. You know, as long as the government isn't doing anything about those junkies, I am providing a legitimate subject. I don't drive them into it, and I don't create artificial demand. The people I deal with are either already on it or old enough to decide for themselves.

- Doesn't sound too convincing.

* Well, there are better jobs around, it's nothing I want to do for the rest of my life. But then again it's better than selling pizzas or whatever other jobs there are. In the end you are always and everywhere fucked by everyone. The difference with this job is that I have the illusion that in the great chain of fucking, I am not the last in line, but the one who can put his prick into something as well.

* Ok, that's bull. It's easy money.

- Is it dangerous?

* Not really. You stick to some basic rules, don't get too greedy and that's it.

- How about the police?

* You don't carry huge quantities with you and pretend to be a junkie. That gets you off pretty easily. But I am not big in the business anyway, and I have been lucky. It's less exciting than it sounds. No great stories, really. It's a job like any other. You deal with shit people, but that's basically the same when you are selling pizza. Arseholes everywhere. No big concept behind it.

- So your behaviour is basically all a big show.

* Basically yes. There is no great incident that led me to doing this. No childhood trauma, nothing.

- I see.

* But don't tell anyone.

- I won't.

* Another one?

- Sure.

[MIB gets up and buys two more beers.]

- Want to see my last email to her?

* Show me your last mail to the bitch.

- [unfolds a piece of paper and hands it to MIB who reads it.] Here's the last mail to the bitch.

Sorry for not writing earlier I wanted to wait before I had my exams, but things are dissolving here. study is not looking too good. will see whether I can manage to graduate (personally I doubt it). had a one night stand the evening you replied, britta, 32 from bielefeld, not my type. cute but sane. too straight for me. (I think I ended it tonight it was getting ridiculous) just had a chat with sapphire (24, 2 kids from Ca) and flower (i dunno, 16 or 19 from arkansas (illiterate). there is not much else to say. If the usa is gonna attack iraq, I will make a lot of bloody money, (in the sense of the word <griiiiinnnnnnnnnnnn>) I wrote to some embassies for info, handed in the essay — it sucks, got me the great book of uk private schools (none in swansea — no worries) but who are we fooling here a camel goes through a uni before i manage or whatever it says in the bible apart from that everything is fine, posh spice got engaged. it's too funny not to enjoy the healing powers of whatever. but the good thing is that I know all about lilith. things are looking up. mutilation moulds mankind and sporty spice fucks robbie williams —when will i be famous among the pigeons. baby spice is known here as sweet spice and. i will go back to learning about teaching vocab to fuckin brats (yeah right, have you ever tried to swallow a cork?) and the sun is shining on tv — luckily miami vice is on re-run and so are the simpsons. if you wear that velvet dress.

mungo

lobo

mingo

zeus

crocket

</last mail>

* Drunk when you wrote it?

- Yeah.

* There's nothing better than drug induced poetry. It's no—bullshit—language.

- Yeah

* I like the way you write all this shit about those other bitches you try to date or fuck around with. Compensates for the loss you experience after she left.

- Yep.

* How long did it take you to come with it? Well done, very manipulative.

- I don't know, it came kinda naturally.

* Naturally?

MIB takes out his zippo, lights his cigarette and puts fire to the sheet of paper. Butch snatches it from him and tries to extinguish the fire with his bare hand. He burns his hand, then pours his beer in panic over it. The fire goes out and half the beer is spilt on MIB's lap. Butch is left with about two thirds of the sheet, the rest has gone up in flames. Unfortunately the email was printed with an ink printer and so most of the ink is washed away and not much of the original mail can still be read.

- What the fuck are you doing, you fucking asshole?

* I knew it. You're such a wimp. The bitch fucked you. You act the tough guy but you are really just a sucker. You're pathetic. I can't believe you let the cunt do that to you. Act like a man! You think you are the first guy who's been dumped? Happens all the time. How long do you want to play the hurt-little-puppy-routine?

- What the fuck do you know? You fuckin' moron. Who's playing the tough guy, huh? You are Mr. Braindead. Don't you tell me what to do.

* You are no match for me. I thought you might be playing in my league. You are nothing but a wimp.

- Fuck off, asshole.

* I'm just a sucker with no self—esteem.

</whaddalaugh>

</morning glory>

The trick is to keep breathing

</garbage enlightenment>

— Oh look, there is Fred.

& Who is Fred?

— The guy there.

& You know him?

— Never seen him before.

& So how do you know his name is Fred?

— He looks like a Fred.

& Mmmh, don't look like no Fred to me.

— Say, I don't want to correct you, but you are aware that you are using double negatives all the time.

& [smiling.] I ain't not know about no double negatives.

— That's three.

& Part of my act. They want the US ghetto slang when you get on stage here, so I thought I'd keep it. If I try really hard I can speak real English, but it's easier for me that way, knowhatamean?. I don't have to fake it, that's more or less the way my mum speaks. I might have made it a bit more obvious, but I am not just making it up. If you use double negatives you just show that you really mean No, you know?

— Actually you are negating your negation, which then makes it a positive statement.

& Well, that's what you smart people make of it. You are probably right, but where I come from it means just that you are doubling your No.

— Ok. I don't not agree with none of you at no time, but whatever.

& It ain't not that easy.

— Alright, you beat me. You are better at saying no. But I can tell you all about William Wordsworth.

& That's good to know. That's the guy who made the Star Wars films, right?

— That was George Lucas. Although their names almost sound the same. You are not alone, all through history people have confused their names.

& Oh, ok. If I ever find interest in any of them, I know who to turn to.

— Alright, I know that all my knowledge is futile.

& See, you are wrong there. I envy you for all the knowledge you have, seriously. You know all this shit about literature and history and big thoughts. I ain't know nothing like that. I can just tell jokes, that's all. But you have all that knowledge stored. I would be proud if I had all that.

— And what do I do with that? Show off? No one pays you for intellectually wanking off. Or maybe I should become a regular on 15-to-1 and make my living playing game shows.

& I thought you were going to become a teacher.

— I failed at the exams.

& And you can't retake?

— Oops, you made a mistake. Just one negative here. It should be: You ain't can't re no take not.

& You have a lot to learn about niggers saying no.

— Believe it or not, but I once had to write an essay on the linguistic features of Afro—American dialect.

& Sounds like a typical thing you white people would do. Is that the curiosity about how we romantic, poor and deplorable Uncle Toms live? We are trying to act like decent, educated people would and you take interest in the language of us uneducated shit heads. You didn't do very well, I guess, if you can't remember anything about us saying no.

— That's not how it works. You prepare this stuff, you hold your report, write your essay and then you forget all about it again. After all, I don't care either whether you say: I says or he say or whatever. Although, from a linguistic point of view you people are ahead in time as the verb ending on the third person singular is going to vanish in the long run.

& What?

— He say. It should be he says. But the s—flexem is not essential. It is the only remaining verb ending. I say, you say, we say, they they. You never have a problem understanding the structure. It used to be like in German: Thou sayst. The st was dropped in the second person singular and soon the s—ending will drop.

& See, that's impressive. You know all this shit about language and it is not even your first language. I wish I knew all that.

— And what would you make of it? What is it good for? Nobody needs this knowledge. It is futile. I can impress you, but what are you paying me for that? I can't make a living on running around telling them why they say things the way they do.

& I bet you know something more useful.

— Like what? Literature? History? Philosophy? Who cares about any of that? It is an accumulation of silly facts. Did you know that the caves bears live in always open to the north?

& No.

— And why should you? There is nothing useful in this piece of information.

& Still, you have all this knowledge. You would be a great teacher. But you decide to throw it all away.

— Because it is useless.

& What is useless about teaching kids? It must be great to pass on all this knowledge.

— About the caves of bears opening to the north.

& About anything. Even about that. I mean there has to be a reason. Why is that so?

— I have no clue.

& Wouldn't it be great to find out?

— What a great mystery. Ask some bear-expert, they will tell you.

& There you go.

— What?

& Well, there are people that know. Just like you know about endings of verbs. You ask these people and they will tell you. You are one of them.

— So what?

& Isn't it great that you know something other people don't? And that they will come to you, and you can help them? I don't know anything. But you do.

— I don't fancy being a human dictionary.

& So why did you want to become a teacher in the first place?

— I don't know anymore.

& Well, then you better remember.

— Yeah right, look there is Paul.

& Where?

— The fat guy coming out of the sports shop with this big smile on his face.

& You know him?

- Never seen the man before.

& So how do you know?

- Just by looking at him. I know all about his past, present and future.

& Well, shoot.

— Here we go. Paul had a hard childhood. His dad always beat him and his mum was always drunk. He was bad at school. When he was seventeen he met this girl. He didn't really like her, but she let him get to the good stuff. Unfortunately they didn't know about contraception, and so she got pregnant. Her family is Catholic, so abortion was no option. They married and got the child. He got a job at the docks. Pretty soon there was another and yet another child. Paul settled down with his wife and the three kids and without any dreams. At first it went ok. But after three kids his wife's attractive body was gone. She had grown fat, and she blamed it on him. Whenever he came home, she yelled at him, and whenever he wasn't there she yelled at the kids. So Paul felt less and less thrilled about coming home. Instead he went to the pub with his mates. One day he was invited to a game of darts. Although he had never played it before, he did extremely well and even beat the local champion. They urged him to start playing, and since he didn't have a hobby or anything else he did. He had a natural talent. Darts was the first thing he was good at, and soon he made his way up. He won tournaments and even some cash. His wife still yelled at him whenever he came home. Now more than ever. But it didn't matter to him anymore. He had his darts and his success in them. Paul has just found out that he was called into the national team. That's why he went into this shop. He needed better darts. The best there are. He worried whether he would find any that suited him. He just found them, and that's why he is happy right now. He will be even more successful with these new darts, and his wife will get even more frustrated. After he wins this important tournament in Manchester next month he will come home and his wife will accidentally spill boiling oil over his hands. Of course it is not that accidental. He will have serious injuries on his throwing hand. It will take him months before he'll be able to take up the darts again. And when he tries, he will fail miserably. He will have lost it. Paul will spend numerous hours practising, but he will never be able to hit three triple twenties again. In a year he will have given up on it. He will sit in his pub and watch all the others play his game. The frustration will make him hard, and he will try to drown it in his beer. It won't work. He will go home and beat up his wife and the kids. And the fact that he had a dream he lost will be harder for him to take than never having a dream at all. He will grow old and tell his story to everyone who cares to listen. The story of how great he used to be at this game, even though it didn't last. He will tell that for a short period he was someone important. But the guys will just think that he is an old fart, and they will laugh behind his back. That is Paul's story.

& Wow, that is impressive. But I tell you, you are too negative.

— Who's using double negatives all the time?

& You know what I mean. How come you think that everyone's life is shit? The guy is smiling.

— Well, if you know Paul better than you tell me his story.

& Okay, I will try. First of all, that's not Paul but Joe.

— We're in England, he might be Joseph but not Joe.

& Ok, Joseph. And he is not playing darts but pool.

— Nobody plays pool here. They play snooker.

& Fine, snooker. Actually he is not playing himself. His son is. He is really successful. His son is Steve Davis.

— Steve Davis is an old has-been.

& Jesus, don't interrupt me, this is my story. How come you know so much about snooker anyway?

— Snooker is the most boring sport to watch on TV. So I watch it regularly.

& So name a young snooker player.

— Ronne O'Sullivan.

& Ok, this is Joseph O'Sullivan, the father of Ronnie O'Sullivan. Now don't tell me that his father is not called Joseph.

— I don't know what his father is called, but Ronnie is Irish. His dad won't go into a London store unless he lives here, and an Irish living in London can't have a happy life. I tell you what. He got beaten up by the police last week because they suspect that he is a member of the IRA and involved in the dockland bombings.

& No man, shut the fuck up. Joe always travels with his son, and his son is playing a tournament in London. Now don't say another word.

— I won't say anything, go ahead.

& Fine. Joseph is a middle class family man. He is happily married with two kids. Joe just bought a piece of jewellry for his son.

- In a sports shop?

& Yeah, a necklace with a little golden 8ball because he won another big tournament and he is happy for the success of his son.

— They don't have 8balls in snooker. And if I was Ronnie O'Sullivan and someone gave me a golden necklace with an 8ball or any other ball on it, I would run my dad over with a lorry.

& Man, you have to spoil everything.

— Oh, come on, your story sucks. It is not original, it is just boring. It doesn't work like that. I tell you about Joseph O'Sullivan. He used to be a peaceful man, but some rival snooker manager killed his best mate in an ambush, mistaken the friend for Ronnie whom he wanted to kill. His friend died in Joe's arms, and Joseph had to promise his friend that he would take revenge. Joseph is so filled with anger that he is dying for revenge. He went to this shop to buy twelve dozen pieces of billiards chalks, because the chalk contains some substance that turns into an explosive when mixed with mercury and other chemicals. He has a grim smile on his face because now he has everything he needs to kill the bastard.

& That's the most stupidest story I ever heard.

— Often the most unlikely stories are the most likely. Oh yeah, and what about your family man story? You suck at this.

& Well, I am not good at all this lying.

— That has nothing to do with lying.

& It has to me. You are lying about this guy.

— I am reconstructing his biography.

& This is not his biography, and you know it. Why do you have to lie to yourself about his life?

- I am not lying. I am just a virtuous fiddler on the violin of truth.

& All I want you to see is that not all people's lives are shit. There are a lot of happy people out there.

— Happiness is impossible in post modern society.

& Don't get wise on me with that technical shit, man. I'm not that cynical bastard you like to hang around with.

— Sorry.

& Never mind.

— Ok.

</games with leroy>

His mental sanity had not healed a great deal. He had forgotten about his failed graduation, but the defeat was still present, and although it was buried under freakish pastime activities, it reared up its ugly head once in awhile with a vengeance. Butch had not found the state of mind to replace and annihilate the bitch with another, and there was still utter yet impossible care needed in his every-day activities to avoid unpleasant memories. Although it began to fade significantly, and the set-backs had less of an impact, he was still faced with multiple self-pity attacks. Butch had not been looking for remedy when he came to London, although for some time he was almost convinced that he might find it. In the end another wave of whining hit him, although he would have interpreted it as a state of clarity. All that was left to was to wait for something to trigger his departure from London. And he knew that it wouldn't take him too long for this to happen.

His original plan was still at hand. A quick trip to Swansea to confront the bitch, and an as yet no located trip to find the cemetery. He just needed a reason to leave.

mehr

The cemetery was an idea that he would have liked to link to his childhood.

When he was as child

</childhood memories>

It was hard for Butch to keep away from the heroin. His curiosity grew stronger. Stinging him. Bugging him to try the sweet stuff. He was curious like fuck, there was no doubt. He knew so much about the power and beauty although it was all just hearsay. The poem of the dead junky stuck in his brain. Sometimes the — just do it — calls where too strong to ignore and resist. As if he was already hooked on the shit. He wondered how long he could enjoy the intoxication before it changed into a mindless addiction. Could this stuff provide a meaning of life? The destruction be the basis of an alternative life? Probably not, but the lure was too hard to deny. Butch interpreted his inhibitions to try it as a last spark of lust for life and the faint hope of a future. He hated these thoughts and decided to ask MIB for a shot whenever he had these feelings. But in the end he either forgot about it again or did not feel like asking when around him. Not being hooked on skeg made him superior over MIB, and since all they did was constantly wrestle for power and arrogance, he had very good cards in this daily battle. Without skeg he could keep them. But he did not really know whether this was the right decision.

Starting to do the dinner for the boys. What's up today? TV's on of course. Creating mess and pretending to know what you're doing when clearly you have no clue. Throwing things in the pot, regardless of their effect. Spoiling the whole kitchen until there is no pot or pat clean. The more dishes to do, the more time accumulated, the more time killed. Boys coming home, starting the great mystery whether the food is good or whether the pizza service has to be alerted for rescue. Knocking away a few more beers or wine. Doing the dishes while MIB relaxes in front of the box - Regenerating powers he has lost hanging around on the streets.

</log of days>

You want fun? Watch game shows.

You want to know the truth? Read the paper.

You want orgiastic pleasure? Jerk off.

You want a reason? Get a job.

You want success? Cook a microwave dinner.

You want real experiences? Watch tv.

You want drama? Watch soaps.

You want to strike a bargain? Go to the mall.

You want desperation? Wait for the latest blockbuster to be released on video.

You want regrets? Order your kebab with hot chilli sauce.

You want pain? Make use of your dental insurance.

You want all?

You want anything at all? You want a shotgun to your head.

</dudeish writings>

— What is this? Did you write that? I doubt it. You are not sensitive enough [he waves the piece of paper before MIB's face.].

* What are you doing in my room?

- Going through your things.

* Why?

- I was bored.

* Did I give you permission to do that?

- Did I need permission?

* Well, it seems not.

- Great. So you wrote this?

* Oh, this. It's nothing, really.

— Who wrote it?

* A junkie.

— Okay, and now without me having to whip everything out of you.

* Well, there is not much to say. He was my first customer.

— And you killed him?

* [smiling.] People don't kill people, drugs kill people.

— So you did. Was he a close friend?

* I don't have close friends. Close friends are a commodity.

— So why have you kept the poems? Sentimentality?

* Just forgot to throw them away, I guess.

— Can I have them?

* Take and photocopy them.

— Why can't I have the originals. If you want to throw them away anyway - there is no need to xerox them.

* Take them, for God's sake. If you really want them.

— What if I don't really want? Can I still have them?

* [annoyed.] Take them but don't get on my nerves.

— Thanks. You have a human touch.

* Don't bet on it, my fascist friend. You try to make me look like the baddie with a last fraction of a bad conscious here. You know just as well as I do, that these categories don't apply. Even with your naive teacher attitude you know that all that matters is one thing: I am here and he is 6 feet under. You know and I know success is all that matters. Nothing more. And I am successful. There is no greater sin than failing. Why else would you have to pass out all these marks and grades, Mr. Keating? You are playing along. We are in the same ball game. You kill people just as I do. Only I sell them pleasure along with it. You know that there are much more kids attempting suicide each year because they can't handle the pressure in school than junkies dying over their habit? You know that the number of people dying from the effects of alcohol and cigarettes is ten probably a hundred times higher than the deaths related to heroin? You know as well as I that this is all hypocrisy. I am not worse than you or anyone. I just have no illusions about it. We both know that cynicism and sarcasm are our only credible creeds. And I am a master in both — and by the way, you are not bad at them either. So don't give me that politically correct bull. You might call your fake morality an asset, but it really is nothing but a rock attached to your feet that will keep you from getting up the ladder.

- [with a mocking smile after a short pause.] Are you finished? Wow, that was impressive I bet you spent hours practising this little speech. I tell you what, take the Central to Marble Arch. Across the street in this hyped park you can step on a soap box and tell the masses. Maybe someone there will buy it.

* Bugger off.

— You don't have to admit it, but we both know that your little prepared speech is the best sign of guilt. You know exactly what you are doing when you sell your substances, so don't give me your bull.

* Whatever you say, Fritz.

— Whatever I say. [pause.] So if it doesn't mean anything, tell me about this guy. Who was he?

* Just some guy I went to school with. One of these sentimental poets. Whining about this and that all the time. He was obsessed with experience. Wanted to know and learn and see and whatever. He was curious and back then so was I. I learned he died.

— Because of your skeg.

* I told him that I was shoving pills and whatever I could get hold of. He was immediately enthusiastic about it, wanted to try everything. He said he wanted to heighten his vision and to open the doors of perception. I didn't like the idea at first. I don't take drugs. I just sell them to people who are dumb enough to take them. I thought he'd be smarter, and I knew he couldn't handle them.

— I am sure you had real moral inhibitions selling this shit to him.

* As a matter of fact I had. But he bugged me all day long. He got on my nerves and finally I gave him some E. And then he got on my nerves even more. Told me how great it was and that he needed to try everything I could get hold of. He wanted to meet my contacts. I declined. At first he stuck with marijuana and then went on to acid. I told him to be careful but he wouldn't listen. He said that he had everything under control. Of course he hadn't. He knew and I knew.

— But you continued your business anyway.

* You can't imagine how he was praising those drugs. It's so great, I am feeling things I haven't felt before, I am seeing things I haven't seen before. I know what life is like — blahblahblah. I didn't want to hear it. I don't want to know what they do. I just sell them. In the end they get you. You can't ride a dragon. Before you know it you're devoured.

— And you made a lot of money from him.

* Naw, I didn't charge him the retail price. He brought me a lot of customers, had a lot of friends, and so he got his for free. I made a lot of cash through his friends though. For some time I kept him happy with LSD and coke. But he started to read all this drug literature. Burroughs and whoever else. So he wanted to get into junk. I told him to stay with the light stuff. His grades were already slipping. He had always been one of those straight A—students. Now he didn't even bother to hand his homework in. I was actually worried about him — not because of his grades of course — but because he retreated into his own world. He was still able to cope as he was extremely intelligent, but he had lost it. He wrote more poetry than ever before. Had all these visions about a revolutionary new type of literature. Something that was completely unheard of. Khubla Khan like. Most of the stuff he wrote was plain bullshit. About exotic countries and Lucy in the Sky with Diamonds. Too freaked and twisted. It was really bad. I told him. He told me I didn't understand. I didn't and didn't want to. He said that every artist should know himself and that drugs provided a different point of view.

— But he wanted to get into junk.

* Indeed he did. I had already sold junk to some of his friends. Posh, rich hypocrites. I had no problems with that. Those wannabes deserve it. He didn't. He told me would be able to get it from other sources. His determination scared me to pieces. I sat down with him and tried to talk him out of it. He wouldn't have none of it. I knew that I lost him. He had new friends he stuck around with. They messed him up. There was no way you could get through to him anymore. He told me from his friends who had tried it and that he needed to know. I think he knew he couldn't handle it, but he said he wanted to feel the ups and downs, and that the life of a junkie, of pain and craving would provide a meaning and be the only way to exist for an artist. Their despair was their motivation he claimed. I don't know where he got that great wisdom from, but he utterly believed in it.

— And so you gave in.

* Well, I thought at least I would have some control over him. You know, give him good quality, not the bad skeg that was circulating on the streets. I thought I could restrict his consumption by telling him once in a while I was out of stock.

— Sounds pretty stupid to me.

* Indeed, it was stupid. But I had no other choice. He was already calculating on being hooked. He craved the addiction. He knew what he was getting himself into. At least he thought he did.

— So you dug his grave.

* He got what he wanted.

— I bet he did and even more.

* You could see him get down from week to week. Even the teachers found out. He was kicked out for pushing and I for shoving. For some time I provided a living for us, selling to the regulars and some other people. But he needed more and more. Not anymore to get high but to make it through the day. He became more and more unbearable. I couldn't stand his presence anymore. I was giving him his heroin for free, and he was pissing me off. He picked on me. He yelled at me. I had to listen to his insults. He hated me but he really hated himself. So finally I kicked him out and a couple of months later he was found dead in the gutter. He OD'ed, well I'd say it was suicide. It's hard to tell as the quality of the skeg on the streets differs immensely, and if you get some with an extremely high purity you can be in trouble without knowing. But I heard he had enough in his system to kill an elephant. He did it on purpose. He knew exactly what he was doing.

— Do I sense some humanity in there? A tiny trip to guilt—land?

* He deserved it. He knew what he was getting himself into and he got his fair share. After all, it's not my problem. Everyone for himself. I did more than what I had to keep him off the drugs.

— You sold them to him.

* He would have gotten there anyway and without me. A natural weakness.

— You killed your friend.

* He killed himself. I would not tell you if it meant anything to me. I am invincible in this.

— Whatever. You lost a friend.

* Junkies can't be friends. They only have one friend and that is their addiction. You may try but you won't succeed in talking me into a guilt—trip.

— Don't worry. I won't attempt to try to find even a hint of human touch in you. As far as I am concerned you are a fucked up bastard unable of any true feelings.

* So why do you stick around with such a fuckinfuckin' arsehole as I am?

— Maybe because for once I have met someone who is even more fucked than I am. Maybe because the two of us are very much alike. Maybe there are worlds between us. Maybe I just want to see you trip and cry for help. Maybe I just want to show you what kind of a fucker you are when I tell you to bugger off and you are up shit creek.

* Don't worry, that won't happen. I know that I can only rely on myself. I take care of myself and no one else.

— If you chose to believe that, go ahead.

* I can smile and murder whilst I smile.

— No beast so fierce but knows a touch of pity.

* But I know none and therefore am no beast.

— So tell me, how come you are so smart and at the same time such an arsehole?

* The benefits of a private education.

— Let me guess. Your parents are diplomats and you never saw them. You went to the best schools a bad conscience could buy. But it just didn't give you the love you craved so much.

* Nice story. You are well equipped with stereotypes, my friend. Actually a secret protege paid for my education. I do not know who he was. I have a haunch that it was the rich millionaire who killed my parents in an incident of drunk driving when I was three years old. I rose up to the upper class but retreated again into the comforting and honest life of the common people.

— I like your story better. I bet he had great expectations in you. Anyway, seems like all your posh surroundings haven't been able to really mould you into a decent human being.

* What is decent? My friend, I have read Macchiavelli and all sorts of other smart people. I have more education than most of the mindless cattle whose ethics you seem to prefer. It is all about wit. You seem to prefer the German Idealism. The starry sky above and the moral law within. But let's face it, even if you have that moral law within, you are one of the very few, and you are the one who is constantly butt—fucked by everyone else. All that matters is that you know who fucks you and that you know who you can fuck. Wit is an integral part to this.

— Nice preaching, but are wrong and you know it.

* Don't give me this morality shit. The only thing that seperates you from me is that I am not a hypocrite. Your wealth and my wealth are based on the exploitation of the poor, of the third world and whoever else is either too dumb or weak to stop it. Your government and mine are making huge sums of money by selling arms to whoever has the cash to pay them. And then build the streets you walk on and they pay the police to watch you.

— And just because there are other fuckers means that you can be the same as them.

* Oh come on, you disappoint me. I would have thought you were smarter than that. Don't give me your housewife arguments. You know that all getting ahead in life can only be based on pushing down others. And you can't deny that.

— Ah, fuck you man, you don't want to understand me. Give me all your fancy arguments, but at the end of the day you are still an immoral arsehole who killed his best friend.

* [smile.] When people run out of arguments they turn to personal insults.

— Whatever. You make me sick.

*[broader smile.] Whatever. Let's go and do something immoral.

— Ah well, what the fuck.

</findings in a drawer>

I should become a terrorist. A menace to society. A crusader. Stir up things. Raise awareness ... — What for? Is there anything worth fighting for? Do I actually care about anything? Is there anything to change? Is there anyone who would want a change? Would anyone get their butt off the couch or out of the night club? Would it be worth getting their butt off the couch or out of the night club? Is all the hassle worth it? Should I rage against the machine? Replace the staleness with some cathartic anger? Should I destroy? Destroy what? What for? Human rights? The rainforest? The ozone layer? Against animal testing? What a laugh. Isn't politics something very funny? An anachronism. Who cares anyway? Why should I? It would be nice to dwell in a state of stubborn determination. Guerrilla. Hit and run. To fuck the fuckers. Destroy what destroys you. Ah — shit, now I am stuck in stereotypes. Who fucking cares. Maybe fighting for the old look of Pepsi or the legalisation of drugs or the reunion of The Beatles. I choose the legalisation of drugs. That's a good cause. Now I just need to find an interest in actually taking drugs.

</couch potato terrorist>

So why do I buy a paper every day? Why do I follow the news if there is nothing in it that has any consequence to me? I want to be informed, but what for? Is there anything I draw from these readings? Or is it just a nice way to kill time? Do I really care about the massacres in some foreign country or natural disasters? What emotions do I have reading those articles? Isn't it just a mindless distraction? I really wonder. Is being informed a good thing when no consequences arise from that knowledge? Why should I feel guilty for the plights of the world?

</related queries>

<quote>

Hell is the lack of reason.

</quote>

Getting ready to go out. The same routine. Personal hygiene can be very time consuming. Dressing up for the birds on the track. Not that there is any real interest in bringing home a bimbo. Leaving after all is done with yet less blood circling the veins of alcohol. The best is only good enough although it can't be appreciated. Doing whatever outside can help a great deal slaughtering merciless hours. Coming home, getting yet another beer, going to bed inseperately pissed.

</log of days>

- You know, somehow I don't believe your story.

* What story?

- About this dead friend of yours.

* Why not?

- You were a bit too serious about it.

* Really? That's because it's true.

- I don't know.

* Well, it's good you question me. You're learning. But this time it was the truth.

- I don't know.

</concerning the dude>

To be an animal. Not to think. The innocence of not reflecting one's life. To eat, to mate, to play, to sleep. Nothing more. Animals must be happy.

</sounds like shakespeare>

I can smile and murder whilst I smile.

</if i didn't know better>

Butch and MIB queued in front of yet another club when a man rushed out of the door. He was maybe 40, had a plaith that looked especially silly considering that a wasteland had begun to spread on his skull. Grey designer suit, a slight beer belly beginning to expand over his black shirt, Italian shoes, and a heavy, sweet perfume that was fluttering after him like the impression of personified stupidity his appearance invoked. He rushed to his cherry-red Porsche, got in looking incredibly busy.

* See that moron going to the tuned Porsche?

- The fucking shit-head in designer clothes? Mr. Supercool? The hardest working fucker in show-biz?

* That’s him.

- Who is it?

* Some pimp who once framed me.

- Poor boy.

* I have a mission for you if you choose to accept it.

- What mission?

* Devise a plan to get him by the balls.

- Hmm. I am not into that sort of sexual activity.

* It’s not to be taken literally.

- Oh, ok. What do you want me to do to him? Send the police up his arse?

The man started the engine with a loud roar and paced off, leaving burning rubber on the concrete like the skid-marks in his boxers that could be assumed from his appearance.

* I am sure you can think of something more refined than that.

- Like?

* It’s your mission. You think of something.

- What did he do?

* That’s of no importance.

- Well, I need to know how big your anger is.

* Let’s just say to state it’s very big would be a euphemism.

- Ok, I’ll think of something.

* You better do.

- I have a plan.

* Better than a dream.

- Gee, that's funny.

* It’s in my blood.

- Or in your bladder.

* What is it? - The plan, not the bladder.

- Well, the man has a fast car and he is into fast driving, especially driving off. However, driving off too fast can produce essential damage to a car if it is hooked up with an immobile object.

* Which means?

- Well, if you can name a less crowded location where he might park his car, we might be able to think of something.

* That’s not hard.

- Then off we go.

</preparations>

Butch and MIB took the car to Mr. Supercool’s house in the dock lands. The Porsche stood fair and innocent on the side of the road, its chrome shining – maiden-like in its unspoilt beauty that wasn’t harmed even by the slightest trace of a smashed bug. No torn legs of slain flies, no mosquito brain splattered over the headlights, no wings of lusty moths involved in lover’s dances before they were ripped out of life by the beastly might of the vehicle. It must have been in a car wash the same day.

* Here we are. What now?

- Well, that’s easy. Here is the car, here is the exhaust, there is a tree, and - voila -here's a rope. Picture the rest.

Butch handed one end of the rope to MIB and fixed his around the tree. MIB got under the car and attached his end firmly to the exhaust.

* Shit, why do I have to get down on the dirty floor? I am the superior guy between the two of us.

- You messed with the man, you get under the car.

* You know, this is pretty childish. I considered myself past the age of juvenile bullshit.

- You are never too old for that.

* What are we doing with the rope? Doesn’t look suspicious at all with a rope attached to a tree and disappearing under a car.

- There’s a bin. Take it, drape the content over the pedestrian walk and cover the rope. It’s as simple as that.

* I hate to admit it, but you’re a genius.

- I know, it kills you to say this.

Butch and MIB sat in the car a couple of yards off with the Porsche in clear sight and smoked some fags, drinking a couple of Foster’s they had got at an off-licence. They didn’t have to wait long before Mr. Supercool came rushing out of the house, dragging a blonde bimbo behind him. They seemed to have a fight, at least they were yelling at each other. Supercool was pissed of f with bimbo being too slow. While he bugged her to be a bit faster, she was trying to keep balance on her stilettos. Finally she made it into the car. Before she was able to close the door the engine roared in a full, German roar. The wheels screeched as he drove off. Butch and MIB watched the rope tighten and while they were pissing themselves laughing, the exhaust was torn off the bottom of the car. With a loud noise it flew up in the air for a second resembling a strangely shaped iron kite before dropping to the floor with a loud noise. In the meantime the engine deprived of its silencer roared up in an angry and painful scream.

Supercool hit the breaks and before the car had come to a complete halt he jumped out of the car, wailing and mourning the detached limp that was lying on the street like a sewed off limp after a battle.

$ Who the fuck did this? I’m gonna kill that bastard! I’m fucking gonna kill whoever did that!

</the next evening>

* I hope you are aware that the exhaust thing was just the beginning of our endeavours to please the man to the max.

- Was it? What’s next? Do I have to come up with something else?

* The next idea’s on me.

- And what will it be?

* You know that it’s incredibly hard to get rid of roaches in a house?

- Never thought of that.

* Well, it is hard. Very hard to say the least.

So the little rascals scurry out

Battling little prick

With a slingshot in their pants

Do they rocket, cans of worms,

Bags of bugs, jars of vermin,

Through the window

On the floor

Little roaches

And their broaches

There's small lice

What's the price?

Joe and Jill

Settle still

In the house

With a louse

In the dustbin

Where the fun's in

Lives kind Fred,

Eats his bread.

Tiny beetle

Walking people

Bigger bug

What's their luck?

Look how pale

Looks old Dale

Still confused

From the fuse.

Bring diseases

And a thesis

Take bacteria

From Algeria

And a virus

Straight from Cypress

Plus an allergy

What a poverty!

Annoy the prick

Make him sick

Leave no choices

Nightly noises

Some disgust,

Lots of fuss.

In you creatures!

Beastly features!

</bug wars>

</inflexible response>

Butch didn't feel like going out the next night. He was prepared to stay in, watch some telly, relax and regain some of the power he had spilt during the week. Bowls was on TV, one of the most boring but incredibly British sports. However, there was nothing more relaxing and diverting than watching bowls, snooker, darts or cricket. There was excitement, no thrill. Butch had a block of paper on his and mindlessly scribbled nonsense on, serving nothing else than contributing to the deforestation of tropical rainforests. But the boring night in was called off pretty quickly when MIB stormed in.

* Get your butt off the couch. We're going out.

- I don't think so. I don't feel like hitting the scene tonight.

* We're not hitting the scene. I have a special treat in mind. Something you will utterly enjoy. Trust me.

- I don't think there is anything I would enjoy more than staying in tonight.

* You can relax when you're 64.

- I doubt I will make it to 64.

* Quit talking about it, fuckface. Come one. Get up. I grant you a guarantee. If you don't like tonight, you get your money back.

- What money? I wasn't going to spend anything anyway.

* Well, that makes it a perfect offer, doesn't it? You have nothing to lose. It's something utterly un-British. You can even get into jail.

- Looks like all we do can and eventually will get us into jail.

* Tonight is different. We can get on the gallows.

- Explain.

* Well, let me say that much. Piracy and treason can still be punished with the death-penalty in this country.

- You must be kidding.

* But it's true my ignorant friend. However, I would not put too much hope on the hangman getting something to do for you.

- So, what will it be? Piracy or treason?

* Ah, I see you're starting to taste blood here.

- Well, I just want to know.

* Come along and you'll see.

- Ah shit!

* See, I got you. I always get you. Get up, turn off the box and come along. We need your car.

- Alright, alright, I'm coming.

When Butch and MIB left the house, MIB stopped and produced two filled bin liners. He dumped them in the trunk of the VW.

- What's that?

* You'll see.

- Where to?

* The club.

- The club? I told you I wasn't up to that.

* Well, and I told you, we are going to commit a crime that might get us killed. There are still too many people at Trafalgar Square to do what we are after. So we need to kill some time.

- We could have done that at home.

* Well, now we're out. Come on. I might even pick up a chick for you.

- I can do that myself.

* I doubt it, but that's not the point. Let's go. You'll get your fun later. Now it's time for mine.

- Looks like you have fun all the way through.

* You never know. Now quit whining.

There was not much fun involved for Butch, who simply was not in the mood and thus decided to act the I'm-too-fucking-cool-for-this--dude, which meant standing in some remote corner, motionless, occasionally lighting a cigarette and apart from that not moving unless maybe to get a drink from time to time. Butch was tired and hence pretty soon regretted coming along. He had thought that there was some excitement involved, instead he was faced with watching MIB having fun while he was stuck with waiting for his supposed one to start. And it was not about a short intermission before MIB would finally think it was the right time to start. Hours and hours passed. Finally, when Butch had several times whined about leaving, getting to bed and how he had missed the great match of whoever versus dunno in bowls, MIB called for them to leave. Butch was hardly in the mood for any pranks, criminal activities or any other felonies that were once considered a capital offence. Butch thought that MIB was referring to stealing a pint of milk which might have been a great deal in the middle ages. What else could he have in mind? He had probably just been looking for some company, trying to spice it up with the proposition of something slightly extraordinary. Butch cursed his blue-eyed faith. He would be proven wrong.

The club was about to close when MIB finally announced that they would leave.

- Can I go to bed now?

* Nope, the fun's going to start.

- What, more fun? I was hoping for the fun to have ended for tonight.

* Au contraire, mon ami. The fun's about to start. Get the car, we're leaving.

- If you're doing this for me, better call it off.

* This is not for you. It's for something higher, something more profound than your mindless fun and enjoyment. We are not going to kill your time, we are going to serve this monarchy.

- And I thought I was going to get some mild excitement - or rather a bed.

* You are getting so much more than you can devise.

- Let's get it over with so that I can hit the sheets.

* Buckingham Palace.

- Shit, you want to visit Liz?

* Wait and see.

- I just hope this isn't taking too long.

* Shut up and drive.

They set off to Buckingham Palace, and although Butch doubted that he would be able to find a space to park even at 3am he had no problem. Butch thought that there was still too much bourgeoisie in him when he started about places to park the car without risking to get a ticket or the wheels clamped. At three am, however, there was little chance that any Bobby would walk the city to tow the car off. But the thought was flushed away like morning sickness in the toilet bowl very quickly. They found one on the passing Birdcage Walk. The streets were pretty empty. Apart from a couple of taxis and very occasional cars no one was on the streets. It was not too surprising during a week day and London was by no means a 24-hour city anyway. They got out of the car and walked to the square in front of the palace. It was familiar to Butch who had done all the usual sight-seeing before although he had never seen it empty. While Butch still had a look at the unfamiliar quietness that was lacking the annoying but inevitable tourists that would gather there in all their inherent ugliness, MIB was less impressed and turned around.

* Let's leave. This is not the place. I was hoping for more privacy.

Butch had to take a second look before he noticed the police officers warming their lungs with cigarettes. The sight was quite interesting and Butch immediately thought about the interesting pictures he could have taken if he had only brought his camera. But MIB was not up for that kind of romanticism, and so they left the scenery to get back into the car.

* Well, lets try Westminster.

They got there, parked the car a bit off, checked the location. MIB decided that despite of the few lost people who made their way home, the place was abandoned to his satisfaction. They went back to get the bin liners. Although Butch offered to take one, MIB insisted on carrying both. Apparently they were heavy. Butch's curiosity for the content of the bags was only mild. He had enough already regardless of what MIB had in mind. Still he asked about the content.

* Well, I know that the content of the bags is really, really against your prinples.

- Rather than making assumptions you could show me.

* Here we go.

Butch stopped, put the bags down, reached in the pockets of his jeans and produced a pair of medical gloves he put on.

* Just to make sure we don't catch anything.

He opened one of the bags and slowly pulled a dead rat out by its tail.

- I suppose the bags are full of them?

* Indeed they are.

- Where did you get them?

* Killed them all by myself. Most of them with tuned mouse traps. Rat poison doesn't work. The little buggers eat it, some are immune, but all of them make it to their caves. They design the stuff that it takes its effect after a couple of days so that the rest of the rats won't remember what the one died of. Apparently these bastards are quite smart.

- I can imagine that you consider it to be a challenge mentally battle rats. Fits in with your style.

* Our tiny, little puppy is getting bitchy here.

- Whatever. So what's next? We dump them in front of Tony Blair’s door, ring the door bell and run away?

* That would be Downing Street. The Prime Minister does not reside here. No one lives at Westminster.

- Thanks for the info. So why did all those lovely creatures have to die?

* I knew you were getting sentimental and moral about this vermin.

- Well, you started the lecturing so now it's my turn. Rats are the only rodents that are able to establish a relationship to humans - almost like dogs. And rats are the animals that have killed the most people in the world. They pass the plague and pestilence on and all sorts of other diseases.

* Done? Thanks for the info. What about your moral inhibitions?

- There are none. Too tired for that shit. I just want to get it over with. So can we please dump these things before we catch whatever these things have carried and had time to breed little kingdoms on the corpses?

* Oh, they are still fresh. I stored them in a freezer until I had enough together.

- I hope not in ours.

* Naw, there is one in the basement that is still working but not really in use right now.

- So you planned whatever we are about to do? For how long have you been collecting these things?

* At first I just killed them and didn't know where to dump the bodies. Ok, I was too lazy to carry them upstairs to the bin, so I threw them in the freezer. I don't want them to rot away in the house. Now the freezer is full, and we have to do something about the bodies. And what better place is there than to store them in one of the most notable and historical places in England?

- Nice story. Somehow I don't believe it.

* Insignificant. Neither do I - but it doesn't matter whether it's true anyway.

- So what are we going to do with them?

* We are going to make a political statement.

- With dead rats.

* With dead rats. Stop being so unconstructive. This is fun. - - You know there are still enough people around the area that will see us and give pretty good descriptions to the police.

* Ah shit, most of the people still around are drunk and the others are so anxious to get home that they won't notice anything. They'd be too scared to do anything about it anyway. The city is full of maniacs and every person in the city knows that it's advisable to keep out of their reach. And even if they call the police before they'll be here, we'll be long gone. Quit worrying. Can't you ever do something without complaining about it first? You are a real spoil sport.

- Then why don't you leave me alone. I wasn't asking for this shit. You dragged me along.

* Can we maybe get going now? Otherwise we can ask for the assistance of the nice visitors of foreign countries to help us.

- If it was up to me, we'd be long done with it. You still haven't told me what you want to do. Must be something really original. At least I hope it is. There are enough rats in Westminster, under the benches of the Houses of Parliament or wherever.

* For Christ's sake. Now even I start to lose interest in this.

- Then let's get it over with so that we can leave. By the way, you still haven't told me what we are going to do.

* Stop this shit. I tell you. The idea was to write "Fuck the Queen". I have a bucket of cattle blood with me. But you killed it, you little idiot!

- Where did you get the blood from? Had it stored in your freezer, too lazy to take it out?

* Would you stop asking all those questions?

MIB stopped and put down the bags.

- I just want to know.

* You drive me insane!

- That's the plan. What's the reason for your crusade against the Monarchy?

* Would you do me a favour and shut up? I think I quit.

- I suppose the Queen didn't pay for her last shot? Or did she sell you bad skag?

* What's it to you? I'm gone.

- You can't go now. I sacrificed my evening for this shit. We are doing it here and now.

* No man, forget it - you killed it. There is no point in this anymore.

- You don't understand. Failure is not an option. I'm not going to take these bags and these rats and this blood home again.

* It's not your home. I merely grant you asylum.

- Don't get wise here. Come on, or do I have to do it on my own?

* It's my idea, I do it. You are nothing but my little servant.

- Idiot.

* Shut up you fucking arsehole.

The slightly tipsy couple passing by was visible irritated and probably thought the two were a couple having a fight. When MIB addressed them, they walked passed slightly faster and clearly intimidated.

* What the fuck are you looking at?

- There you go. These two will remember us tomorrow. I'm sure they will be able to give a very detailed description of us. I don't want to end up on the gallows because of your bitching.

* Oh, yeah? Your corny accent will be what brings us into trouble.

- Shut up and let's get going. You're not even able to speak another language, so you better keep quiet.

Butch picked up one of the bags and walked on.

* Great, finally you regaining your meagre senses.

- And by the way, we are not going to write "Fuck the Queen".

* Says who?

- You can't offend anyone these days by hitting on the Queen. Nobody likes her anyway.

* You are not going to change my plan.

- Yes I am. It'll be "Fuck Lady Diana".

* In case you didn't know she has bit the dust.

- But everyone liked her. This will cause much more outrage.

* We'd have to go to Kensington Palace for that.

- Where there is yet more police. We're here, we're going to do it here.

* Whatever you say. I just want to add that you killed it. It could have been so beautiful. An act of shared unification. But you spoilt it.

- Well then shut up. Let's get it over so that we can leave.

The decided to go for "Fuck Lady Diana", but there was little to no fun in this. They both were glad when they were done draping the rats on the street and painting with the thickened blood the message they had finally agreed on. There was yet more quarrelling when MIB forgot the first "a" in Diana. It didn't take them too long to finish their prank and they were industrious enough not too attract too much attention from the very few people passing by.

Butch was glad when he was finally able to get some sleep.

They made it on page one of the Sun. Butch was quite surprised about his newly discovered criminal energy that was made prominent in print all over the country. He bought the most notorious dailies the next morning and scanned their coverings of the matter while watching Sesame Street. Most quality papers brushed it off in a tiny article if they mentioned it at all. Only the yellow press seemed to take the thing slightly more seriously and speculated about foreigners who had reasons to be pissed off with Britain for numerous reasons. Yet even those papers did not put too much effort in the covering.

There wasn't really a point to what they had done the other night, there didn't seem to be a point to anything they had done together. Only the revenge seemed to justify the hassle and risks, although Butch had no business with the guy. It seemed like nothing but a way to waste time while filling the papers.

Butch was feeling slightly bad about what they had done. He thought that he should have been proud to have made it on page one, that people were talking about him today, that he had grossed them out to great degree. But he wasn't. It had not been his idea, and he still didn't know what MIB's intentions had been.

Butch had to realise that MIB was not the hip metropolitan insider. He had never really shown him the extravagant and fashionable parts of the city he had first thought MIB to be a part of. Other than Camden Lock Market, Petticoat Lane and some clubs, Butch had not seen anything new. Either MIB didn't know either or there was nothing thrilling enough to get his butt off the couch. They merely mingled with the suburban wannabees. After all MIB was not as popular as he tried to act. Butch was not really interested in meeting the High Society and players of London, but what he was presented with was hardly exciting. At least not more than any other European city. He could have had the same feeling from hitting the accessible scene in Cologne or Bonn. He had no clue what he had expected, but certainly something more than that. Butch had felt no need to meet the jetset, but he wouldn't have declined the offer to puke, say, Claudia Schiffer, into her cleavage. It was like Faust's dissatisfaction with Mephistopheles' excursions to Auerbach's Cavern. A complete disappointment.

Cried last night watching Amadeus - the film. OK, it was alcohol affected. Too much Teacher's can bring down even the strongest man. Just kidding. Amadeus. There was such a beauty in the character of Salieri (Mozart’s ambitious yet untalented antagonist). I can't remember ever having seen or read a better symbol of honest mediocrity. Maybe there really is originality somewhere. Well, I am not in the mood to whine about it. I'm just surprised that I can't remember reading anything great about mediocrity. The way this mate was played up by Amadeus, his endeavour, his conclusion and the imperfection with which he fulfilled his evil plan to destroy God's unjust creation was brilliant. I thought about going out first thing in the morning to check out the music of this unknown Salieri. A really good record shop should have some of his stuff in stock. But those two don't have a CD-player. Can you imagine? We are living in the end of the 20th century but they don't have a fucking CD-player. Unbelievable. So I dropped the plan.

</entry into a diarrhoea>

I feel like a dicephalus. Like one of these babies with two heads. Like a Siamese twin. A misfit of nature. A freak. I am able to live. I have one heart and two arms, two feet and two heads. Most of these misfits are unfit to live, but some are for some time. I have made a remarkably long time, but now it seems my time is over.

</relating to title>

- Ever been to Europe?

* No, my friend, but I read all about it.

- You know that we are driving on the right side of the road? Right as opposed to wrong.

* Thank you for that valuable piece of information. I will pass it on to my children's children.

- Want to see what it feels like to drive on the right side of the road?

* I should be most grateful if you let me share the experience with you.

- og ew ereh.

* Fritz, I am afraid, but I am not familiar with the speakings of the Huns. Would you consider a more civilised language?

- Everything is pulled inside out on European roads. tuo edisni. That's all you need to know. Understand?

* Otto, yako.

- Enod llew. Let's get some license plates to not attract Starsky and Hutch.

* Bodey and Doyle.

- Crocket and Tubbs.

* Dempsey and Makepeace.

- Cagney and Lacey.

* Marks and Spencer.

- Fist and Fuck.

[02M ginretne.]

— Headlights approaching on 12 o'clock.

Tiger, Tiger burning bright

— Roger

In the forests of the night

— Initiating evasive manoeuvre

What immortal hand or eye

Could frame thy fearful symmetry?

— Evasive manoeuvre successful

— Two vans approaching 500 yards

In what distant deeps or skies

ahead.

Burnt the fire of thine eyes?

— Mayday, mayday, collision imminent!

On what wings dare he aspire?

Both lanes occupied, no way out!

What the hand dare seize the fire?

Repeat, No way out!, No way out!

— Roger. Switching to cool as fuck

And what shoulder, and what art,

mode. Putting on sunglasses,

Could twist the sinews of thy heart?

lightning cigarette. Light fag!

And when thy heart began to beat,

— Fag lit. Lorries still

What dread hand, and what dread feet?

approaching on both lanes.

— Moving to hard shoulder!

What the hammer? What the chain?

— Lorries closing in. Can see one of

In what furnace was thy brain?

the drivers.

What was anvil? What dread grasp

Dare its deadly terrors clasp?

Report rear activities!

— Lorries collided,

When the stars threw down their spears,

passengers unharmed.

And watered heaven with their tears,

— Motorway exit ahead in 500 yards

Did he smile his work to see?

— Prepare for getting off at

Did he who made the Lamb make thee?

next exit

— Roger, preparing and getting off

Tiger! Tiger! burning bright

— Mission accomplished

In the forests of the night,

— Two lorries destroyed, no damage

What immortal hand or eye,

suffered. Congratulations!

Dare frame thy fearful symmetry?

[02M tixe.]

* Whoooaaa!

— Banzai!

* Another lethal challenge successfully accomplished. The Gods are pleased with us.

— And we have contributed to boosting her Majesty's economy by creating demand for two brand new lorries.

* Thou canst be proud of thyself, Sire.

— So shall it be then.

</banzai>

Look at me. I am the perfect example of a leader. I am invincible. I can't be hurt. I have no feelings for anyone. I sell drugs to people. I reign over them. They depend on me. You can't believe what a feeling it is to know that these people rely on you. I am always late. Just a few minutes. A show of power. They get scared whether I might not show up at all. I love the sight of sweat on junkies' foreheads. I almost own them, you know. I am a natural master. They are natural servants. They take the drugs to be at my mercy. It's a masochist feel. They long to be my servants. And I need to rule over them.

</antichristian ramblings>

<reader's digest information>

The substances that make up a human body are worth less than 50p.

</reader's digest information>

— I have an academic degree.

? Almost.

— Almost but still.

? Still what?

- Still life.

? You're mad.

- I'm glad.

? Jesus, what kind of a freak are you? Can't you talk like a bloody adult?

- That hurt.

? Fuck off.

- Alright.

? ...

</conversation with whoever>

being dumped is the only possibility to experience eternal, never ending love. No matter how much two people love each other, sooner or later it will die. It will change from a divine gift to a commodity. IT will change from a commodity to a pleasant side effect of life. It will change from a pleasant side effect to something that can be taken for granted. It will change from something that can be taken for granted to whatever. And every time something changes, something dies.

Slowly.

Day by day.

The unbelievable strength that can make you beat the gods will cease.

The hammering heartbeat when only thinking of her will halt.

The smile on your face when she's around will stop.

The rush of adrenaline will quit.

In the end everything will stall, terminate, desist, discontinue, pause, finish, axe, end.

The only way to conclude this deterioration is to disrupt it somewhere near the peak. And there are only two ways. Either one of the two dies and then the other is left with their memories or one is dumped. Either way the one left is trapped with love eternally. It won't have time to wear off, to change. It is frozen in its state, haunting every day in the life. It remains the same love it had been. And by not changing it is altered into a curse, a nightmare just as intense.

</funny thought recollecting divine comedy>

Why am I here? I don't like Britain, and yet I am glad to be here. Have you ever felt like you don't belong where you are? I have that all the time. I walk through the streets and all I can tell myself is that this is not where I should be. I am not thinking of any more posh place. I don't think I am too good for where I am. I am just at the wrong place. I would not know where this other place would be, the place where I would belong to, but I know that I am not where I should be. It is a pretty devastating feeling to have walking through your home town. The place where you were born and where you lived all your life. You know all the places and everything there is to know. And yet you are alien there. I am not one of them. I see the faces and all I can think of is that I am not one of them. So I go away. I come here. I don't belong here either. Maybe just as little as in my home town in Germany. But at least here I have a reason to feel alien. I am not like the people here. I am different. When I open my mouth people know. Before I open my mouth, people see that I am wearing different clothes. I even walk differently. Out of every pore am I screaming, look at me, I don't belong here. The people can stare at me, and I know exactly why they do it. I'm a kraut, a foreigner. People here find fun in hating folks like me. It's nothing personal, no real hatred, maybe just a nostalgic reminder when this land was a world power. They like the idea of me being a villain and so do I. Being a stranger here is a huge consolation. That's why I'm here. Because I long to be a stranger. It takes away the unbearable pain of knowing that you are at the wrong place without knowing why and where else to go.

</alienation>

Butch's day flew past in a blur. He had never been much of a nature's son and so days and nights, weeks and months and even the seasons (if he had been long enough in London to experience the change) passed without him paying much attention to them. At times it was dark, then there was light again, at times it was cold, then warm again. The only continuity was the rain that constantly fell. Or maybe this was just a cliché he chose to believe in. It was probably not raining any more than anywhere else. Butch was in no state to comment. Only the date on the paper changed day by day although the content did not seem to reflect any change. There was no progression of any sort. And that didn't stop at the weather. Nothing seemed to go anywhere.

</summary>

</log of days>

I wish I was in some rosy sect. Brainwashed into happiness. Not reflecting myself. Can they do that? Can they completely destroy one's character? But I suppose there will be a fraction of a former self left. There will be moments of clarity. Moments in which you realise that you have been manipulated into a sham. And these moments must be unbearable. Well, it doesn't sound worse than my current situation.

</imagine>

Chang and Eng Bunkes.

</paper in the park>

I am tired. I've seen it all. Living. Loving. Being Loved. Hating. Being Hated. Joy. Agony. It is familiar but the feelings are not great enough for me to revisit them over and over again.

</realisation>

It's time to get some rest, and it's a long way to the resting place.

The woods are lovely ... or something,

But I have promises ... something,

And miles to go before I sleep,

And miles to go before I sleep.

</quotings>

Should I really go ahead with this petty heaping of guilt on her? It's silly. It's sad. It’s pathetic. It's unfair. It's like in that Police song. So lonely. Or whatever it's called.

You'll be sorry when I'm dead.

And all this guilt will be on your head.

I guess you call it suicide.

But I’m too full to swallow my pride.

I can't stand loosing,

I can't stand loosing you.

</recitation>

Something like that. But in the end I'm a fucking bastard, and I want to heap guilt on someone. Some teenage-behaviour. Who needs style and dignity when you can be evil? In the end this is all about handing off responsibility and nothing else. She makes a great scapegoat.

</entry into a diarrhoea>

Time to get up and leave. He leant back on the chair, stared at the ceiling. His mind ran blank and tiredness crawled slowly onto his chest to take some rest, obstructing his breathing. He thought about getting his stuff together, although his credit card was really all he needed. After all he was no Pharaoh who entered the underworld with heaps of wealth and maybe even some servants. The tears in his eyes quickly dried as he left the City to get on the M4 that would lead him straight to Wales.

Is being special such a great alternative? What does being special mean anyway? Are those pop stars specials? Film stars? Artists? Or are they just the same suckers as anyone else? Just with more exposure to the public. Surely they are not happier, being in the lime light 24/7. Always being watched. No wonder they escape into alcohol and excess. Maybe being special is worse than being a mediocre, pointless, superfluous sucker.

</cravings>

from the supposed but rather unlikely and probably inexistent victim of MIB's ruthless enterprises.

She is the first word on my lips when I wake up

She is my last whisper before I fall asleep

I dream of her.

I think of her every night and day

Every hour, every day, every week.

On Tuesday and on Thursday

With every breath I take and every beat of my heart

When I laugh or cry it is because of her

She is on my mind even when I don't think of her

She is under my skin and on my mind

I would die for her

I would kill for her

She is my heroine

She is my heroin

Which only leaves the question who if not the mysterious yet questionable late adolescent has contributed this piece of poetic meandering.

</dudeish writings>

This whole London intermission had not led anywhere. It had left him alone and deserted. There was nothing positive in this. In the end he did not know who he was. And he knew that he did not belong there. He had no future in this surrounding. No meaning, no goals. He had no past as he had never spent much time dwelling in his history. The only thing he knew was that his fate had changed. All his life there had been a different to grasp constant in his life. The ratio of luck/bad luck he had when achieving something, the way things developed around him, the way they changed. In the course of his life he had been able to extract workings, the machinery that made him tick and gave his life a predictability even in his unpredictable ways. His alienation in the world, his irrational, unfocused hatred, his philanthropic misanthropism. All this certainty was gone. The clockwork was destroyed, and what had happened lately made him wonder where he was or went to.

His hair had grown back to an acceptable length. So he had shaved it again. He was still smoking and also drinking too much. However, he had successfully avoided any heavier drugs. Still nothing had changed.

</london lowdown>

The same travel mood he had had when he came to the isles was swept over him and along with it a long forgotten ex—alert. Butch didn't know how it had come over him again, he thought that he had long been over her. Apparently he wasn't through with her. A sudden image flared up in his mind. Her warm body with her perfect white skin wrapped up in bad linen that resembled the folds of garments in Michellangelo paintings. This picture of her intimate trust that only lovers share had never presented itself when they had been together. He was surprised to feel it now. The soft smell of her skin that was not corrupted by any artificial perfume. Her perfectly shaped pale breasts, her voluptuous hips and her firm stomach. In fact he had been the tart who was concerned about his looks, not her. The bitch never had displayed any style in her clothing unless one would label the unfavourable British fashion as stylish. Maybe this discrepancy between being dressed in an unfavourable way and her naked body that presented unspoilt beauty and intimacy created her style. A style that was only open to those lucky and privileged enough to come that close to her. In that light he would have to admire her decision to go along those lines although he knew that he was painting her in brighter lights than her obvious lack of taste would justify. But that thought was not meant as criticism or a stab in the now remote back but just a statement. One of those imperfections that lovers have to deal with and overlook - even if it drives them mad at times. One of those little things that probably create love - the ability to overlook. The term "lovers" surprised him. He had never thought of it and he wondered why now. There was no alcohol in him that would puke sentimentality into his brains - so why that deplaced term?

With a stunning clarity he remembered the smell of her hair, although he had read somewhere that humans have no memory for smells and tastes. Maybe this was just an illusion. Butch didn't know and he didn't like those thoughts and memories that served no other purpose than to brand him with the insignias of lost days.

It was already afternoon when he closed the door of the flat. Butch had left a short note and an empty fridge. He left the scene almost the way he had found it. Leave no traces. He had no reason to assume that Leroy and MIB would miss him a great deal. Why should they? After several attempts the engine roared up, and he fought his way out of the small gap between the parked cars, only once bumping against the car parked behind him. He didn't care, not even enough to create some sort of outlaw feeling. Thinking back to those moments of anger and determination at the beginning of his quest, he couldn't help but feeling compassion with that childish sentiment. At the same time he admired that long gone stance, where he had actually been able to collect enough power to make the decision to throw it all away. Now Butch was doing nothing but finishing his journey with the last strength the stubbles on his head could generate. He fought his way through traffic until he made it to the M3.

He realised that he had put on the seat belt again, and although intellectually it was silly and useless, he avoided thinking about it and left it on. Butch was not in the mood to contemplate his inconsistencies. He just wanted to get out of the city. He was too tired to think of all the shit that had happened.

It was hard to remember his current mood with all these mindless intermissions that had diverted him recently. He sensed a difference. What had changed was that the bonnet with the scratched in "Pugnacity Tour 98" was beginning to rust, bleeding brown oxide all over the still intact red varnish that was ridiculously bright regardless of the bad state the car was in.

Butch was back on the road. Back to sore stomachs and deprivation of sleep. Worse than that was the loneliness of a single driver in a car with three empty and accusing seats that seemed to mock him and his unsociable nature. Riding on a lonely but jammed road with all those other people that were heading to pleasant destinations or that had at least pleasant destinations to return to - or just any destination for that matter. Wives or families, girlfriends, lovers that awaited them. Butch was once again the odd one out. Not only easily detectable by his German license plate but also by its deplaced driver. He wondered whether he should head straight to Wales on the M4 but then decided to stay on the M3. It was quite a detour, but it would carry him through known territory. He'd be able to visit Salisbury and Stonehenge. His map indicated 200 miles from London to Swansea - 350 kilometres to use the familiar metric system. He would have thought the distance to be greater. So there was another good reason for a little detour. While he needed to go to Swansea he also wanted to gain some more time because he felt that he wasn't ready for whatever he wanted to do there. In fact he needed to think of something to do there. Something definite, something other than the scene that had been going around his brains for some time but that he was unable to live out due to his lack of the proper ritual tool. Apart from that it was a way too cheesy idea.

He got off the motorway at Sutton to follow the 303. After a couple of miles he noticed the enormous amount of road kill that was scattered on the hard shoulder. The concrete was paved with animals of all kinds. Hedgehogs, mice, rats, birds of all kinds, even some he had never seen, neither in that flat state nor in any more lively. Almost like a reflex, some thoughts revved up in him.

Take a giant canvass and drape the intestines of road kill all over it, maybe like ancient Egyptian hieroglyphs, to visualise the victims of post industrial society - or some other bullshit-meaning randomly attached next to it on a little piece of cardboard. It only needs to sound big. Big words, preferably taken from an evening school class of psychology or sociology.

</artsy fartsy>

Butch continued his journey without starting a photo series on "wildlife of the hard shoulder". Instead he continued, crushing some more bones, tendering tasty meat and pressing three-dimensional creatures into a handy pulp that was easy to process for the crows that skilfully avoided the passing cars picking their meal from the tarmac-menu. A program more than suitable for the discovery channel and most certainly already covered by them. Butch was participating in the creating of art here. A collective effort. What a perfect way to establish a continuous statement of art. A self-recreating circle of gore. A perpetuum mobile of roadkill.

</cars enhance creativity>

Stonehenge. What is there to say? Fenced in as if there was some kind of danger reeking from it. Some big rocks and a lot of dust bins for even more potential litter. A parking lot in the middle of nowhere. Some Brits, some Dutch, some French and even a German car. A bus of tourists. Japanese. An exhibition of the latest cameras and camcorders of all prices and sizes. Joking Japs. Would they still smile if somebody tore out their fingernails, one after the other, slicing patterns into their yellow guts with Nippon knives, those that come with a lifelong guarantee? No bitterness. Everything is nice and fluffy. There is no need for any negative sentiments and the little nips aren't really offending anyone. They are minding their own smiling business. The setting is neutral, the atmosphere serene. No negative vibes and no ugly dispositions. On the other hand there is no need to pay the 3 quid just to touch the stones. Let the tree-hugging hippies do that. Stretch the limps and get back into the car.

</stoned>

Eastwards. As night was sinking in, he grew tired, made it to the next town, got some fat-dripping fish and chips - threw half of it away, as he believed was the proper way of handling this junk. He slept in the car to save his nerves by not having to mingle with the folks.

The next morning he was just as fucked as always, having slept in his car. Being that close to nature was not exactly his idea of a relaxed night spent. His limps ached, his stomach revolted,

. He preferred to be as remote to nature as possible. He was on the road before the morning rush hour set in. But it wasn't long before he was trapped in stop and go traffic. Butch didn't mind. He was in no hurry to get to Swansea or anywhere else.

Welcome to Wales

Croseo i Gymru

</road sign>

There he was. The city of grief and woes. The greatness of his agony could only be sparked by place with a cathedral and not just some miserable town. The place that marked the beginning of his destruction. It was a place like any other in Britain. An old town centre and a very modern, sterile shopping area. The place bore no witness of its historical significance. No Nelson atop a column bragging about some won battle. No bitch celebrating the breaking of another man. Butch was slightly disappointed about the ignorance. He figured that he'd have deserved at least a tiny one. If not for his personal tragedy then certainly for the ability to dwell in his own misery and the stamina with which he rekindled the fire of his personal hell. Coming here, seeking a confrontation with the involuntary ruthless monster was certainly an impressive testimony of his determination to self-mutilation. Someone should really pay tribute to his endeavours to behave like a little baby. There certainly were people better at handling having been dumped, in terms of whining about it he was surely among the best.

He walked through the town centre, feeling all eyes upon him - upon him partly because of the notoriety he was now convinced he had. His picture had to be somewhere for show, in the gallery of broken hearts maybe, or maybe with a specimen swimming in a jar. Or maybe they could just tell that he was a foreigner. He couldn't fool anyone about his nationality and knowing that he didn't belong where he was had a good feel to it. It was a consolation to feel alien when abroad. He had the same feeling at his very hometown but being abroad it was justified and thus bearable. Or maybe he just thought everybody was watching when nobody cared about him. Probably the latter. Nobody knew him there. It was unlikely that any of the three or four people he had met at Swansea would walk across his feet, still he caught himself looking out for them constantly. If people really stared at him, it was because of the ragged looks of an outcast on a desert island. He went away from the crowds to the beach.

200 ml syringe

</ritual tool>

Sitting there at Swansea beach, observing the thing that looked like a nuclear power station but was apparently something else made him wonder. He had been to countless beaches all over Europe, but there were no positive feelings about any beach on the British Isles. Just a thought. He ate the rest of the fish and chips and was proud that he had found a shop that still wrapped them in the Sun newspaper. It was a feeling of nostalgia he had never experienced. The stuff was disgusting. British. It was cold, windy, rainy and unpleasant. British. Still there was a certain charm to it.

A permanent solution to a temporary problem — that's what the wise and good people state to help in their ignorance. The way they make suicide look like a decision based on cowardice is remarkable, when in the end it is a clear statement of one’s strength — at least mine. I can’t speak for all those others. For all those others that take sleeping pills to attract attention. For those that wait on the roof of a skyscraper until someone notices them to call the cops. I can only speak for myself and my decision is not based on weakness but on absolute power. It is not based on weakness but on a free will, the liberty to contemplate the unthinkable. It is a question only the strongest can face.

They say it is easy to escape life but hard to go on with it. What fools.

How many people can hold a gun to their head and pull the trigger?

How many can dig the knife into the arm to pierce arteries and veins?

How many can make the little step off a skyscraper?

How many can swallow the cyanide pill?

Small movements, a jerk of an index finger, a cut, a step, a swallow.

How many think they can do that but have to face their weakness on the doorsteps of a mysterious, scaring new life?

How many have the mental strength to deal with such a decision?

How many can question their lives?

How many can face the fact that all they have done is useless and that there is no use apart from procreation —and what kind of a goal is that? Fucking, A goal for rabbits, for sheep, not for humans. And yet it is good enough for them. To wait, to wait for something to come, to safe them, something that does not exist, something that does not come. And so they keep on giving birth while standing on their graves, waiting like sheep.

How many can ask those questions?

How many can draw the consequences?

It is easy to live, to go on with it, to stand the treadmill. All you have to do is switch off your brains, not think, do what you are told and expected to and you will get old. There is nothing easier than living. Man is build to endure pain. He can easily bear the whips and scorns of time as long as he doesn’t question them, and as long as he is not confident enough in his mind to wonder whether it is worth suffering. All it takes is to stick to the routine. There is nothing simpler than that.

Yeah, sure they will find reasons when they dig in my past. They will say: he could not stand the pressure his profession had put on him, he had always suffered from depression, he was suffering from a broken heart when his girlfriend left him. He could not stand loneliness, unrequited love of all sorts. He was too sensitive.

Those will be their words.

Bullshit.

And they will be feigning sympathy and compassion, they will look at the art, the literature and state how great it was, what a loss it is, what a great future lay ahead of him.

The sympathy of the deaf, dumb and blind, the brain dead, the sympathy of the hens in the battery.

This is not the reason. Sure I am bleeding all over the place, sure I am suffering from pressure, sure I have always been depressed, sure all of this is true. But it is not the reason. I am not doing this out of pain, . This is a decision based on positivity. Lust for life. But not that stale and dull life. Real life, real emotions.

To shake off this mortal coil, to step up to the Gods and to spit in their faces, to make the final decision, the only one that can’t be undone. Knowing that it might be a terrible mistake, A voluntary step into something inscrutable. Emptiness? Heaven? Hell?

Suicide is not based on weakness, it is based on absolute power

Just Imagine:

To stand on top of the highest cliff.

To feel the wind tearing at my clothes, the elements. The only truth left in a world of lies and hypocrisy. The beauty of the abyss.

The anticipation, like anticipating the greatest sex, an existential foreplay.

Looking down into oblivion and voidness. The ground far, far away as it seems from here, but in reality only a couple of seconds away.

Standing there.

Feeling eternity in a restricted world.

Feeling a decision in a prefabricated existence.

To draw the final breath,

To make that little step,

To know, that for once a decision was made,

To feel one foot above the abyss,

To think for a split second you can float in the air like the cartoon characters,

To feel losing balance,

To fall,

To gain speed,

To have the air tear at your hair and clothes,

To feel the cold wind violently caress you,

To see the ground coming closer,

To scream in orgiastic excitement,

To know what you have done,

To know that you have done something for once.

Maybe even:

To doubt,

To regret,

To wish yourself back on top of the peak that you are pacing away from. Mercilessly.

To fly into annihilation.

To see the truth, whether it is a beautiful or an unbearable truth for the fraction of a second only.

Those seconds would be — must be — will be much more revealing than 10 years of most people's lives. Than the whole life of most people.

More true, essential, focused, divine.

Those seconds would be — must be — will be worth a lifetime.

</swansea beach thoughts>

Plan B had never been an alternative. It was the master plan he had unknowingly pursued with great precision. As soon as he had devised this alternative behaviour, he had constantly worked towards it. Thus he had never had a chance to get out of there. Not uni nor ex had much to do with his state, they had accelerated but not caused it. The revelation puzzled him. He had no clue what to make of this. Standing there on the beach of Swansea that he had been on with her only or already months ago, made him wonder what he had gotten into? This seemed to be scapegoat town.

</sudden insight>

Would love be an alternative? Would he be able to get out of this pit if he found someone new to love? Or are endorphins and affections just sedatives? Maybe I have a clearer view of life now that my dick is not dangling in front of my field of vision. Well, it never had a huge part of me.

</endless questions>

He sat there for a while stunned by that thought watching people walk by on the beach. His whole concept of heaping guilt on her caved in. There was nothing more of him to do here. It would not change anything to cause a lot of hassle. She had little to nothing to do with it. He threw the rest of his fish and chips in the sand, as you were expected to (nobody ever ate all of them — it was a sign of economical abundance, just as in Arabia they had extensive water games in their desert palaces, just to show their wealth). He got up but felt incredibly tired and dizzy. The thought had overwhelmed him. He sat back on the beach, curled up together in his coat and fell asleep right there on the wet floor. It didn't take him long to be fast asleep with heaps of insomnia piled up over the last couple of days.

He woke up a couple of hours later with an obscure feeling of familiarity. Something he knew very well. He did not move to see, just lay there at first. People were near him, young people. Students. Four or five. He listened to them. They were talking about who the cutest guy in 'Friends' was. Butch lifted his arm slightly to peek at them from under his sleeve. He recognised two of them as her friends. Before he could see her, he heard her voice. This familiarity had awoken him. He could have thought about how this same voice that was laughing with her friends now gently told him how she loved him months ago. However, he just observed the scene. Then she came into his field of vision. She jumped around laughing, in fun attacking from behind one of the males Butch had never seen before. He had claimed he wouldn't mind a one—night—stand with Ross. The guy turned around. They both fell into the sand, rolling in the wet and cold sand. Butch wondered whether they were together. It was hard to tell but he came to the conclusion that they were not. The other three mocked in annoyance about the constant exchange of affections that her and him were apparently showing. One of them complained how disgusting it was to roll in the wet sand. Another pointed at Butch, laughing:

<quote>

If it's good enough for the bum there, it's good enough for them.

</quote>

They all stopped to look at Butch. His face was buried under his sleeve, only his bald skull peeping out, and although she knew the black coat and liked it, rolled up there on the beach he did not fear her recognising him. She was just not expecting him there. However he worried that she might come over to check on him. She was fond of the homeless. When they went to London together, she had always returned with several copies of the Big Issue, the London homeless magazine, unable to turn down any bum advertising it until she ended up with five or six of the same magazine. Butch thought that even one copy was too much to buy. Not because of the cause but because of the poor quality of the articles. It seems there were no such things as homeless journalists that knew their business. This time she did not think of anything like this. While he saw her there he was reminded of his action plan. He had worked on it with grim pleasure ever since she had dumped him.

EXT. SWANSEA BEACH — DAY

BUTCH, mid 20s, shaved head, dressed in black, walks very casually (James Dean style) over the beach. It is cloudy. In the corner of his mouth is a cigarette, a bottle of whiskey is peeping out of the pocket of a long black, stained coat. He has his hands in the pockets of the coat.

BITCH, early 20s, dressed casually in jeans and jacket, a backpack over one of her shoulders walks arm in arm with PRICK, early 20s, acne ridden, boyish student in roughly the same clothes with a bag of books. They are affectionately teasing each other, unaware of Butch, who is walking towards them to block their way. When they are ten feet apart, Bitch notices him and stops.

BITCH

(surprised)

Butch! What are you doing here?

Butch looks her straight in the eyes for 10 seconds without making a move. The Bitch is shifting feet uncomfortably. The Prick nervously looks from her to him. Scene reminds of stand-off in Italo Western.

BUTCH

(all through scene with a cold, slightly

mocking voice)

What a surprise to see you here!

BITCH

(long break)

How are you?

BUTCH

Very good, and how are you?

BITCH

Fine.

BUTCH

I see you have a new one.

(pointing at the Prick without looking at

him)

BITCH

Yes.

(break)

What are you doing here?

BUTCH

Just wanted to say hello.

BITCH

So how did your graduation go?

BUTCH

Fucked it up.

BITCH

(slight compassion)

Really?

BUTCH

Yes.

BITCH

Can you retake?

BUTCH

Could.

BITCH

But you are not?

BUTCH

Nope.

BITCH

So what are you doing then?

BUTCH

Kill myself.

BITCH

(break)

Oh.

PRICK

(stepping hesitantly forward)

We have to go, hon.

BUTCH

(giving him a stinging look)

Who's talking to you?

(to Bitch smiling as Prick steps back shyly)

Hon, huh?

BITCH

(break)

I'm sorry that you didn't pass.

BUTCH

Yeah, whatever.

Butch takes his hands out of his pockets and steps closer. He becomes more agile and intimidating, moving his body very consciously (like DeNiro in the mirror—are—you—talking—to—me—scene in Taxi Driver) with sudden jerks, stepping too close for comfort to Bitch and Prick, keeping his eyes very firm on them. Bitch only slightly backs away, as she knows Butch, while Prick is obviously impressed by that behaviour.

BUTCH

(the following monologue is overacted,

passionate speech, lots of pathos in voice.)

Don't give me that crap. You are sorry.

You don't give a fuck about me. You have no

clue what I went through after you decided

to dumb me. But you never cared, anyway. I was

down on the ground, more dead than alive.

You knew how important this graduation was,

and how much I needed support. I was good

enough for you when you needed someone to

deal with all your shit problems, but as

soon as you found your new friends, you

dropped me like a hot potato. You even

had me come here to humiliate me. You

fuckin bitch!

PRICK

(stepping in with timid courage)

Wait a minute, now you are taking it too

far.

BUTCH

(turning to Prick, stepping very close to

him, looking him straight in the eyes,

whispering)

Do you know what it feels like to pick up

your teeth with broken fingers?

Prick does not answer.

BUTCH

(screaming straight into Prick's face)

DO YOU KNOW WHAT IT FEELS LIKE TO PICK UP

YOUR TEETH WITH BROKEN FINGERS?

PRICK

(shaking from fear, timidly)

No.

BUTCH

Do you want to find out?

PRICK

No.

BUTCH

Then I would suggest you shut the fuck up.

How about that?

PRICK

(almost inaudibly)

Yes.

BUTCH

Fine.

(in normal voice to Bitch)

Where was I?

(break — then calmer)

I was welcome as long as I was of use to

you. I have never met anyone as selfish

as you. It's disgusting.

(long break, Butch calms down, the

monologue is ended, his shoulders cave in

a bit. Then much less determined, stepping

back.)

That's it. That was all. I am history.

Butch turns around and slowly walks away. Bitch takes a few steps towards him.

BITCH

(concerned)

Where are you going?

(break)

Listen, I'm sorry, let's talk about it.

I didn't know you would take it that

hard.

(break — getting more desperate as Butch

walks away)

I'm really sorry.

Bitch attempts to walk after Butch. Prick holds her back.

PRICK

(calm)

Leave him. There is nothing you can do.

BITCH

(sobbing)

I'm sorry, I didn't know.

PRICK

(taking Bitch in his arms)

Shh, there is nothing you can do. It's

not your fault.

BITCH

He said he wanted to kill himself.

PRICK

He is bluffing. You broke his heart,

and he failed at uni. He's trying to

blame you for everything. He is an idiot.

I can't believe you were together with

him.

BITCH

Are you sure he won't kill himself?

PRICK

Definitely.

BITCH

Really sure?

Bitch and Prick embrace each other, Prick watches Butch slowly walk away. When he is about 100 yards away, he takes a gun out of his pocket, holds it to his head and shoots himself without stopping FAINT SOUND OF GUNSHOT. He drops to the floor.

BITCH

Oh, my God!

CRANESHOT: She breaks together, Prick embraces her and turns her around, so that she does not face the motionless body in the sand. Camera pans away, capturing the corpse and the Prick holding the Bitch in his arms.

FADE OUT

</payback time>

He did none of that. Instead he just watched them as they went out of his field of vision, feeling too tired to even move his head to follow them. He pretended to sleep until they were out of sight. All his thoughts on her were futile. That he still loved her just as much as all the blame he had put on her. In the end it was his fault as much as hers. He had behaved like an arsehole, just as she had. The simple difference was that she had initiated the break-up and she didn't suffer from it. Butch had broken up with women, and he hadn't cared much about what they felt. She wasn't the problem, the cause or a remedy for his destruction. She just contributed to it. No matter how painful it wasn't her fault.

Butch sat there for some time, taking the sea breeze in. Butch felt empty. He did not know how he would react to seeing her, but he would have expected a more eloquent and straight forward approach. Butch doubted that this was the end of his ex alerts and that he was through with her. For a brief moment it crossed his mind that his life was about to end in a couple of days anyway, but this thought was quite strange. Somewhat he was not able to get used to that fact although his whole mission was targeted at his suicide. Butch knew that it needed a lot of work to prepare himself for that last act. The next days would have to be focussed on that.

Finally and still puzzled, he went to his car, started the engine and drove off without a second look back. Now without a goal and somewhat uncertain what purpose this intermission had served he followed the first road that led him out of town. He would have liked to follow the coast for some more time, but when the road left the seaside, he didn't mind or feel any difference.

</surprise surprise>

Scotland

</destination>

Another poem while getting some petrol.

I'm a butt fucker

Trolley races in the mall

Try to stop the curtain fall

You're a cock sucker

You drain me and I drain you

Let me make that final call

Let me go before I stall

Let me take you to the zoo

</dudeish writings>

Scotch tape

</ritual tool>

He arrived in some small Scottish village in the evening and checked into some shabby bed and breakfast. An old Lady showed him to his room and welcomed him with the typical British hospitality that usually got on his nerves. Today he was sort of glad about it and even talked to the hag for a couple of minutes, well he mumbled something inreply to some question. She didn't seem to mind his ragged look and his offensive smell - the result of poor hygiene over the last couple of days.

100 foot cotton rope

</ritual tool>

The last day on Earth was spent according to the same routines that had reigned over him for ages. He did not know what he had expected, but certainly not the same routines he had employed for ages. In the wake of death he should be able to shake off these habits. He imagined making a scene in some restaurant or a shop. But he didn't. he even bought a paper. That seemed to be the height of absurdity. Why would he want to know what was going on in the world or even what was going to happen today or tomorrow. There was no need for any of this. He had parted with the world, why read about what it did? He should do something mad instead of reading the paper like the ordinary moron. Something no sensible person would do. Butch did not quite know what that would be. He was reminded of his shaved head and all the stunts he had pulled months ago when he came to Britain. Now his behaviour back then seemed completely ridiculous to him, and maybe there was something positive in the fact that he was too tired for these gimmicks today. But still he expected something more. He was in the great position of being able to ask and even life this stock question someone asks you.

What would you do if you had only one more day to live?

He was in the position to wonder about that question. One of the very few people for who this is not just a hypothetical question not worth wasting time on. He quickly realised that he was not in the right state for this miraculous topic. Only those with a lust for life were able to wonder about it. Those that felt they needed the last drop out of life. He was just anxious to get it over with. He could have 30 or 40 more years if he wanted. There was no need for a list of things to do. No need for robbing a bank, having an orgy, saying goodbye to friends.

</stock question and answers>

Butch went to a coffee shop to have breakfast. It was a nice little place right in the town centre. Butch wondered whether it was part of a franchise. Usually typically British places to consume food of any sort indulged in the charm of the rotten and old. This place however looked fresh and clean. It was stylish, maybe slightly too stylish, but nevertheless nice to sit in. The Independent was on the table and he watched the people passing by outside in the sunshine. It was almost a Mediterranean scene. The warm smell of his cappuccino reached his nostrils and so did the warmth of the croissant. Butch was not really feeling like thinking about his agenda for today. Devising the plan on how to end his life and so he enjoyed his breakfast without spending any thoughts on his upcoming doom. He read the paper and ordered another surprisingly good cappuccino from the young waitress who had a strong yet not unpleasant Northern accent. For a second he worried about his smell and whether she noticed that he hadn’t had a shower for some time. But the thought passed by quickly. For a while he watched her cleaning some cups and working behind the counter. There was a certain beauty in the indifference she employed.

Butch was slightly annoyed at the sudden pleasance of his mood. He would have preferred something more grim and determined. But then again he didn’t really mind either. Finally he had finished the paper, even read about the defeat of Man UTD against some small team in the F.A. Cup – something he didn’t care about, but that had been in the news.

There was nothing left to do and no reason to postpone the necessary thoughts and with some initial unpleasantness he took out the little notepad he had taken with him and began to scribble down his thoughts. The little block of paper didn’t serve any other purpose then to make his mind wander. In the end there wouldn’t be anything interesting or useful on there. He would never look at the writings again, and there would hardly be anything on there apart from little drawings of people or whatever came into mind. It was simply his personal routine, something that helped him focus.

After only a few minutes and several drawings of distorted faces he had shed off all positive moods he had been into a moment ago. Butch felt somewhat relieved to be back into hate-and-disgust mode. He was more eloquent in that field, although he had some slight feelings of guilt watching the girl do her work and thinking what terrible fate had happened to her that she was stranded in this dump.

He had not figured how to do it. When he had made his plan to kill himself, during the graduation period, he had made a list of all ways to commit suicide. Back then he had thought that he would just collect as many tools as he could think of, so that he would have a choice. He had never spent much thought on the actual act. It seemed to be a dirty spot in the beauty of his plan. While he craved to be dead, it was the final step into it that he had tried to avoid thinking about. Somehow he had never spent much time wondering whether he could actually do it. He knew he had the determination, and he knew that he had prepared as thoroughly as possible. Courage never seemed to be an issue in it. Now that the actual act was getting closer he had to face it. The trunk of his car was full of the ritual tools he had gathered. And now it seemed that the abundance of choices presented more of a problem than it served him. He was left with a bunch of choices and had to made up his mind which suited him best.

— Eating three pounds of salt will dehydrate the blood to a degree that it will not be able to rush through the veins.

— An electric power drill will easily pierce a skull and have the same effects as a bullet.

— When hanging yourself there are two ways of dying.

A) by cutting off the windpipe and thus causing a lethal lack of oxygen.

B) From breaking the neck. To secure the latter, one has to fall at least 10 ft. to break the spine.

— A bleach injected into an artery will cause immediate death.

— When slashing one's wrist the cut has to go along the artery without completely cutting it in two, otherwise the artery will roll itself together and stop the bleeding.

— Leading exhaust fumes into the car with a garden hose will cause the organism first to fall asleep from a lack of oxygen and then lead to death.

— A chainsaw will easily cut through any human tissue including bones.

— Shoving a pencil in one's nostril and banging the head on a hard surface will NOT cause death by the pencil being driven into the brain. All it will do is inflict rather unpleasant yet not fatal wounds.

</benefits of general knowledge>

Butch figured that his task would be just as hard to fulfil as getting rid of a nest of rats in an old house. Butch sensed that it wouldn’t be easy to drive the life out of the marrow of his bones. He sensed that it would be quite resistant, quite hard to extinguish the light of life. Butch thought that a simple overdose of any toxic substance would not be sufficient.

He knew that jumping from a high cliff would not do the job.

There are people that jump out of planes without their parachutes opening and they survive. It’s not likely but it happens occasionally.

</benefits of general knowledge>

There was just one thing that Butch knew. He didn’t want to end up with psychological help, an agony aunt, a counsellor or whoever they call to punish those unlucky ones for not making it. He’d have to make sure. He could do without the humiliating compassion and pity of the numb. He had all the self-pity in the world to shed, but it was his personal pity. Not anyone else’s, and he did not give the first best stranger the privilege of sharing it.

There was arrogance enough left in Butch to be sure that he could lift himself over the utterly pathetic bastards.

When someone dies, the hair and nails do not continue to grow for weeks. They just appear to get longer as the skin shrinks from dehydration.

</benefits of general knowledge>

Butch had always thought that there was nothing more pathetic than a failure who was even too much of a fuck-up to commit suicide. Of course that thought had originated in better days when Butch had been a power of strength himself. Now he was in the situation where he had to do the job right. It was simply about coming up with a decent plan, a foolproof one.

Hitler bit on a pill of cyanide and at the same time shot himself at the same time.

</benefits of general knowledge>

The only thing the bastard managed to do right.

Some people commit horrible crimes to block their way out and to gather the necessary determination to kill themselves.

</benefits of general knowledge>

Butch didn’t like the idea of poison very much although that would have been a pretty sure way. But during the whole intermission with MIB he had not managed to get the overdose of heroin he had originally been after. Of course he was able to get the stuff anywhere, but he didn’t want to get involved in another mindless act, and maybe the idea wasn’t that great anyway. He could always get hold of bleach. Injecting a large quantity would do the job as well, but with this biological stuff around, he could not rely on it being lethal anymore. Maybe the stuff was so harmless that it wouldn’t do the job. It was the problem with all toxic substances. You just couldn’t tell its impact on the body. There was nothing worse than having to suffer from a non-lethal but extremely painful poisoning. Drugs were simply too unpredictable.

Or is pain an integral part of dying?

Can’t there be death without pain?

</question>

Hanging oneself is not safe enough. When done professionally the noose snaps the neck and there is instant death from a fracture of the neck. Strangulation can take up to several minutes.

+ On average 1/3 of all train drivers have been faced with suicidal losers who threw themselves in front of trains.

+ 2/3 of train drivers faced with such an accident suffer from nightmares and insomnia.

+ 8% of them have to give up their job after such an incident.

+ However, a small number of them have no problem with it, refusing to accept the blame of killing a person. They are able to accept that it is not in the least their fault.

+ A cockroach can live for several weeks with its head cut off.

The thought of the cockroach amused Butch. He was not sure whether the information was valid, especially since he had read that with a particular insecticide cockroaches die on their backs giving them spastic cramps that make them flip over. And their death is caused simply because they are unable to get back on their feet. Thus they die in the end - of malnutrition or dehydration or whatever but not like stranded whales that are crushed by their own weight.

</colliding information>

</trivia>

10ft cotton rope.

</and the winner is ...>

</ritual tool>

With this decision made he had one major concern off his chest, and as soon as this issue was settled, he left the dark and disgusting sentiments – although it slightly irritated him to feel that way.

</here we go>

He travelled further up North without spending another thought on the actual act.

Softly swinging back and forth in the morning breeze, some black crows curiously sitting on a tree next to him, somewhat curious as to the body, wishing to pick out the broken eyes, so far not bold enough. But as the body will start to rot, the sweet smell will be too persuasive to be ignored until one will finally find the guts, hop on the shoulder and at first timidly then with the due vigour pick the unfocussed, delicious eyes.

<we’ve all been waiting for>

Butch felt slightly lost standing in the middle of nowhere in a field in Scotland late at night. It was a quite pleasant night – well it was neither raining nor too cold. Butch held the rope in his hands and looked at the tree. He threw the rope over a branch he considered thick enough to support his weight.

Butch had driven aimlessly for the last two weeks from one spot to the next, trying to find that proper tree. He had lounged in expensive hotels and small bed and breakfasts. He had visited the Highlands and had even stopped at Loch Ness. Butch had almost led the life of a tourist. He figured that when he was there he could just as well gather some last impressions. Maybe there was something interesting in it. But apart from impressive landscape – which had never moved him much and didn’t now- and an impossible to understand dialect he had not found much there. His thoughts had loosely revolved around the last act. He had been worried about finding a tree that was strong enough to support his weight, he had wondered whether he would be able to find a tree that he was able to get on to. Butch had never been good at climbing trees. After he had realised how stupid these thoughts were he had stopped them and instead tried to focus on something else. However he was unable to avoid thinking about his suicide and so he was looking for some distraction. He couldn’t find any. There were no suicide notes to write and he had contemplated his situation to an extend that he was sick and tired of any more thoughts on them.

Now he stood there with a rope in his hands and the tree nearby. So this was it. The end. He hadn’t quite made thirty years he thought, but then again he couldn’t quite see any value in collecting years. The tree didn’t quite look like a gallows pole, but it would do the job. Butch stood there waiting for something to happen. He was expecting something to come, but he could not quite tell what it was. Butch became aware that he was not quite prepared for his own death.

</we’ve all been waiting for>

</the great moment>

Finding a proper spot was not hard. He followed the rails until he got to a deserted spot, far away from houses or highly frequented roads. There was a little wood cut in half by the rails and there was a long bend that would prevent the train driver from seeing him lying on the rails early enough to hit the breaks. Butch knew that there was virtually no chance a train could stop in time, but he wanted to be sure. He drove back to the next railway station to figure out when the last train would pass his spot and found that there were a number of them running late. It would be stupid to lock himself to the rails after the last train had passed and to wait for the first next morning.

I might catch a cold sitting here freezing all night.

</funny thought>

Butch was quite pleased with his preparations. This time it would work. He pictured the scene of the approaching train cleanly slicing through his neck like through hot butter. The sound of his head rolling off, probably being pulled along the train by the driving winds underneath carrying it away from the corps, would be swallowed by the screaming breaks and blocked wheels. Butch wondered whether sparks would be flying. The scenery pleased him immensely. An infernal plan. The only thing he didn't like too much was the prospect of his death coming over him that quickly that he would be unable to experience death.

He put his neck on the rails when a train approached. But when the vibrations of the rail and the sound of the train filling his ears and body, he withdrew his head just before the iron wheels could snap his neck. He tried to chain his neck to the rail with a bicycle lock and then throw away the key. But when his head lay was locked to the cold rail, he was unable only to open his hand to let go of the key that held his wasted life. When he felt the vibrating of the rail indicating an approaching train, he panicked to unlock himself. It was very close. The train driver sounded the horn in panic and the brakes screeched hard to stop in time — although there was no chance. In the end Butch managed to unlock himself when the train was already filling his complete field of vision. He vanished in the nearby woods, watching from a safe distance as the train stopped and the driver got out to check for the dead corpse. He remained sitting in the bushes long after that incident, realising how close he had been to death. The idea that this was for real, that a train had almost cut off his head, and that he had not been able to endure it, changed everything. He was unable to kill himself. There was no use trying any more. He couldn't do it.

He hated himself. It was the ultimate failure not to be able to kill oneself when you cannot do anything else properly. He should have done it immediately after his oral disaster when the wound was still fresh not after months of useless and pointless running around, asking dumb questions and desperately trying to find an alternative way to deal with life. Now it was too late to get the desperation that was necessary for the final step over the edge. Now he was stuck in this life without knowing what to do until nature would choose to terminate his life. Sometimes he just lay on the bed trying to make his heart stop beating with sheer willpower. It did not work. And so he had to face the question how he would waste the remaining forty or fifty years before death would be grateful enough to take him away. Maybe he would be able to significantly cut down with an incredibly unhealthy lifestyle. He lit another cigarette. A heart attack, maybe, or cancer. The prospect of forty more years made him shiver. There was no way he could bear such endless emptiness. He wondered how he could manage to go mad, to leave it all behind, to lock himself into his own happy and fluffy world.

Are whacked nutters happy?

</wonderings>

He checked into one of these impersonal and sterile motel chains to avoid talkative landlords. The lifeless and uniform interior suited him. There was no individuality in any of these rooms. He could go to any room in that hotel, to any room in any of these chains and still find the same bed, the same TV, the same meaningless Matisse print on the wall. This place was just right for him. A room with no personality or style for someone with no personality or style.

Maybe he would find the courage to open his veins in a hot bathtub of this lifeless place. But he did not really believe he could do it. And so he just checked in and slept for a whole day. And even when he woke up he was tired. Too tired to get something to eat or even to get drunk. And so he just remained in the room, watched TV all day and night and tried not to think about the future. After four days he left the room for the first time to realise where he actually was. He did not really care about his whereabouts and only after a couple of more days he wondered where he would go to from the sterile hotel room that with its lack of personality was the perfect shelter from the world. However, he could not stay there forever.

In many ways his situation was worse now than after the immediate failure at university. At least back then he had a firm and clear view about his future. Even if it involved his death. Watching mindless TV helped to drain his mind of all thoughts whatsoever. On one of these clear moments between Ready Steady Cook and Brookside or some other soap. He tried to recapture some of the useless facts he had forced into his mind for graduation. With satisfaction he learned that he was unable to recall any of those relevant facts. Presumably he would still be able to discuss the impact of Shakespeare on German enlightened literature with the chamber maid who looked like she was studying some really important intellectual wanker-subject. Maybe 19th century British women's studies. He did not feel like talking to anyone. Actually he craved to talk to someone. A friend, someone who would offer advice, who would listen and give a new perspective on his situation. He had retreated from all his true German friends in the course of the preparation for graduation. Not that he had a lot of friends. As a certified misanthropists he did not like to stick around other people. This attitude was really valuable for a teacher who constantly has to care about children. He added it to the long list of deficiencies his character suffered from.

The people Butch knew in London were not close enough. They were people that had crossed his way but by no means would they be interested to be bugged with his problems.

And so he was stuck in this uniform hotel room God knows where with nowhere to go. After a couple of days the floor was soaked with self pity, and when he went out of bed to take a leak he had to wade through the thick liquid that was smelling awfully bitter sweet. Its vapour and his own scent filled the room. He had not taken a shower since he first arrived. Thus he smelled like a pig. He liked to soak in himself, his pain and agony. There had to be a materialised smell or taste of pain and he figured that it had to be his own scent. After all dogs and all predators were said to be able to smell fear. If that was true there should also be a smell of agony.

Laugh and the world laughs with you. Cry and the world laughs louder

</misosophical findings>

He became more desperate. If suicide was no longer an option and the life he lived was unbearable, he had to find another way. He wondered how he could exterminate the worms in him. Those little parasites that drained him of his power and stamina. They kept him alive only to suck the marrow out of his bones. He even tried to pray, to talk to God. However, pretty soon he became aware how silly he was behaving and that he was insulting his own wit by trying such childish and desperate measures. He found pen and paper and sat down to try to write a novel or a short story or start a diary or whatever. But sitting in front of the paper his mind ran blank and all he was able to put down was little faces. He sat there for hours with these scribblings, pretending to be engaging in rough sketches he would turn into paintings. However, all he was able to come up with were numerous heads that remotely resembled Edvard Munch's "The Scream". Not exactly original. Reproduction is essential in our world. All has been said and done. Repetition is inevitable and desirable.

The Official Top 5 Reasons:

You Know That Your Attempted Suicide Was Nothing More Than a Pathetic Cry For Help.

5. Your suicide note ended with ... "I really mean it this time!"

4. "Hello, Matt? Can you meet me at my house at 8:07pm?The front door will be open and I will probably be up in my room. Oh by the way, ... do you know the number for the poison control centre?"

3. To the best of my knowledge, you can not overdose on aspirin and diet coke.

2. The operators at the suicide prevention hotline have come to refer to you as their mascot."Snivels".

1. Because you are a loser and you have no friends and you've never done anything right including taking your own miserable,pathetic little life, not that you would be missed because I assure you that when you decided to kill yourself, it was the one and only time anyone showed any support or enthusiasm in your endeavours. Thank you and goodnight!

</junk mail>

<quote>

I don't have the passion anymore

...

and neither any alternative anymore.

</quote>

I am old. Now I have really seen everything there is. I even saw death. I am an old fart who just wants to rest in peace. A shaky elephant bull. I have walked the earth, seen things other people will never see, but there is nothing left for me to do now. Not even die. What does someone do who can't die? I am immortal — for now.

A vampire.

A zombie.

My life expectancy is threatening me with roughly another forty years. 14,250 days. 34,2000 hours. 20,520,000 minutes. My calculator can't even process how many heartbeats I will have to endure. There goes another one. Another stinging pain. There goes another second. I think I might go mad after all facing those facts. I better find a way to waste the time. Sitting here won't do me much good. I should get a job, get a life, try to do something to forget my fate.

</thinkings>

Some drink at the fountain of knowledge, others just gargle.

</misosophical findings>

Give it up

Give it up now

Give it up

Gotta give it up.

</public enemy>

I should write something. Maybe I can use the dude's stuff and reanimate him through his sketches. Maybe a novel. Maybe I can be an artist. Not that I really crave for the fame. Not that I really want to be in the headlines. Not that I really have anything to say. But maybe I do it regardless. Maybe just for myself. Who would want to hear what I am saying anyway? Maybe I can put all the intellectual wanking I have engaged in for years to good use. Maybe I can do that.

Maybe I should find a woman. Someone to love. Maybe that can divert me. Maybe that can be the end of my agony. Maybe pure sex. Maybe something more, someone I can make happy. Maybe having to care for someone else other than me will cure me of my self-centredness.

Maybe that will help.

Maybe I should continue this university shit. Maybe I can bring up the stamina to get that degree. Maybe I stay here and can find a job without this degree. Maybe I can open my own business. Maybe I can find some meaning in success.

Maybe it isn't all that bad. Maybe I can bear it, even find some fun in it. Maybe this is just my problem. Maybe I just need to adapt. Maybe I can do that.

</multiple maybes>

Probably ... it won't work that easily. Probably too much has been destroyed. Probably it is not that easy to shake off all of that shit that has happened. Probably I wasn't all that wrong.

</particular probablies>

Maybe I should at least give it a try.

</singular maybe>

Suicide is the most sincere form of self-criticism.

</toilet writings>

Seen it all, done it all, can't remember most of it

</misosophical findings>

After a couple of days he grew even more tired. He could not even stand his self-pity anymore. His best friend of the last couple of week of his self—pity. He packed his bags and left the hotel room that had been a shelter for the last week.

</story>

Nothing had really changed. He hadn't changed. The only thing was, that he had been unable to kill himself. Nothing positive had determined his decision. Just the inability of killing himself. All his fancy tools, all the collection of different instruments to end his life had been nothing but a display of his ultimate weakness.

Going back to London had been a realisation of his defeat. He was not only a failure, he was also a coward. All the philosophy, all the shit that made him believe he was ruler of his own fate. His irrational desire for life was stronger than any reason or argument however good. At least he had disproved MIB's sophism. A tear ran down his alcohol infected smile.

No suicide

No reason

No scene that sent his ex on a guilt trip

Nowhere to go

Nothing to do

Not even the believe in the reign of his intellect left.

Nothing.

I have it good, very good and I am grateful, but since the age of seven I have become hateful towards all humans in general. Only because it seems so easy for people to get along and have empathy. Empathy! Only because I love and feel sorry for people too much I guess. Thank you all from the pit of my nauseous stomach for your letters and concerns during the past years. I'm too much of an erratic, moody baby! I don't have the passion anymore, and so remember, it's better to burn out than to fade away. Peace, love, empathy. Frances and Courtney, I'll beat your altar. Please keep going Courtney, for Frances, for her life which will be so much better without me. I love you. I love you.

</embracing motto>

The end of the story is quickly told. Butch realised that his attempts to commit suicide were futile and would not lead to any results. After a while of scavenging shelter at the flat of the Leroy he decided to find a job somewhere in London. At first he encountered considerable difficulties convincing a manager of his skills. Of course he was not too keen to get a Mac-job or delivering pizzas (although Leroy offered him a job at his delivery service several times). He didn't really have any idea about his professional plans. Finally he was able to make it into a small translation agency that was in desperate need for someone to translate brochures of British holiday resorts into German. He had to work for two. At first it was hard to get used to ordinary work, but he managed and with fifty plus hours a week he quickly forgot about his agonies.

After some time he met a woman. She was not the love of his life but she provided some warmth and shelter to him. At the beginning he could fool himself into believing he loved her. The feeling soon vanished and was replaced by the mere feeling of having someone to rely on. They lived together or rather next to each other and soon came to a state of mutual understanding without having to negotiate. She was nowhere near his intellectual capacities and his endeavours to attract her to the fine arts, the galleries, the opera or literature were to no avail. He didn't mind too much. At least the sex was good - at least at first.

After some time they would both advance in their jobs. Butch wouldn't make it very far as e wasn't ambitious at all. Maybe they would get children or maybe not. They would move into a suburb on the outskirts of London or some other city and dream of a house on the countryside. At least she would. He would just adapt her dream, mostly just to have one.

At times Butch would think back at the times of agony and the moments of joy, feeling a slight loss. The loss of genuine emotions and desperation. The mental wounds he had suffered from would have healed and the scar where they had cut open his chest to replace the rotten heart by an artificial one made of plastic would be almost invisible. Even his wife wouldn't know about it. Of course they married after some time. She because she believed in marriage, he to be on the safe side and to make it more difficult for her to just dump him. Although he was not sure whether he loved her he knew that he would miss her. At times they had there problems when Butch's misanthropism flared up again, but in general he tried to behave and whenever he hurt her he was always desperate to make up again. She never caused any troubles or fights. She was not after smear campaigns and he knew that she was no match for his intellect. He never picked up on arts again and laid his aspirations to make it as a photographer to rest. The pictures he produced where the notoriously bad and superfluous holiday snap shots that he never looked at again.

Maybe they will grow old together or maybe one dies of a terrible disease or in a tragic accident, causing unspeakable grief and sorrow, source of another lengthy story.

It doesn't really matter.

Nothing matters, as long as you don't start to think about it.

Nothing really matters.

the end

</ long anticipated words>

I hope this cigarette

Is gonna make you cough.

I hope you hear this song,

And it pisses you off.

I take that back,

I hope you're doing fine,

And if I had 100 dollars,

I'd give you 99.

</spin can't be wrong>

</post scribtum>

At the end of the last century philosophers began to deal with the question of philosophical suicide. Kierkegaard, Schopenhauer, Nietzsche. More noteworthy are the attempts of the French existentialists Jean Paul Sartre and Albert Camus. None of the above have given a positive answer to this question. In the end all of them found reasons not to promote suicide out of philosophical reasons. One reason behind this might be a word of Nietzsche's who said that the philosopher has to live his teachings and give a good example. That would mean that he would have to go ahead if he supported it. Somehow I get the feeling that this knowledge had put them off. Although they found a desire to deal with the question, they also had a greater will to live, which some have not acknowledged. Though since I presume they weren't able to put a finger on this lust for life.

Albert Roquettine of Sartre's "Nausea" finally finds a meaning in live (by devoting it to writing a novel) and Camus' Sisyphe conquers his absurd fate by revolting against the meaninglessness of his task and existence. And thus he continued to roll the rock up the hill. This punishment that had been posed on this Greek man for loving life so much that he escaped the Hades to be able to enjoy life some more. Camus has rightly named Sisyphus a modern tragic hero. But is he a tragic hero because he bears his destiny or because he is unable to see the fatal mistake he is making?

Let's imagine: Sisyphus is brought to the Tartaros and Zeus or Persephone give him his task. He sees the rock and the hill. Presumably he thinks that this task is going to be hard, but that he can accomplish it in day. And so he starts rolling the rock up the hill. When he is almost there it rolls off again. So he thinks he has made a mistake and starts again. How often does he have to repeat the task until he sees that it is not his fault, a wrong technique, a lack of physical power. But that the rock and hill are "cursed", that it is impossible to fulfil the task? A dozen attempts? A hundred? A thousand. It does not matter. In the end he will come to that conclusion. That hell would rather freeze over before he could manage his task. With this knowledge how would his reaction be? He would scorn at the Gods. Curse Zeus and the whole Parthenon. He would rage against the machine. He would shake his fist in anger at the Gods. And then?

The Gods have abandoned him. They have left him. No God would impose such a punishment on a creature he cares about. This is what Nietzsche means when he says "God is dead". A living God would not hate his creation that much. Hence God must be dead. Dead for Sisyphus. Zeus may still be alive for other people — those on Earth or in the Elysium, but for those in the Tartaros he is dead.

So what would Sisyphus' reaction be? Would he really come to the conclusion that by not accepting this knowledge, by denying what he just realised, by taking a step back he could bear his destiny and continue his task with pride? A tragic hero has to have something aristocratic about him. Otherwise we would not find the respect for him and the sympathy to feel for him even when he commits that mistake that will make his fortune turn into misfortune. Can an aristocratic person fulfil such a task? The work of a slave? Can a king bear an absurd fate?

But what is his alternative? In reality there is none. Suicide is technically out of the question. If you are in the underworld you are already dead and dead people cannot kill themselves. But the tragic hero has to be active and make decisions. He his not subject to a fate he cannot alter. He has choices. So if he is a hero he has to be able to make a decision like that. To live or to die. Sisyphus decides to live according to Camus. To not acknowledge his fate. To revolt against it. It is the mere fight with every inch of the rock that constitutes his life. The next centimetre is a world to him. Those are Camus' words. What kind of a fate is that? A king. The proper task for a king is to reign, to fight battles not to fight with a stone.

Aristotle defines the "anagnorisis" as one of the constituting elements of tragedy. What makes a hero tragic is that he recognises and understands his situation just before he drowns. King Oedipus finally sees what he has done, that he has killed his father and married his mother. The tragedy of Sisyphus is that he is unable to have this "anagnorisis", this insight. He prolongs his suffering by revolting against the meaninglessness. But revolting against the meaninglessness is a meaningless revolt. It is fighting Don Quixote's windmills. The only thing that Sisyphus does is humiliate himself. Lose his dignity. With acknowledging his fate and defeat he could have a dignified exit — worthy of a king. But he chooses to live. He cannot acknowledge that his life is not meaningful. He cannot acknowledge what he has realised when he raised his fist in anger at the Gods.

</philosophical>

It is futile to discuss whether I have failed or not. I have. It says in my file at university. Obviously I could retake, but it would not mean anything. The times that I was able to bear the absurdity of university are over. It has exhausted me to run through the institutions for my verdict just as Joseph K. does in Kafka's "The Trial". There were times when I could just laugh at those things, but the times have changed. The last couple of months have drained me of my energy, and I know that the next attempt would end like this one. I have not failed because I did not work hard enough. I did the best that I could, and I know that weakened as I was, my best was not good enough. The fail was justified in any way.

Yeah, I could take Lithium or have someone alter my mind, but I do not want to be manipulated, have psychological lobotomies performed on me to see the happy things in life. They train tigers to jump through rings, bears to dance, horses to perform tricks. But what they really do is steal their pride and degrade them. I rather walk the earth with eyes wide open and when I can't stand the sight, I leave with eyes wide open.

The ex affair is just another part of this failure. I feel, I could have made it with her support, but her withdrawal has just made me see my failure. In that respect there is nothing to blame her for. Having to rely on someone's support is part of an anachronistic concept of care. Nowadays people come together for a limited amount of time to share synergies. It is more fun to have an orgasm with a partner than having to jerk off. It is more fun to spend time with someone than to be alone. As long as both get something out of it, everything is fine. But once one of them is relying on support and help to an extend that does not provide satisfaction to the other, the company will break up. Maybe I have played according to these rules as well. However, I feel not, and it is my personal failure not to be able to comply to these rules.

</personal>

I feel like an old elephant, who knows his time has come. I am too tired of this world that has changed that much. There is nothing for me to do but to go where all the other old elephants go to rest in dignity. Now the question is: What does an elephant feel when he knows he is about to die and when he makes his way to the elephant cemetery. Does he remember the good times. The female elephants he fucked? The water holes he used to bathe in? His childhood? Does he regret? Regret not having eaten more of that delicious grass at his favourite spot? Is he concerned whether he is going to make it? Do they ever err? Do they ever arrive there and figure that they are too early? What would they do in such a case? Would they go back? Back to life and live on as if nothing ever happened? Would their remaining years be more fulfilled in the wake of the experience? Or would they just wait and force their death? Can they stop their hearts from beating? Are they happy in the second of their death? Happy that they made it in time to the cemetery?

Ok, there is no such thing as an elephant cemetery. It's a made-up myth.

</poetical>

</multiple suicide note>

Briefly ye shall be answer'd. When departs

The fierce soul from the body, by itself

Thence torn asunder, to the seventh gulf

By Minos doom'd, into the wood it falls,

No place assign'd, but wheresoever chance

Hurls it, there sprouting, as a grain of spelt,

It rises to a sapling, growing thence

A savage plant. The Harpies, on its leaves

Then feeding, cause both pain and for the pain

A vent to grief. We, as the rest, shall come

For our own spoils, yet not so that with them

We may again be clad; for what a man

Takes from himself it is not just he have.

Here we perforce shall drag them; and throughout

The dismal glade our bodies shall be hung,

Each on the wild thorn of his wretched shade."

Attentive yet to listen to the trunk

We stood, expecting farther speech, when us

A noise surpris'd, as when a man perceives

The wild boar and the hunt approach his place

Of station'd watch, who of the beasts and boughs

Loud rustling round him hears. And lo! there came

Two naked, torn with briers, in headlong flight,

That they before them broke each fan o' th' wood.

"Haste now," the foremost cried, "now haste thee death!"

The' other, as seem'd, impatient of delay

Exclaiming, "Lano! not so bent for speed

Thy sinews, in the lists of Toppo's field."

And then, for that perchance no longer breath

Suffic'd him, of himself and of a bush

One group he made. Behind them was the wood

Full of black female mastiffs, gaunt and fleet,

As greyhounds that have newly slipp'd the leash.

On him, who squatted down, they stuck their fangs,

And having rent him piecemeal bore away

The tortur'd limbs. My guide then seiz'd my hand,

And led me to the thicket, which in vain

Mourn'd through its bleeding wounds:

</circle vii, canto xiii>

The Deplorable Myth of the Mediocre.

A Collective Biography

The age had been good for humans. After the brown death had been overcome, the times were prosperous. Mankind was reaching out to the stars. Great achievements were made.

Humans left the face of the earth to walk on the moon.

They found the secret code to the realm of nature.

They split and glued the tiniest elements together and thus released great powers.

They lifted arts to new heights.

They fought against the ancient ideas of their parents and for their right to live according to their own ideas, and to expand their minds.

Political Ideologies were thriving and gave chances to create utopias and to develop ideas to make a better living.

Hence the youth had ample opportunities to develop their own personalities and to grow. Political thoughts were developed and concepts were created to end tyranny.

The Gods frowned upon those endeavours. Masters of the universe they had been, before man had pushed them into oblivion. But the Gods did not worry, for they knew what mankind was made of. Every period of creation was succeeded by one of destruction.

The peaks had been climbed and staleness was steadily sinking in although as yet unrecognised. Intellectual leaders were killed and artists of all genres began to enter Hades in great numbers while man was walking on the moon. Wars were fought and the struggles against them were of no success It was the beginning of the decline.

In the rise of the stale period the Newborn was thrown thirty and one years ahead of the break of the third millennium.

The ignorant elders who believed the good times would never end, thought great opportunities lay ahead of the Newborn. They gave him presents and worshipped his arrival into a pulsating universe of infinite chances.

Hence he was made to believe that he was chosen to participate in the shaping of a new future and to continue the endeavours for a better dawn. Thus the Newborn raised his fist to the heavens and shouted at the Gods:

— Fear my complexion! For I am going to make you tremble in fear. Your times are over. With my arrival the times of your reign have drawn to a close. I will push you in the dirt!

And the Gods did not tremble but laughed at the outburst of human arrogance — for thus was the way mankind had been since their first steps on earth had been made.

And the Gods replied:

— Thou shallst suffer the unbearable hunger of the satiated.

— Thou shallst long for fame and fortune. But it will be denied to you.

— Thou shallst dwell your life in mediocrity.

— Thou shallst never see the heights or lows of human existence.

— Thou shallst crave for anger and pain; love and joy. But thine only emotions will be slight discomfort and mild pleasure.

— Thou shallst not be chosen to do anything extraordinary.

And the Mediocre said:

You Gods cannot scare me. By choosing me to be mediocre you have chosen me and made me special.

And the Gods laughed and replied:

Thou art not chosen. The same destiny will be shared by millions of your fellow new-borns. For this is not thy personal fate but that of your generation. Thy mediocrity is that of a nation of millions.

And the Mediocre did not believe it and he was eager to prove the Gods wrong and to spit at their predictions.

Thus he grew up in a perfectly ordinary way. His family was neither unhappy nor happy. His father did not beat his mother and his mother did not terrorise his father. There was no pain or grief to be experienced and neither were great inspirations. It was the curse of the middle class.

Worse was the abundance in which he had to live. Neither richer nor poorer than others, he had everything he wanted and nothing he desired apart from the desire itself. The good times his grandparents and parents had fought for were established and nothing crucial was left to be wished for.

He was raised in a time of indifferent tolerance, and rebellion was futile. Not that there was anything to rebel against. The loss of shortage was all he had. But the loss of shortage was nothing to desire and the absurdity of his existence was burning in him.

And the Gods had given him wit. Enough to perceive the plights of his existence in the still waters of insignificance. For among him there were people who were better at sports, were smarter, were more popular just as there were those who were worse at sports, that were dumber and were less popular. He was in the midst of the pack. Neither the first nor the last.

The Mediocre’s achievements in school were nothing but average, although he scored As by the dozen.

And the red empire crumbled and fell and great hopes were once again growing for a final peace and harmony among all men. But soon new conflicts were emerging and new wars were fought. The Gods nodded in agreement, for it was the eternal repetition of the same.

The omnipotent power of the books was brought to him by school. He was convinced that the times of change would continue and that his youth had the power to improve the world and even out the few plights left. But those plights were not perceived as such by others and mending those was not in the interest of society, for Western man was benefiting a great deal from them.

And that was the time when he became aware of the superior beauty of the female. But when most of his male companions were to taste the sweetness of the woman, he never succeeded. And he was forced into watching the sexual explorations of the superior and beautiful while the females he craved ignored him. His thoughts had already started to alter and the loner he was to become began to demand tribute. Thus he was not able to relate to the woman, just as the women weren’t able to relate to the male. The pluralistic society had nothing but one God. And that God was called individuality. But sometimes the God is the devil at the same time. For individuality is opposed to the urge to mix and interact. And thus a nation of loners came into being with the wish to make friends but the lack of ability to compromise. And the nation was a nation of selfish egomaniacs.

Thus he took up the discipline of arts. He wrote down the stories into the books, forced his views onto the canvasses, and moulded his mind into the clay. And his aspirations were dedicated to wooing the female. For he knew well the concept of love even though his egocentricism was refusing him to experience it. The female received the books, took the canvasses and accepted the clay. They were flattered and walked off. But the Mediocre did not give up and it did not concern him that those females he finally was able to woo did not appreciate his writings. For this was the reason that later on he was to give up writing for the amusements of others and develop his own style and plots to express his mind for no one but himself and to remain in the realms of lonerhood.

The Mediocre was craving for the existential experiences of win or loss. He was longing for authentic feelings rather than the fake sentiments presented by current culture. He was craving for pain or hunger or lust or pleasure, but that which was given to him was canned and fictional.

The only desire was that created by the companies of vanity trying to sell their useless products. But the Mediocre was too smart too fall for their lures, and thus there was nothing in it for him.

Thus the Mediocre searched to find himself a place outside the hustle and commercialism. He tried to dive into the subculture, away from the stale irreality of mass media and the vendors of the dark liquid refreshments and the manufacturers of the Goddess of Victory’s shoes. But as soon as he or his fellow nerds found a place to dwell in, the vendors followed them. And they moved closer and jovially said:

Good morrow kind friend: We know what thou feelst and that thy live is deplorable. So come on along and have a refreshing beverage. It was especially made for thy generation. Purchase it and be unique!

Some of the fellow Mediocres were lured into believing this, as many followed the lures, but his was the feeling of resignation for he knew that he was manipulated by the vendors, and whenever he tried to dodge out into new realms, the vendors were already awaiting him, offering the refreshing beverages after his exhausting search for freedom.

And the Mediocre raised his voice in great anger and he began to contemplate anarchy and rage against the machine, and he called for major changes and the breakdown of society to recreate it with new life as the only solution. And he shouted and raved. But once he contemplated this, he knew that those ideas were silly, and he came to his senses deprived of yet another hope.

And the Mediocre shook his fists at the Gods and was heard:

— I fear you not! Your punishment cannot harm me. I will prevail! For I have the rage against you.

And the Gods laughed and replied:

— Thy rage is senseless, for that what thou longst for is not what thou wouldst appreciate to gain. Thou wantst to strike a deal with the devil. But the devil is no one to bargain with.

And the Mediocre wanted to weep but he knew that his was the fate of a nation of millions.

And the Mediocre discovered that he was different in some way. His views became twisted as a result of his self proclaimed seclusion. The arts he cherished were dark and existential. He sat down and wrote stories about outcasts, freaks, cripples. He painted existential outbursts of pain and anger. Some of his characters were longing to become mediocre for their complexion and fate was too uncommon to be bearable. And thus he compensated for his own mediocre destiny. Soon his own character grew on this and views rarely had by man were appearing in his mind. He was realising his uniqueness.

And the Mediocre shook his fists at the Gods and was heard:

— I fear you not! For even if you have punished me, I am unique in my mediocrity. And there is no one with a mind as mine. I am unique! By choosing me to be mediocre you have chosen me, and hence I am special.

And the Gods laughed and replied:

— Thou mayst be unique but thine uniqueness will not raise thee out of the mud of average, for your fellow Mediocres are just as unique in their ways. And thy craving is the source of thy loneliness. Thou art not made for seclusion.

And the Mediocre wanted to weep but he knew that his fate was shared by a nation of millions.

And his character was that of a sober and calm man. No outbursts of joy or rage were his. And the misanthropism he claimed was that of a philanthropist. And he was rational enough not to experience love or hate but nothing more than mild affection or dislike.

His fate was shared by an uncountable mass. Some were different in that they made it into the lime light. But those that succeeded in expressing their sentiments were not satisfied for they knew that the success they experienced did not mend their plight. And yet their successes were stinging the Mediocre and only making him more aware of his mediocrity.

And the Mediocre shook his fists at the Gods and was heard:

— I fear thee not! For I will continue to struggle my way out of my fate. Even if I may not succeed, I will not surrender!

And the Gods laughed and replied:

— Thou mayst struggle but thy struggle is thy punishment. Thou hast heard of Tantalus whose arrogant wish to walk among the Gods has caused him to dwell in a state of eternally unfulfilled desires by being hungry without being able to reach up to the apple, by being thirsty without being able to reach down to the river and by fearing the falling of the sword above him. Thou hast heard of Sisyphus, whose lust for life has caused him to fulfil a terribly useless task by rolling a rock up a hill and failing to succeed. Thou hast heard of Kadmos whose greed has caused him to dwell in a state of insatiable hunger and eat an entire wood without ever finding relief.

Thy guilt is thine inability to submit yourself to your fate. Thy greed, thy insatiable hunger, thy lack of will to be content with what thou hast and furthermore thy obsession with individuality is thy curse.

Thy rebellion is thy punishment. For it will never be fulfilled

And the Mediocre wanted to weep but he knew that his fate was shared by a nation of millions.

And the Mediocre continued anyway.

</uninspired afternoon writings>

— What do you think about it?

& It's too big for my taste.

— Too big?

& Why all this stuff about Gods and being mediocre? What does he expect? He wants to be some sort of genius? He wants to be famous? Why can't you accept that you are not? I don't have a problem with it. You should be happy with what you got and not demand to challenge any Gods that aren't there anyway. And all that old language. Can't you write plainer? Why all these huge, existential sentiments? It just doesn't fit in there. Why all this megalomania?

— You don't understand.

& Maybe not. I haven't been to a fancy university. But you asked me and I tell you.

— Thanks. Let's talk about the weather.

& A bit touchy here, aren't we? You can't take criticism, can you?

— It's sunny outside.

& Okay, the weather.

</review>

<here's the ending>

How does the story end then? There are no more pages and we still haven't found an ending. Well, here it is:

Butch went back to Germany, went back to university, graduated, made some Australian woman on the internet, fell in love with her, moved to Australia and lives there with his wife and three lovely children in some desolate place, teaching German, literature, and drama.

Butch went back to London to live with the guys. He got a part time job translating video game reviews for some medium sized computer magazine into German. One night he got drunk with the lads, insisted on driving home, confused British traffic and crashed into a lorry. When he awoke from the coma he had been in for six months, he was famous because of the huge debate about euthanasia that had been sparked when they decided to shut down the machinery that kept him alive regardless of the protests. After months of battles and legal mumbo jumbo, they finally decided to pull the switch. And when they did he awoke. Living the life of a wheelie and handed from one interview to the next talk show. He utterly enjoyed the advocated fifteen minutes of fame and found himself in the position of being the holder of the ultimate wisdom, at least that's what the media thought. He died while trying to be the first person in a wheel chair doing bungee jumping from a helicopter. They miscalculated the altitude quite a bit.

Butch went back to London and a couple of years later he met his ex in a club. They talked and laughed about the good old times and finally they got together again. Separated a couple of times before they got together for good, even got married and tried to have children, which they never managed to. Apparently it was his problem.

Butch went back to London, found a job at a language school, fought his way up, eventually opened his own one. He died of a stroke or a heart attack, or of AIDS he caught from one of his many students and spent the rest of his life trying to figure which one.

Butch went back to London, spent a couple of months there and then got fed up. He travelled around in the country and settled down in some small village in the Lake District where he started writing revenge manuals - these books that teach how to take creative and effective revenge on people that pissed you off. He made a fortune and lived there for the rest of a long life, alone, sometimes ... rarely in the company of local whores, although obviously there weren't too many on the countryside.

Butch went back to ________________________________________

________________________________________________________

(Add your own ending here and email it to greuel@mail.com . Your ending is just as irrelevant as those listed here, so why not share it and maybe it gets published in future editions.)

<here's the ending>

</story>

</appendix>

<camus>

There is but one truly serious philosophical problem, and that is suicide. Judging whether life is or is not worth living amounts to answering the fundamental question of philosophy.

</camus>

</copycat>

greuel@mail.com

</mail flames to:>

"It is better to keep your mouth shut and appear stupid than to open it and remove all doubt". Mark Twain

</famous last words>