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BUFFET
here at the edge of the thing where the skin flap turns back up and catches on clothing, hair and nails the aperture will not close at all regardless of the tapping and pressing blonde wood with a raised grain under the forearm so that the first trickles slip neatly into the grooves and skirt the knots on the way to the far edge an image, photo falling, word falling, picture falling, the sea lapping at the blonde sand in neat rivulets a red headscarf against the blue of the sand an Italian flag in the top of the truncated cone the distant sails a ridge presented by the folded edge of the newspaper the white page becoming first orange then red
and on
fourteen tubes of oil paint and three of acrylic, tops off paint in slabs and ridges and cylinders one black smear as if the heel of a hand had been slammed down into the lead tube
a high plateau of the deepest black surrounded by a scarlet sea
next the inevitable fucking still life bottle
eye dimming against image falling the yard in the cold summer with people sat around the battered table
blonde faces against the moss of the wall
a cat washing a paw on the steps
word falling image falling the wine spilt on the surface hands dart down like birds to lift the glasses and the cigarettes out of the way of the steady red flow
a single head thrown back liquid staccato laugh from red lips sharp white teeth
image falling word falling a review of the work intemperate, incurious, corrosive
the first sheet begins to flap thickly onto the tiles beneath the table a sea singing in the head a high whine with the sound of the sea sucking a mountain of pebbles back out into its vast brine hole
ah fuck it ah fuck it eye dims lids fall bottle spins blood blood blood I am in blood steeped in so far that should I wade no more returning were as tedious as go over
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