Biz
Name:
Justus Hayes
Email: justus_hayes@bc.sympatico.ca
Education: M.A. in Forensic Psychology from
the University of British Columbia
Current Occupations: Computer graphic
artist, head Scenic Painter and Set Decorator at the Metro Theatre (Vancouver), set
dresser (IATSE 891 permittee), set designer, proofreader, copy editor
Non-Virtual Stomping Grounds: South-Western
British Columbia (Vancouver, Victoria, the Gulf Islands)
|
Computer
Graphic Design
The graphics on this website are entirely my own and, I think, speak for themselves. I'm a
PC-based designer, working on web page graphics, CD covers, posters, and a variety of
personal projects. Have a look at some of my pieces on my Portfolio
page. |
Proofreading
and Copy Editing
I knew my years at university were good for something! Proofing and editing are a great
way to make a little extra cash on the side - flexible hours that can be slotted in around
one's schedule. Of course, I wouldn't dream of advertising the fact that I do this on a
freelance basis and have been for the last eight years. After all, this is a personal
webpage that doesn't allow such advertising. |
Scenic
and Theatre Work
At present, the majority of my bread and butter is earned by
working at the Metro Theatre as the head Scenic Painter and Set Decorator. I also
freelance in film, television and corporate events staging. I am skilled as a set
decorator, scenic painter, set designer, drop painter and running crew member. I've
designed a total of nine shows to date, most for the Metro Theatre. Click here for a look at my resume.
Below are links to photographs of some of the sets I have designed and/or
painted and decorated:
Blood Brothers
Arsenic and Old Lace
Dick Whittington, a Traditional English Pantomime
Appointment with Death
Still to come: Photos from Steel Magnolias, Social Security,
Dangerous Obsession, The Kingfisher, and Mother Goose
|
Regarding My Art
I've always been a drawer. When I was a wee lad, my mother soon learned that she could
keep me happily and quietly occupied for hours with a pad of paper and a bag of felt pens.
As I got older, I continued drawing but began to realize that I didn't have the
representational knack. My pen and pencil work became very stylized. In my teens I seized
on collage, shredding many a hapless Omni magazine to produce many pieces. Collage was
great - I could move shapes and objects around until the relationships among them
satisfied my aesthetic intuition without actually having to create the ingredients. These
outlets served me well until a few years ago when I upgraded my computer to a 486 and
acquired a whopping 100 megs of hard drive space (ah, those were the days - now even my 6
gigs seem cramped and crowded). For the first time I owned and used a graphics editing
program. It was a beautiful thing. Within a day of exploring (looking up from the computer
and realizing that seven hours had just evaporated) I knew I had found my medium. The
system I use has upgraded since then and so has the satisfaction I get from creating
digital art. Put it this way: given a choice between a good computer game or a painting
program (a choice I've had to make a few times as disk space waned), I choose the painting
program.
Ironically, at the same time that my skills in computer art were (are) developing, I began
to paint more than I ever have. This has been due to my growing involvement in the theatre
(Metro Theatre, to be specific) and drop painting. I've designed and painted a total of
fifteen full drops to date, most of them for children's pantomimes.
|
|