Physical Comedy: Historical Highlights

   I believe it was Shakespeare who first said, "Let thy mouth be thy center of comedy.....Place several helpings of thy creamed corn loosely in thy cheeks and speak loudly, forgetting of thine mouth's contents, or unto which shoulder they shall spill.  Next...take a swig of thy favourite ale inconspicuously in thy jowls. Expel said liquid in a spraying manner, much like Danny the Earl of Thomas, forgetting the non-washable garments of thy guests. " He was of course speaking of what we know today as .... PHYSICAL COMEDY.*   Perhaps the earliest recorded act was that of the Greek philosopher Plato who wrote in his dialogue Comedibus, "And so I slipped on the banana peel and went cascading through the garden gates. The distance was that of twelve armspans...and this caused pain to ascend from my lower torso up unto my shoulder. Yet as even I was still in motion...I could hear squeals of laughter coming from the commoners digging the floral beds. What can this relationship between disaster and ignorance be? Thus begins my study..."

    The following evidence of comedic form was saved in Egyptian pyramid drawings. Once thought to be recordings only of historic events of the rulers, recent study shows pharaohs spent years developing their own genre of cheap laughs. We see now the great King Ramses II had the largest repertoire of gags with a penchant for the oversized floppy sandal, the asp down the skirt and the dribble goblet. Carvings show he also loved wearing pharaohess clothing and imitating jackal-headed gods during official ceremonies. And he was often spotted climbing the Sphinx and sporting it with a Van Dyke beard and moustache. Other noted Egyptian contributions include Pharaoh Amenhotep III who is credited with developing the early "fake vomit patty" made from falcon vomit sundried and preserved according to Egyptian custom and King Tutmose III who was notorious for short sheeting all his mummies.
 

     One of the gravest mistakes is assuming any form of physical comedy works. Michelangelo was a prime example. One of the great masters of the High Renaissance, he was best known as a painter and  sculptor.  Unfortunately for Michelangelo, he also felt he had a talent for comedy although it was painfully obvious to his contemporaries that he was severely lacking and would never master the technique. One of his great sculptures, the figure David, he originally clothed in a milkmaid's outfit, with braided wig, holding a bucket with a piece of straw hanging out his mouth. He then hung a sign around its neck which read, "Leonardo Da Vinci?". Da Vinci, who was in attendance at the unveiling along with a prestigious audience could only shake his head as it was not the first time he had witnessed Michelangelo's total lack of humor. Only a few years earlier when he unveiled his greatest work, the Pieta, he had greeted Da Vinci at the door with a pie to his face. When the shocked Da Vinci complained Michelangelo retorted, "Hey I thought you could take a joke." Although his Sistine Chapel was a brilliant showcase of paintings and took years to complete, he couldn't help but splatter paint down on the nuns who brought him his meals shouting out a lame "whoops!" and then laughing to himself. He was finally set straight when one group of nuns, who couldn't take his poor sense of humor, tied off the scaffolding device he used to get to the ceiling and pelted him with paint soaked rags only letting him down when he promised to wash all their habits.

          During the American Revolution Ben Franklin showed his lighter side in his Poor Richard's Almanac, but he was also known to have tried his hand at physical comedy. He wore his "arrow-through-the-head" gag during the signing of the Declaration of Independence. Asked to remove it by John Hancock for decorum's sake, he was quoted to have said loudly, "Who died and made you king?", which infuriated Hancock and asked for his removal. Franklin then professed an apology by offering the unsuspecting Hancock the first exploding cigar which blew off Hancock's eyebrows and moustache, but did get a few laughs from John Adams and George Washington to Franklin's delight. On another occasion as he stood out in the famous thunderstorm with the kite and key in an effort to prove electricity,  he persisted at scaring his young assistant by simulating electrocution  several times. And although the assistant begged him to stop, at one point he inconspicuously lit his sleeve on fire shouting, "AHHHHHH! A direct hit!!"
 

      Professional comedians consider physical comedy to be the most difficult to master. When asked, many will point to Harpo Marx as their inspiration. Yet it was circumstances beyond his control that eventually lead him to perfect his form of silent physical comedy. Unlike his brothers, with whom he later formed the comedy team The Marx Brothers, Harpo was born with a voice that was unnaturally low. Even as a small child his voice was already a baritone, prompting his parents to put him in a local theater/musical group. By age 6 when his voice reached deep bass, he was moved into adult roles but eventually left when one jealous member, who felt his own voice was being over-shadowed by Harpo's, plotted against him insisting to their director that he be removed for his own sake as their Tuesday night rehearsals were keeping Harpo up past his bedtime, making him cranky. Then at age 13 Harpo's voice dropped another 3 octaves...low enough to be detected by whales. Dubbed "the bullhorn" by his peers, Harpo threw himself into learning the harp. It was then that he decided to feign a severe injury to his throat. Although never fully deciphered through his hand motions, most people believe he was either trying to tell them he had mistaken battery acid for tea, swallowed a box of straight pins, or was strangled by a cobra, electric eel, or vacuum cleaner hose... or salesman. Never-the-less, this changed the course of his life. And fortunately for him, being born into a family of brothers who all shared a desire to perform comedy, this allowed Harpo to perfect his famous routines of whistling, horn tooting and leg holds and lesser known gags of loud linguine sucking,  tripping over cats, and getting his boot caught in escalators.

     Politicians, eager to use any device to their career advantage, often study physical comedy as a companion to law.  Richard Nixon is a prime example. He was often seen as a stoic figure having little or no sense of humor, but only because he preferred to use physical comedy for his own personal pleasure. He was notorious for intentionally handing out leaky fountain pens to his Democratic opponents and then chuckling to himself as ink leaked mercilessly in their hands. At state dinners he would wear his squirting daisy in his lapel and when his guests were immersed in conversations with each other to his exclusion, he would squirt them with shots up to ten feet long across the table. His final hurrah he wrote in his memoirs. "No one knew this at the time, but as I left the office of the Presidency and stood to give my final wave to the country at the White House with the helicopter to my back, I actually was using a wooden right hand which I held securely with my real hand up my sleeve. I raised my arm in a farewell gesture and let the helicopter blade strike the hand. It fell to the ground and I had the intense pleasure of watching the scared faces of that pack of liberal reporters as it hit! I then shouted, 'I thought you pansies came for blood!' I laughed. Pat laughed. Trisha and Julie laughed. Even Gerald Ford laughed. But those liberal reporters didn't have the guts to print it."
 

 
 
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© 1998 - 2007 SWeber

Note:The above highlights are fictional accounts only.



 
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