hese two-CD collections, each with a different
feel, come close to forming a complete library of Irish music today. Gaelic
Roots is a four year old annual festival hosted by the Boston College Irish Studies
program, and the eponymous CD is live performances from two years of the
festival. Green Linnet is a record label, and their anniversary collection
is a compilation of extracts from almost 40 of the albums they have
released.
The live performances on Gaelic Roots are simpler than many
of the studio performances on 20th Anniversary; closer to an
older traditional music ambience and closer to walking into
a session and hearing musicians playing for themselves.
Their excitement is raw and lean. The artists and music on
this CD are primarily Irish, with a showing from Canada
(Cape Breton Island as well as Quebec), and some
Appalachian-influenced artists, including absolutely
brilliant mandolin playing by John McGann. Many of them are
well-known (Jackie Daly,
Natalie MacMaster, Dáithi Sproule,
Eileen Ivers,
Paddy Keenan) but many are lesser known but no
less excellent. The CD is accompanied by excellent notes,
including five page essay by
Mick Moloney about Irish music
in America; a short biography of each artist; and
translations o the three songs in Gaelic.
In some ways, I feel like Gaelic Roots highlights the music
a little more and 20th Anniversary highlights the musicians a little more.
On Gaelic Roots, although the many musicians play as duos, trios or larger
groups, and some are groupings that I seen on albums
(Paddy O'Brien,
James
Kelly, and Dáithi Sproule, for instance), they are not bands. On 20th
Anniversary, about half the cuts are bands (ranging from
Altan to
Wolfstone).
The (primarily) studio performances on 20th Anniversary
cover a greater range of sound and style than Gaelic Roots,
and tend to be more rich and lush. The excitement is often
one of crafted arrangements; its often the big Celtic band
sound that we are used to hearing today. Green Linnet has an
absolutely astounding stable of artists; the ones on this CD
generally are established bands and groups that have some
name recognition; there was only one pair of artists I
didn't recognize when I first scanned the track list. As
always with Green Linnet, the sound quality is superb; the
notes about the music, too skimpy (an interesting 6-page
history of and ode to the label, but only a short and
enthusiastic paragraph about each band or cut).
They are both great albums. If you were to buy only one, I'd
recommend the Green Linnet CD if you don't already have a
bit of a Celtic music collection. You can use it as a guide
to building a collection (of Green Linnet artists, of
course). On the other hand, if you already have a bit of a
collection and want to hear less-packaged and produced
performances, go with Gaelic Roots. Whichever you get,
you'll be pleased.