Books

1. Affron, Charles / Affron, Jona (1995) Sets in Motion. Art Direction and Film Narrative. New Brunswick, Rutgers University Press. at CUMIS
2. Beardon, Colin / Carver, Gavin (2004) New Visions in Performance: The Impact of Digital Technologies Swets& Zeitlinger, Lisse (should be in CUMIS)
3. Bordwell, David/ Thompson, Kristin (1993) Film Art. An Introduction. New York [et al], McGraw-Hill Inc. [Univ. Lib. 9000.b.5923]
4. Branigan , Edward (1992) Narrative comprehension and film. London, Routledge [Univ. Lib. 415.c.99.742]
5. Jenkins, Henry and Squire, Kurt (2002) 'The Art of Contested Spaces', in Game On: The History and Culture of Video Games, ed. by Lucien King. London: Laurence King Publ. 64-75
6. King, Geoff and Krzywinska, Tanya, eds., Screenplay: Cinema/ Videogames/ Interfaces (London: Wallflower Press, 2002)
7. Laurel, Brenda (1986) Toward the Design of a Computer-Based Interactive Fantasy System. Ohio State University, PhD
8. Laurel, Brenda: "Computers as Theatre." Reading, Addison-Wesley, 1991. [Univ. Lib.] 420.c.99.117
9. Lynch, Kevin (1960) The Image of the City, Cambridge, MA, MIT Press [Univ. Lib.] 9428.d.412,
10. Murray, Janet: "Hamlet on the Holodeck. The Future of Narrative in Cyberspace." Cambridge, MIT Press, 1997. [Univ. Lib.] 730:4.c.95.642; [Univ. Lib.] 1999.9.2099 (paperback issue); also at CUMIS
11. Neumann, Dietrich (ed.): "Film Architecture: Set Designs from Metropolis to Blade Runner." Munich/New York, Prestel, 1996. at CUMIS
12. Norberg-Schulz, Christian (1971) Existence, Space & Architecture. London, Studio Vista [Univ. Lib.] 401:1.c.95.17
13. Norberg-Schulz, Christian (1980) Genius Loci: Towards a Phenomenology of Architecture. New York, Rizzoli [Univ. Lib.] 9400.c.2932; Archit. Lib. [401]
14. Poole, Steven (2000) Trigger Happy. The Inner Life of Videogames, London, Fourth Estate
15. Schaal, Hans Dieter: "Learning from Hollywood: Architecture and Film." Stuttgart/London, Edition Axel Menges, 1996. at [Architecture and Art] 930.
16. Schrum, Stephen A (ed.): "Theatre in Cyberspace. Issues of Teaching, Acting, and Directing." New York (et al), Peter Lang, 1999.[Architecture and Art] M SCH
17. Stone, Allucquere Rosanne (1995) The War of Desire and Technology at the Close of the Mechanical Age, Cambridge, MA, MIT Press
18. Wertheim, Margaret, The Pearly Gates of Cyberspace: A History of Space from Dante to the Internet (London: Virago Press, 2000)

Articles

• Bolter, Jay David: "Digital Media and Cinematic Point of View." In: Telepolis (14.02.1997) at: http://www.heise.de/tp/english/special/film/6105/1.html
• Lehane, Scott: "UnrealCity. ILM creates Artificial Cities for Artificial Intelligence." In: Film & Video, July, 2001. at:http://www.filmandvideomagazine.com/2001/07_jul/features/A.I/unrealcity.htm
• Fuller, Mary and Jenkins, Henry, 'Nintendo® and New World Travel Writing: A Dialogue', in Cybersociety: Computer-Mediated Communication and Community, ed. by Steven G. Jones (Thousand Oaks: Sage Publ., 1995), 57-72http://www.rochester.edu/College/FS/Publications/FullerNintendo.html
• Jenkins, Henry, 'Game Design as Narrative Architecture', in First Person: New Media as Story, Performance and Game, ed. by Noah Wardrip-Fruin and Pat Harringan (Cambridge, MA: MIT Press, TBP)http://web.mit.edu/21fms/www/faculty/henry3/games&narrative.html

Projects

• "Acting in VR" (Mel Slater’s Group) at UCL http://www.cs.ucl.ac.uk/research/vr/Projects/Acting/
• "The Virtual Theatre Project" at Stanford http://www-ksl.stanford.edu/projects/cait/index.html
• "Romeo and Juliet in Hades" (Naoko Tosa) ATR Media Integration & Communication Research Laboratories http://www.mic.atr.co.jp/~tosa/it/index.html

Other material