.C H R I S T I N ....C O U T U r e


S E L E C T E D    B I B L I O G R A P H Y :



 

  Parnass, Larry, "A Summing Up That Sizzles", Daily Hampshire Gazette, July 11, 2000

  Russell, Gloria, "Memorial Art Exhibit Sparks Imagination" Sunday Republican, July 9, 2000

  Trombly, Maria, "Artist Finds Buckland Has 'Best of Everything", FRANKLIN Magazine, Sunday, June 13, 1999

  Erbar, Otto Peter, "Brush Show Out of this World", THE SUN, Sunday, Dec.27, 1998

  Broderick, Jane, "ART SEEN"(review), The RECORDER,  June 30, 1998

  Gutierrez, Megan, "Correspondence Lines" UNION NEWS,  June 15, 1997

  Kelleher, Mary "Wit, Wonder and Wow!"(review) The OPTIMIST,  Aug.10, 1996

  Walsh, Jackie, "Stories From Real Life and The Imagination" UNION NEWS,  Jan. 22, 1996

  Russell, Gloria, "Speaking of Art"(review)  SUNDAY REPUBLICAN,  June 12, 1994

  Sutherland, Amy, "Art from the Roots Up" (review) PORTLAND PRESS HERALD,  June 1, 1994

  Isaacson, Phillip, "...Soft Light of Night  Before Dark"(review)  MAINE SUNDAY TELEGRAM,  July 25, 1994

 Smith, Charles, "Acclaimed Painter Turns to Children's Books: Profile" MASSACHUSETTS MAGAZINE,  Summer 1991

 Gideon, Dawn, "Collectors' Corner: Christin Couture" NEW YORK, NY Magazine, Aug. 1991

 Tallmer, Jerry, "The Women Who Paint Men" (review) NEW YORK POST, Feb. 9, 1990

 Volkow, Veronica, "Seducciones Nocturnas de Christin Couture" UNO MAS UNO/SABADO, Mexico, July 30, 1988

 Ruhl, Steven, "Christin Couture: Darker Side is Always There" AMHERST BULLETIN, Aug.27, 1986

 Sheridan, Guillermo, "Apostillas Para Un Exposition: Christin Couture"(review) LA VANGUARDIA,  May, 1984

 De Neuvillate, Alfonso, ""Las Incognitas en los Placeres Terrenales de Christin Couture" NOVEDADES, Mexico
October   30, 1983

 Volkow, Veronica, "Christin Couture Y El Pais Del Otro Lado" UNO MAS UNO/SABAD0, Oct. 29, 1983

 Brooks, Valerie F., "Artists Worth Watching: Christin Couture" MD Magazine, Feb. 1983

 Henry, Gerrit, "Christin Couture"(review) ART IN AMERICA, Feb. 1983

 Peters, Lisa Nicol, "Christin Couture"(review) ARTS Magazine, Feb. 1983

 Rayner, Vivian, "Pooling of Resources Produces Stimulating Success"(review) NEW YORK TIMES, Feb.7, 1982

 Harrison, Helen A., "Box as Theme: Tiny Worlds of Fantasy and Illusion"(review) NEW YORK TIMES, Jan. 18, 1981

 Garcia, Emma Cecilia, "Algunas Galerias, Algunos Commentarios" ARTES VISUALES, Mexico, Mar. 1979

 Frail, F.S.,"Strange, Subtle Mysteries Mark Her Work" ALUMNUS MAGAZINE , Jan. 1979

 Drath, Viola Herms, "In New York Dominiert Das 'New Image' Painting" HANDLESBLATT , Feb.5, 1979

 Frazier, Nina Ffrench-, "Christin Couture" (review) ARTS Magazine , June, 1979

 Frazier, Nina Ffrench-,  "Christin Couture"(review) The WESTSIDER , Mar.2, 1978

 Hart, Tom, "Under Influence Whimsically Terrifying"(review) SPRINGFIELD DAILY NEWS, May 8, 1995



R e v i e w s-excerpted


ART IN AMERICA

"She has arrived at her excursions into the dollhouse of dreams very much on her own......and the Mysteries pictured are almost as funny and sweet as they are disturbing. A distinctly American imagination is at work here."

Gerrit Henry


ARTS

  "Christin Couture draws aside the velvet curtain to reveal the darker side of childhood that lurks deep in every pubescent breast........She couches these hidden urges in the sugar coating of a Victorian daydream....."

Nina ffrench-frazier



NEW YORK TIMES

"In Miss Couture dollhouse world, tiny figures are seen in intimate poses, but can be glimpsed only through curtains. There is an ominous foreboding, a sense of impending violence in these quiet settings that compels the viewer to make a periodic check to see if all is still well."

Helena A. Harrison


OPTIMIST

  "WIT, WONDER AND WOW! "Christin Couture's figurative , sensual, and detailed paintings steal the show."

Mary Kelleher


NY POST MAINE SUNDAY TELEGRAM

  "Christin Couture paints with exquisite attention to detail. The precision in her work is such that it resembles manuscript illumination in leaf. her surfaces are almost like enamel.... ......'her work has potent surreal overtones. In "Soiree", for example, nude figures waltz in a land of trees, lawns, and oil lamps."

Phillip Issacson




 
 
 
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