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Life in the Australian Outback

A scene from "Morris West's The Naked Country"


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Transcript:

It's night and Boss Dylan, an owner of a big station in the Australian outback, is sitting out on the porch having a drink with his wife Mary and a local policeman named Adams. The conversation turns to the Aborigines, the local tribal people. A young Aborigine had threatened Boss Dylan a couple of days ago as he rode around the station on his horse.

(Note: In American English a farm on which "cattle" or "livestock" are raised would be called a "ranch". In Australian English a "ranch" would be called a "station" or sometimes a "property", e.g. "I grew up on a property of about 800 acres." In conversation with a non-native speaker it also might be referred to as a "farm" or a "large farm". The word "station" implies something very large, probably more than 10,000 acres. In American English the word "rancher" is used for the farmer who owns or runs the ranch, but in Australian English such a person would be referred to as a "station-owner" or a "grazier" for smaller properties. The word "farmer" would only be used for someone who grows crops. In Australia a person who works on a station or a property should be called "stationhand". A station owner who also works on his land could be described as a "stockman" as could anyone who works with "stock" or "cattle" but the connotation of being an employee is not very strong. In America someone who works on a ranch would be called a "ranchhand". For the people working on smaller farms "farmhand" could be used in either America or Australia. For other words resulted to Australian culture consult "The Macquarie dictionary". (From a personal email communication))

Part 1: A few after-dinner drinks:

  1. Adams: What's the use of arresting them and sticking them in the jug?
  2. Dylan: Maybe it'll stop them from doing it the next time.
  3. Adams: That's not my experience. When I was in Kenya, jail was a solution for everything. All that succeeded in doing was producing the Maa Maa (a rebel group).
  4. (Boss Dylan pops the cork on a bottle of wine.)
  5. Dylan: Africa's a different problem, the bulk of their population is black. Our Aborigines are only a very small proportion.
  6. Adams: Not so tiny out here.
  7. Dylan: You know, some of them are getting pretty aggressive. One of them stopped me the other day. Told me I was trespassing on my own land.
  8. Adams: Trespassing, eh? That's a new one.
  9. Mary: Hang on a minute, darling. Haven't they got a point? I mean, it was their's in the first place.
  10. Dylan: Even so...
  11. Mary: Come on. Doesn't that give them some rights.
  12. Dylan: Well, of course it does. You're talking to me as if I'm some kind of racist. I've lived with these people all my life.
  13. Mary: You mean, you don't think they're inferior?
  14. Dylan: I think they're a long way behind us. Yeah, I mean, I don't know how you compare one culture with another, but a tribe out there like the Ginji has a life-style about as primitive as you can get. I mean, have they built a house, or turned a crop? No writing, no technology...I beg your pardon... They know how to build a fire.
  15. Mary: That's not the point.
  16. Dylan: They have lived in this country for 40,000 years and never done a thing with it.
  17. Mary: Tell me what you'd expect them to do.
  18. Dylan: Well, use the place for god's sake. I mean Australia is about the same size as America and before we arrived it supported how many Abo's? (Note: The word "Abo" is now considered an offensive word that should not be used.) Not even half a million. To me, that's...(searching for the right word) inefficient, primitive, useless...I mean I don't blame them, but I don't want to sentimentalize them either. They got a long way to go and...surely you agree Adams?
  19. Adams: You assume they're heading in the same direction as us. Ever thought they don't want it?
  20. (The scene changes. All three are about to retire to their rooms for the night.)
  21. Dylan: When are you flying back to the Bluffs?
  22. Adams: Not til Friday, if that's all right by you. Got to go back to the Ginjis tommorrow. There's a big corroboree on (an Aboriginal sacred gathering at night accompanied by group dancing).
  23. Mary: I've never seen a corroboree.
  24. Dylan: You haven't missed much. Lot of dust, lot of noise.
  25. Mary: Is there a chance that I could go?
  26. Adams: I don't see why not. Would the two of you like to ride over with us?
  27. Dylan: No. Tommorrow's a heavy day for me. I'll have to beg out.
  28. Mary: Well, I could go, couldn't I? I'd love to see a corroboree.
  29. Dylan: Well, if you want to. It's all right by me.

Part 2: A husband-wife talk before bed

Boss Dylan and his wife are in their bedroom lying on the bed talking.

  1. Dylan: Mary, I don't want you to go.
  2. Mary: Why?
  3. Dylan: I'd just sooner you didn't. That's all.
  4. Mary: It's going to be a break for me. I'd love to see a corroboree.
  5. Dylan: The tribal grounds are thirty miles away. You'll have to stay over night.
  6. Mary: Well, that's all right. I don't mind camping out. I'm sure Adams will see nothing happens to me.
  7. Dylan: The man is a lush.
  8. Mary: He's a policeman. He's perfectly trustworthy. You know that.
  9. (As they continue talking, the camera switches to Adams sneaking downstairs to steal some whiskey. Mary and Dylan's conversation can be heard in the background. Most of the words are unintelligible.)
  10. Dylan: You miss a civilized life, don't you?
  11. (The camera switches back to Dylan and Mary's conversation. They're in bed holding each other close.)
  12. Dylan: Why did you attack me at dinner?
  13. Mary: I didn't, silly. I just said what I thought. Do you really want some tame little creature who's going to agree with everything you say?
  14. Dylan: Sounds all right to me.
  15. (His answer makes her angry. She breaks from their embrace.)
  16. Mary: Oh Lance. (sigh)
  17. Dylan: Oh Mary. (sigh) I was only joking.
  18. Mary: It's just a little bit too close to the truth for my liking.
  19. Dylan: What is the matter with you, huh?
  20. Mary: You don't really want a wife, Lance. All you want is some live-in housemate to fetch and carry for you, preferably without an idea in her head.
  21. Dylan: That's rubbish. I'd be bored to death.
  22. (She angrily pushes the door to the outside open and steps out onto the deck. Dylan follows.)
  23. Dylan: What the hell's the matter with you? You're so touchy.
  24. Mary: I am not.
  25. Dylan: I try to talk to you. You bite my head off.
  26. Mary: Something's happening to us, Lance.
  27. Dylan: What?
  28. Mary: I don't know...
  29. Dylan: I always thought we had a pretty good marriage.
  30. Mary: I used to, but you've become so obsessed with your cattle and your damn prize bull, you just got nothing left for us.
  31. Dylan: Mary, you know the situation. The bank owns more of this than we do. For the next two years we can't afford to let up, or we'll go under.
  32. Mary: Lance, do you remember the last night you made love to me? Well, refresh your memory, because I know precisely. It was the night of the races, remember?
  33. Dylan: I do love you.
  34. Mary: Lance, can't you come with me tommorrow, please?
  35. Dylan: I have two miles of fencing to do.
  36. Mary: (sigh) Then I'm going alone.
  37. Dylan: You're not going.
  38. Mary: I am Lance.
  39. Dylan: All right, I'm not asking you anymore. I'm telling you.
  40. Mary: Oh, go to sleep.

Part 3: Boss Dylan talks with a stationhand

Mary sneaks of after Adams leaves and catches up with him. She's determined to watch the Aboriginal corroboree against the wishes of her husband. Boss Dylan sits on the porch with one of his stationhands and talks with him about his wife.

  1. Stationhand: When you first brought her out here, I had my doubts.
  2. Dylan: She settled in pretty well.
  3. Stationhand: She hasn't settled in at all.
  4. Dylan: Hang on, she's lasted three years.
  5. Stationhand: She hates the place. Let's face it mate. This is no country for a woman like her.
  6. Dylan: Well, she better wake up to herself. If she can't put up with the cattle country, there are plenty of women who can.
  7. Stationhand: (Laughingly) Yeah, but she's the one you want, mate. You don't want the others.
  8. Dylan: That's the trouble.

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