Most of these were made on Ilford films, developed with Ilfords ID-11 developer, mixed at 1-1.
I find that the ID-11 developer is more forgiving than most others, and with consistant developing procedures provides very predictable results. ID -11 is especially nice when proccessing Kodaks Tri-X, and Plus-X films. It holds more shadow detail, while maintaining printable highlights, than other developers I have used. While I like the range of tones with HP5, and FP4, Kodaks Tri-X is truly an amazing film. It's tonal range, and contrast are second to none, and when proccessed with care has minimal grain. That extra speed sure helps as well. I find that I am shooting it more than any other film lately.