Review

review



A Place Among the Stones
Review by Kenneth De Witt

 

Artist: Davy Spillane
Title: A Place Among The Stones
Label: Columbia 476930 2

Tracks:
1. Darklight
2. Promised Rain
3. A Place Among the Stones
4. Western Whisper
5. Starry Night
6. Elgeebar
7. Callow Lake
8. Forever Frozen
9. Always Travelling
10. Near the Horizon

This album came out at the same time as the video of 'Riverdance' and showcases one of the musicians featured in the show, performing on uillian pipes and low whistle. Spillane plays an Overton whistle and operates a sell-through system for them (I bought mine from him!), and makes his own uilleann pipes which are also available to buy.

Promised Rain is probably the track which this album will be remembered for. The rich use of multi-tracked whistles is imaginative and the highs and lows of the piece are carefully orchestrated which combined with slick unshowy technique makes this is my favourite track.

Western Whisper gives us both pipes and whistle in some faster playing against a jazz-fusion background. While speed is never one of the low whistle's strong points, Spillane manages the fast runs without any effort and had me reaching for mine to see how he does it!

Callow Lake brings out the soul of the low whistle in a slow reflective piece. Using the full tonal response of the instrument, a raw untreated recording style and Spillane's sensitive approach we are given a textbook demonstration of the beauty this instrument is capable of.

Always Travelling has a light jazz feel to it and Spillane's effortless ornamentation through the main tune makes for very pleasant listening indeed.

On some of the tracks featuring the whistle, there is a noticeable lack of wind noise, giving the sound a 'purer' more ethereal quality. I would love to know whether this is a trick of the microphone or something done to the instrument itself. This quality of sound and Spillane's unfussy style of playing make this an album every low whistle player needs in their collection. Listen and learn.

 


Heaven's Bright Sun
Review by Kenneth De Witt

 

 

Artist: Iona
Title: Heaven's Bright Sun
Label: 3 Cord Records Ltd 5 018524 142620



Tracks:
CD 1
1. Turning Tide
2. Treasure
3. Flight of the Wild Goose
4. Today
5. Irish Day
6. Luke
7. Inside My Heart
8. Trilogy
9. I Will Give My Love an Apple

CD 2
1. The Island
2. Iona
3. Columcille
4. Heaven's Bright Sun
5. Chi-Rho
6. Bi-se i mo shuil - Part Two
7. Kells Theme
8. Reels
9. When I Survey

After four studio projects, this is Iona's first venture into producing a live album. Recorded in the north of England, it brings together the best of their material in what can only be described as a sparkling and exciting set, showing the impressive talent of all the musicians involved. The multi-instrumentalist Troy Donockley playing low whistle (Overton), uillean pipes, tin whistle, electric and acoustic guitars, keyboards and cittern will feature in this review for Whistling Low. Firstly, two points; Heaven's Bright Sun is described as 'Live' (with inverted commas). This usually means that the live tapes are taken back to the studio and overdubs added later. With some performances this can kill the raw 'live' feel and add too much of a polish. Not in this case, however. I suspect a little extra synth wash here and there, and secondary instrumental harmonies on some of the fast runs, but otherwise it is as it was on the night. Second point; Iona are a Celtic Christian band, but if you expect hot gospel and an altar call you will be disappointed; This is not to say, however that the songs do not bear food for thought. Iona are uncompromising both in their beliefs and musical integrity.

The set begins with 'Turning Tide', a rich synth wash combined with pipes (with a superb touch of echo) which runs straight into 'Treasure', an up-tempo piece which features some exciting solo low whistle ad-libbing in a jazz style. We hear a player who is not afraid to take risks with his instrument, and is not reticent in using the full armoury of techniques at his disposal. There is much in this number for all low whistlers to learn from and enjoy.

The next track which features Donockley's low whistle playing is 'Today' demonstrating his superb all-round technique using tonguing and smooth slurring to good effect, while 'Luke' is a quiet, meditative track and displays good breath vibrato. 'Columcille' likewise a slow piece shows a borrowing of feel and ornamentation from the pipes.

'Bi-se i mo shuil - Part Two' is perhaps the most exciting track on the album involving a celtic-jazz irregular time theme and includes some very fast low whistle work. Prepare to catch your breath!

As you can probably tell, I rank this album very highly indeed. If you enjoy modern celtic music and the superb playing of low whistle and uillean pipes then this album must be in your collection. In my book there is no finer player in his generation than Troy Donockley, whose all-round musicianship gives him the depth of approach to any one instrument that many lack. As an exponent of the low whistle he is pushing back the boundaries with a firm and sensitive hand. I await further work from him with anticipation. Miss this album at your peril.





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