E-TYPE
Min.40 ch input + 8 FX sends (aux), 8 x FX returns, Subgroups. VCA.
2 (two) x PSU.
Each input with min. 4-band sweepable parametric EQ, sweepable highpassfilter,insert and input metering.
MIDAS H3000 / XL4 / XL3 / XL200.
Yamaha PM 4000 / PM 3500.
2 (two) ch graphic 31 band EQ - Klark.
1 (one) X CD
1 (one) X DAT / MD (rec & play).
8 (eight) X Gates - Drawmer, Klark, BSS.
12 (twelve) X Compressors - dbx, Klark, BSS
1 (one) X Lexicon 480 / TC M5000.
1 (one) X Lexicon PCM 70, 80, 90.
2 (two) X Yamaha 990 / SPX 900.
1 (one) X TC 2290 / Roland SDD 3000.
Intercomsystem F.O.H - Monitor + talkbackmic to monitor.
Console should be placed well protected from direct sunlight, rain,
wind and dust but not so that sightline to stage and soundspectra is interfeered.
Console and FX must be equiped with proper working-light.
A minimum of 40 ch inputs and 14 separate output mixes.
All inputs with 4 sweepable EQ, sweepable highpassfilter,insert & input metering.
2 (two) X PSU.
MIDAS XL 250 / XL3 / XL4 / H3000
SOUNDCRAFT SM 24 / 16 / S5.
YAMAHA PM3500 M / PM 4000 M.
14 (fourteen) channels of 31 band EQs - KLARK / BSS / XTA inserted on sends.
6 (six) X Gates - Drawner / BSS / KLARK inserted (see inputlist).
14 (Fourteen) X wedges 1 X 15" + 1 X 2" bi-amped (cue-wedge included)
NO PASSIVE.
2 (two) X sidefills 4 X 18" + 4 X 12" + 2 X 2". 3way active.
NEXO @lpha, Meyer MSL 3,
The console should be placed at stage left in order to achive clear sightlines across the stage.
The distans between faders and floor (working height) is not to be less than 1 meter.
Cue - wedge should be placed on the floor next to the engineer.
Console and FX must be equiped with proper working-light.
Intercom should be placed so that it can be operated by others without interfeering with engineer.
E-TYPE
|
CH 1: KICK |
SM 91 |
GATE FOH - MON |
|
CH.2: SNARE |
SENNH.504. |
GATE FOH |
|
CH.3: HH |
COND. |
- |
|
CH.4: TOM 1 |
SENNH.504 |
GATE FOH - MON |
|
CH.5: TOM 2 |
SENNH.504 |
GATE FOH - MON |
|
CH.6: TOM 3 |
SENNH.504 |
GATE FOH - MON |
|
CH.7: OH |
COND. |
- |
|
CH.8: OH |
COND. |
- |
|
CH.9: KICK |
SM 91 |
GATE FOH - MON |
|
CH.10: SNARE |
SM.57 |
GATE FOH |
|
CH.11: HH |
COND. |
- |
|
CH.12: TOM 1 & 2 |
2 X SENNH.504 (SPLIT) |
GATE FOH - MON |
|
CH.13: OH |
COND. |
- |
|
CH.14: OCTAPAD |
DI. |
- |
|
CH.15: OCTAPAD |
DI. |
- |
|
CH.16: BASS DI. |
DI. |
COMP FOH |
|
CH.17: BASS MIC. |
SENNH.421 |
COMP FOH |
|
CH.18: GTR LEFT MIC. |
SM 57 |
- |
|
CH.19: GTR LEFT DI |
OWN DI |
- |
|
CH.20: GTR RIGHT MIC. |
SM 57 |
- |
|
CH.21: GTR RIGHT DI |
OWN DI |
- |
|
CH.22: KEY 1 LEFT |
DI. |
COMP FOH |
|
CH.23: KEY 1 RIGHT |
DI. |
COMP FOH |
|
CH.24: KEY 2 LEFT |
DI. |
COMP FOH |
|
CH.25: KEY 2 RIGHT |
DI. |
COMP FOH |
|
CH.26: KEY 3 LEFT |
DI. |
COMP FOH |
|
CH.27: KEY 3 RIGHT |
DI. |
COMP FOH |
|
CH.28: VOC KEY 1 |
BETA 58 |
- |
|
CH.29: VOC DRUMS 1 |
OWN HEADSET |
- |
|
CH.30: VOC DRUMS 2 |
BETA 58 |
- |
|
CH.31: VOC KEY 2 |
BETA 58 |
- |
|
CH.32: VOC BASS |
BETA 58 |
- |
|
CH.33: VOC 1 |
OWN WL |
COMP FOH - MON |
|
CH.34: VOC 2 |
OWN WL |
COMP FOH - MON |
|
CH.35: VOC 3 |
OWN WL |
COMP |
|
CH.36: VOC E-TYPE |
OWN WL |
COMP FOH - MON |
|
CH.37: SPARE VOC |
BETA 58 |
- |
|
CH.38: MD FROM STAGE |
- |
- |
|
CH.39: MD FROM STAGE |
- |
- |
|
CH.40: |
- |
- |