ART ESSAYS FICTION FILM INTERESTS POETRY REVIEWS

INQUISITION

 

ART

ESSAYS

FICTION

FILM

INTERESTS

LINKS

POETRY

REVIEWS

  (Click here to return to main page)

     Grand Inquisitor

United Killers of Benetton

                                                                                Armando Valle

     This is the first one--the first entry of the Grand Inquisitor. Don't be pissed at any grandiose connotation of this column's title: I'm no better than anyone else. What I hope this column carries thru is the urgency of asking questions, thinking for yourself, and finding your own truths in this vast, mystifying universe. Thus, each of us carry within our own Grand Inquisitor.

     Straight to the bulls**t at hand. Just a few days ago I watched a report on CNN on a certain clothing company who recently began an ad campaign so reprehensible they actually crossed several lines and ran deep by the length of several football fields: United Colors of Benetton launched an ad campaign, "We, On Death Row", on major magazines and billboards around the country. Benetton's no stranger to taking major risks in the advertising world, having in the past fueled ad campaigns themed around racism, war in the Balkans, and the AIDS epidemic--one ad placed us right there on the sickroom of a dying AIDS patient surrounded by friends and family before the moment of death. The president of Benetton, Carlo Tunioli, explains that the company seeks to start dialogue. That's all fine and monkeypoo, but I think there's something deeply perverse about presenting us with a picture of dead man on the street, blood running down the pavement, body craddled by a grief-stricken mother, and then a strategically placed United Colors Of Benetton sticker.

     How far will a company go to sell a product? How much is too much? Are we suppose to buy f*****g Benetton sweaters because they present us with some graphic existential picture? Can you imagine: "Yes, Jane, I bought this excellent Benetton wooly shirt after seeing that ad in Interview magazine with the gun-toting terrorist and the gunned-down child!" Bad enough is to pass real-life tragedies as marketing points but even worse is to manipulate said real-life tragedies to tell advertising-life fictions. The ads for Benetton's "We, On Death Row" present the plain faces of men waiting for the Big day on death row. Faces shown in an out-of-context manner, almost noble, and seemingly innocent.

     Nowhere in the ads is there any mention of the crimes for which these men are sitting on death row. Nowhere are the names of the victims or the way in which their lives were taken. Look at this picture:

jeremy.jpg (10525 bytes)

     This is Jeremy Sheets. Young, isn't he? Cute, isn't he? Innocent, doesn't he look? What this picture doesn't tell you is how this man raped, beat and slashed the throat of a black, young woman named Kenyatta Bush. What Benetton might be trying to say with this approach would run somewhere in the lines of: "This human life will be wasted, crushed by the State in a omnipotent display of Power and Inhumanity." Nowhere has Benetton put in fine print: "By the way, he's a convicted rapist-murderer who would most likely do it again if set free." To say the least, the ad campaign seems to have been conceived by people to which the word Ethics means just a strange kind of hair shampoo. To not mention the crimes and the victims of the likes of Jeremy Sheets is a slap in the face to the victims' families and one downright f*****g insult.

     I could go on as to how f****d-up I think this campaign is. For example, they have John Lotter's mug, Teena Brandon's killer, as well as a majestically well-placed quote from him on the pages of Talk magazine. (Teena Brandon was the young man from Nebraska who was raped and murdered by his friends after they found out "he" was really a woman living life as a man. He was the subject of the recent film Boys Don't Cry.) Even as a modern society, we seem to not have learned the lesson that the media has the irrevocable power of painting criminals as saints, rock stars or demi-gods. The pages of Talk magazine serve as the perfect stage for moder revisionism: Because it's printed in big glossy font it must be true.

     Let me tell you, Benetton might make fine T-shirts but I won't be wearing any of their products for some time to come. If this company knows what's good for them they will show Carlo to the double-glass-paned door immediately. Just found out minutes ago that Sears backed out of an exclusive deal with Benetton to sell their clothes in their stores. The issues of the death penalty, crime, and punishment, are messy, intense and provocative. If Benetton wanted to make us think about them the least they could have done was to be responsible in the handling of the subject matter and shown the victims the respect they f*****g deserve.

                                             Armando Valle                                                (Feb/17/00)

                                                                              copyright 2000  

     Armando Valle can be e-mailed at:spirinexus@hotmail.com

    (Click here to return to main page)

 

1