Marc’s Digression: Gimme no lines and keep your trips to yourself

first ran 3/9/00

Why do people who have just started smoking pot feel compelled to inform others of their altered state?
“Oh man,” they invariably begin. “I am sooooo fucked up right now.”
First off, it is usually apparent when one is “fucked up”--the red eyes and the non sequitors, not to mention the perpetual cloud of incense and cologne hovering about the inexperienced stoner, typically cue others in on the upness of the fuck. To those who have just entered into the world of bong hits and roll papers and who think they can get away with being clandestinely high: You aren’t fooling anyone.
After establishing the apparent, an inexperienced pot-smoker follows up the statement with either “That s**t was harsh!” or “Man, I need some Doritos” in an annoying, slightly offensive Latino accent.
I have been around the over-achieving experienced variety as well, a more tolerable kind if you’re trying to watch TV but not at all useful for conversation. The mellow, perpetually-baked toker will respond to questions put to them but it usually takes them ten to fifteen minutes to realize they’ve been spoken to, process their reply, set their mouth in motion (followed a bit later by the tongue and lip movement) and, at last, speak in slow, measured syllables that seldom have any correlation with the original question. For example:
The Question:“Hey man, where are the donuts?”
The Reply:Pause.
Extended pause.
Spark of consciousness.
Processing.
First indications of speech, beginning with a grumble in the throat.
Mouth opens. Shuts. Opens. Grumble becoming louder.
Pause. “Did... you say something, man?”
Repeat entire conversation three times while other stoned individuals, smitten with The Munchies, polish off the dozen donuts in question, which were (naturally) in a back bedroom beneath a pile of dirty clothes and empty CD cases.
More annoying than the recently-initiated weed-smoker is the weed-smoker/acid-tripping combo. Because of my rather unconventional personality, it is assumed by a great many people that I am under the influence of LSD most of the time, which is patently false. I will admit to trying acid in high school but I didn’t like not being in full command of my faculties and, besides, I am weird and paranoid enough without drugs. At the time, I thought mind-altering substances such as acid and mushrooms (I refuse to call them “shrooms” because it takes very little effort to say “mu”) would help me write like Allen Ginsberg or Jack Kerouac, but instead I ended up writing stories on the level of second graders, only stupider and with less coherence (I won’t even go into my “I want to write like William Faulkner--where’s the whiskey?” phase).
While it is disconcerting to be thought of as constantly tripping (usually by people who have no idea what a tab of acid looks like) it is more odd that people who are dropping acid feel the need to discuss their trips with me. In detail. As if the thoughts and ideas they formulate on their aimless vision quests are intensely profound observations with as much insightfulness as Plato’s Republic or Heidegger’s Existence and Being when, in actuallity and to the sober (or sober-friendly) mind, the insight is about as engaging as an episode of Touched by an Angel (sober non-sequitor: Does that title sound vaguely pornographic or is it just me?).
Timothy Leary advocated the use of LSD, primarilly because he felt that the drug assisted the mind in reaching its full potential. He did extensive research on the subject while at Harvard (and then while not at Harvard). He might have been correct. It seems to me impossible to improve mental states, however, while “becoming one” with Pink Floyd’s The Wall, trying to imagine what God was thinking when he made platypuses (platypi?), detailing to someone else (usually me) what it feels like to drop acid and then have sex with imaginary gnomes, or else spending the entire trip in a closet because you’re convinced the Man is about to raid your hovel.
I could be wrong. I know Leary had a methodology and was, indeed, a very intelligent man. But he must not have encountered certain individuals who shall be nameless here forever more, who find themselves incredibly witty and urbane when they get high, but are actually quite vapid and boring.
I don’t condone drugs. I don’t scowl at people who use them either. I have my own drugs: nicotine and caffiene, so who am I to judge? All I have to say is, just because you use mind-altering substances, it does not mean you are a rebel, an interesting person, or harbor a misunderstood genius. Naturally, the same goes for sanctimonious teetotalers who disapprove of tweaking reality every now and then: just because you’re intense and pure does not make you a smoldering tower of intelligence, a landmark of moralism or a Republican.

On an unrelated personal note, the UNA Departments of Communications and Theatre and Music will present Guys and Dolls on March 16, 17, 18 and 19. I’m playing Harry the Horse and am lucky enough to be working with some wonderful performers, most of whom have very little time to engage in illicit acts. If you are interested in attending a performance, call (256)765-4247 for general ticket information.

digress to home 1