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Shadow Gallery

1. The Dance of Fools
2. Darktown
3. Mystified
4. Questions At Hand
5. The Final Hour
6. Say Goodbye to the Morning
7. The Queen of the City of Ice

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Previous Releases
Shadow Gallery - Shadow Gallery (1992)
Shadow Gallery - Carved In Stone (1995)
Shadow Gallery - Tyranny (1998)
Related Albums [In Sound].
Dream Theater - Awake (1995)

 

My journey with Shadow Gallery is a backwards one. Tyranny, Shadow Gallery's most recent release, was my first experience with this excellent prog metal band. I soon followed up on Tyranny with Carved in Stone, SG's second release. So, several months after my first exposure to Shadow gallery, I finally have their first album, Shadow Gallery (self-titled).

 

1. "The Dance of Fools" - One of the trademarks of Shadow Gallery is their intricate and beautiful vocal melodies. This song has that. It also has a symphonic/neo-classical feel to it as well. They really lay on the instrumental stuff here. Some of it seems to be a bit pointless but, overall, it is quite good. As is the song -- quite good. This song seems to be a predecessor of sorts to "Don't Ever Cry, Just Remember" from Carved in Stone and "Hope for Us?" from Tyranny. This goes down as one of my favorite Shadow Gallery songs.
2. "Darktown" - Another long intro. Shadow Gallery loves these. The intro reminds me quite a bit of "Ghostship" from Carved in Stone. Carl Cadden-James, SG's bass guitarist, provides us with an awesome flute "solo" during the intro. It's very good. The vocal melodies are on the straightforward side. This provides me with a slight problem. I expect more intricate vocal melodies from Shadow Gallery. So, even though this song is good, I'm a bit letdown by the vocal melody. Again, this song is too much on the technical side.
3. "Mystified" - Another long instrumental opening. Again, very symphonic in texture. The vocal melodies here are good but not as intricate and beautifully woven as I'm used to with this band. They will progress.
4. "Questions at Hand" - This song is a fast-paced one with a cool recurring chugga-chugga faster-than-light guitar. But, again, Shadow Gallery is too technical here and the vocal melodies are inconsistent -- they go back and forth from weak to good to weak again. But Shadow Gallery will learn that good songwriting is better than technical overindulgence on their next two albums.
5. "The Final Hour" - This one starts off with a cool vocal melody. Not as great as some of their more recent work but it's a sign of things to come -- good things. Again, there is too much senseless technical work here.
6. "Say Goodbye to the Morning" - A overly-technical intro gives way to a beautiful vocal melody. This is another song that is somewhat of a predecessor to "Don't Ever Cry, Just Remember" and "Hope for Us?". Unfortunately, this song is again plagued by too much senseless technical self-indulgence.
7. "The Queen of the City of Ice" - This song lasts over 17 minutes! Narration helps tell us the story of this song. This tune starts off good enough. It's quite laid back and easygoing. The first vocal melody is quite pretty. The down side of this song is that it lasts too long! And we are "treated" to more senseless technical masturbation. Gee, just what we needed.

 

Shadow Gallery is what I would call light symphonic technical/prog metal on their first release. It's an above average album, I can hear how subsequent releases have fleshed out their sound. The guitars since have become heavier and the instrumentals have more meaning. They have since become more progressive and less technical (technical and progressive are two different things, kids). Mike Baker, SG's vocalist, has also become a better singer since. He's good here but is now one of the best in all of rock -- prog metal or otherwise. Another thing Shadow Gallery is known for is their vocal harmonies. SG does this here but the harmonies aren't as well-realized as they will become. What surprised me most about this album is the strong neo-classical feel to most of the songs. Brendt Allman, SG's guitarist, has stated that he was influenced by Yngwie Malmsteen. So maybe I shouldn't be so surprised at the neo-classical feel to the cd, Allman did co-write some of the material, after all. Carl-Cadden-James is Shadow Gallery's main songwriter on this one. Brendt Allman, Chris Ingles (keyboards) and Mike Baker along with future member Gary Wehrkamp (guitar, keyboards) will become more involved in the songwriting is subsequent releases. This is a good thing for it makes Shadow Gallery stronger.

If you are looking for true progressive metal, like pre-Falling Into Infinity era Dream Theater (yes, I've heard Scenes From A Memory and progressive it ain't) or Rage for Order/Operation: Mindcrime era Queensryche, look elsewhere. Is Shadow Gallery progressive on this one? Kinda. They are more technical than they are prog but this is still a good album. The good news is, Shadow Gallery will move into the aforementioned Queensryche/Dream Theater territory with Carved in Stone and Tyranny.

It all depends on what you like.

Rating: 6.1
by Joseph White
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