The Contemporary A Cappella Society has released a series of instructional booklets, ranging from "how to start a group" to "how to put on a show for that group" to "OK, you've got the show, you've got the performers - how're you going to publicize that?"
What is the Producing the Ultimate A Cappella Show kit?
It's a booklet, by Chicago Harmony Sweepstakes producer Gary Podalsky, and National Championship of Collegiate A Cappella head Jessika Diamond. It covers many of the little details learned through the sweat of years of producing events, ranging from choosing the venue, the groups, getting seed money, a PR plan, printing and selling tickets, technicians, house staff night of the show.. scared yet? You shouldn't be. The booklet will help you deal with all of it.
Here is an excerpt from the PTUAS:
On the other hand, if youre doing a benefit show or a competition, you are looking at a completely different type of budget - for a benefit, many groups will donate their appearance fee or cut their rate dramatically. For a competition, groups dont get paid (you may even consider charging them to compete). Youll still need to book a hall in advance, though there are ways to cut that cost as well (well cover that more under FINDING A VENUE).
No matter what kind of show youre hoping to put on, assemble a budget based on the cost of everything (and add another 10 per cent for the unexpected), break it down into what has to be paid before tickets go on sale and what can be paid after the event, and figure out where you can get the money for the initial costs.
Since you dont know if the show will be a success, be conservative in your estimates of the shows income.
It's a booklet, published by CASA, containing the information a group really needs to know if they intend to go all the way (or even part of the way) with their music.
The booklet contains tips on writing a press release, getting articles written about your group, finding an agent, choosing your promotional photos, deciding on a logo... And much more.
Here is an excerpt from the UACP:
Releases should be somewhat comprehensively informative because most of the people reading them may never have heard of you or may know little about your group. However, don't confuse the release with the biography, which is on a separate page. A little background is important, i.e. "The Acafellas have been performing around Colorado for five years," but save the story about how the group formed, names of members, etc., for the bio page.
Simple - money. Not much, mind you.
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