INTERVIEW (Extract No.1)
Hot Press - 1985
With his latest album Shag Tabacco, Gavin Friday has also delivered the best 'four-in-the-morning album' this country has ever produced - the musical equivalent of a world inhabited by the likes of Joyce, Beckett, Ballagh, Patrick McCabe, post-Achtung Baby U2 and their European soul-brothers Berholt Brecht / Kurt Weil, Edith Piaf and Jacques Brel as they sit down to sip a cocktail in the late, lamented Mr. Pussy's Cafe-de-luxe on Suffolk Street.
Not surprisingly, Gavin is buzzing because he knows his time has come. But then a lot has changed in Gavin's life in the last three years since he released his last album, Adam 'N' Eve with arch-collaborator Maurice Seezer. He's scored his first movie, In The Name of The Father, gotten married and had a close encounter of the most chilling kind, with death. And that's just for starters. He also feels that pop music, in the broadest sense, has changed for the better and that he has absorbed some of those changes.
"Probably the biggest difference between this record and the last ones, is producer, Tim Simenon, from Bomb The Bass," Gavin explains. "As a solo artist I tended to work so far with people who understood my reference points totally. Tim is different. He's only 27-28 and comes from a totally different culture, having come through in the mid 80s with rave, dance." [contd]
Joe Jackson
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