Asia Africa Intelligence Wire (September 11, 2002) BANKING ON THE MONK (From Malay Mail) By: Rizal Solomon WITH Spider-Man and Road to Perdition, 2002 was a good year for comic book adaptations. 2003 teases us with the promise that it is going to get better. We have Daredevil, Hulk, X2 and, in between all that Marvel muscle, The Bulletproof Monk. The comic, a cult hit, has been described as a Hong Kong action movie on paper. Well, to be sure, it does pack the requisite amounts of honour, loyalty, betrayal and loss that Hong Kong cinema is famous for, wrapped up tight with enough bone crunching martial arts. But the book also smartly marries that to the larger than life superhero genre. The movie is produced by John Woo and Terence Chang, with their old buddy Chow Yun-Fat taking on the lead as the Bulletproof Monk. Sean William Scott plays Kar, the young potential Martial Arts master whom the Monk guides, while James King and the always reliable Mako rounds out the cast. The project does sound promising doesn't it? But picking up the original 3 issue limited series, now re-released as a complete tradepaperback, and Chow Yun-Fat fans might be in for a little surprise. The comic is largely more about Kar, a Chinese immigrant making his way in the US, than it is about the Monk. The Monk is more of a mythical figure, an elusive story that has profound impact on the life of Kar. Kar is attempting to track down the Monk, but the struggles of assimilating into America distracts him, and, when the story opens, we find that he has lost his way in his spiritual search. He is still a formidable martial artist, but his immediate concerns about finding acceptance with local gangs have nothing to do with the Monk. But destiny has a way of playing havoc with what you want. The book has more emotional bite and motivation that the standard martial arts comic, and that is its strong points. Kar struggles with memories of his life in Hong Kong, memories that clash with his life in America. Bulletproof Monk, the comic, is largely Kar's story of discovery. The movie, however, will be rather different from the comic. Fans of Micheal Avon Oeming may be a little disappointed too. For here, we have an Oeming that isn't at the top of his game just yet, he's still growing as an artist, and there are some parts of the action sequences that leaves something to be desired. It is still pleasing to the eye, but bear in mind when this book was first published and you will see the transition of a very interesting artist. This collection features an introduction by John Woo, and we can see the themes that drew the cinema legend to this project. Early word on the movie goes something like this ... for 60 years, a mysterious monk with no name (Chow Yun-Fat) has traversed the globe to protect an ancient scroll - a scroll that holds the key to unlimited power. Now the Monk must look for a new scrollkeeper. Kar (Scott, yeah of American Pie fame) is an unlikely candidate, a streetwise young man who only cares about himself. But when he inadvertently saves the Bulletproof Monk from capture, the two become partners in a scheme to save the world from the scroll's most avid pursuer. The Monk, Kar and a sexy Russian mob princess called Bad Girl must struggle to find, face and fight the ultimate enemy. Of course, the ideal would have the project be directed by John Woo, but we're willing to give newcomer Paul Hunter a chance to deliver. If everything clicks right with this project, we could have a sleeper hit. What remains to be seen now if the deep spiritual core of Kar's journey in the book, is retained in one form or another in the upcoming movie.