Borknagar

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Borknagar
1996 Malicious Records 

Borknagar

  1. Vintervredets Sjelesagn
  2. Tanker mot Tind (Kvelding)
  3. Svartskogs Gilde
  4. Ved Steingard
  5. Krigsstev
  6. Dauden
  7. Grimskalle Trell
  8. Nord Naagauk
  9. Fandens Allheim 
  10. Tanker mot Tind (Gryning)

Line-Up

Øystein G. Brun - Guitar 
Garm - Vocals 
Infernus - Bass 
Ivar Bjornson - Keyboards 
Grim - Drums
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Evan's View
 

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The Olden Domain
1997 Century Media Records 

The Olden Domain

  1. The Age of Oden 
  2. The Winterday 
  3. Om Hundredeaareralting Glemt 
  4. A Tale of Pagan Tongue 
  5. The Mountains Rove 
  6. Grimland Domain 
  7. Ascension of our Fathers 
  8. The Dawn of the End 

Line-Up

Øystein G. Brun - Guitar 
Garm - Vocals 
Kai Lie - Bass 
Ivar Bjornson - Keyboards 
Grim - Drums
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Evan's View
 

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The Archaic Course
1998 Century Media Records 

Elements

  1. Oceans Rise 
  2. Universal 
  3. The Witching Hour 
  4. The Black Token 
  5. Nocturnal Vision 
  6. Ad Noctum 
  7. Winter Millennium 
  8. Fields of Long Gone Presence 

Line-Up

I.C.S. Vortex (Simen Hestnaes) - Vocals 
Øystein G. Brun - Guitar 
Jens F. Ryland - Guitar 
Kai Lie - Bass 
Ivar Bjornson - Keyboards 
Grim - Drums
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Evan's View
Majestic, that would be the only way to describe Borknagar's third release. Built upon the experience of their first two albums, The Archaic Course is a whirlwind tour through the minds of some very talented individuals. Plagued by interminable line-up changes, founder Øystein Brun has assembled yet another stellar cast of Scandinavia's finest to perform their particular brand of symphonic metal. "New" vocalist Simen comes over from Arcturus, which was also home to previous Borknagar throat Garm, who's now back in his main unit, Ulver. Yeah, it's a bit of a soap opera (I guess these guys are from the nomadic tribes...) but even if it's only for this release, the B'nagar crew reign supreme. Just rife with classical and orchestral overtones, The Archiac Course is a joy to hear. A relatively short album (really about 32 minutes of song), it's over pretty quick, but not before you're just floored by what's encoded on the disc. Built around a "standard" black metal riff base and steady double-bass, TAC is fleshed out by swirling keyboard layers (I hear a lot of old Yes in there) and Simen's incredible clean vocals. Able to express a wide range of feeling though his voicings, he really adds an emotional facet to the music, and to me is now an integral part of the band's sound. The requisite growls are still here, but are used only when appropriate. For an album such as this, that's definitely not every track. More accessible than a lot that's out there, bolstered by another excellent Woodhouse production job. The psychadelic influences are best heard on Winter Millennium, where the keyboards are so familiar, yet the overall sound is something original to me. Closes with an ambient "rain in the woods" track. The perfect background for a lazy Sunday? You be the judge. A success on all fronts, this is becoming a highly recognized album, and for good reason. 
8 out of 10 
Line-up troubles once again, as Kai and Grim have left the band, replacements yet to be named. 
10/99 - It was reported that drummer Grim was found dead in his home as the result of an apparent overdose of sleeping pills.

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Quintessence
2000 Century Media Records 

Quintessence

  1. The Rivalry of Rhantoms
  2. The Presence is Ominous
  3. The Ruin of Future
  4. Colossus
  5. Inner Landscape
  6. Invincible
  7. Icon Dreams
  8. Genesis Torn
  9. Embers
  10. Revolt 

Line-Up

I.C.S. Vortex (Simen Hestnaes) - Vocals, Bass
Øystein G. Brun - Guitar 
Jens F. Ryland - Guitar 
Lasare - Synths 
Asgeir Mickelson - Drums
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Evan's View
When a band names their latest album "Quintessence", you can be sure that they're pretty confident in their abilities, and after 1998's stunning Archaic Course, 
Borknagar no longer have anything to prove.  To us, anyway, as the band has gone through yet another roster change, with a new keysmith and drummer in the ranks, with the latter maybe having some big shoes to fill after the stopgap entry of Nick Barker on tour.  And this is where I digress on the percussive aspects of the record, noticing 
some intricacies upon the first few spins, but only really hearing them after discovering the out of control Spiral Architect CD.  This guy is an amazing drummer, not
in terms of fills per second, but in the simple fact that he plays exactly what is needed here.  After hearing his previous work, I know what this guy is capable of, and the restraint used here saves the day for me, because this is just the foundation for that soon to be classic Borknagar sound.  Brun has said that he sees these compositions in 
terms of colors, and while I may obstain from the magic mushrooms, I can see the idea behind this.  Equating the colors with layers of sound, you can either mix everything
in small doses to create something from the impressionist era, or pollute everything into a nice muddy brown design.  Again, restraint appears to be a factor, for there
is tons going on here, but all so appropriate, it's obvious that the goal was known and agreed upon before the first riffs were penned.  Truth be told, I was a bit disappointed
upon the first few listens, for there's so much to grasp, and some of the more grandious elements from The Archaic Course are absent.  As time progressed though, this
is rapidly becoming THE Borknagar release for me, the exchange of Woodhouse's pristine yet somewhat light production for that mammoth Abyssal sound increasinging the heaviness factor in the relevent places.  Excellent performances from some of the more known names
in the Scandanavian scene, this may indeed be the quintessential document for all parties concerned, and a very logical step onwards from the band's outstanding previous collected works.
8 out of 10
 

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Links

The Official Borknagar Site
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All text copyright 2000 Evan Howell
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