Simon and I had a lot of good times making this album. It was fun. The song writing came effortlessly. It was a great relief not to have to rehearse songs at a band practice, which can be brain damage at the best of times. Also, Yoko had never been in a studio and so she created a lot of extra energy. Bob Clearmountain called and said he loved the songs and could mix some tracks between Bruce Springstein's album and David Bowie's new record. This made Simon and myself feel a little embarrassed, as we had decided to produce the album ourselves and being scheduled between two musical icons didn't boost our egos but worked in reverse, making us feel a little shy and nervous. We hopped around various cheap studios in London. We were mobile, just the three of us. Yoko seemed to always find a cheap Japanese restaurant nearby. By the time we started mixing the album at The Right Track Studios in New York with Bob Clearmountain, we were very proud of the album. Clearmountain fortified this confidence, I must add. Chuck New mixed the remaining tracts at Battery Studios. A week later , we went to Thailand to do " THE VIDEO" , convincing the director it was the only place in the world where the lighting was right. Mind you it didn't take him long to agree. About one millisecond...... I think. Kind regards, Johnnie