COMMENT
Tune to concert A (440Hz).Chords shown in TAB format at the end of this document.
Roman numerals indicate the fret position for barre chords. E.g. Cm7(III) means barre C minor 7 at the third fret, while A(O) means open Amaj chord folk style (no barre). The forward slash '/' in the lyric of verse 1 indicates where the associated chord change occurs. The slash is supressed elsewhere (mostly).
Dbm7(IV)->Bm7(II) means 1 beat on each chord moving down in position. Folkies can substitute a standard Dmaj(open) for Bm7(barre).
Strumming ... A(O) / E7sus4(0) [Repeated 4 times]
What chance did I stand? How / could I resist? Your A- A(O) / Bm7(II) merican arms and / your French kiss. From A(O) / Dmaj7(II) New York to London / London to New York A / Bm7 With this broken / heart so / British Dbm7(IV) / E7sus4 / A(O)
Ooh oooo / yeah yeah. As Dbm7 / Bm7 broken as the Manhattan skyline / E / Bm7->Dbm7 (move up) Ooh oooo / yeah yeah Dbm7 / Bm7 As broken as the fragments of my mind E My mind my / mind Bm7 / A New York to London / London to New York / ...yeah A / Dbm7->Bm7 / Bm7->A / Dbm7->Bm7 / Bm7->A
COMMENT
In the second measure, the Bm7 is proceeded by one beat on the Dbm7 then moving down to the Bm7. Same for Bm7->A. Hard to explain in words but you'll hear the effect. Folkies, A -> D ok.
Now our love is lying like some troubled land Now you are my Ireland, and I'm your 'Nam From New York to London, London to New York With this broken heart so British Ooh ooh yeah yeah As broken as the Manhattan skyline Ooh ooh yeah yeah As broken as the fragments of my mind My mind my mind
I should cry more tears for Israel A / Bm7 / E Instead of dwelling in my own hell Dbm7 / E And my love and / my world's plight Bm7 / Dbm7 They're still giving me / sleepless nights Bm7 / Dbm7->Dmaj7 What chance did I stand? / How could I resist? A / Bm7 Now this broken this broken this broken heart ... Dmaj7 / E7sus4 So British A(0)
Ooh ooh yeah yeah As broken as the Manhattan skyline Ooh ooh yeah yeah As broken as the fragments of my mind A / Dbm7->Bm7 ... / Bm7->A ... / Dbm7->Bm7 ... / Bm7->A (etc)
COMMENT
Repeat chorus; ad lib to fadeout. After the first set of synchopated drum rim-shots, drop the Bm7->A emphasis to simply become:
A / Dbm7->Bm7 ... / A ... / Dbm7->Bm7 ... / A (etc ... to fadeout)
Numbers indicate the fret position (not fingering) in TAB notation.
A(0) Bm7 E(0) e -0-------2-------0------------- B -2-------3-------0------------- G -2-------2-------1------------- D -2-------4-------2------------- A -0-------2-------2------------- E -0-------2-------0------------- E7sus4 Dmaj7 e -0-------2--------------------- B -0-------2--------------------- G -2-------2--------------------- D -0-------4--------------------- A -2-------5--------------------- E -0-------x---------------------
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