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Liz Phair Articles



WORKIN' 9 TO 5
Before the bling-bling, the private jets and the MTV-worthy cribs, some superstars did, in fact, "keep it real." They got down -- and dirty, from mowing lawns (Avril Lavigne) to pumping gas (John Mayer). We invited nine musicians to return to the scene of the grime and show off their hidden talents. What a way to make a living!
by James Patrick Herman


liz phair
JOB: Artist. DURATION OF EMPLOYMENT: "Ages 23 to 26. I was a dilettante and refusing to get a real job. I worked out of my apartment in Wicker Park, Chicago. My mom would buy me clothes, and I would mooch food -- and mud masks -- off friends." SALARY: "I sold about a piece a month, so around $400. I barely made my rent." WORK EXPERIENCE: "My mother worked at the Art Institute of Chicago. I made terrible art, cheesy stuff, until I went to college and I was challenged. People wouldn't let me get away with crap. They forced me to make art that was meaningful." SKILLS: "Hand-eye coordination and a keen sense of graphics." JOB PERKS: "Freedom. I didn't have typical job hours, which I liked. And creative rewards. I felt great about myself when I made a great piece of art." JOB HAZARDS: "Abject poverty. And charcoal is hideously dirty -- probably a health risk when you inhale it. So I trashed my the room I worked in; I trashed my body, my pores. As much fun as it was making art, I hated all the dirt under my nails. I miss drawing, but I don't miss the lifestyle." THE BOSS: "I was my own boss, totally." CURRENT LINE OF WORK: Her CD Liz Phair is on Capitol.



Stuff, July 2004



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