RAY OF LIGHT - 1998


1. Drowned World/Substitute For Love
2. Swim
3. Ray Of Light
4. Candy Perfume Girl
5. Skin*
6. Nothing Really Matters*
7. Sky Fits Heaven**
8. Shanti/Ashtangi
9. Frozen**
10. The Power Of Goodbye**
11. To Have And Not To Hold**
12. Little Star***
13. Mer Girl
14. Has To Be

Produced by Madonna and William Orbit
* Produced by Madonna, William Orbit and Marius De Vries
** Produced by Madonna, William Orbit and Patrick Leonard
*** Produced by Madonna and Marius De Vries

After literally EVERY eighties icon crashed and burned in the mid-late 1990s, it was absolutely thrilling to watch Madonna blow everybodies mind with this exciting, creative and aurally gorgeous album. Selling over 370,000 copies its first week, RAY OF LIGHT set a new record for the highest first week sales of a female artist in the Soundscan era. Produced almost exclusively by William Orbit (who remixed Justify My Love and I'll Remember), this album adds electronic sounds to Madonna's pop perfection. Its wave-like and bleeping surphace noices add to the ethereal and spiritual feel of the lyrics. A very personal album, RAY OF LIGHT features lines like "I feel like I just got home", "You breath new life into my broken heart", "I traded fame for love", and "I need to make a connection", as well as songs devoted to her mother (Mer Girl), her daughter (Little Star), fame(Drowned World/Substitute For Love) and spirituality (Shanti/Ashtangi, Sky Fits Heaven). RAY OF LIGHT shows us another side of Madonna while keeping the madonna constants: loneliness, sorrow, dance, and expressing yourself. Selling over 11 million copies in 11 months, RAY OF LIGHT is shaping up to be Madonna's best selling as well as her best album of the decade.


Drowned World/Substitute For Love
- "I traded fame for love/ Without a second thought/ It all became a silly game/ Some things cannot be bought/... And now I find/ I've changed my mind" opens Madonna's first new album in almost four years. Her focus has shifted again and now is dealing with the loneliness and isolation associated with fame. A weeping, rolling ballad, Drowned World features Madonna's Evita enhanced vocals and even though she knows things can't be changed, the longing in her voice shows that even the queen of hype wants to be left alone. This mesmirizing track was the third release in the UK (debuted at #10 and then fell out of the top forty after three weeks), and was scheduled to be the fourth release in the US, but Nothing Really Matters filled that slot, so who knows whats happening there. A video, directed by Walter Stern is a story of a Madonna-like celebrity being hounded by the press and public and finding solace in her daughter. Beautifully shot with subtly disturbing special effects, the Drowned World video features a heartbreaking moment where Madonna slows down to smile at a child and her mother and immediately has a camera shoved in her face.

Swim - Recorded on the day Madonna discovered the news of her friend Versage's death, Swim has raw vocals that beg people to look at what the world has become and to try and change it. An honest, sincere plea for change in difficult times with a killer guitar. "Swim to the ocean floor/ So that we can begin again/ Wash away all our sins/ Crash to the other shore"

Ray Of Light - The second single of Madonna's latest opens with a simple accoustic guitar and then suddenly explodes into one of the greatest dance songs of all time (as proven by its four week rule at the top of the dance club charts). So intent was Warner Bros. on making this a smash that the single contained Has To Be, a track only found on the Japanese issue of the album. There were two maxi singles available, and a 12" double vinyl maxi single, as well as a limited edition video single for one of her greatest videos. Directed by Jonas Akerlund, Ray Of Light is a dizzying array of images from New York City that captures the feeling of the ecstatic cry "And I feel like I just got home!" Finally, at the end of the day, Madonna makes it to the crowded club where everybody gets so into the music that Madonna actually breaks the camera. There are also several remix videos. The song itself is a stunner. Her vocals have never been stronger, she sings higher and louder than ever before and the song debuted higher than any other US Madonna track (at its #5 peak) and debuted at #2 in the UK. The video cleaned up all the major video awards and how the song didn't make it to #1 while garbage like Brandy and Monica's mumblefest The Boy Is Mine does is a mystery. The song was the number on dance/club song of 1998, topping the chart for an almost unprecedented four weeks.
Candy Perfume Girl - A harder edged song than the rest of RAY OF LIGHT, Candy Perume Girl contains some of Madonna's richest lyrical images. Its probably a song about the newest of loves, the sweet and powerful emotions that go along with it, but some simply say its about drag queens, but that's way to simple if you ask me.
Skin - Originally titled Flirtation Dance, Skin is an adult LIKE A VIRGIN, concerned as it is with sensuality and her "need to make a connection". The distorted back-up vocals and the chilling cry to "Kiss me I'm dying/Touch me I'm trying" put this at an album highlight that could stand out as a single, but it probably never will be, the best we can hope for is some remixes maybe by the end of the year.

Nothing Really Matters
- A song directly inspired by the birth of her daughter, Lourdes, Nothing Really Matters is a mid-tempo dance track reminicent of
Keep It Together in its plea that "Love is all we need." The Lourdes connection is also made clearer in what was the fifth international single in the lines "You're my shelter from the storm/ Give me comfort in your arms", which is similar to the famous Madonna quote that she feels healed when she looks into her child's eyes. The video is inspired by the Arthur Golden novel Memoirs Of A Geisha and features Madonna dancing very differently in a blood red kimono and also in a black one with red eye make-up as the diva geisha Hatsumomo. While it reached #7 in the U.K. despite a high-profile performance on the Grammys and the fact that the song topped the dance chart for two weeks, this song recieved almost no airplay and peaked in the U.S. at #93 making it her worst chart peak ever and at two weeks on the chart (it debuted at #99) her shortest stay on the charts also.
Sky Fits Heaven - A deeply spiritual song filled with references to prophets and the gospel, karma and the future, Sky Fits Heaven has a unique sound full of swooshing spacy sounds but one Madonna constant remains: "I think I'll follow my heart/Its a very good place to start."
Shanti/Ashtangi - Not many superstars will put out a yoga chant set to music, but once again Madonna defies expectations in this exquisitely beautiful track of peace and spirituality that is like nothing else I've ever heard. Apparently her pronunciation of the lyrics is a little of, but they'd improved enough by the MTV video music awards that she was highly praised for it.

Frozen - RAY OF LIGHT's first single debuted at #1 in the UK (it peaked at #2 in the US) and is an extraordinary track about a cold lover. Frozen 's lush orchestrations and simple vocals hit a poignant note, especially in the lines "Love is a bird/She needs to fly/Let all the hurt inside of you die" . Quite simply, one of Madonna's most stunningly striking songs. The video features a black-wigged Madonna in the desert. There's no discernable narrative, but the images of Madonna's transformations into a flock of crows and a dog are breathtaking, as is a spiritual dance between three Madonnas. MTV video music award winner for Best Visual Effects.

The Power Of Goodbye - The third domestic single and fourth international single(it peaked at #11 in the US, and may have peaked higher, but billboard changed its charting system the week of that #11 peak, went top ten everywhere else) has Madonna ditching Frozens chilly lover and learning how powerful goodbye truly is. A heart-wrenching vocal is among her best and great orchestrations create the right mood for the track. Mathew Rolston's video opens with sweeping shots of crashing waves and is shot in gorgeous blues and greens as Madonna lets go of her lover.
To Have And Not To Hold - Another distant lover has Madonna as confused as ever, not understanding her attraction to this cold fellow, but not beging able to drop him. Simple, breathless vocals make this melodic track a great close to the RAY OF LIGHT cold lover trio.
Little Star - Madonna finds her true love after a series of losers in her life. A sweet, soothing lullaby full of love and vulnerability that Madonna's fans have always known were holed up in the Queen of Tough. A simple, heartfelt, honest sentiment.
Mer Girl - A haunting, almost amelodic search for solace, Mer Girl has Madonna escaping her life and endinf up in a cemetary. Is it about AIDS? Perhaps. Is it about her mother. Most likely. Either way, Mer Girl is a quiet, but knockout way to end the US edition of one of Madonna's best. Its soulful search for understanding will blow you away.
Has To Be - The conclusion to the Japanese edition of the album, Has To Be was the b-side to Ray Of Light and is an eccentric, twinkling song about Madonna's loneliness after a broken heart. An empowering chorus "I know there's someone out there waiting for me" is put into doubt by the mournful and pleading "There just has to be". What would Madonna ever do musically without her dispair? If being blue puts her in the mood to create music like this, part of me hopes that Madonna never cheers up.


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