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 `$                       kabir@down.net   $'                     `"""
  `              "Your pal" Kabir Akhtar   '



Last version release date: January 29, 1999 Changes since last version: BEING UPDATED AS YOU READ THIS! Z1 Z3 Z7 + numerous slight revisions Additions since last version: ... Previous version release date: December 11, 1997 Changes since previous version: A1 A2 A4 A5 C9 C11 D1 D2 D3 D4 D6 D10 E4 E6 E9 G5 G25 G34 X1 X2 X3 Y1 Y2 Z1 Z1 Z3 Z7 + numerous slight revisions Additions since previous version: C14 C15 D8 D9 G20 ,----------------------------------v-----------------------------------. ( CONTENTS: i KEY: ; ( i ; ( A. Tool Resources on the 'net i * = updated since last time ; ( B. A Note About Salt i ** = new question / answer ; ( C. The Band and Their History i *** = corrected since release ; ( D. Brief Release Info i ***** = read me or risk ignorance ; ( E. "Opiate" i ; ( F. "Undertow" i ; ( G. "Ænima" i ; ( i ; ( X. Tool Side Projects i ; ( Y. The Future i ; ( Z. Info About This Document i ; `----------------------------------^-----------------------------------' +-------------------------------+ | A. Tool Resources on the 'net | +-------------------------------+
A1. Before I read this giant thing, how do I know that this is the most current version of this FAQ?
As a good rule of thumb, if the date at the top of this document is over 3 months ago, there is likely a new version. While this FAQ is available at many locations, you can always find the most current version of at http://toolshed.down.net/faq/. If you do know the whereabouts of an old version, please contact me (kabir@down.net) or the owner of the page with the outdated version. Thanks a lot! More info on this FAQ in Section Z.

Also please note, there are MANY interpretations possible for each of the songs; the ones given here are just to start you off.

A2. World-Wide Web Pages:
The Tool Page (also known as t.d.n), featured on MTV, Rolling Stone Online, Alternative Press, the official Lollapalooza magazine, radio stations worldwide, and the New York Post, can be found at http://toolshed.down.net; this site offers current / semi-official news, images, lyrics, articles, tablatures, video, audio, and all that other stuff you'd expect from a band page, as well as answers to questions not asked here! Some guy named Maynard has been known to help out on occasion. It was down a lot between late 1998 and mid-1999, but it is back and running strong.
Larrikin Management runs "The Official Tool Website" at http://www.toolband.com, the high points include direct email to the band (see Question C8) and some interactive WWW animation.
Various other pages exist; notably, the Tool Biography Page, linked from t.d.n. Check Yahoo!, the Ultimate Band List (www.ubl.com), or the Tool Page for further info.

A3. Is there a discography somewhere?
Sure is; maintained by Shane M. Brouse, it can be found in a couple places; notably, at the first site listed above.

A4. Is there a mailing list?
The List's main purpose is discussion of all things related to the band, but it also serves as a forum for people who tend to have the same interests.
Run forever by Greg Thompson, then briefly by Josh Lowe, it is now run by Reuven Bell. Once you subscribe, messages will be sent directly to your mailbox; other than that, it works much like a newsgroup. You can post, followup, reply, and all that fun stuff.
To join, send e-mail to majordomo@unr.net. Make the body of the message only one line: "subscribe tool-list"
OR, you can subscribe to digest mode (one message per day containing all of that day's posts), saving you time, energy, and mailbox clutter. To do so, send mail to the above address, make the message "subscribe tool-list-digest".

A5. Is there a newsgroup?
There is an alt.music.tool; you may need to ask your system administrator to start carrying it if you do not already receive it.
A6. Is there an IRC channel?
From time to time, Tool fans meet on #tool, appropriately enough, on EFnet, Undernet, as well as other networks. If nobody is there, hang around, someone might show up!

+----------------------+
| B. A Note About Salt |
+----------------------+
It is worth mentioning that much of what Tool says, you need to take with a HUGE grain of salt. A lot of it is made up (an interview hinting at 24-minute songs, and an April Fools' prank about a highway accident come to mind), so be careful when you choose to believe something you are being told. If anything, it is probably a good reminder that we should exercise our best judgment and not be sheep in the herd. (One of Tool's main messages seems to be that people need to think for themselves more.) After all, the falsehoods are usually well told, but do tend to seem a bit peculiarly off-the-wall. Best of luck.

[This note was quoted in the Official Lollapalooza 1997 Magazine.]

+-------------------------------+
| C. The Band and Their History |
+-------------------------------+
C1. So who's in Tool?
Until September 1995, the band consisted of: Danny Carey (drums), Maynard James Keenan (vocals), Adam Jones (guitar), and Paul D'Amour (bass).
However, Paul is no longer with the band; as is often the case, due to "creative differences." He had apparently lost some interest in the band, and was consequently holding up the writing process. For more info on Paul, see Question X4.
In early November 1995, Justin Chancellor (of the band Peach -- see Question X6) signed on with Tool as their new bassist. And he is damn good.
C2. Is Paul still on good terms with the band?
Put aside your fears; they are still on good terms.

C3. When / how did the band get together?
Tool was formed in 1990, when Danny and Paul met Adam and Maynard. Danny explains, "I met Adam through Tom Morello of Rage (Against The Machine). And I was living beside Maynard. I never auditioned for them (Keenan and Jones). I felt kinda sorry for them, because they would invite people over to play, and they wouldn't show up, so I'd fill in." Danny had previously played drums for bands including Green Jelly. Paul had gone to California to work in the film business, which at the time was Adam's profession. (Adam had already done special effects for Terminator 2, Jurassic Park and Predator 2). Early on, Tool toured with Rollins Band, Rage Against The Machine and Fishbone. (Adam had gone to high school with Morello). Eventually, they moved from second stage to main stage at Lollapalooza '93, where they pretty much blew everyone away.

According to Bass Player (3/97), when Tool first called up Justin, he at first turned them down: "Peach had broken up about six months before, and I was forming a new band with the guitarist. It was pretty tough; I felt really loyal to this friend of mine, whom I'd played with since I was 14. But then I decided I couldn't deny myself this opportunity."

C4. What's the name "Tool" supposed to represent, anyways?
In a 1994 interview, Danny says that the band's name stands for how they want their music to be a tool to aid in understanding lachrymology. But if you don't buy the whole lachrymology thing, there's always the obvious answer.

C5. I heard that they were called "Toolshed" before they were called Tool...
That was only one of the names they were considering; they were never really called Toolshed. (It was in the context of that discussion that Maynard suggested Toolshed as the address for the WWW page.)

* C6. What's "lachrymology" and what does it have to do with Tool?
This was a frequently asked question back in 1994; Tool stopped spreading these rumors long ago. But for posterity's sake...

It has been widely decided that "lachrymology," the science of crying as a therapy, is just another one of the elaborate wild tales Tool made up in order to keep us (or them) entertained. But because they make so much mention of it, it is worth going into here, even though it appears to be a total cock-up. (Go ahead, do a web search for "lachrymology" and see how many non-Tool pages you find).

"One of the unifying forces in the band is the philosophy/religion known as Lachrymology, founded in the 1940s by Ronald P. Vincent. Lachrymology translates literally to "the study of crying." The basic tenet, evident in the band's music, is that the greatest road to advancement is through pain--emotional and physical. Hence the band's name." (Carleton Univ. Newspaper; 2/16/94).

Vincent (supposedly) wrote a book in 1949 called _The Joyful Guide to Lachrymology_ which (supposedly) was the band's original inspiration. Vincent suggested that people can only advance themselves by exploring and understanding their physical and emotional pain.
C7. Wow - where can I get a copy of that book by Vincent?
At first, many Toolophiles went scrambling all over the place to find it, through the Library of Congress' catalogs, through used book stores, etc. No sign that it had ever existed. Then, in the Undertow-era bio on the band, the book was referred to in this manner:

"In the summer of 1948, Ronald P. Vincent, a crop-spray contractor, moved from Kansas to Hollywood after his wife had been dismembered in a bizarre snow plough accident. Inspired by the unrelenting pain he felt, Vincent penned his first and only book, 'A Joyful Guide to Lachrymology.'"

Based on that ... interesting ... story, many decided that the elusive book and religion were nothing but a red herring. After all, it is a story about a snowjob.

C8. So are any of them on the internet somewhere; if so, how can I get their email addresses?
Yes, some of them are online; their addresses are not publicly available. You can send email to the band courtesy of their management at toole@hooked.net.
C9. I heard somewhere that some member of the band has AIDS ... ? I heard somewhere that Maynard keeps corpses in his basement? I heard somewhere that the band are cannibals? I heard somewhere that Tool sacrifices kids for their blood...? Does one of the band members have cancer? Does Maynard really have breasts?

Sure, and the Easter Bunny will bring you a present this spring.

C10. There are a lot of army references on "Undertow" - how come?

Maynard was at West Point Prep School / United States Military Academy Prep School for a time, hence references to the Honor Code ("I will not lie, cheat, or steal, or tolerate those who do"), to the term for first-year cadets (4 degrees) and to the term for brownnoser (tool).
C11. What kind of equipment do they use?
The answer here is by no means definitive; this information has been collated from various magazines as well as observant people, may not be complete, and is quite subject to change. Special thanks to Greg Pepin (gpepin@fsc.edu).

Adam uses Gibson Les Pauls, 3 Different Stacks (a Marshall bass head, a Mesa/Boogie Triple Rectifier, a Dieselhead amp), Seymour Duncan pickups. Ernie Ball, Slinky strings. Effects (mostly Boss pedals): Delay, Flange, Chorus, EQ, a channel switcher for clean/distortion, a wah pedal, and an Epilady occasionally (!).

Adam has 2 rare 1979 Les Paul Customs with Green and Silver metallic bursts. They were discontinued by Gibson because of complaints that the metallic paints was giving the guitar an odd tone. He also uses a Natural finished LP Custom when playing "Prison Sex" live.

Justin uses Wal basses (which he fell for while recording "Ænima"), cabinets by Mesa/Boogie (8 inch speakers), pre-amp by Demeter. Effects: Boss Delay, Chorus, Flanger, and Distortion pedals, and a DigiTech Bass Whammy pedal, used occasionally (for example, at the beginnings of "Third Eye" and "Eulogy".)

This list of Danny's equipment comes from Modern Drummer Magazine (2/97):

Drumset: Sonor Designer Series      8x14 bronze snare
         14x14 floor tom            18x16 floor tom
         18x24 bass drum            18x22 bass drum
         8x8 tom       10x10 tom    14" RotoTom

Electronics: Simmons SDX pads       Hardware: Sonor

Heads: Remo Emperor + Ambassador    Pedals: Axis

Cymbals: 14" Paiste Dry Crisp hi-hats  22" Novo China
         12" S.F. Flanger Bell         13" Sound Formula Mega Cup Chime
         8" Paiste splash              18" Sound Formula Thin crash
         18" Paiste Full crash         22" Paiste Dry Heavy ride
         20 & 22" Paiste Thin China    20" Paiste Power crash
	 6" + 8" Signature Splash      14" Signature Sound Edge Hi Hat
         18" Signature Mellow Crash, Power Crash
	 20" Signature Full Crash, Thin China
         5" Bell Chime on top of an 8" 3000 Bell

Sticks:  Trueline 5A, 5B, Signature.  Vic Firth Buddy Rich + SD9.
C12. Where do the band members stand on drug use?
Some of them have definitely dabbled in drugs in the past; however, specifics on who is into what (if anything) are not available.
C13. Are any members of Tool gay?
Only the flutist.

C14. I heard they had a bongo player on stage with them ...?
At various shows on the west coast, Danny's tabla teacher played during "Pushit" / opened for them. Aloke Dutta's Eastern style gave the song a whole new feel. For any of you drumming types out in LA, check out his book "Tabla: Lessons and Practice", which comes with a 60 min. tape. He has a tape of tabla music out also, called "Rain on the Lotus." You can get the book & tapes from the Ali Akbar College of Music store in San Rafael, CA (phone 1-800-74TABLA).

C15. What's this lawsuit I heard about?
In late 1997, Volcano Records filed suit against Tool, claiming the band had violated their contract by seeking / entertaining offers from other labels. Tool filed suit against Volcano, saying that the label had failed to exercise a renewal option in their contract, and so they were free to leave. This ugly deadlock lasted for over a year, when finally, at the last minute, both parties agreed to terms (including a three-record deal), rather than going to court. The band didn't work on much new material during this period, not wanting it to wind up in the hands of the wrong label. Luckily, it all worked out.

+-----------------------+
| D. Brief Release Info |
+-----------------------+
(the complete discography can be found at the location listed in A3).

D1. What CD's have they put out?

The band has released an EP "Opiate" and two full-length albums, "Undertow" and "Ænima." There have also been various import singles released for "Sober" and "Prison Sex", all of which are listed in the discography. The singles can be obtained either at your local import CD store, or maybe at www.gemm.com, www.cdnow.com, or www.cdeurope.com. (This is not an endorsement, btw). Various audio bootlegs exist, which can also be found in the discography. As far as where to find those bootlegs, the only recommendations are: used CD stores, and maybe online traders. Call around!

"Sweat" (a track from "Opiate") has been released on the "Escape From L.A." soundtrack, as well.

One highlight: the song "Ænema" won a Grammy Award in early 1998 for Best Metal Performance.

D2. What videos have they released?
There have been five official videos released: "Hush", "Sober", and "Prison Sex", "Stinkfist", and "Ænema." "Hush" was directed by Ken Andrews of Failure, the next two were Adam with Fred Stuhr, and the latter two were directed by Adam. He built the guy in the "Sober" video, and also the so-called "meat tunnel." The rest of the band did the video editing and production.

The "Sober" video won these Billboard Video Awards: "Best New Artist" and "Best Hard Rock / Metal Clip." Other videos have also been nominated for several awards. The "Stinkfist" video was renamed "Track #1" by MTV because the title was deemed to be offensive. Go figure.

If you are interested in seeing films which undoubtedly inspired Tool's videos, check out some work by the Brothers Quay.

D3. I heard they were releasing a full-length video...
You heard right. In fact, the one you heard about should have been out in 1994; it even had itself a catalog number and everything. When asked about it back then, the band had said that there wouldn't be a video "anytime soon." Seems that the record company got all excited about the idea of a video and got a bit ahead of themselves. But it may happen ... someday.

A promo-only white-label video containing the four latter videos in their radio-edit versions was released in New Zealand last year. Though it was intended to be sold with "Ænima," some were put up for sale.

D4. I own this Tool shirt, it's got the big eye/pyramid thing from one dollar bills, and I don't understand what it says on it.
Tool seems big into the concept of "All Indians, No Chiefs", as it says on the shirt: the idea that there are lots of sheep, lots of people who are unable to speak for themselves. (Basically, those who follow blindly). Seems a bit ironic that you bought the shirt, hm?

The other quote in question is the "Novus Opiate Seclorum" on the back. Here's an insight by Mike `Shmoo' Smuland (jsmuland@osf1.gmu.edu):

"Novus ordo seclorum" ("a new order of the ages") is the motto on the great seal of the USA. Get it? But opiate is not a generic term for drug:

Opiate: 1. a drug that contains opium and so dulls pain or brings sleep. 2. anything that quiets: opiates to grief.

Throw the two together. A new opiate of the ages.

Take that in context of the answer to Question E1, and you have your answer.

Dave Sticher (rstiche1@nycap.rr.com) points out that "the eye in the pyramid on the dollar bill is frequently associated with the Illuminati, the legendary group who supposedly rules the world through various nefarious means" -- this may be a Toolish connection as well.

D5. What does "Et In Arcadia Ego" mean?
Some Tool concert tickets from early 1997 were printed with this quote. Jodi Clancy (jclancy@magna.com.au) offers us this insight:

There are two paintings from the Baroque period (1630) by Poussin called "Et In Arcadia Ego;" translation, 'I too, in Arcadia' or 'Even in Arcadia I (am present). The theme is "as three shepherds living in the idyllic land of Arcadia spell out an enigmatic inscription upon a tomb, a stately female figure quietly places her hand upon the shoulder of one of them. She may be the spirit of death, reminding these mortals, as does the inscription, that death is found even in Arcadia, where perfect happiness is supposed to reign.

D6. What is this "No Quarter" song I keep hearing about?
Tool does do a cover of this Led Zeppelin song. The original appears on the 1973 album "Houses of the Holy," and runs 7 minutes. Tool's version, played live and recorded in-studio (but not released) runs roughly 12 minutes. Apparently the label gave a go-ahead for its inclusion on Howard Stern's Private Parts soundtrack, but the band wasn't up for it, and said no. Bad blood galore. Hopefully it will come out someday; it is really amazing; though the band apparently thinks it can be even better.
D7. I heard something about remixes of Tool songs!?
At Lollapalooza 1997, lounge versions of "Hooker with a Penis" and "Third Eye" were heard over the PA between sets. Also, a Skinny Puppy remix of "Stinkfist" was apparently commissioned and made it out to an Arizona radio station, although it was not supposed to ever be released. Copies of it are floating around somewhere.

D8. Did Tool and Rage Against the Machine do a song together?
They did collaborate on a 7-minute song that is available on various websites. This unnamed song was apparently supposed to be on the Judgment Night soundtrack, but never made it. It features both bands playing minus Adam (and Justin, obviously).

* D9. Are there any other one-off Tool songs out there?
Tool also covered some other songs at concerts starting in 1998. "Demon Cleaner", by the now-defunct Kyuss; "Stranglehold" by Ted Nugent, and "You Lied" and "Spasm" by Justin's old band (Peach). In fact, Buzz from the Melvins and Scott from Kyuss have shown up at times to accompany the band during these songs. Justin even sang during performances of "You Lied."

It is unknown whether live or studio versions of these songs will ever be officially released.

D10. Is there any Tool software available?
A Tool screensaver was released by Larrikin Management, you can try emailing them about it at toole@hooked.net. Many Tool desktop themes also exist, these are available around the web.

+-------------+
| E. "Opiate" |
+-------------+
Released April 19, 1992; certified gold US (shipped 500,000).

E1. Snappy title. Where'd they get it?

The accepted notion follows: It relates to Marx's statement that "religion is the opiate of the masses." People relied on the church for direction in their lives, and carried on with their lives. Marx felt that the church kept people from "waking up and smelling the coffee." This is one of the themes of the CD: the band makes fun of the way people let others think for them. That is, it's one thing to have religious beliefs, but it's another thing to let someone else interpret those beliefs and force them on you.

E2. Dammit, the first song doesn't start for ten seconds after I hit play!
Yeah, the band does this a whole lot, filling in the beginning of a track with some form of ear candy.

E3. In "Hush", I don't understand this one line ... "People tell me what to say / what to think and what to play."
This makes sense since the song and the video both seem to deal with censorship of music.

E4. Hey, what's that talking right before this song starts??
The voice before "Part of Me" can be clearly heard as Maynard saying "Yeah. Ready. I was having fun sitting down having a cup of coffee but now I have to sing."

If you're wondering about "Cold and Ugly": the original theory was that during this live recording, some guy with dreadlocks kept blowing an air horn, forcing the band to start over. A telephone hotline takes credit for this; it may have been Maynard kidding around with the singer from Green Jelly.

E5. I'm listening to "Opiate" (the song), and at like 4:51 I hear my kitchen phone ringing. What's wrong with my CD?
Nothing; the band's just tooling around with you.

E6. Whoa, there's an extra hidden track on this CD?
This is one of those untitled extra tracks bands throw onto albums. Well, it's not untitled; they claim it's actually called "The Gaping Lotus Experience." This "song" starts during Track 6, at 6 minutes and 6 seconds. Get it - 666? (If it starts a few seconds off on your CD player, that's to be expected; all CD players track times a little differently ... apparently some copies start at 6 minutes and 66 seconds).

Some pressings of this album are missing this song; there's no good way to tell just by looking if a given copy is without, though it seems that copies marked "(P) 1997" may be the offensive batch. This mess is probably due to a machine screwing up somewhere. See Question E10.

E7. Wow, that collage inside just confuses me lots ...
Here's some starting points to picking it all apart. There are four pictures in each corner; with the dogtag and $5 bill segment on the bottom, they are:

        _Maynard_|__Danny__
        __Adam___|__Paul___
The corpse is definitely not real. It is likely a photo of Adam's pal Kevin messing around in Stan Winston's studio. This makes sense since they thank "friends at Stan Winston's studio" (Stan Winston the special effects artist (Predator, T2, etc.)), since Adam worked on effects for those movies, and since the letters "K E V" are written on the edge of that photo.

Also, that dogtag belongs to Maynard. He was in the army for three years after high school. See Question C10 for more info.

E8. I can't help but notice that "Opiate" has a different feel to it than "Undertow".
Good call. Here's what Adam had to say (from the LA Times; 4/93): "When we did our first [record], we picked our heaviest songs. People went, 'Oh, you're a metal band,' and I thought that was kind of way: "On [Opiate] we were more slam and bang. Now we're using more melody."

E9. OK, OK, I'm sold! But why can't I find a copy anywhere!!?!?
Many CD stores don't carry "Opiate" in stock. Of course, you can always just ask them to order it for you, as well you should. The catalog number is Volcano 31027.
E10. I was looking at the back cover of "Opiate", and something looks different...
Indeed -- recent pressings of the CD (since Zoo Records became Volcano Entertainment) have featured the large red text on the back in a different, more Gothic font. The band didn't know about it until someone mentioned it to them, that's for sure.
+---------------+
| F. "Undertow" |
+---------------+
Released April 6, 1993; certified platinum US (1,000,000 copies); reached #50 in the US; reached #1, Billboard's Heatseekers Chart

F1. Hmmm.. what's that on the cover?

Depends on where you bought your CD. If you bought it at Wal-Mart, it's a giant barcode. The gods of censorship have spoken. (You used to be able to get a real cover by writing in to an address printed in the liner notes; this offer does not appear to be valid anymore). Otherwise, it is a photo of a scuplture done by Adam, of a rib cage. And hey, did you know that if you hold the cover up to the light the ribcage encircles the fat lady on the inside?! (Little bonus trivia tidbit ... coincidence?)

F2. What's with the artwork inside?
Just a bunch of happy people! No, seriously, it has been suggested that it represents various things, like being controlled by someone/something. It has even been interpreted to be a visualization of the "my fear is naked" from "Bottom" (though that's pushing it). The spine of the CD has another picture of the woman: she is the little symbol on the rightmost end of the spine. There are also pictures of a cow licking itself, and an X-ray graphic resembling someone using a "rear-entry" vibrator.

F3. What picture of a cow licking itself?
Go ahead, pop off the black tray that holds the CD. There ya go!

F4. Hey, my copy of Undertow isn't like that; is it a special version?
Welcome to further confusion. Recent pressings of Undertow have varied slightly from the original version. These are some of the slight modifications across different (both domestic and foreign) versions:

- A clear CD tray; the cow picture is visible immediately.
- The cow picture in the booklet; no picture behind the CD.
- "Disgustipated" is track 10, 30 or 39, not 69.
- The cover has the words "Tool / Undertow" written across the top. (The original has no words.)
- The CD was originally black with the fork + pig, some are grey with the same graphic.
- The CD simply has Tool: Undertow written in silver on black.

F5. So which one of those guys is who?

Basically, it goes:
                          __Paul__|__Maynard__
                            Danny |   Adam
F6. Wait a sec, what's with these band positions in the liner notes?
Membranophones = Danny (drums, obviously)
Bottom Feeder = Paul (bass = low end)
Bastardometer = Adam ("bastard")
Mostresticator = Maynard ("most rest")
F7. Those words are lyrics, right?
Yep, they are pieces of songs on the CD.

F8. Well, I've figured out which songs all the words belong to, except for "I'll make weapons out of my imperfections" ... help!
It is originally from Maynard's spoken word in "Bottom" ... when Henry Rollins performed it, he edited out that part. (see question F20).

F9. What's that sound right before "Intolerance" ?
Various ideas abound: either it is a massive bong hit, or it is a motorboat / outboard engine (the latter goes along better with the water theme of the whole album). Aaron Solomon (peschek@mail.nwlink.com) offers this explanation:

"I had the immediate and distinct impression that is was the sound of a guy drowning, specifically someone hooked up to oxygen equipment, such as a scuba diver, having their oxygen run out or cut off, and helplessly suffocating. IMHO, this is closer than a motorboat or bong hit. In fact, in this context is incredibly ominous, and makes the listener literally feel like he/she is suffocating. I think it's one of the most disturbing parts of the album."

F10. What's "Prison Sex" about?
At least in its most up-front interpretation, child abuse. In early interviews, Maynard apparently was quite vocal about his dislike for his stepfather, and the video supports this theory quite well. However, the autobiographical nature of this song is purely speculative. When discussing the release of "Prison Sex" as a single, Danny had this to say: "It will annoy a lot of people ... which is half the fun."

F11. That's a neat sound at the start of "Prison Sex." How can I do that?
Tune your low E string down to B, then hold down the tremolo bar so that the string is loose. If you strike it, it should sound like its just flopping there. The next thing you need to do is run your pick over the string to get that scratching sound (you should still be holding the tremolo down). Finally, hit the string one final time and slowly release the tremolo bar (if you do it right, it should sound like it is speeding up). A delay pedal may help as well.

-- thanks to len@utxsvs.cc.utexas.edu

F12. But when "Prison Sex" was on the radio, he said...
Yes, the edited version has him saying "blood on my hands", not "shit, blood and cum on my hands."

F13. Hmm. I heard that there's a new verse being performed live?
To be sure, after playing a song a million times, you'd want to spruce it up a little. Whether it will ever be released as a live track remains to be seen. This is the new verse (inserted before the "temporary sanity" line), first heard in late 1995 and still being performed:

"got me treading water" OR "show me something" (4x)
thought i could make it end
thought i could wash the stains away
thought i could break the circle if i
slipped right into your skin
so sweet was your surrender
we have become one
i have become my terror
and you my precious lamb and martyr."

-- thanks to Justin McKinlay

F14. (blank)

F15. What's "Sober" about?

Adam has said "the song and video are based on a guy we know who is at his a artistic best when he's loaded. A lot of people give him shit for that .... You can do what you want, but you have to take responsibility for what happens. If you become addicted and a junkie, well, that's your fault. " (from Guitar World; 3/94).

F16. Hey, about four minutes into "Sober", there's this muffled screaming in the background, isn't there?
Yes, there is. While it was thought to be a production error for some time, it turns out that it's Maynard saying "Turn that shit down." If you had it up loud enough, you know, you might think it was a parent or the neighbors.

It occurs midway through the song: "...trust me, trust me; why can't (*) we not (*) be sober..." , where the *'s are.

F17. But when "Sober" was on the radio, he said...
Yet again, an edited version. It has him saying something that is NOT "Jesus ... fucking whistle" ; it's "Jesus won't you try and whistle".

F18. Yeah, what the HELL is he saying about Jesus in "Sober" ?
Ahhh... the former six million dollar question. The official lyric sheet says: "Jesus won't you fucking whistle / something but the past and done." As in, "christ almighty, can't we talk about something NEW?"

A classic alternative (thanks Arsenio!):

"Cheeses: don't chew. Duck: no gristle / Some tea: pour, and pass the scone."

F19. I'm not quite sure I understand the "Sober" video, anyway.
In a 1994 interview in BAM magazine, Maynard had this to say. It sums the whole thing up pretty well:

BAM: What's wrong with that little man?
MJK: What's wrong with him?
BAM: Yeah. What's he looking for?
MJK: That...place, I guess.
BAM: Will he ever find that place?
[Silence]
BAM: Maybe yes? Maybe no? Crapshoot?
MJK: Crapshoot.

F20. Am I wrong, or is that Henry Rollins speaking in "Bottom" ?
Yep, that's Hank himself, doing a guest appearance. He's doing a spoken word bit that Maynard wrote and performs live, with some slight changes that he made. Rollins offered Tool an opening spot way back, so that's where the association comes from.

F21. Changes? How did the original spoken word in "Bottom" go?
This is the Rollins version, featured on "Undertow":

If I let you, you would make me destroy myself. In order to survive you, I must first survive myself. I can sink no further, and I cannot forgive you. There's no choice but to confront you, to engage you, to erase you. I've gone to great lengths to expand my threshold of pain. I will use my mistakes against you. There is no other choice. Shameless now. Nameless now. Nothing now. No one now. But my soul must be iron, 'cause my fear is naked. I'm naked and fearless, and my fear is naked.

And, for the curious, this is the MJK-version; he still sings this:

You've left me no choice but to go inside and rebuild what's broken. Too much, too far, too late to lie down now. I must arm myself to fight you by making weapons out of my imperfections. It's all I have left. There's no other choice. I'm shameless, nameless, nothing, and no one now. But my soul must be iron for my fear is naked. I'm naked and fearless. But I'm dead inside. You see... shit adds up, now I'm dead inside. Hatred, weakness, and guilt keep me alive at the bottom.

F22. So what's that sound right before "Crawl Away" ?

Well, while it has been described as traditional Andean mountain music, someone has identified it as (possibly) a song called "Oruro Tierra De Ensuenos".

F23. Um, what about that middle part of "Crawl Away" ?
Though it's missing from the official sheet, here's what he's saying:
"got you in a stranglehold, baby. get up, get up, get up now."
And yes, that is the chorus from a Ted Nugent song: "Stranglehold". Call it an influence.

F24. I heard a version of "Swamp Song" that was a little different...
There is at least one out there which is different, on the Sober '93 bootleg; the lyrical change does change / add to the feel of the song somewhat. Steve Reed (steve@failure.org) had this to say about it...

"Instead of saying 'No one told you to come,' he says, 'Spread your wings and fly away.' It fits like this:

                 No     one  told  you     to come.
                 Spread your wings and fly away.
F25. "Undertow" is a great song, but what's it supposed to mean?
While this answer by Steve Reed (steve@failure.org) is purely speculative, it is a very good one.

"Undertow is a song about repeated drug use. The voice that he hears is some sort of craving for this drug (or something), it suggests nice things to him, and beckons him. When it surrounds and drowns and wipes him away, he is obviously succumbing to this drug. Then, he regains his senses and asks 'How could I let this bring me back to my knees?' realizing that this thing isn't good for him ... The undertow represents the state of being under the influence, euphoria has it's obvious meaning."

F26. (blank)
F27. (blank)

F28. 4 Degrees... why four? Fahrenheit? Celsius? Is it an angle?

The theories abound like rabbits multiplying; someone asked Maynard about it and got this reply:

"Apparently the anal cavity has 8 more working muscles and is 4 degrees warmer than the vagina. This, however, is NOT a song about violation. It is a song about opening up, completely, without reservation."

F29. What is Maynard moaning in the beginning of "Flood" ?

Listen carefully; he's saying "here comes the water..."

F30. So it's about more than a flood, right?
Most likely =) . Here's an interpretation by shade@paradoxnw.com:

"'Ground breaks down right under me, cleanse and purge me in the water' sort of implies that although the world is breaking apart around him, there is some sort of purification happening to him also, as if he were better off now then he was with his false beliefs ('all i knew, all i believed, crumbling images, no longer comfort me')."

F31. Hey! "Disgustipated" isn't really track 10. Do I have a limited edition pressing?
No. It is track 69 on most domestic pressings. It may be track 10, 30 or 39, though. (See Question F4). And yes, there is a little story told after roughly 7 minutes of crickets chirping.

F32. Where'd that little story at the end of "Disgustipated" come from?
Notice how it sounds like someone leaving a message on an answering machine? Seems Maynard's landlord called and left that message. Hence the liner notes' credit: "phone message: bill the landlord."

F33. What does the band have to say about "Disgustipated"?
Here's a clip from M.E.A.T Magazine (5/94): "Paul explains it as 'getting together three pianos and shotguns smashed with sledgehammers and recorded to a six beat.' Funny how an ode to carrots could become so damn disturbing and guilt-laden." Entertainingly, Chris Haskett of Rollins Band gets a "sledge hammer" credit in the liner notes.

In BAM Magazine (11/94), the creation of the song is explained: "In May 1993, Tool performed at Scientology's Celebrity's Centre, apparently not knowing that this was the home of the cult. Once they found out, they were not taking it nicely. Between songs, Keenan, staring first at the lush grounds paid for by devoted L. Ron followers and then into the eyes of his own audience, bayed into the mic like a sheep looking for his shepherd's gate. 'Baaaaa! Baaaaa!' the singer bleated."

+------------+
| G. "Ænima" |
+------------+
Released October 1, 1996 (vinyl on September 17)
Debuted #2 USA, #9 Australia, #1 New Zealand
Certified platinum US, Canada (100,000), Australia (# ?); certified gold New Zealand (5,000)
Nominated for a 1997 Grammy Award for Best Recording Package.

G1. "Ænima?" What's that all about?

The Tool tradition of mystery continues with the title for their latest album. The title is reported to be a mix of the words "Anima" (a Jungian term) and "Enema" (you know). It also perhaps pays homage to a book recommended on the band's snail-mail-list called "Ægypt."
G2. How do you pronounce "Ænima?"
As they do with good music, DJs across the country are butchering the pronunciation of this not-quite-a-word. Some of the band have been heard saying "enema"; though I'm told it is pronounced "ON-ima", giving a nod to the two words which comprise this title. This despite the fact that most words beginning "Æn--" should be pronounced "Een--", but they made up the word, so they can have their cake and eat it too, I suppose.
G3. Suppose I want to type that A-E thingy?
To represent that dipthong in HTML, you need to type an "&" sign, followed by "AElig;". So, to type the album title, enter:

& AElig;nima ...without that space after the &.

Mac users, type option-', or option-shift-'.
PC users, type ALT-1-4-5 or ALT-1-4-6, or ALT-0-1-9-8.

G4. What the hell is that on the cover?
Depends. The LP and cassette cover are just that white-splashy-square image, properly known as the "Smokebox." That image did appear on video screens during the 1996-7 tour, in its animated form. The CD has a lenticular case, so the images appear animated. (Haha, ænimated). The CD cover has the Smokebox amidst a moving field of green eyes. That image was created by Adam and Cam de Leon.

Outside the US, the animated CD came in limited quantities. The new cover is the static Smokebox image with the words Tool and Ænima; the inside is a list of "Other Albums by Tool", complete with 16 bogus covers for these albums. These albums are, for the curious:

Gay Rodeo		Bethlehem Abortion Clinic
Bad Breath		The Other White Meat
Two Weiners For Daddy	Three Fat Brown Fingers
Mungey the Clown	I Smell Urine
The Christmas Album	Iced Pee
Spring Boner		Tetanus for Breakfast

Crapsteaks Smothered in Dictators
Nurse Ketimella's Kit'chen
Just Up That Dirt Road: Tool Live! at the Acropolis
Brown Magic and Big Appetites: Music from
      the Movie Soundtrack Jelly Donut

Here's some trivia about the back cover image. Mike (lindylou@teleport.com) shares this info on the green eye:

"The eye is very unhealthy acording to the study of iridology. The lighter area around the pupil is a sign of dropped transverse colon. The darker green areas in the iris are a sign of drug use or chemicals in the body. The dark green circles are tiny deposits of the substance. The texture of the iris, the harsh waves in the background of the iris, are a sign a body of low resistance and poor inherent ability to overcome difficulties. The starting of the second iris is screwed up too, but I don't think that iridology has anything to do with that."

* G5. Wait, there's different artwork in the different formats?
Yep. Here's a list of the artwork in Ænima:
                              Vinyl          Cassette           CD

White square                    x               x
White square *                                                  x
Calif. falling into ocean *                                     x
Naked band pic *                                                x
Naked contortionist                             x               x
Bill Hicks painting             x                               x
Double-green-eye                x                               x
Double-green-eye *                                              x
Double-green-eye                                x
   (4 frames of *)
Blue man w/scalpel              x                               x
1 angel  w/green monster                        x               x
2 angels w/green monster                                        x
4 angels w/green monster        x                
"Contact Sheet" band pix        x

* = the animated / lenticular version.

The cassette also has two other paintings by Ramiro Rodriguez, described here by Eddie Bitetti (edbite@buttercup.cybernex.net):

"A painting of a man waist deep in water. You can't make out his face because it is very dark, but his stomach muscles are very defined. His head is back with his face up towards the sky with his arms back half covered by the water. It looks like if you were standing up and trying to get some sun, or like if you took a deep breath and throw your head and arms back. You can see his reflection in the water and there is a bluish-black colored backround. Overlapping the whole picture is sort of a spiral spiro-graph-ish drawing. [The drawing is known as the Flower of Life ... do a web search for more info. The painting can actually be viewed to be upside down or right side up, depending on how you look at things.]

The other one has what looks like the bottom half of a woman's body. In front of her is a man in the fetal position. They are both nude. He seems to be floating there right in front of her, and she has her left hand on his back and her right hand goes down behind him and out of view. This also has that spiral thing overlapping it. This backround is black. I can't tell if this is the same man as the top picture, but you can see the side profile of his face and see that he has black hair."
They are named "Pneuma I" and "Almus" respectively. Try http://w3.one.net/~icarus/ram for more of Ramiro Rodriguez's work.
G6. Why the different artwork in the different formats?
Well, the animated images wouldn't have worked in the vinyl, that's for sure. A concrete answer not yet available.
G7. What are those arcane symbols in the vinyl artwork?
In the second to last row on the 'contact sheet', in the second frame, is a tapestry with some arcane symbols; there are also such symbols on the center labels of each record. Someone asked around, and found this out:

The seven pointed star is the symbol for the goddess Babalon, an Egyptian goddess similar to Aphrodite. She symbolizes love and sexuality (that's one of the meanings, anyway), and the symbol is familiar to practicioners of ritual magik. The pentagram in the middle, where ritual magik is concerned, represents air, water, fire, body, and spirit. Each point of the star symbolizes one of these.

Whether this (in conjunction with the essay on Ritual Magik in the liner notes) represents something meaningful to the band, or just another well-fabricated fib, nobody can say.

G8. I don't even know where to begin with that the nude/sofa/animated picture...
Understandable. On the sofa, first of all, left to right, are Danny, Justin, Adam, Maynard. As to the contortionist's gender, well, Alana Cain is credited for this in the liner notes, so there you go. And in case you were wondering about the item on the floor; it seems that Maynard stands up to offer "the entertainer" a flower; notice that as he stands up, he throws it to the ground. Whew.
G9. What's up with the anesthetia discussion in the liner notes?
Matt Trainor (mtrainor@juno.com) did some homework and found this: "It is definitely referring to Ketamine (Vitamin K), a veterinary anesthetic noted by psychonauts and trippers as being HIGHLY dissociative (removal of self from body). It's used on cats and to restrain apes and monkies, just like the notes say. Apparently it also can cause something remarkably like the "near-death" experience experienced by those have been, well, near death. The out of body trip is supposed to be one of the most helpful/effective for self-development due to the completely objective view one gets of himself. This of course is highly relevent to the whole theme of the album in general."

It has turned out to be a direct quote from literature accompanying the drug.

G10. Who was Bill Hicks?
A comedian, well-liked by the band. He passed away a few years ago. Notice he is listed in the liner notes for "Undertow" as well. And no, he didn't paint that painting, it was done by Kevin Willis (see Question E7). He has four CDs released on Rykodisc last spring; one of them is entitled "Arizona Bay."

Hicks had a strong influence on the band's work, which becomes clear after giving his CDs a listen. On a related note, Jordan Geiger (wngeiger@vax1.rainis.net) suggests another place you might want to check for insights into "Ænima" (such as LA falling, "Third Eye", "Forty-Six & 2", the artwork): "Nothing In This Book Is True But It Is Exactly How It Happened" by Bob Frissell (one of the many books on Tool's suggested reading list). More on Hicks as we go on...

G11. Who's that blue man?

Formerly called the "purple man" by this FAQ, it's a sculpture by Adam; the man has used that scalpel to open his "third eye" ("bright, blue, shimmering"). The face is based on a mold of Adam's face.
G12. I don't understand where at the end of the liner notes, it says "see you auntie" ...?!
Say it one syllable at a time. Slowly. Over and over. To somebody else. If you really aren't up to the mental challenge, try this: "C ...".
G13. Wait, Paul's not listed in the liner notes!
True. Surprising, considering he was with them when they wrote "Pushit," "Stinkfist," "Eulogy," and "Ænema." (Paul's omission makes me feel better that I wasn't listed either... hehe.)
G14. In the liner notes, after the bit about anesthesia, it says no Ritual Magician has ever sacrificed kids, etc. Where'd that come from?
Part of that is info about this particular cult. Additionally, you may recall that this summer, an article was circulated claiming that the band did in fact sacrifice teenagers and drink their blood. Suffice it to say that the article was a perfect example of Tool's message that you can't always believe what you read, no matter who says it. (Unless it's in this FAQ, of course).
G15. What happened to Sylvia Massy? Why David Bottrill this time?
They likely just wanted a change.
G16. I have a question about the lyrics to this album...
Good ol' Maynard sent the lyrics in to http://toolshed.down.net, so they are all there, and for the most part, they are not discussed here.
G17. Hang on, why did he send the lyrics to the WWW page, but not include them in the liner notes?
The best answer anyone has come up with is that "lyrics will be available one way or another online; better that people read / quote / interpret the real thing than just guesses."
G18. I heard that there's something wrong with their US map?
Sure is. Entertainingly, seems that for the entire first month that Ænima was out, only one person (Two2067@aol.com) noticed that the Texas-Oklahoma border is WRONG, and had this to say:

"Is Tool making some other statement; i.e. 'Oklahoma doesn't deserve such a long panhandle' or 'there should be two sets of 'four corners' in the US. ' =) "

No word on how this happened.

G19. The credits list someone as a "flocker". What's that?
Flock has been described as "a fuzzy type of material, reminiscent of the furry stuff on tennis balls. It's just little fuzz that you can magnetically attatch to anything really." The Undertow ribs are flocked red, for example.
G20. On tour, Danny had this big gong set up behind him ...?

Not a piece of percussion, this Enochian magic board was marked with various arcane symbols. Danny has said it helps him focus energy while playing (see Modern Drummer, February 1997).
G21. "Stinkfist" is great, but I don't see quite what it's about.
On the one hand, it could be taken literally, to be about fisting (hence all the penetration). It could also be taken more as a song about penetrating on another level, about one letting another in.

Jody Westmoreland (Jode8u@aol.com) offered his take on the song: "It is using a fist up the ass metaphor for the desensitizing of the public. Saying that when (in the 50's for example) there was nothing shocking, in order for the public to be shocked / stimulated, they had to see something new. It was uncomfortable at first but soon we grew used to it. The process continues so that now it takes the whole damn arm for us to feel / be stimulated by something. The speaker would have it 'no other way' ...stressing that we must be stimulated...never allowing the mind to rest."

G22. What's the title supposed to mean, anyway? "Stinkfist"??
It likely ties in to the "knuckle / finger / elbow / shoulder getting deeper within the borderline" theme. Interesting side note: there is a 1986 Clint Ruin (Jim Thirlwell) / Lydia Lunch song by the same name.

G23. But on the radio, I didn't hear those words...?
Someone who is not Tool censored out the words "knuckle, finger, elbow" from the MTV and (presumably) radio edits. Why? Because the powers that be think it's more offensive than the rest of the stuff you hear on the radio about sex, drugs, and violence.
G24. (blank)

G25. "Stinkfist" was the first single off this album, but what came next?

Promo singles for "H." were issued; if that constitutes a single, then we have an answer. An "Ænema" promo single came out, as did a video. A "Forty-Six & 2" promo single was also issued, followed by a "Eulogy" promo single, but no new videos.
G26. What is Maynard whispering at about 2:45 in "Stinkfist"?!
A number of people have submitted this as their answer: "Chupa minha pica pichu ; Chupa minha pica pinto." In the interest of not giving away too much too soon, the research is left to you.
G27. The big question: Who is "Eulogy" about?
As with most Tool songs, the song is vague enough that can be interpreted to be anyone / anything. The song is primarily about the death of something which most probably turned out to be a fake. Regarding the rumor that the band is no longer on good terms with Henry Rollins; he has recently been heard talking positively about Tool, saying he was unaware of any bad blood. One way or another, though, the song has a message that can stand apart from any specific target; the interpretation is left to you, and the specifics aren't too important.
G28. In the middle of "Eulogy", he's mumbling again...
Try "You - could be - the one - who saves - me from - my own - existence."

-- thanks to Dave Conklin (conklin@bobafet.nrl.navy.mil)

What he's saying later on, we don't know yet.

G29. (blank)

G30. OK, they have a song called "H." What's it stand for?

The working / early title for this song was "Half Empty." The H likely stands for that (or "Half Full"). It may represent the old "half-empty is interchangeable with half-full" notion. Of course, it could also stand for anything else. It's a safe bet that it does not stand for Heroin.
G31. "H." is great, but what's it about?
When introducing this song live in 1996, Maynard touched on the idea of having an angel sitting on one shoulder and a devil sitting on the other. In at least one interpretation, the song is about being very close to someone who is tearing you apart, someone you can't bring yourself to leave, but someone who will destroy you because you can't leave them. It is the price you pay for being close to them; they aren't doing it on purpose: "considerately."
G32. (blank)
G33. (blank)

G34. What's "Useful Idiot" supposed to mean?

This "segue" is simply the sound of a record reaching the end of a side. On vinyl versions of this album, this track appears right at the end of the first side. If you didn't know any better, you might think that "H." had ended, and that this song was missing.

Qryche3@aol.com dug this info up: "The term, originated by the high ranking Soviets, referred to the Soviet citizens whose loyalty to the party was unwavering. While the top party officials were living the good life, the average "Useful Idiot" was standing in line hoping that the bread wouldn't run out. But the "Useful Idiots" never questioned their masters' actions or authority - they were perfect citizens."

G35. What is he whispering right at the start of "Forty-Six & 2"?
While there is still no definitive word on this, Sam Rowe (riddley@geocities.com) has proposed this as a possible answer:

"Join in my / Join in my child (and)
Listen ... / Digging through / My old numb shadow"
G36. What does it all mean, 46, 2, shadows?
You could write a whole FAQ for this one question alone; the major underlying principles relate to chromosomes and Jungian theory. Some of the ideas behind this song are based on the teachings of Drunvalo Melchizadek. Here's a snip of an interview with him (Leading Edge, 12/95):

"There are three totally different kinds of humans on the Earth, meaning that they perceive the One reality in three different ways, interpreted differently. The first kind of human has a chromosome composition of 42+2. They comprise a unity consciousness that does not see anything outside themselves as being separate from themselves. To them, there is only one energy - one life, one beingness that moves everywhere. Anything happening anywhere is within them, as well. They are like cells in the body. They are all connected to a single consciousness that moves through all of them. These are the aboriginals in Australia. There might be a few African tribes left like this. Then, there is our level, comprising 44+2 chromosomes. We are a disharmonic level of consciousness that is used as a steppingstone from the 42+2 level to the next level, 46+2...These two additional chromosomes change everything."

Rachel Wells (eileen@loop.com) has written this moderately long, excellent summary of all the relevant Jungian concepts:

"Anima / Animus (pronounced On-ee-mah):

In Jungian psychology, the anima refers to personality traits regarded as feminine that are often repressed into the unconscious of males while the animus refers to traits regarded as masculine that are often repressed into the unconsciousness of females.
Although suppressed from conscious awareness, the anima/animus influences our behavior in powerful ways. In most individuals,it is projected onto people of the opposite sex and accounts for the experience of falling in love with someone we hardly know. As the unconscious pole of the self, the counter-ego represented by the anima/animus can also be a guide to one's own unconscious realm. It is often experienced as the guiding female (if you're male) or male (if you're female) presence in dreams.

The Shadow:

In Carl Jung's personality theory, the ego represents the individual's sense of personal self. The sense of personal identity is purchased, however, at the expense of certain tendencies that are rejected as 'not-self'. According to Jung, these rejected traits come together as a kind of unconscious 'counter-ego' which he termed the shadow.
We may become unduly anxious or irritated when in an environment or around a person that in some way reminds us of repressed aspects of our self. If a person has rejected his or her own sex drive, for example, that person may feel irrational fear or anger around an overtly sexual individual. The shadow may appear as a person in one's dreams, usually as an individual of the same sex.
Of all the archetypes, the shadow is the most powerful and potentially the most dangerous. It represents everything about ourselves that we fear and despise.

The meaning of 46 + 2:

According to Melchezedek, our planet is covered with geometrically constructed 'morpho genetic grids'. These grids extend from about 60 feet under the Earth's surface to about 60 miles above the Earth, arranged in geometric patterns (see 'Sacred Geometry'). Each species has its own grid, which supports life, and connects the consciousness of its particular species. Before any species can come into existance or make an evolutionary step, a new grid must be completed. When a species becomes extinct, that particular species' grid dissoves. A new grid was completed in 1989 - the 'christ-consciousness' grid. This grid will allow humans to evolve into our next version. We'll develop two additional chromosomes (which are really 'geometrical images' designed to resonate with our specific grid) for a total or 46 + 2.
The main change will be a shift to the "unity consciousness". Every cell in your body has its own consciousness and memory. You, the higher being that occupies your body, make the millions of different consciousnesses in your body work together as one being. How does this relate to this grid? Think of yourself as a cell and the grid as the higher being. We will still have individual consciousness, but will be united in the form of a higher being in order to work as one entity."

Scientifically speaking, humans don't appear to be evolving new chromosomes (or much of anything else; thanks to technology). If you want to learn more, search the web or take a class!

G37. (blank)
G38. (blank)

G39. Is "Message to Harry Manback" an actual phone message?

Yep, someone left someone a threat. Yes, they actually meant it as a threat. So no, it wasn't concocted by the band. (Though the piano part was obviously added in to make it sound more like a love poem).
G40. OK, so who was that message for? Who is Harry Manback?
Danny had this to say about it in some interview:

"Message to Harry Manback is a recording of the words of an uninvited Italian guest who came to Maynard's house one day. A so-called friend of a friend of a friend of Harry's .... Before we finally managed to figure out that nobody really knew him, he had already emptied the fridge and run up a huge phone bill. He got kicked out of the house."

Harry Manback is a pseudonym for the real recipient of the message, presumably a past roommate of Maynard's: Hotsy Menshot of Green Jello.

G41. (blank)

G42. Is "Hooker with a Penis" directed at anyone in particular?

It seems to be aimed at folks who abuse / don't understand the concept of "selling out."

G43. Early in "Hooker with a Penis", he says something about "OGT" -- what's that?
Some folks are aware that OG commonly means "original gangster". In the context of this song, OGT may well mean "Original gangster Tool"; that is, "Original Tool Fan" since '92 -- the first EP.
G44. What's that whispering in "Hooker with a Penis"?
As usual, Maynard is just whispering away. Most notably, at 1:40 into the song, he says something which has so far only been deciphered as "consume (or consumer), be fruitful, and multiply." The term is actually a Bill Hicks quote. Other whispering, it has been suggested, is him reading a list of merchandise, though we don't know that for sure.
G45. (blank)

G46. "Intermission" sounds awfully familiar, doesn't it?

Yep, it's just a keyboard version of the main riff to "jimmy."
G47. Who is this "Eleven" guy he keeps talking about in "jimmy"?
The singer is referring to himself at age eleven. Go listen to the song again, it will make a motherload more sense now.
G48. OK, but who the heck is "jimmy" anyhow?!
All you get is a hint: he's listed in the liner notes. Read 'em slowly. Don't give up.
G49. So "jimmy" is from Ohio, then?
Yup, he spent some amount of his childhood there. At shows in Ohio, he mentioned a small town called Ravenna. Happy hunting.
G50. Why is "jimmy" written in lowercase?
(It really is, look closely). Because he's just a kid.
G51. I heard somewhere that "jimmy" was about how Maynard's mother died when he was 11.
This "fact", reported in Rolling Stone magazine, was actually just a (big) mistake on their part; Maynard's mother is still alive. They did print a retraction later.
G52. "Die Eier Von Satan" ... man, I don't speak German!
The title means "The Eggs of Satan" (or "The Balls of Satan" = "Satan's Balls").
G53. Great, but what does the rest of "Die Eier Von Satan" mean?
The secret is out now that everyone has translated it: it's a recipe for ... a certain kind of cookie. With no eggs. Complete lyrics are posted to http://toolshed.down.net's lyrics section.
G54. Whew, so Tool doesn't support Nazis / Hitler?
"German" does not equal "Nazi."
G55. "Pushit" is a pretty good song. What's with the title, though?
It's yet another not-quite-a-word on this album. As Dr Teeth (Glyde@scc.net) suggested, long before we knew it was a one word title, the indeterminate "Push It on me" vs. "Shit on me" is resolved into "Pushit."
G56. (blank)

G57. I just don't understand "Cesaro Summability."

It seems that the baby crying is NOT Maynard's son Devo; it has been suggested that it is just a sample from Fried Green Tomatoes, or the show Absolutely Fabulous. The title is the name of a mathematical theorem describing a method of adding certain infinite series. As for what the segue means or why it's here, we may never find out.

G58. "Ænema" is about LA being flushed away, right?
In a nutshell, yep, it's about Los Angeles, California falling into the Pacific Ocean as a result of a big big big earthquake. If you take Maynard's advice and "don't just call him pessimist / try to read between the lines", you could probably take it to be about just generally cleansing and purging (hmm, that's the last line in "Flood.")
G59. What is a "smiley gladhand" supposed to be?
Gotta be one of those 'hand shaking smiley-faced' types. You know. Politicians.
G60. Why is the song spelled differently than the album title?
Clearly, since "Ænema" the song title must have a different meaning than "Ænima" the album title; that whatever "Ænema" represents must not be representative of the whole album.
G61. Hold the phone; my vinyl copy of the album lists the song as
"Æ - n - i - m - a", not "Æ - n - e - m - a"!!
Right you are; that would be a typo. Want proof? Look VERY CLOSELY at the label on Side 3 of the vinyl, and you'll see the correct spelling.
G62. "(-) ions." What's this one about?
Scott Cronshaw has this to say about the title: "They are supposed to be 'good' ions. They are found in high doses near waterfalls, streams, forests, etc. Negative ions have (reportedly) beneficial effects on humans ... increased metabolism, higher resistance to ailments and a generally more happy attitude. Positive ions, on the other hand, are 'bad' ... they can be found in mass quantities in cities, airports, garbage dumps, etc. Also, computer monitors output a large amount of positive ions. And, of course, positive ions are supposed to have the opposite effects on humans: depression, weight gain, sickness, etc."

-- thanks to scronsha@nh.ultranet.com

G63. Who's that talking at the start of "Third Eye"?
That would be the aforementioned Bill Hicks; those are snips of comedy routines of his, from "The War On Drugs" (off his CD "Dangerous") and "Drugs Have Done Good Things" (off "Relentless").

In fact, on his CD "Rant in E Minor," he refers to the power that heavy doses of hallucinogens have to "squeegee his third eye."

G64. Towards the middle of "Third Eye", after the "dogma" line, what's he saying?
"Opened my eye (3x)
And there we were" -- repeat once. Simple.
G65. Do we really have a third eye?
Actually, there is a part of our brain called the pineal body (a tiny gland in the brain stem) which is nicknamed our "Third Eye", which is theorized to be extremely sensitive to light, and may be linked to Seasonal Affective Disorder. Neat.

+------------------------+
| X. Tool Side Projects. |
+------------------------+
* X1. Has Maynard done anything recently besides Tool?
Quite so.

X2. Has Danny done anything recently besides Tool?
Sure; he played drums on the western leg of the fall 1994 Pigface tour. He also used to play drums for Pygmy Love Circus, and has done percussion for Lusk, Green Jelly and even for Carole King! He also plays drums for the band Zaum. He also plays drum clinics occasionally, and was at the Modern Drummer festival last summer.

X3. How about Adam?
We know he worked on art / special effects for such movies as Jurassic Park and Terminator 2. He also played bass in a band in high school with Tom Morello of Rage Against the Machine (the band name: Electric Sheep). In summer of 1998, he and Buzz from the Melvins played a few gigs as Noiseland Arcade (yes, named after the Simpsons), an experimental noise band. And don't forget, he is largely responsible for their videos.

X4. What about Paul?
After leaving Tool, Paul practiced with Failure (a band who have opened for Tool) a few times, but did not join that band. He was working on his own project called Lusk, with Cris Pitman (from the Replicants and Zaum), and has an album out as of mid-April 1997. Lusk has reportedly broken up. See Question X5 for more details on "The Replicants."

X5. What's "The Replicants"?? What's "Silly Love Songs"?
On November 21, 1995, an album came out on Zoo Records (Tool's label) under the name "The Replicants." The album is a collection of eleven covers of old songs by Paul McCartney, Syd Barrett, David Bowie, Pink Floyd, the Cars, etc.
The Replicants themselves are Paul, Ken Andrews and Greg Edwards of Failure, and Cris Pitman of Zaum (a Danny side project). Maynard makes a guest appearance, singing McCartney's "Silly Love Songs".
More information is available via the discography (at the location listed in A3).

X6. So, after Justin left them, what happened to his old band: Peach?
They had actually broken up shortly before Justin joined Tool. Note: this is not the same Peach with a few albums out on Caroline Records.
+---------------+
| Y. The Future |
+---------------+
* Y1. When will Tool play ____(city)____?
They toured heavily after "Ænima" came out, including a Lollapalooza 97 and an Ozzfest 98. They played only once in 1999, at the Coachella festival, and did not play any new songs. They probably won't play out much until the release of the next album draws closer. Check http://toolshed.down.net for further details.

* Y2. So what's next?
We still haven't gotten their cover of Led Zeppelin's "No Quarter" on CD, or any new live recordings, but those projects will likely be sidelined in favor of the impending fourth album, due by the end of 2000. Again, they did not play any new songs at their one live show in 1999, so who knows what specifically to count on.
+-----------------------------+
| Z. Info about this Document |
+-----------------------------+
* Z1. Who wrote this FAQ and why?
It was written by a Communications major at the University of Pennsylvania / Master's film student at the University of Miami, who is now trying to be a filmmaker in LA. Why write it? Until 1994, there was no Tool FAQ. And the one question everyone wanted answered was "What's the line in the chorus of Sober?" And lots of people got sick of answering. But nobody could say "read the FAQ" since there wasn't one. And the rest is history. Thanks for reading it, by the way. Hope you learned something.

Z2. Who made that big ASCII thingy at the top?

It was dreamt up and submitted by Justin McKinlay (s338171@student.uq.edu.au).

* Z3. Who has helped out?

This FAQ would never have become what it is today without the help of LOTS of people; some of whom have pointed out typographical errors, some who have submitted answers. Here is a not-nearly-complete list of a whole slew of people who have helped out since the FAQ's inception in 1994:

gregt@fairlane.visix.com, azrael@grex.cyberspace.org, crowell@theochem.uwaterloo.ca, pier1@rpi.edu, ba560@freenet.carleton.ca, shane@globalx.net, deathro@PrimeNet.com, arsenio@wco.com, KDWST11@vms.cis.pitt.edu, Aspainhow@aol.com, vidariv@loke.hiof.no, 75377.22@compuserve.com, charris@i-max.co.nz, shade@paradoxnw.com, SDX@aol.com, opiate@megaweb.com, jolsen@mizar.usc.edu, mch20285@pegasus.cc.ucf.edu, fr4ulan@hugin.stud.hks.se, FearOfVir2@aol.com, boink@speednet.com.au, peschek@mail.nwlink.com, quinlans@forbairt.ie, freek@mindspring.com, eric@satanic.org, jvm113@psu.edu, jdwright@pomona.edu, beejay@hecubus.engr.sgi.com, elw01@gnofn.org, mtrainor@juno.com, kspaink@xs4all.nl, eeyore@getnet.com, flood777@juno.com, forrest@manawatu.gen.nz, aklink@engin.umich.edu, jkenny@MAILBOX.SLAC.Stanford.EDU, WigginsTT99.CS31.USAFA@usafa.af.mil, cactoid@kwest.com.au, mpage@nis.net, s328150@student.uq.edu.au, conklin@bobafet.nrl.navy.mil, pete_meincke@net.com, vaillancl@lces.scbe.on.ca, dbw3e@virginia.edu, brian@technonet.com, nshinbin@interlog.com, jcats@telis.org, dboyle@liquidaccess.net, thebadger@earthlink.net, swamp666@cris.com, Brian_Mafi@smtpgate.Mitchell.Com, moloch@benthos.cox.miami.edu, Shift619@aol.com, aksesper@iinet.net.au, barton-fink@juno.com, Manning.Cameron.CJ@bhp.com.au, ironic_chick@angry.org, pajamapeople@worldnet.att.net, brian@technonet.com, lgordon@vianet.net.au, GENOCIDEXX@aol.com, undertow01@geocities.com, brian@technonet.com, j.patton@bohm.anu.edu.au, mrperry@alpha.delta.edu, third-eye@juno.com, lee5@rohan.sdsu.edu, wgh@umich.edu, spielers@earthlink.net, SCHROEDC@aol.com, creign@hotmail.com, JMTaco@aol.com, rantzjj@jmu.edu, and all the folks mentioned throughout the FAQ.

Thank you all, you've helped make this FAQ the best it can be. And of course, to Maynard for straightening out some of our unanswered questions.

* Z4. Where can I get the most current version of the FAQ? Is this it?

Isn't this the same as Question A1? What's it doing here?

Z5. Can I copy bits of the FAQ? Can I put it on my home page? Can I send it to a friend of mine? Can I print it out? Can I quote it in a publication?

This document exists to answer people's questions; it wouldn't be very helpful if nobody could get to it. All I ask is that if you do copy any part of it, that you let me know. Private use (like printing it out / sharing it with someone) is of course, cool. If you're going to quote it somewhere, again, just let me know, so I know. See also the next question.

Z6. Copyright and Distribution Information:

The Tool FAQ (list of Frequently Asked Questions) is (c) 1994 - 2000 Kabir Akhtar. This FAQ may not be reproduced in any form (in whole or in part) without permission. International copyright laws require that you obtain an author's permission to use any copywritten material.

Permission... if you want permission, all you have to do is ask. Unless you are planning on making millions without including me, I'll say "go for it." I'd just like to know to where the FAQ may find its way. Thanks in advance for taking the few seconds it takes to contact me.

Z7. Has this FAQ made it out into the real world at all?

Various reporters for magazines have relied on it for interviews, as have radio DJs worldwide; check the note at the end of Question B. Others have even based parts of their FAQs on this one (dig Sunny Day Real Estate and Grinspoon)! If you do use this FAQ as a reference for some form of published material (online or print), please at least mention it, my name, or "toolshed.down.net." (Either way, it's only three words). While all the information here is free, it has taken a lot of work to publish it all here. You'd be amazed how many people have lifted paragraphs from here. Thanks!

Z8. How do you pronounce that damn K-name anyhow?

It's Kabir. Phonetically, it's "k'BEER." More info on Kabir is available at http://www.down.net. See you at a show.


Comments welcome to kabir@down.net

End of FAQ. Thanks for playing. 1