In the summer of 1976, Brian Tatler and Duncan Scott were forming a band. Having heard of 15 year old Sean Harris and his rendition of 'Be-Bop-A-Lula', Brian approached him to arrange an audition for the then unnamed band on June 25th. On June 26th during an English lesson, he had signed the contract. Colin Kimberley, an friend of Brian's from junior school completed the line up.
The first demo tape was cut in 1978 in a studio in Kidderminster. This was used to get gigs, and a copy was sent to Geoff Barton at Sounds, who was suitably impressed and put them on his play list, and arranged an interview. Continual gigging set them in good stead. This saw them opening for the likes of AC\DC and Iron Maiden.
At the beginning of 1980, the band formed 'Diamond Head Music' as a means to putting out their own self financed material. Their first single was 'Shoot Out The Lights' backed with 'Helpless' on Happy Face Music.
They then recorded what was to become their first album release. Like Led Zeppelin's fourth album it had no official title and has been referred to as the 'White Album', or 'Lightning To The Nations'. There were initially copies 1000 pressed, which were in a plain white cover. Every copy was signed by one member of the band. This was available only at gigs or by mail order for £3.50 A further pressing of 1000 were done, which had the track listing on it. This contained 7 classic tracks including 'Am I Evil?', 'The Prince' and 'Sucking My Love'.
The next single was 'Sweet and Innocent' from the White Album, backed with a new track, 'Streets of Gold'. Two new tracks arrived in 1981 on DHM Records - the double A-side of 'Waited Too Long' and 'Plat It Loud'. The Diamond Lights 12" EP followed soon after giving us 'It's Electric' and three new tracks, 'We Won't Be Back', 'Diamond Lights' and 'I Don't Got'.
Later in 1981, the band signed to MCA Records, their first release being the 'Four Cuts' EP containing 'Call Me', 'Trick or Treat', 'Dead Reckoning' and a new version of 'Shoot Out The Lights'. A second single; 'In The Heat Of The Night' was released prior to the 'Borrowed Time' album.
A double single of this contained live versions of 'Play It Loud' and 'Sweet and Innocent' recorded at the Zig-Zag Club, together with a 14 minute interview with Tommy Vance recorded in June '82.
Diamond Head played a magnificent set at the Reading Festival playing new tracks and old. The live version of 'Sucking My Love' would later be released as a 12" with 'Out Of Phase', and the whole set 10 years later as part of the BBC sessions series.
Living On....Borrowed Time' was released in late September 1982, in a lavish gatefold sleeve with stunning artwork courtesy of Rodney Matthews and entered the UK charts at number 24. A 12 date UK tour followed in October and November to promote their new album taking in Birmingham Odeon, Manchester Apollo and London's Hammersmith Odeon.
1983 saw the release of the 'Makin' Music' single as a precursor to the album that was also intended to be called 'Makin' Music' but was changed to 'Canterbury'. During the recording both Duncan and Colin left the band. Colin was replaced by Merv Goldsworthy, who was later to go on to form FM. Robbie France took up the drum stool and keyboard player Josh Phillips-Gorse was added. 20,000 copies of the album had pressing faults causing the first track to jump. This consequently affected sales, with it eventually charting at number 32.
'Out Of Phase', a second single was released backed with the album track 'The Kingmaker'. The band played the Donington Rock Festival in the summer of 1983 and another tour of Odeon sized halls in October to promote 'Canterbury'. The band were preparing for a fourth LP, 'Flight East' in 1984 but were dropped by MCA. When their manager failed to get them a deal at the MIDEM music business convention, the band split.
Following the first break up of Diamond Head in 1985, Brian formed Radio Moscow, a more mainstream rock band. Early gigs would include 'Am I Evil' and 'Play It Loud'. Their first and last release to feature Brian was an untitled four track EP. Their first album 'World Service' was released shortly after he left the band.
In the meantime Sean went on to work with guitarist Robin George in a one-off pop rock project under the name of Notorious funded by Geffen Records. The resultant single 'The SWALK' was released in 1990. The album was released in America for only three weeks before being deleted.
The same year, Notorious also contributed a track to the soundtrack of the 'Highlander 2' in the form of 'Here We Go', a fast paced rock track. A second track on the album 'Who's That Man - part 1' saw Brian Tatler and Sean Harris team up again under the moniker of 'The Magnetic AKA' The track was written and produced by Sean.
The original line up got back together to jam through 'Helpless' and 'Am I Evil?' with Metallica at one of their shows at Birmingham's NEC.
The following year saw Brian and Sean team up once again as a band with Karl Wilcox and drums and Eddie Chaos on Bass. Playing only new material, the band completed a small tour of UK clubs under the pseudonym 'Dead Reckoning'.
It was obvious that Diamond Head were now back in business. The band entered the studio to record tracks for an EP entitled 'Rising Up'. Instead just a 2 track 12" was released available only at gigs and specialist record shops. 'Wild On The Streets' had its origins back in 1978, but had never been completed or recorded. 'Can't Help Myself' completed the single.
Following two further club tours, Chaos was replaced by Pete Vukovic to record the 'Death and Progress' album. Prior to its release, the band opened a show at Milton Keynes Bowl featuring Megadeth and Metallica on 5th June 1993.
This show was later released as 'Evil Live' in 1994 along with extra tracks from the 'Death and Progress' sessions. This was Diamond Head's last show and last official release, even though a further live album from 1991 is due for release in the year 2000.