Slayer Fictional Reality Divine Intervention Tabbed by Mike Kimball If it looks f***ed up, try changing the font to something non-proportional, such as Courier or Monaco, size 12, with 6" line width. Fig. 1 |----------------------------------------------------- |----------------------------------------------------- |----------------------------------------------------- |----------------------------------------------------- |--------------------2---1-------------------1---0----- |--4-0-2-5-2-0-3-0-2---2---4-0-2-5-2-0-3-0-1---1------ |___| |___| |___| |___| |___| |___| |___| |___| End Fig. 1 Play four times. Fig. 2 |---------------------------------------------------- |---------------------------------------------------- |---------------------------------------------------- |--------5p4---------------------5p4---------4------- |--------5p4---------------------5p4---------4------- |--0-0-0-----0-6-0-0-0-0-0-0-0-0-----0-6-0-0---6-4--- |___| |___| |___| |___| |___| |___| |___| |___| End Fig. 2 Play eight times, but on eighth time, play Fig. 3 in place of last three notes in Fig. 2 Fig. 3 |-------------------------------------------------------- |-------------------------------------------------------- |-------------------------------------------------------- |-------------------------------------------------------- |--------0-----------0-----------0-----------0-----1----- |--2-1-0---4-3-2-1-0---4-3-2-1-0---4-3-2-1-0---4-3---3-2- |___| |___| |___| |___| |___| |___| |___| |___| |___| End Fig. 3 Fig. 4 |-------------------------------------------------- |-------------------------------------------------- |-------------------------------------------------- |-------------------------------------------------- |--------------------------------------3-0-2-0----- |--0-0-2-0-0-0-3-0-2-0-0-0-5-0-3-0-0-0---------3-2- |___| |___| |___| |___| |___| |___| |___| |___| |-------------------------------------------------- |-------------------------------------------------- |-------------------------------------------------- |-------------------------------------------------- |--------------------------------------3-2-0------- |--0-0-2-0-0-0-3-0-2-0-0-0-5-0-3-0-0-0-------4-3-2- |___| |___| |___| |___| |___| |___| |___| |___| |-------------------------------------------------- |-------------------------------------------------- |-------------------------------------------------- |-------------------------------------------------- |--------------------------------------3-0-2-0----- |--0-0-2-0-0-0-3-0-2-0-0-0-5-0-3-0-0-0---------3-2- |___| |___| |___| |___| |___| |___| |___| |___| |-------------------------------------------------- |-------------------------------------------------- |-------------------------------------------------- |-------------------------------------------------- |--------------------------------------1-0--------- |--0-0-2-0-0-0-3-0-2-0-0-0-5-0-3-0-0-0-----4-3-2-1- |___| |___| |___| |___| |___| |___| |___| |___| End Fig. 4 Return to Fig. 2; but end with Fig. 5. Fig. 5 |-------------------------------------------------------- |-------------------------------------------------------- |-------------------------------------------------------- |-------------------------------------------------------- --------0-----------0-----------0-----------1-0--------- |--2-1-0---4-3-2-1-0---4-3-2-1-0---4-3-2-1-0-----4-3-2-1- |___| |___| |___| |___| |___| |___| |___| |___| |___| End Fig. 5 Play Fig. 4 again. Fig. 6 |---------------------------------------------- |---------------------------------------------- |---------------------------------------------- |---------------------------------------------- |--3-----2-----1-----------3-----2-----1------- |----2-1---2-1---2-1-3-2-1---2-1---2-1---2-1-3- |___| |___| |___| |___| |___| |___| |___| | End Fig. 6 Fig. 7 Fig. 7 is mostly just hammer-ons at the fourth fret of the open E string; then on the E string, first fret. The rest is made up mostly of parts already shown. Use your ears.