What reporters have to say...
(like we care a pig's rear end)
WATT, may 1997
Festival guide
Drinking booze, blowing and the intergalactic
vacuum
Hicksville, West Virginia. A hamlet somewhere in
the mountains. Home of the American stoner rock senstation Karma
To Burn. The product of isolation and loneliness, as proven by
their self titled debut album. A sheer endless musical trip,
surrounded by a haze of self-made poteen and cheap psychedelica,
better known as white thrash on dope.
Just like Kyuss and Monster Magnet, Karma To Burn would like to
escape from every day reality. This reality consist of doing
nothing or watching uninteresting televison. Watching Jerry
Springer, just for the fun of it. Maybe that's the reason why
their musicis full of superheavy, mindboggling sounds, symbolizing
the pain, agony and frustration. It's like the spirit of new wave
legend Ian Curtis (Joy Division) is hanging around this fourpiece.
"Why do you think we made a cover of '24 hours' from the gruesome
Joy Division album 'Closer'?. That song IS Karma To Burn.
We're also confused, lonely and anxious. It's no joke living in
these mountains, especially when you have no friends and there is
no one to discuss your inner feelings and emotions with,
There's not much left then, except drinking and smoking grass.
And the creation of your own intergalactic vacuum on
earth" according to bass-player Dickie.
But the ungoing groove of Karma To Burn is also related to movies
like 'Apocalypse Now', the ultimate picture of the war in Vietnam.
A surreal and hypnotizing experience. "'Apocalypse Now' will get
you stoned without the use of any drugs" says Dickie. "Sometimes
we think that we have actually written that soundtrack. Our music
has the same oppressed feeling."
A few schizofrenic hillbillies make up Karma To Burn, according to
singer Jason. "Who else might be able to mix The Butthole Surfers,
Lynyrd Skynyrd, Frank Zappa or Monster Magnet just perfectly?"
"Lynyrd Skynyrd is one of my favorite bands!" Dickie adds, "it's
one of the most authentic southern rock bands ever. The late Ronnie
Van Zant is the poor man's Ian Curtis. For me at least. Although
there's almost twenty years between their deaths, I'm very
convinced that they have met on the other side. Why do you think
we're propagating their musical heritage."
Talking about singers, for a while it looked like son of the desert
John Garcia (formerly Kyuss) would join the band.
Dickie is grinning. "We've spent two weeks with him in San Francisco.
A crazy time. But that ended as soon as John started singing. He
sounded way too heavy. Like we had Ronnie James Dio on vocals. On top
of that, he had some difficulty with the southern edge in our music.
John was born and raised at the west coast and life is a bit more
exuberant."
So in the end they dragged tippler Jason in front of the microphone.
It was a desperate action. "We didn't have any choice," whispers
Dickie, "otherwise we would have lost our contract with Roadrunner.
They weren't ready for this instrumental stoner rock sludge.
Happily Jason could produce some sound".
For their second album Karma To Burn will be sponsored by the famous
porn mag Hustler. "The new songs will be about fucking exclusively.
Fucking and gorgeous chicks. That's better than spending the entire
day in a trailer park. You can take my word for that."
( interview and article by Walter Hoeijmakers,
translation by Pepijn Klaassen)
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Eindhovens Dagblad, may 13th 1997
Pop live 1997 ( festival special )
KARMA TO BURN:
without vocals and solos
Every year the stage of Dynamo Open Air is host to unknown talent
from around the world. Bands that didn't play for more than a few
hundred people at maximum. Some of these bands see their career
change suddenly after the Dynamo festival . Will this happen to
Karma To Burn this year? This band is aiming at causing as much
confusion as possible. Their biography is full of nonsense, the
musicians have the same face and clothes, and they use songtitles
like '6', '13', '8' and '22'.
On top of that, we encountered one band-member less
than on their self-titled debut album. "Our vocalist? He's working
in the pizzeria again, just like before his career in Karma To Burn"
says guitarist William. Bass-player Dickie elaborates: "We're back
at instrumental music, the original basis of this band. If we think
some vocals are necessairy on stage, we'll ask one of our roadies
to sing a bit". William adds to that: "Vocals aren't that important
anyway. I myself am fed up with singers. Especially nowadays singing
seems to be a therapy for an unhappy childhood. At every concert
there is some creep bothering you with details about his life and
how hard it is. Take for instance a guy like Eddie Vedder, very
tiring. In rock and roll lyrics are highly overappreciated."
Karma To Burn is not only entertaining the audience without the use
of lyrics, their music is lacking guitar solos as well. The concept
of this trio is collective music. "Music is harmony. Solos are just
as disturbing and egocentric in the harmonics of the songs as vocals.
Rock music just never got over Eddie Van Halen and the likes"
concludes William.
( interview by Peter Borgers, translation by
Pepijn Klaassen. )
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May 16th 17th 18th Airport Eindhoven, The Netherlands
With: $400 Suits, Amorphis, Backfire, Coal Chamber,
Cradle of Filth, Deviate, Dimmu Borgir, Discipline, Dissection,
Entombed, Exodus, Goddess Of Desire, Helmet, I Against I, Ignite,
Karma To Burn, Keaton, Korn, Laberinto, Limp Bizkit, Machinehead,
Marylin Manson, Moonspell, Ni Hao, Orphanage, Pist*on, Rage & Secret
Discovery, Samael, Satyrical, Sentenced, Sick Of It All, Skinlab,
Slo-Burn, Slyce, SNFU, Sundown, Testament, Therion, Thumb, Tiamat,
Totenmond, Travoltas, Type O Negative, Vision Of Disorder, Voodoo
Glow Skulls, Within Temptation.
This is what the festival booklet had to say about Karma To Burn:
One of the few ways to escape the great plains of West Virginia is
to start a band and be successful. An instrumental demo secured Karma
To Burn a deal with Roadrunner. 'Our singers just keep blowing up,
like Spinal Tap', was the band's explanation for vocalist Jim Jarosz'
absence at the start of their first European tour.
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