Purgatory reviews...
(like we care a pig's rear end)
I found one review so far, an another one was sent to me by Andy Hawkesworth (thanks man!). Any more stuff... let me know: pepyn@geocities.com!
Hailing from West-Virginia, Karma To Burn made quite a name for themselves over
the last few years. They had a desperate sound, a scream for help. A unique sound too.
Off course, some Kyuss here and there, some southern rock, but they were a psychedelic
band, no doubt about it.
Yes, they were, because the long awaited new album "Wild
Wonderfull Purgatory" is a little bit different than their nameless debut. The dark, melancholic,
spiritual feel of that album has moved for a more rocked out variation. They also threw out
vocalist J. Jarosz and drummer Nicholas, who’s replaced by Rob. No more dark, strange,
intense songs like "Mt. Penetrator" or "Playboy Pallbearers", just plain hardrock (
"Twenty-eight"), stonerrock ("Twenty-six") and even some southern rock influences, like the
guitar riff in "Twenty-five".
The last four songs are known from their first album, but here in a
slightly different version, and instrumental. Highlights on "Wild Wonderfull Purgatory" are
opener "Twenty" and the epic "Thirty-one", while songs like "Thirty" and "Twenty-nine" keep
rocking big time.
I can’t really give you a comparison, but who needs one? This is Karma To
Burn. Slightly different than before, and now all instrumental. Guitarist Will doesn’t really fill up
the gaps created by losing the vocals, so it sounds a bit the same overall. This is not bad,
though. Here’s a band that says 'fuck you' to everyone who expected something different and
they just do their own thing.
And they do it well. Killer riffs in "Twenty" and "Twenty-nine", not
as dark as on their last album, but they rock heavier. Where Karma To Burn once was a
psychedelic rockband, I think you can skip the word psychedelic now. Not really music to
smoke on, but more an album to dance to, with a big bucket of beer in your hand. "Wild
Wonderfull Purgatory" is an album full of hard rocking songs, that should be played at maxium
overdrive, so eventually nothing has changed at all because it’s all about the rock!
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published somewhere in summer 1999
info missing... hehehe... oops
So the stubborn and headstrong Karma To Burn finally get their own way
and release the instrumental album they always envisaged. They don't
like vocals and frankly, they don't need them. Their music speaks
loudly and whispers seductively enough that any lyrical caterwauling
would bog down them down, effectively stifling the creative meanderings
found here.
Their rock-heavy instrumentals are not sullied or trivialised to
distraction, as there is only the complex interaction of just the bass,
guitar and drum to carry the whole album through every twist and turn.
Admittedly, it's hard to keep abreast of the tracks here as they have
named every piece by a number instead of a song title - this isn't the
first time they've played this game but this just ultimately forces the
listener to simply sit back and suck it all in.
There's an abundance of precision-perfect stop/start moments - big fat
pregnant pauses that echo in the empty silence before the pulse of the
music's heart begins pumping again. Their Southern influence and
homegrown roots in West Virginia appear as rippling fleeting
sensations, casual callers like ZZ Top and Lynyrd Skynyrd dropping in
at various points in the proceedings. It's an album of many flavours,
designed to absorb and ponder. The pulsating soundscape effectively
conjuring ever changing snapshot images of seedy skid row locales,
neon-lit juke joints and lonely cruises down deserted strips of highway
- the variety and abundance only limited by the listener's own
imagination.
[8] MARION GARDEN
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(reviews of the)
...Purgatory album
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