Panic
from: Christian Korbanka, Cologne, Germany
e-mail: Christian_Korbanka@msn.com
Suggestions and corrections are always welcome!
date: 95/10/15
C D Bb F
G
Em
Panic on the streets of London
G
Em
Panic on the streets of Birmingham
C
D Bb F
I wonder to myself
G
Em
Could life ever be sane again
G
Em
On the Leeds side streets that you slip down
C
D Bb F
I wonder to myself.
G
Em
Hope's may rise under Grasmeres
G
Em
But honeypie, you're not safe here
C
So you run down
D Bb F
To the safety of the town.
G
Em
But there's panic on the streets of Carlisle,
G
Em
Dublin, Dundee, Humberside
C
D
I wonder to myself.
Bb F Em Bm
D
Bb F Em Bm
D
G
Em
Burn down the disco,
G
Em
Hang the blessed D.J.,
C
D
Because the music that they constantly play,
G
Em
It says nothing to me about my life,
G
Em
Hang the blessed D.J.,
C
D Bb F
Because the music that they constantly play,
G
Em
On the Leeds side streets that you slip down,
G
Em
On the provincial towns you jog round,
C
D
Hang the D.J., hang the D.J., hang the D.J.
C
D
Hang the D.J., hang the D.J., hang the D.J.
C
D
Hang the D.J., hang the D.J., hang the D.J.
Bb F G
Em
Hang the D.J., hang the D.J.,
G
Em
Hang the D.J., hang the D.J.,
C
D
Hang the D.J., hang the D.J., hang the D.J.
Bb F G
Em
Hang the D.J., hang the D.J.,
Ask
From: shruew@cyclone.xnet.com (Johnny Mnemonic)
note:the intro on Rank is G , C C, G, much simpler than this intro
A new corrected version with the bass thrown in for fun.
some notes before you go on:
This tab is a two guitar song tab'd out for one guitar. It's also
tabbed out in mind that not everyone (myself included) and lay just like
Mr. Marr.) For example, I _do_ know that there are three more strings
on the guitar :), but I can play through this version and it sounds good.
If you can crank through it, it wont be too hard for you to round out the
chords a little. Corrections, comments etc etc to shruew@cyclone.xnet.com
Tom Chess
~ = bend, tremolo bar, whatever
s = slide to next notes
|-->I'm partiularly shaky about
| | @ | what happens here
| tab-A |
| | tab B|
e-5-3-5-10~---|-7-10-----12----------8----|------|
b-7-5-7-12~---|-8-----8------------8---10-|-8s10-|
g-7-5-7-12~---|-------9----------9-----11-|-9s11-|
d-7-5-7-12~---|---------------10-------12-|------|
a-------------|---------------------------|------|
e-------------|---------------------------|------|
|
g------------------------------------------------
d--------------------------------------0---------
a---------------------0-------3------------------
e-----5s3-s0----3---3----------------------------
Shyness is nice
and shyness can stop you from
e-7-7--5----7--7-----10------7--7----7---10---10--8----
b-8-8--5-------8-----10--10--8---8-------9----10-------
g------5-------9-----11------7---7-------9----11-------
d------------------------------------------------------
a------------------------------------------------------
e------------------------------------------------------
g------------------------------------------------------
d--------------------0---------------------------0-----
a-----0------------3------------0----------3-----------
e-3-3----------------------3--3------------------------
(that's pretty much how the bass goes so I'm gonna stop writing
it
out. There may may a feww notes missing from it anyway, but
that's
the general idea of it).
do-ing all the things in life you'd like to
e-10-12--10--8---8------7--5----------7----
b-12-----10------8---------7----8----------
g-12-----9-------9---------7--------------- intro tab A and
B
d------------------------------------------
a------------------------------------------
e------------------------------------------
Repeat for shyness is nice... then again for then again for coyness,
but now we have the So, if there's something part so end only with
tab A and go to...
So if there's something you'd like to try
e-10-10-10------10--10----10----12---10-10-----
b---------------12--12----12----13------7---10-
g---------------12--12----12----14------7---11-
d---------------------------------------------- x2
a----------------------------------------------
e---------------------------------Z------------
ask me, I won't say no, how could I?
e-10--7---7-7-----7---3---7---7-----
b-12--------------8---5---8---------
g-12--------------9---5---9--------- tab A and B
d-----------------------------------
a-----------------------------------
e-----------------------------------
then it makes its way to the Spening warm summer days apart...
Spending warm
summer days indoors
e-----8--7---7----7----5--7---7----5-7------5-3-
b-5-8----7---7----8----------------7--------5-5-
g-5------7---7----7----------------7--------5-5-
d-----------------------------------------------
a-----------------------------------------------
e-----------------------------------------------
writing frightening verse to a bucktoothed
girl in Luxemburg
e-5--7----10------7---7----10-10-10-10--10------7--3-3--3--5-7---
b-7-------12---12-8---8----10-------12--12------5-------5----7---
g-7-------12------9---9----11-------12--12------5-------5----7---
d----------------------------------------------------------------
a----------------------------------------------------------------
e----------------------------------------------------------------
Ask me, ask me, ask me.
e-10--7---10--7---10--7----8--8--
b-8-------8-------8---7----8--8--
g---------------------7----9--9-- twice, but the second time instead
d--------------------------10-10- of the C C go...
a--------------------------------
e--------------------------------
because if it's not love then it's the bomb,
the bomb
e-7-5-3--2--3--5----7---7----8----7----5---3-----5---7-----
b-7-7-5--3--0--5----8---8---------7--------0---------8-----
g-7-7-5--2--0--5----7---7---------7--------0---------7-----
d--------0--0------------------------------0---------------
a----------------------------------------------------------
e----------------------------------------------------------
the bomb, the bomb. The bomb, the bomb the bomb
e--8---10----12--10-----12--10----8---7----8---8---
b------12--------10---------12--------8--------8---
g------12--------12---------12--------7--------9---
d--------------------------------------------------
a--------------------------------------------------
e--------------------------------------------------
that will bring us together
e-7----5----5-----7--8-7---3-----5-----3-
b-----------7--------------5-----7-----5-
g-----------7--------------4-----7-----5- strum that C till
d--------------------------------7-----5- nature
a----------------------------------------
e----------------------------------------
Nature is a language can't you read?
So
e-7-7----7--7-7--7-----3-----7---7-----5---3---2---7- go
to the:
b-8-8----8--8-8--8-----5---------8-----5---5---3---7- ask me...
g-7-7----7--7-7--7-----5---------7-----5---5---2---7-
d----------------------------------------------0----- second time:
a----------------------------------------------------continue on
e----------------------------------------------------
(togeth)er
If it's not love
e---------3---5---3---2----3--5----7---7----3--
b---------3---5---5---3----------------8----5--
g---------4---5---5---2----------------7----5--
d---------------------0------------------------
a----------------------------------------------
e----------------------------------------------
then it's the bomb then it's the
bomb that will bring us
e-3----5----7---7-----3--3----5----7---7----5----5----5-----7--
b---------------8-----5----------------8--------------7--------
g---------------7-----5----------------7--------------7--------
d--------------------------------------------------------------
a--------------------------------------------------------------
e--------------------------------------------------------------
together So
e-8-7---3--5--3--7--
b-------0--5--5--7-- ask me ask me ask me part
g-------0--5--5--7--
d----------7--5-----
a-------------------
e-------------------
and end with
Da da da da da da da da
e-7--7--7--7--7--7--7--5--
b-8--8--5-----------5--7--
g-7--7--5-----------5--7--
d-------------------------
a-------------------------
e-------------------------
London
(Morrissey/Marr)
From: Winston Campbell <jieuryli@eden.rutgers.edu>
Basically, this is a very simple Smiths song (off of -Louder Than Bombs-) but highly effective. What I will mean by the F# riff is just:
F# riff
E ----------------------
B ----------------------
G ---------------------- (this is just the F# note being
repeated over
D ---------------------- and over again, of course)
A ----------------------
E -2-2-2--2-2--2-2--2-2-
Intro: Feedback, F# riff
F# riff
Smoke lingers ~round your fingers
Train, heave on-to Euston
B5
E5
F# riff
Do you think you~ve made the right decision this time?
B5 E5
F# riff
Aaahhh, aaahh, aaahhh...
F# riff
Left your tired family grieving
And you think they~re said because you~re leaving
B5
E5
F# riff
But didn~t you see the Jealousy in the eyes of the ones you left
behind
B5
E5
F# riff
And do you think you~ve made the right decision this time?
F# riff
You left your girlfriend on the platform
With this really ragged notion that you~ll return
B5
E5
But she knows that when he goes
F# riff
He really goes
B5
E5
F# riff
And do you think you~ve made the right decision this time?
The ending riff goes something like this (with minor variations):
F#m D5 E5 C#m D5 E5
E ---5---------------|---9---------------||
B ------7------------|------9------------||
G -6------6--7-7-9-9-|-9------9--7-7-9-9-||
D -----------7-7-9-9-|-----------7-7-9-9-||
A -------------------|-------------------||
E -------------------|-------------------||
and the song fades out (and into PANIC!!)
Bigmouth Strikes Again
Joe Palumbos jmp@moscom.com
{rit,tropix,ur-valhalla}!moscom!jmp
--0--0--0--0--0--0--0
C#m
E
F# C#m
Sweet---ness,
sweet---ness, I____was only jok - ing when I
A
B C#m
E
F#
said I'd like___to
smash every tooth in ___your head.
(repeat: same chords ...Sweetness, sweetness I was only joking
when
I said by rights you should be bludgeoned in your bed.
A
B
C#m
E F#
And now I know how Joan of
Arc felt, Now_____ I Know
how
C#m A
B
C#m
Joan of Arc felt,
As the Flames rose
E
F# C#m
to her Roman nose
and her Walk-man start-ed
(hear-ing aid)
A B
to melt.
Instrumentally bit filler padding chordy section!!!!!!!
C#m E F# C#m A B (repeated twice!!!)
C#m E
Big - mouth la
da da__________ da da
F# C#m
A B
Big--mouth
la da da da
Big mouth strikes
C#m
E
F#
again andd I've got no right to
take my place
with
C#m
the human race
A B C#m E
Oh, oh, oh oh oh Big mouth la da da da da
F# C#
A B
C#m
Big
mouth la da da da, Big
mouth strikes again
E
F#
and I've got no right
to take my place
with the
C#m
Human race.
then play A B G#m F# G#m ad nauseum
and sing over the "and now I know how Joan of Arc felt....." section if
you wish!!!
I hope this is if help.........the chords are sound, but what I
have trouble with is the rythm of the song, It's difficult to keep smooth,
which is why I've posted all the chord changes.(I haven't got this record
so I can't remember exactly how it goes which is my problem).
Brian.
bfrrelly@unix2.tcd.ie
There Is A Light That Never Goes Out
From: "John S. Jacob" <jsjacob@soda.berkeley.edu>
Transcribed by John S. Jacob (jsjacob@soda.berkeley.edu)
The lyrics are right out of the insert to "The Smiths I Best..."
Yes, the chords sound picked, but I prefer to pound out (strum)the
chords and sing along. I mean, aren't these lyrics so uplifting?! ;-)
As for rhythm, I always say go find a recording -- it's much easier
than trying to get it from a transcription (or to put it into one, for
that matter...)
##Capo up to the fourth fret (This song is really in the key of E).
Intro:
Am F G
Am G Am G F
C G
Take me out tonight
Am
G
where there's music and there's people
Am
G F C G
who are young and alive
Am G
Am G
Driving in your car
F
C
I never never want to go home
G
Am G Am G
because I haven't got one
F C G
anymore
Am G Am G F
C G
Take me out tonight
Am
G
because I want to see people and I
Am G
F C G
want to see lights
Am G
Am G
Driving in your car
F
C
oh please don't drop me home
G
Am G
because it's not my home, it's their
Am G
F C G
home, and I'm welcome no more
Chorus:
Em F
G C
Am
And if a double-decker bus
F
G
crashes into us
C
to die by your side
F
G
such a heavenly way to die
C
Am
And if a ten ton truck
F
G
kills the both of us
C
to die by your side
F
G
the pleasure the privilege is mine
Am G Am G F
C G
Take me out tonight
Am
G Am G F C G
oh take me anywhere, I don't care
Am
G Am
And in the darkened underpass
G
F
C G
I thought Oh God, my chance has come at last
Am G
(but then a strange fear gripped me and I
Am
G F C G
just couldn't ask)
Am G Am G F
C G
Take me out tonight
Am
G Am G F C G
take me anywhere, I don't care
Am G
Am G
Just driving in your car
F
C
I never never want to go home
G
Am G Am G
because I haven't got one
F
C G
I haven't got one
Chorus
Am G
Am G
There is a light and it never goes out
F
C G
There is a light and it never goes out
--
[======== John S. Jacob ========]
| jsjacob@soda.berkeley.edu |----
Address --------+
| jsjacob@ucbocf.bitnet
| Foothill 7B45B |
+-------------------------------+ 2700 Hearst Ave
|
| Berkeley CA 94709 |
+-----------------------+
Shoplifters of the World Unite
From: Johnson Brett Edward <bjohnson@sobek.Colorado.EDU>
E D A E
D A E
Learn to love me assemble the ways Now today tomorrow and
always
My only weakness is a listed crime
My only weakness is well nevermind
nevermind CDG
CHORUS:
G C
Am C D G C
Am C D G
Shoplifters of the world Unite
and take over
G C
Am G C
Am
Shoplifters of the world hand
it over, hand it over, hand it over
E
D A E D A E
Learn to love me assemble the ways
Now today tomorrow and always
E D A E
My only weakness is a list of crimes
E C D G
but night the plans of a future war was all I saw on Channel 4
CHORUS then instrumental 1st verse then instrumental chorus then ...
CHORUS (alternate words):
G
C Am
A heartless hand on my shoulder a push and it's over
G C
Am
alabaster crashes down, six months is a long time
G C Am
G C
Am
tried living in the real world, instead of a shell but before I
began
G
C Am C D G
I was bored before I even began
Shoplifters of the world unite and take over (2X)
Shoplifters of the world ... hand it over.
The Boy With The Thorn In His Side
From: shruew@cyclone.xnet.com (Johnny Mnemonic)
As usual, dont quote me on the bass part as I dont pay too too much
attention to it.
intro (i'm just showing the chords, i'm too lazy to tab out each
time he strums the chord)
C D
C Cmaj7 Dsus4C D
e-3---2--- -3---3----3----0--2--
b-5---3--- -5---5----3----1--3--
g-5---2--- -5---4----2----0--2--
d-5---0--- x2 -5---5----0----2--0--
a--------- ---------------3-----
e--------- ---------------------
g--------- ---------------------
d-----0--- ----------0--0----0--
a-3-----0- -3-------------3-----
e--------- ----3--0-------------
The song repeats the following pattern, then ends with the intro,
then back through it again. Also again, i dont tab out all the strumming
(which insnt to be confused with the times he is actually holding the notes)
G
Am
C/Am
The boy with the thorn in his side
behind the
e-7-----7-7----8-8--5-------------------------8-------------------
b-8-----8-8----1010-7-------------------------8-------------------
g-7-----7-7----9-9--7-------------------------9-------------------
d-------------------7---------------------------------------------
a-----------------------------------------------------------------
e-----------------------------------------------------------------
g-----------------------------------------2-----------------------
d-------------------0----------0-0-----4--------------------2-----
a---------------------------------------------0--3-0------3-------
e-3-------3-------------------------------------------------------
C D
hatred there lies
e-10-----5-----------
b-8------7----------- you go though that twice
then change the
g-9------7----------- last C to a 3 one for the
rest of the song
d-10-----7-----------
5
a--------------------
5
e--------------------
5
g--------------------
d--------0-----------
a-3------------0---0-
e----------------2---
end with the intro
Tom
shruew@cyclone.xnet.com
Asleep
From: Mike Higgott <mah@de-montfort.ac.uk>
C FM7
Sing me to sleep
Am FM7
Sing me to sleep
G
G7 G6
I'm tired and I
FM7
I want to go to bed
C FM7
Sing me to sleep
Am FM7
G
Sing me to sleep
G7 G6 FM7
And then leave me alone
G
Don't try to wake me in the morning
G7
G6 FM7 G
'Cause I will be gone
Don't feel bad for me
G7 G6 FM7
I want you to know
G
Deep in the cell of my heart
FM7
I will feel so glad to go
C FM7
Sing me to sleep
Am FM7
Sing me to sleep
G
I don't want to wake up
G7 G6 FM7
On my own anymore
C FM7
Sing to me
Am FM7
Sing to me
G
I don't want to wake up
G7 G6 FM7
G
On my own anymore
Don't feel bad for me
G7 G6 FM7
I want you to know
G
Deep in the cell of my heart
FM7
I really want to go
G
FM7
There is another world
G
C
There is a better world
FM7 Am
Well, there must be
FM7
G
Well, there must be
C FM7 Am FM7 G [repeated to fade]
Bye bye.
Unloveable
From: peterc@cats.ucsc.edu (Peter Anthony Cowan)
Don't know for sure, but I'd be willing to bet dollar for a dime
that
it's words by Morrissey, and Music by Johhny Marr. Have fun.
All the chords you need in this song:
D, C, G, A, F#m, Em, and Bm. I've been playing them all open,
except for
the Bm - G - A sequence, where I barre them, but you might be able
to play
the song more accurately using all barred chords. *shrug*
Don't ask me,
I jsut like to strum and sing along. =)
Intro:
D, C, G, A (twice)
I know I'm unloveable,
D C
G A D
you don't have to tell me,
C
G A
I don't have much in my life,
D
C G
but take it it's yours..
A
D C G A
* I don't have much in my life,
D
C G
but take it it's yours.
A D C G A
I know I'm unloveable,
D C
G A D
You don't have to tell me,
C G
A
for message received loud and clear, loud and clear,
F#m G
Em
message received...
Bm, G, A-A
I don't have much in my life,
D C G
but take it it's yours.
A D C G A
I don't have much in my life, but take it it's yours....
D
C G A
D C G A
(repeat from *, then continue on)
I wear black on the outside, because
D
C
black is how i feel on the inside.
G A D C G
A
I wear black on the outside, because
D
C
black is how i feel on the inside.
G
A D C G
A
And if i seem a little strange,
D C G
well that's because i am.
A
D C G A
And if i seem a little strange, well
D
C G
that's because I am.
A D C G A
I know that you would like me,
F#m G
if only you could see me,
If only you would meet me.
Em Bm G A-A
I don't have much in my life,
D C
G
but take it it's yours...
A
D C G A
I don't have much in my life,
D
C G
but take it it's yours
A
D C G A
F#m, G, Em, Bm G
A-A(and on and on....)
*the end*
I think I left out one or two musical interludes(maybe not),
but you'll
figure them out, they have the same progressions as the rest of
the song. If you don't know the song well, good luck getting the
words to fit over the chords right! Sorry, I tried to make it as
close as possible, but morrissey has a habit of stretching, and smashing
syllables, so one word could be 8 bars(I don't have much in my li -i -ha
-ha -ha -ife..) or even more. Good luck.
Half A Person
From: Fergal <u9246576@athmail1.causeway.qub.ac.uk>
Here's a song you might be interested in if you do'nt have the music for it already.
RIFF 1
|---5-4-------------------------|
|--5----5-----------------------|
|-4-----------------------------|
|-------------------------------|
|-------------------------------|
|-------------------------------|
Bm E RIFF1 Bm E RIFF1
Call me morbid, call me pale. I've spent six years on your trail
Bm A G E Esus4 E
six long years on your trail.
Bm E RIFF 1 Bm E RIFF 1
Call me morbid, call me pale. I've spent six years on your trail
Bm A G E Esus4 E
six full years of my life on your trail.
Gb G(bar) C(bar) G Gb G(bar)
And if you have five seconds to spare, then I'll tell you the story of my life.
D A Gb Bm G
Sixteen clumsy and shy, I went to London and I
D A Gb
I booked myself in at the Y W C A
A E RIFF 1 A E RIFF 1
I said "i like it here, can I stay?", "i like it here, can I stay?",
Bm A G E Esus4 E
Do you have a vacancy for a back scrubber?
Well, the song just continues from there with the same basic chord
sequences,
Not a complex song, but a brilliant one.
From Fergal Boden
Queens University Belfast,
(u9246576@athmail1.causeway.qub.ac.uk)
Stretch Out And Wait
From: kjohn@quads.uchicago.edu (SINE QUA NON)
tab'ed by stephen cheng (cheng@utdallas.edu)
this one sounds rather nice on an accoustic guitar and, as there
is no
instrument break, particularly suitable as a solo. the song is
in 6/8
time, and each dash of each bar denotes 1/4 note, except the first
and
last dash of each bar, which are used 'cos it looks nicer. the
tab more
or less indicates the chord positions, so you should strum through
the
song as you sing along. ..oh, and you don't need to capo! wow!
;)
E [-x------]
B [-x------]
G [-x------]
D [-x------]
A [-x------]
E [-x------]
percussion intro: just strum along and simulate.
E [-0---/-7------|-4-----0------|-4-----7------|-7-5-5-5/7----]
B [-0---/-7------|-5-5-0-2------|-4-----4------|-5-5-5-5/7----]
G [-1---/-8------|-6-6-0-2------|-4-----4------|-6-6-6-6/8----]
D [-2---/-9------|-6-6-0-2------|-6-----6------|-5-5-7-7/9----]
A [-2---/-9------|-4-----0------|-6-----6------|-7-7-7-7/9----]
E [-0---/-7------|--------------|-4-----4------|-5-5-5-5/7----]
on the high rise estate
what's at the back of your mind?
on a three-day debate
on the high rise estate
what's at the back of your mind?
two icy-cold hands conducting the way
it's the eskimo blood in my veins
amid the concrete and clay
and general decay
nature must still find a way
so ignore all the codes of the day
let your juvenile impulses sway
this way and that way and
this way and that way
god, how sex implores you
E [-3-----------|--------------]
B [-5-----------|--------------]
G [-5-----------|--------------]
D [-5-----------|--------------]
A [-3-----------|--------------]
E [-------------|--------------]
to let yourself loose yourself
E [-4-----4------|-4-----7------|-4-----4------|-7-5-5-5/7----]
B [-5---5-5------|-5-----7------|-5---5-5------|-5-5-5-5/7----]
G [-6---4-6------|-6-----8------|-6---4-6------|-6-6-6-6/8----]
D [-6---6-6------|-6-----9------|-6---6-6------|-5-5-7-7/9----]
A [-4---4-7------|-4-----9------|-4---4-7------|-7-7-7-7/9----]
E [--------------|-------7------|--------------|-5-5-5-5/7----]
stretch out and wait
stretch out and wait
let your puny body lie down, let down
E [-0------------|-2------------|-4------------|-4------------]
B [-0------------|-2------------|-5------------|-5------------]
G [-2------------|-4------------|-6------------|-6------------]
D [-2------------|-4------------|-6------------|-6------------]
A [-0------------|-2------------|-4------------|-7------------]
E [--------------|--------------|--------------|--------------]
as we lie you say
as we lie you say
stretch out and
E [-4-----4------|-4-----7------|-4-----4------|-7-5-5-5/7----]
B [-5---5-5------|-5-----7------|-5---5-5------|-5-5-5-5/7----]
G [-6---4-6------|-6-----8------|-6---4-6------|-6-6-6-6/8----]
D [-6---6-6------|-6-----9------|-6---6-6------|-5-5-7-7/9----]
A [-4---4-7------|-4-----9------|-4---4-7------|-7-7-7-7/9----]
E [--------------|-------7------|--------------|-5-5-5-5/7----]
stretch out and wait
stretch out and wait
let your puny body lie down, lie down
E [-0------------|-2------------|-4------------|-2------------]
B [-0------------|-2------------|-5------------|-2------------]
G [-2------------|-4------------|-6------------|-3------------]
D [-2------------|-4------------|-6------------|-4------------]
A [-0------------|-2------------|-4------------|-4------------]
E [--------------|--------------|--------------|-2------------]
as we lie you say:
will the world end in the night time?
(i really don't know)
or will the world end in the day time?
(i really don't know)
and is there any point in ever having children?
E [-0------------|-2------------|-2------------|-0-----2------]
B [-2------------|-2------------|-2------------|-0-----2------]
G [-2------------|-4------------|-3------------|-2-----4------]
D [-0------------|-4------------|-4------------|-2-----4------]
A [-0------------|-2------------|-4------------|-0-----2------]
E [--------------|--------------|-2------------|--------------]
no, i don't know
what i do know is we're here and it's now, so
E [-0---/-7------|-4-----0------|-4-----7------|-7-5-5-5/7----]
B [-0---/-7------|-5-5-0-2------|-4-----4------|-5-5-5-5/7----]
G [-1---/-8------|-6-6-0-2------|-4-----4------|-6-6-6-6/8----]
D [-2---/-9------|-6-6-0-2------|-6-----6------|-5-5-7-7/9----]
A [-2---/-9------|-4-----0------|-6-----6------|-7-7-7-7/9----]
E [-0---/-7------|--------------|-4-----4------|-5-5-5-5/7----]
stretch out and wait
stretch out and wait
there's no debate, no debate, no debate
how can you consciously contemplate
when there's no debate, no debate
stretch out and wait
E [-0---/-7------|-4-----0------]
B [-0---/-7------|-5-5-0-2------]
G [-1---/-8------|-6-6-0-2------]
D [-2---/-9------|-6-6-0-2------]
A [-2---/-9------|-4-----0------]
E [-0---/-7------|--------------]
stretch out and wait
stretch out and wait
wait, wait, wait, etc.
E [-4------------|-2------------|-0------------]
B [-5------------|-2---------0--|-2------------]
G [-6------------|-3---------0--|-2------------]
D [-6------------|-4---------0--|-2------------]
A [-4------------|-4---------0--|-0------------]
E [--------------|-2------------|--------------]
That Joke Isn't Funny Anymore
(Marr/Morrissey)
From: aschaffe@acs.ryerson.ca (Adam Schaffer - RTAT/W94)
transcribed by Adam Schaffer
Notes:
Tune up two semitones to F# or capo on the 2nd fret. As if you didn't
figure it out, the main part is played on an 12-string acoustic. For chords
with asterisks (*) below them, the note on the low E string should be played
using your thumb.
Park the car at the side of the road
only desire is to die
but
F#-0----0----4----0----7-----------0----------------2-
C#-5----0----0----0----5-----------0----------------2-
A -6----6----6----6----5-----------1----------------2-
E -7----7----7----7----5-----------2----------------4-
B -0----0----0----0----7-----------2----------------4-
F#---------------------------------0----------------2-
you should know time's tide with smother you
I'm a-fraid it doesn't make
me smile
F#--0----0----2-----0-----------------------------2---0-
C#--0----0----2-----0-----------------------------0---0-
A --1----1----2-----4-----------------------------4---4-
E --2----2----4-----5-----------------------------5---5-
B --2----2----4-----5-----------------------------5---5-
F#--0----0----2-----3-----------------------------3---3-
*
* *
and I will too
I wish I could laugh...
F#-0-----------0---0-
C#-5-----------1---0-
A -6-----------2---0-
E -7-----------3---5-
B -0-----------3---5-
F#-------------1---3-
* *
when you laugh about people who feel so very
lonely their
F#-0-----4---------------------0------------7----5---4--0-
C#-0-----0---------------------0------------0----0---0--0-
A -6-----6---------------------6------------6----6---6--6-
E -7-----7---------------------7------------X----X---X--X-
B -7-----7---------------------7------------7----7---7--7-
F#-5-----5---------------------5--------------------------
* *
*
but that
joke isn't funny anymore it's
F#-8---5-----------0----------0--0--0-------3---2-
C#-6---3-----------1----------3--1--0-------3---3-
A -0---0-----------2----------0--0--0-------0---2-
E -7---4-----------3----------2--2--2-------0---0-
B -8---5-----------3----------3--3--3-------X-----
F#-----------------1------------------------3-----
*
too close......too near the bone,
F#-8--------------5----------
C#-6--------------3----------
A -0--------------0----------
E -7--------------4----------
B -8--------------5----------
F#---------------------------
too close to home and it's too near the bone
F#-0------------0----0---0----3------------2-
C#-1------------3----1---0----3------------3-
A -2------------0----0---0----0------------2-
E -3------------2----2---2----0------------0-
B -3------------3----3---3----X--------------
F#-1--------------------------3--------------
*
more than you'll
ever know
F#-----------0-------------0---0---0-----0--0-
C#-----------1-------------0---0---1-----0--0-
A -----------2-------------2---0---2-----2--0-
E -----------3-------------3---3---3-----3--3-
B -----------3-------------3---3---3-----3--3-
F#-----------1-------------1---1---1-----1--1-
*
* * * * *
F#-0-----------0---0-
C#-5-----------0---0-
A -6-----------2---0-
E -7-----------3---5-
B -0-----------3---5-
F#-------------1---3-
* *
The "I've seen this happen..." part
F#-5-----5-7--8--7---0-2--0-
C#-5-----5-5--5--5---0-0--0-
A -6-----5-5--5--5---4-4--4-
E -7-----6-6--6--6---5-5--5-
B -7-----7-7--7--7---5-5--5-
F#-5-----5-5--5--5----------
the next two chords are either:
F#-0---0-
C#-0---0-
A -0---0-
E -2---4-
B -3---5-
F#-------
or:
F#-3---5-
C#-5---7-
A -5---7-
E -5---7-
B -3---5-
F#-------
You Just Haven't Earned It Yet Baby
From: kjohn@quads.uchicago.edu (SINE QUA NON)
Note: I'm tabbing this as if it were written in the key of D, but
if you want to sound like the "Louder than Bombs" version, capo at the
4th fret. Also, if you want to hear a very different version of this
song, check out Kirsty MacColl's album 'Kite.' Marr does a reworking
of his own song!
Intro:
Bm
G D
---------------------------------------------------
----2-3-2-0----3-5-5-3--7-7------------------------
---4----------4------------------------------------
--4----------5---------7-7-------------------------
---------------------------------------------------
---------------------------------------------------
Verse riff:(If you want to play Chords only, play A G Em)
---------------------------------------------------------------
---------------------------------------------------------------
----2-2--0-----2-2-2-0-----------------------------------------
------------2----------2---------------------------------------
---------------------------------------------------------------
---------------------------------------------------------------
End of Verse Riff
---------------------------------------------------------------
----------------4---5-4----------------------------------------
------------------4-----4--------------------------------------
----4---5-4----------------------------------------------------
------5-----5--------------------------------------------------
---------------------------------------------------------------
Chorus:
Bm G
D A
---------------------2---3-2-----------------------------------
-2--3-0-----3-5-5-3----3-----3------3-2------------------------
--4-------4-----------------------2----------------------------
--------5-----------------------2------------------------------
---------------------------------------------------------------
---------------------------------------------------------------
Towards the end of the second to last Chorus, there's a bridge:(2x)
-3------1------------------------------------------------------
---3------1----------------------------------------------------
-----5------2------0------0------------------------------------
-----------------2------4---4----------------------------------
---------------3------5----------------------------------------
---------------------------------------------------------------