CHAPTER 4 She was walking in the woods. The night
was clear and the full moon cast a silvery glow
over the ghostly birches and maples that bordered
the path she found herself upon.
At last she camp upon a large
clearing. The path became obscured by meadow
grass, and night-blooming wildflowers filled the
air with their ethereal perfume.
A woman stood in the middle of
the clearing. She wore the dress of a gypsy -- a
long, gaily coloured skirt, a red shawl with
hand-painted flowers on it. Her luxurious black
hair cascaded free down her back and a pair of
large hoop earrings glittered in the moonlight.
Julia approached her warily.
"Who are you?" she asked.
The gypsy woman smiled.
"When I lived I was called Magda. Now I come
to help you."
Julia frowned in puzzlement.
"Help me? How? Why?"
Magda sat on a fallen log and
motioned her to join her. "You got a
problem, right?"
Julia raised her chin in
affront and her voice went cold. "I don't
know what you mean."
"Sure you do," Magda
said expansively. "You try to find cure for
that man -- Barnabas Collins. But you stuck --
you can't go no further, no?"
Julia sank down beside her and
stared in amazement. "How? How did you
know?"
Magda waved her hand. "Is
not important. But you got to know -- your
science is not enough. Magic made him into what
he is; you got to use magic to make him what he
wants to be."
Julia shook her head.
"There is no magic."
Magda chuckled. "You say
same thing about vampires once, yet now you
believe. Why not magic?"
Julia was at a loss for words.
Why not indeed?
Magda laughed. "Got you,
huh? Is good. Now you follow me. I show you what
you gonna need."
Julia followed Magda as she
went deeper and deeper into the woods. The trees
grew closer together here and little moonlight
managed to get through. She held out her hands in
front of her to keep from bumping into a tree or
getting a branch in the face.
"You pay attention to what
I show you, and do exactly as I say."
Magda's voice drifted back to her from somewhere
ahead.
Julia stumbled through the
woods, trying to keep the gypsy's dim shape in
sight. She tripped on a root and narrowly missed
bumping into Magda, who had stopped and was
waiting patiently for Julia to catch up.
"Okay -- we here
now." She pointed to a stalk with delicate
white flowers growing in the detritus of the
forest floor. "You see this flower?"
Julia nodded. "You got to go out on a clear
night at the dark of the moon. Use no torch, no
lights. You use lights, it no work. Pick it, but
don't touch it with your hands, not even gloves,
and don't bruise it. Carry it back to your -- how
you say? -- laboratory, and grind it with a new
marble mortar and pestle. No machines. You put
this in the potion you got written down."
Julia could barely see the
flower, let alone remember where it was. She
crouched down to peer at it in the gloom, then
straightened to ask Magda another question. But
as she turned, Magda's shape slowly faded into a
mist; only her voice whispered on the breeze.
"You got what you need. You go now."
Julia raised a hand to try to
stop her, but even as she did so, the forest
melted around her and dissolved into the drawing
room of an old house, quaintly and exquisitely
furnished with antique furniture and Persian
rugs. As she stood there taking in her
surroundings, she noticed Barnabas standing in
front of a window, looking out at the night. The
sky was just starting to show the first faint
tinges of dawn.
He turned to face her at last,
a smile on his face and his arms spread in
welcome. He gathered her into an embrace, but his
closeness frightened her and she pushed him away.
An expression of unutterable
loneliness came over him. He held his hand out to
her in entreaty, but she backed away. The sun's
first new rays shone into the room and struck him
as he took a step toward her. Loneliness turned
to despair as he dissolved into a pile of dust.
* * * * *
She awoke, her heart pounding.
She took several breaths to still its hammering
and to get over the shock of that last horrible
image, then she searched frantically for a pen
and paper before she forgot her dream. It may
have been mere fancy, but she was not going to
take any chances. Barnabas had been cursed
through magic. Perhaps magic was the
answer to his cure as well.
Dawn was not far off, and her
mind was too busy working on this latest
development to allow her to go back to sleep. She
got out of bed, put on a robe, and shuffled into
the kitchen where she had a calendar tacked onto
the wall. It just happened to have the phases of
the moon marked for each month. Checking for that
night, she noted that it was just past full; the
dark of the moon would be in roughly two weeks.
She told Barnabas of her dream
on his next visit two nights later, omitting the
last scene she had found so disturbing.
"
and the strangest
thing about this dream was that it felt so real,"
she told him.
They were seated in the living
room of her apartment, Julia at one end of the
couch, and Barnabas in a chair by the fireplace.
She sipped from the mug of tea she balanced on
her knee, then turned her attention back to him.
"I could feel the night
breeze on my face and the grasses brushing
against my legs. I could smell the perfume of the
wildflowers. And this gypsy woman -- Magda -- she
was close enough to touch. When she showed me
that flower I knelt in the damp leaves to see it
better, although it was so dark." She leaned
over to put her mug on the coffee table, then sat
back and crossed her legs. "I'm just not
sure what to do any more."
He regarded her thoughtfully
for a moment. "It has been my experience
that dreams are often sent for a purpose. Do you
know what the plant is that she showed you?"
She nodded. "As soon as I
could I found a book on herbs. It's angelica. We
have some growing in the herb gardens by the
kitchen, but this variety is different -- it's
the wild one." She got up and showed him the
picture in the book, then resumed her place on
the couch.
He looked at her strangely when
she told him this. "Julia, do you know one
of the uses for angelica?"
"Aside from candied
angelica, no."
"It is purported to be
able to remove curses. You're sure you didn't
know this?"
She shook her head in
astonishment. "No. Until I met you, my life
was firmly grounded in facts and science. I never
had time to delve into folklore."
"Then there is only one
conclusion. Your dream friend was telling the
truth. I would suggest that at the dark of the
moon, we search for this mystical angelica plant
in the woods." The corners of his mouth
lifted in a slight smile.
After agreeing on a plan of
action, they soon got onto other subjects of
conversation. They got onto the subject of music,
and what he had enjoyed as a young man.
Wistfully, he mentioned Mozart.
"I loved his music."
He shook his head in distaste. "The noise
the young people listen to today -- it grates on
the nerves and hurts the ears. I don't know how
they can listen to it." He thought for a
moment. "Julia, I read in the newspaper that
there is a travelling opera company coming to
Bangor next week. They will be performing
Mozart's 'The Magic Flute'." He paused and
looked down at his hands, then back to her.
"It would give me great pleasure if you
would accompany me."
She sought desperately for an
excuse; the last thing she wanted to do was to go
out with this man on what was clearly going to be
a date. "I have work to do. There are
patients to look after, work on the formula
--"
He came over and sat on the
other end of the couch and turned to face her.
"You can do nothing on the formula until we
harvest the last ingredient, which we cannot do
for another twelve days. And I assume a hospital
this size has more than just one doctor to look
after patients." He reached out for her hand
and held it gently. "Please come with
me?"
She glanced from her hand where
it lay in his up to his face. His lips quirked in
a gentle smile and his brown eyes shone with
humour, but beneath this façade she sensed the
loneliness she had seen in her dream. Somehow,
the thought of seeing "The Magic Flute"
did not seem so bad after all.
* * * * *
At that time of year, the sun
set at 6:00, leaving them two hours to drive to
Bangor and find their way to the theatre for the
8:00 curtain time. Barnabas had insisted on
picking her up, so she was waiting for him in
front of the hospital when he drove up in a black
Rolls Royce. At Julia's inquiring look, he merely
shrugged.
"How did you think I got
myself here?" he asked, a twinkle in his
eyes. "Changed myself to a bat?" He
chuckled at Julia's discomfiture, then relented.
"All right. I can change to the form
of a bat when the need arises, but bats are not
swift flyers, nor can I maintain the shape for a
long period of time. For the trip from my home at
Collinwood to Wyndcliffe, a car is a more
practical means of transportation."
Julia was surprised at his
casual revelation, for she had really been
inquiring about the car, but then she wondered at
her surprise. Shapeshifting was merely one more
facet of the complicated man named Barnabas
Collins.
The opera was wonderful.
Barnabas had attended a performance of "The
Magic Flute" during one of his trips to
London before his "death". But he was
totally unprepared for what modern advances in
musical instruments and stage technology could
add to an already incredible experience. He spoke
no German and was prepared to simply enjoy the
music, but to his surprise Julia was able to
provide him with a whispered translation. Even
better, they had semi-private loge seats, so her
comments went unnoticed by their neighbours.
During the intermission
Barnabas bought Julia a glass of white wine, and
they stood off to the side of the foyer and
observed the glittering crowd around them. When
the press of people became too thick for comfort,
he took Julia's elbow and steered her outside
onto a plaza where they could watch the night
lights and talk without having to raise their
voices.
"Where did you learn
German?" he asked after a time.
"My father is German, and
my mother's Hungarian. I was actually born in
Berlin, but my family moved to New York when I
was a baby. We usually spoke German at home, and
I learned English from the neighbourhood kids I
played with." She held her empty wineglass
by the stem and twirled it between her fingers,
then smiled at another memory. "I made a
good income in college, tutoring students who
wanted to learn German so they could read Freud
in the original text."
"Do you also speak
Hungarian?" he asked.
"A little. My mother would
sing me old folk songs and tell me nursery tales
in Hungarian. But my father was very strict, and
insisted on German when he was home." She
turned so she could look out over Bangor's
skyline. A breeze came up and ruffled her hair
and swirled the royal blue silk shawl she had
thrown over the matching dress.
"Do you parents live
still?" His voice came from very close
behind her. Somehow, his nearness did not trouble
her as much as she thought it might.
She nodded. "My father's
retired, and they live in New Jersey."
She felt his hands on her upper
arms. Then a chime sounded, announcing the
imminent start of the second half of the opera.
He ran his hands down her silk-covered arms in a
light caress, and held her hand as they made
their way back to their seats. Their easy mood on
the plaza lingered, and as the performance
recommenced, Julia leaned closer to him when she
whispered her commentary. At one point he changed
positions and his arm wound up around her
shoulders; to her own surprise, she found she
didn't object.
* * * * *
It was very late when they
arrived back at Wyndcliffe. Barnabas walked her
to the door of her apartment. After she unlocked
the door, she turned to him.
"Thank-you for tonight,
Barnabas," she said, laying her hand on his
arm. "I had a wonderful time."
He took her hand and held it
between both of his. "It is I who must thank
you, Julia, for accompanying me. You have given
me an understanding of Mozart that I did not have
before." He raised her hand to his cool lips
and kissed it lingeringly. "And you have
allowed me to see a part of you tonight that I
had not seen before, and I must thank you even
more for that."
He stepped away from her, still
holding her hand, then released it as he turned
back to his car. Julia leaned against the door
post and watched him drive off, wondering why she
felt a pang at his departure.
* * * * *
TO BE CONTINUED.
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