Guinness on my Compass: March 2000 - "Casablanca - As Time Goes By" |
On March 2, I sped northwards from Marrakesh to Casablanca as the hot sun followed every turn and change of direction our train made. Train travel is quite confortable in Morocco and with "Air", "Massive Attack" and "The Verve" ringing in my ears for the three and a half hour duration of my journey, I was in jovial mood when I arrived in Morocco's largest city. Casablanca is different to the rest of Morocco. Much less exotic and consequently, much less interesting that the Imperial cities of Meknès, Fès and Marrakesh. Apart from the impressive and very ornate seafront Hassan II mosque (the third largest in Islam after Mecca and Medina), there's not a lot in Casablanca for your average backpacker to see or do. The lack of woman wearing veils and even headscarves testifies to just how Western this metropolis is, and as I pounded its city streets I could have been in Marseille or any other southern European conurbation. My hotel, the Rialto, was very good value at 84 dirhams (8.40 Euro) a night and my room included a double bed, a sink and a deep bath, which I immediately plunged into, only to immediately discover that hot water is available only in the mornings. Significantly refreshed, I made my way to the "Twin Centre" on Boulevard Zenktouni, to finally law my paws on some Moroccan music. After a good hour listening to different recommended recordings in the "Star Music" store, I bought two CDs. The first is a newly released compilation, on the Globe Music label, of popular Moroccan music, called "L'Année du Maroc", which contains such well known local artists as Jil Jilala, Hamid Bouchnak and Nass El Ghiwane. The second album, a purchase I'm particularly chuffed with, came out back in 1993 on Peter Gabriel's excellent "Real World" record label. It is called "Trance" by Hassan Hakmoun and Zahar, and according to the cover, inside "Primal Moroccan trance traditions collide with psychedelic New York rock and London dance grooves". Upon first listening I discovered that it is exactly that combination of old traditional music and the newest instrumental techniques that I love. Still on a buzz, I decided that I was in need of a further treat. So I set off for "happy hour" in the Hyatt Regency Hotel on Place des Nationes Unies and a surreal experience. A pint of beer (draft lager served cold in a pint glass!) in the Hyatt normally costs 60 dirhams (6 Euro) an amount no back-packer could afford. However, between 18h30 and 19h30, the policy is, buy one, get one free. Attempting to exploit this alcoholic loophole to the full and with a heavy thirst on me, I strode into the bar "Casablanca". So there I am, perched atop a leather bar stool, clad in mt Gant baseball cap, less than spotless cargo pants, a fleece and dusty hiking boots, in the midst of a party of mega-rich French, Japanese and American businessmen in suits and surrounded by pictures of the stars of the black and white movie "Casablanca", Humphrey Bogart, Claude Raines and Ingrid Bergman, which take pride of place on every wall in the bar. Devouring my free beer, I then notice a larger-than-life African-American gentleman, dressed in a colarless silk white shirt and white pants, making his way towards the grand piano. He strikes up "As Time Goes By" from the aforementioned classic film and with brazen cheek, I approach him to ask if I can take his photograph. "Great accent," he says. "You must be from Cork." "Close enough," I reply, "I'm from Dublin." "Oh really, I just love Cork", he continues, never missing a note on the piano, "they have a great jazz festival there. I'm from Hollywood, Califonria. Do you know it?" "Eh, yes," I answer, "it rings a bell alright." And thus it was that the giant black pianoman, Lennie Bluett, with a touch of the Liberace's about him, all the way from the city of angels, struck up the first in a series of Irish-American tunes, the type nobody in Ireland ever sings, but our long lost cousins from Boston and New York can recite by heart. "Danny Boy", "When Irish Eyes Are Smiling" and of course "Turalura Lura - That's An Irish Lullabye". The international gathering of jet setters sit around the bar, completely oblivious to Lennie as he starts singing Oirish ballads in a dodgy Scottish accent, all for the benefit of the scruffily dressed young backpacker drinking the free beer. Well, I might have been in my travelling gear, but I felt like I was dressed in top coat and tails. The whole million-dollar experience reminded me of my high flying Eurocrat days in the Sheraton Hotel in Warsaw. And while outside, noisy, polluted Casablanca went about it's everyday business, I savoured the final moments of happy hour in this time-warped Casablanca, where Sam still plays it again and Ricks American café is alive and well. Here's lookin' at you, kid. Okay I'm off now. Gotta mosie. My plane and an encounter with Senegal await. A la prochaine fois, mes amis, à la prochaine fois. Gavin (4 March 2000) |
Guinness on my Compass: March 2000 - "Senegal - Dakar - Dancing in the Dark" |
As I recall it was around 10pm when the power cut hit. I had just plundered my freshly stocked fridge when the apartment, and indeed the entire neighbourhood, was plunged into darkness. The stereo fell silent and shouts from neighbouring houses becamse audible. But before I proceed any further, I suppose I should explain to those kind souls among you who continue to send me e-mails (merci, mille fois!) how I came to find myself in a swish apartment, albeit in total darkness, less than 48 hours after touching down in Senegal. Once our Air Afrique plane actually left Moroccan soil, roughly two hours behind schedule, the flight was relatively unneventful. While I must admit having been conscious of the fact that I was one of only four Caucasians aboard, I soon got used to the comings and goings of the African passengers, who tended to roam around the aircraft more than people do on European flights. Having been warned about the hordes of scam artists and thieves that hang around Lepold Senghor airport in Dakar, I had prepared myself for the worst. Wearing my hardest "don't mess with me" face, I strode purposefully through the busy arrivals hall, having successfully negociated customs and reclaimed my rucksack. Fortunately, I was being met by a "friend of a friend" and once I saw the sign with my name on it in large capital letters, I afforded myself a moment of welcome relief. Within an hour I found myself tucking into a tasty meal, surrounded by a group of and French exiles and Senegalese. The interior of the house we were in was layed out in a bamboo cabana style and suddenly I felt like an extra from Danny Boyle's film adaptation of "The Beach". Although, if I was supposed to play the role of Richard, I was disappointed not to happen upon my Françoise. Events moved quickly. After a couple of hourse at a salsa bar (where the fact that I'd left the Arabised north of the continent really hit home) and some welcome shut-eye, the next day saw me engaged in a five-a-side football match with my new found African and Gallic friends. The pitch, devoid of any grass, contained a sea of little dark pebbles, constantly threatening to invade any fresh wound produced by afall or a mistimed tackle. Wearing a old pair of trainers a size too small for my swollen feet, I skidded around the pitch warily, sweating profusely, shouting instructions in French (and occasionally in Italian!), all the time trying to remember the score (hey, old habits die hard). Mentally exhausted and physically trained, though nonetheless quietly content with our team's narrow victory, I was relieved to discover during the course of our post match meal of roast chicken (a staple in these parts) than an opportunity for me to leave my hotel room had presented itself. While my room in the Hotel Miramar on Rue Felix Fauvre was very confortable, the price at 18,000 CFA (pronounced sé fa) a night was realistically beyond my budget. As luck would have it, a Belgian girl working for the European Commission Delegation here (ironic isn't it?), had to return to Brussels for a couple of months. So less than two days into my West African adventure, I found myself "flat sitting" a great apartment in central Dakar with two bedrooms, a kitchen, a bathroom (which has running water roughly 50% of the time) and a large living room, tastefully decorated with Africazn artifacts. And all for the price of 10,000 CFA (15 Euro) a day. It was then that I made the decision to remain in the Senegalese capital for a couple of weeks, before hitting the road "de nouveau". I figured it would be interesting to try to live in an African city for a week or two, rather than just rush headlong through the country as I had done up to now. So, having unpacked, washed my dirty clothes, filled the fridge and registered with the British embassy (it seems like I'm the only Irishman in this neck of the woods), I rummaged through my flatowners CD collection only to find the largest array of World Music I've ever come across: African, Oriental, Gypsy, Persian, Indian, Arab, Celtic, Pakistani, even Yiddish, not to mention some blue note jazz, Fela, Nitin Sawhney and Urban Species. I was in 7th heaven. So I upped the volume, cracked open a cold bottle of Gazelle beer and roamed around the house surveying the tribal masks, carved wooden figurines, musical instruments, eartherware pottery and assorted local parafinalia with which I occupied my new domain. That's when the electricity failed. But fear ye not, after a quick rummage through my trusty rucksack, I produced a motley collection of lamps, lanterns, lighters and candles and continued to party in solitude and by the flickering candlelight. For despite still missing my mates (this apartment would, in fairness, be an ideal venue for "Yellow Feeva 2 - Time For Your Booster Shots!"), I like the vibe that there is in Dakar. My first impression as I wandered around its sand-covered and tree-uprooted pavements, was that that it was much smaller than I had anticipated. Dakar is significantly more easy-going than the Moroccan cities I travelled through. And though you have to be discreet about where on your person you hide your money and papers, and you do occasionally get hassled by con men and potential pick pockets, a quick "Baax na, jarajëf" (I'm grand, thanks) in the local language, Wolof, and a constant steady stride away from these characters should mean you avoid any unwanted trouble. The Senegalese I have encountered to date have been very hospitable and I have to concede that some of the women are just drop dead gorgeous. As, Jerôme, one of the Gallic exiles said to me; "Dakar doesn'"t really have any beautiful statues, apart from the moving ones (ie - the women). They are the real works of art." So a few days of relaxation, loitering around "Koul Graoul" (a music store owned by Tristan, one of the French lads), visa collecting and casual sightseeing lie ahead...to be supplemented, of course, by some heady nights out on the town, enjoying what is Dakar, after dark. Gav (7 March 2000) |
Guinness on my Compass: March 2000 - "Gorée Island - The Journey With No Return" |
Keen to escape the rising heat of Dakar for a day, I caught the 15 minute ferry, costing 3,000 CFA (4.50 Euro) to Gorée Island (Île de Gorée), which lies three kilometres west of the Senegalese capital. Wanting to travel the island at a leisurely pace and uninhibited by the attentions of a guide, I was forced to contend with a couple of wannabe tour operators at the heaving Dakar port. They gave me the usual "We are the world, we are the people" speel about how my willingness to hire their services would not only immensely increase my enjoyment of my stay on Gorée Island, but would also would help to unite African and non-African cultures. Yeah. Needless to say my training with the "faux guides" in Fès proved itself useful once again. And as I bathed my feet in the clear and surprisingly cool Atlantic waters on the shores of Gorée, peacefully taking in the scene and listening to the sound of the waves breaking over the golden sand, I was glad to have chosen the solitary option. Travelling on one's own in Africa seems not to be the done thing. I have yet to meet one fellow traveller, male or female, who is not part of a romantic couple, a group of pals or a horde of Club Med sun seekers. But on Gorée, solitude is actually a welcome aspect. Wandering around it's sandy alleys and laneways, past tall palm and beobab trees and an impressive array of giant cacti, beneath large colonial-style wooden houses, I felt as if I was in a 19th centruty town in Texas or old Mexico. This wild west illusion would occasionally be shattered as I stumbled across a herd of goats or a group of African school children playing football. The Senegalese seem to love their footie every bit as much as their Moroccan counterparts. While the midday sun hung high in the cloudless hazy sky, I lunched on some succulent freshly caught grilled fish, before making my way to "La Maison des Esclaves", the focal point of any trip to Gorée. "La Maison des Esclaves" or "Slave House" is currently the subject of much debate among historians of the slave trade. Some argue that in order to attract white tourists and African-Americans in search of their family roots to Senegal, as opposed to them visiting the massive slave forts in the Gambia or on the coasts of Benin and Ghana, the importance of the Slave House on Gorée Island has been blown out of all importance. And as I wandered around the 18th century building, the small size of the house did lend me to believe that the Senegalese tourist board has exaggerated the importance of Gorée Island's role in the slave trade. This is a shame, as surely if one story does not need to be rewritten or embellished, it is the 300 year tragic history of the Europeans' inhumane treatment of the local African populations and their forced deportation to the Americas. Controversy about numbers aside, it was an impressive thing to stand in the courtyard of the slave house and look down the corridor to "La Porte de Voyages Sans Retour" (The Door of the Journeys With No Return), which looks out over the mighty Atlantic. Standing at the most westerly point of the African landmass, I stared at the inscription over the doorway, which reads; "De ce porte pour un voyage sans retour, ils allaient les yeux fixés sur l'infini de la souffrance" (From this door, on a journey with no return, they went, their eyes fixed on the infinity of suffering). Several dates recording the abolition of slavery by different European and South American nations are given and it is surprising how late in the 19th century some of those dates were. It is unfortunate, however, that no mention is made about the occasional continuing practice of forced labour (slavery in any other language) that has occured throughout the 20th century in certain African countries such as Mauritania. There is also a quote from Mohandas (Mahatma) Gandhi rightly proclaiming that; "It is not shameful to be a slave. It is shameful to own slaves". The curator of the slave house gave an empassioned speech in French about the slave trade and showed equipment used in the transportation of Africans to the New World, such as hand and ankle mannacles, heavy balls and chains and rusty iron neckcollars. And when the desperate conditions aboard the slave ships were highlighted, with, on average, a mortality rate of up to 30%, one begins to get an idea of how disgusting this practice in the trade of human beings really was. Crammed like sardines in an insufferable heat below decks so tightly that there was only room for the slaves to lie down, ofter deprived of food or even water, faeces and vomit from those above falling through the planking onto those chained below - one can appreciate why still today African-Americans feel so strongly aggrieved at having been robbed of their culture, their language, their roots. Gorée is a must for anyone visiting these parts. The picturesque, almost Mediterranean, surroundings serve but to focus all the more sharply on the cruelty of events perpetrated here. And in that contrast of beauty and harshness, it is essentially an African island. Gav (8 March 2000) |
Guinness on my Compass: March 2000 - "Dakar - Beachlife, It's the only life I know" |
It was as I lay on the shoreline of Ngor beach, the cool waters of the Atlantic lapping over my sunburnt back, that I finally realised that life on the road wasn't really that bad after all. Hell, here I was, with the sun high in another cloudless sky, the sound of the surf echoing in my ears and the taste of a succulent brochette still on my lips. It was a dramatic change from the day before, when I'd woken up in a sweat in the middle of the night and had one of those moments (which no doubt I'll have again at some point) where I was fed up travelling alone and felt like packing it all in. Don't get me wrong. Travelling overland is a great experience and I'm bloody lucky to be in a position to do it. So don't think I'm moaning. I'm not. I'm just trying to relay the myriad of sentiments I feel on my journey, both the good and the bad. And now and again, no matter how sure you are of yourself and what you're doing, doubt can raise its ugly head and loneliness can hit home. But as I slowly sank in the wet sand, I relected on all that I had experienced in the past week and came to the conclusion that things were not so grim as I had perceived during my bout of homesickness. So I suppose I should recount those events that passed through my head at that particular moment. Last Wednesday night I lived through an event every European male should experience at least once in their life. Stéphane, a French expatriate, thought it would be fun to see how a handled a few hours in the "Africa Star", a den of iniquity in the heart of Dakar. This nightclub is a notorious hangout for prostitutes, both professional and part-time and whites (or "toubabs" as we are called in these parts), with more money than sense. We had literally only set foot in the door when the first group of girls made a b-line for our little group of European malehood. Now as some of my friends will happily testify, I am hardly a novice when it comes to bars, nightclubs, chatting up girls and the like. Hey, I even managed to survive a week out on the town in Stockholm, where the women are more voracious than Mediterranean men. But nothing, not even those late nights being hunted up in Sweden, prepared me for what was to follow. I literally felt like timid prey. There were hands and girls everywhere. I spun around to meet another pair of eyes, a coy smile, a quick flurry of hands. Here were girls with one thing on their mind and one thing only - meet a nice rich Western "sai sai" (roughly translated as a "playboy" in Wolof), seduce him with their wily charms (and believe you me, lads, some of their charms were very wily indeed) and bleed him and his wallet for a small fortune. Even one of the very attractive bar girls took a shine to me (something which Stephane, to his great amusement, assured me was very rare) and I soon found myself roped into buying this seductive Senegalese temptress a drink. I really had to summon up all my will power not to be taken in any further, and after an hour or so of politely apologising and inventing lame excuses, it was just about possible for me to make it unaccompanied to the dancefloor and relative safety. The reason I say that every guy should go through such an event at least once as it gives you a clue to how women the world over, who are just out to have a quiet drink, must feel like to constantly have to reject the unwanted approaches of overbearing men. Very few clubs in Dakar are as overt about being pick-up joints as is the "Africa Star", and my French friends were all impressed that I had managed to escape the place unscathed and unattached. And I must say, that reflecting upon that night, I pretty chuffed as well to have survived in one piece! The next evening was as far removed from the "Africa Star" as one can probably get. In order to take a break from speaking French for a while, I headed to the "British Club" in the UK Embassy, a social gathering of Anglophone exiles, which takes place every Thursday evening. Arriving at the very respectable hour of nine o' clock, I found myself alone, except for the local security guard, Mustapha. So for roughly one hour Her Majesty's Club of British Expatriates witnessed me introducing Mustapha to the dual delights of darts and canned draught Guinness. He didn't have much luck at the dartboard, throwing each of his darts as if he were spearing an antelope, but he seemed to enjoy the whole experience, even if he declined joining me in a pint of the black stuff. "Guinness The Power" is a common advertising slogan seen in West Africa, which is somewhat surprising when one considers that Senegal is around 90% Muslim. But Islam in sub-Saharan Africa is a different kettle of fish (or "another pair of sleeves" as the French say) from the equivalent form of worship practised in the Arab world. We were eventually joined by an assortment of English, Germans, Turks, Czechs, Americans and Canadians (quite an international bunch for a British club really), most of whom were working in their relative diplomatic services. I soon found myself discussing Senegalese politics (the long awaited Presidential "head to head" between the outgoing Socialist and extremely unpopular President, Abdou Diouf, and his challenger, Abdoulaye Wade, is on March 19th), Northern Ireland and European integration inter alia, with the British Ambassador, David Snoxell and his second in command, Sean Burns. So one night I find myself dodging hookers in a seedy downtown hotspot and the next night I'm hob-nobbing it with the international diplomatic corps. My experience of Dakar was turning out to be quite varied indeed. By the end of the evening, they were evidently either very impressed with my cogent political arguments or suitably pleased by the size of my mounting bar tab, to see fit to invite me to something called "The Hash" the following Saturday.Now when the word "hash" was mentioned, images of colourful cafés in Amsterdam sprung to my mind. But this "hash" was far removed from soft drugs in the land of tulips and windmills. "The Hash" was apparently invented by some bored British diplomats in Malaysia several years ago, and has now been exported the world over. What it consists of is a weekly run or walk over a 5km course, followed by welcome drinks and a few songs of suspicious quality. They told me that the run was the easy part and that the more difficult elements were the singing and the drinking. It had evidently skipped their attention that I was Irish and not averse to sinking the odd pint and bellowing out a ballad or twenty. As events proceeded I arrived late for the jog (I didn't think that punctuality was in play after my pre-emptive arrival at the British Club on Thursday evening), but was thankfully admitted to the beer drinking. Having not participated in the more athletic aspect of "the Hash" I was also spared having to offer up any vocal renditions from Celtic folklore, so I just circulated among the jet-set, collected dinner invitations and had a laugh with a friendly young American couple, Blair and Kristen, who turned out to be closet Saw Doctors fans. I must admit that I wasn't expecting to meet many ardent followers of the boys from Tuam in west Africa, but this trip is just turning out to be a succession of surprises. In hindsight, it was probably just as well I missed the 40-minute jog in the sweltering afternoon heat, as the previous night had finished only at 6am. After being heartily entertained in the "Planète Café" on Avenue Cheikh Anta Diop, by a six piece Senegalese ensemble, led by a talented American from Washington DC, who dextrously switched between flute, clarinet and saxophone, producing a jazzy sound that mixed effectively me with the African percussion. After a few drinks there and my first encounter with west African mosquitos, Stephane, myself, a Senegalese girl called Sophie and a few others headed to the "Kili" club in the Village Artisanal Soumbédioune to see Thione Seck, probably the most talented and best well-known musician in the country after Youssou Ndour and Baaba Maal. Speaking of music, after skulking around the relative cool of "Koul Graoul" for an hour or two, I did as I threatened and bought my monthly quota of two Senegalese CDs. The first purchase was "Sing Sing" by Babacar Faye, the percussionist of Youssou Ndour, the second being "Légende" by Casamance outfit "TouréKunda". Speaking of Casamance, I was invited by Sophie to spend "tabaski" with her family down in Ziguinchor in the Casamance (the southern part of Senegal below the Gambia). Tabaski, also known in the Arabic world as "Eid al-Kebir", commemorates Abraham's willingness to sacrifice his only son to God on His command, and the eleventh hour substitution of his son with a ram. So each year in the Muslim world at the end of the "Hadj" (the pilgrimage to Mecca) people save their pennies, dirhams or francs so that they can buy a sheep and have a big feast. It was upon realising this that it finally dawned on me that the large bald "goats" I had seen roaming around the dusty streets of Dakar were in fact sheep, or rams to be more precise. It was their horns that had confused me. As far as I know, the well-fed wooly sheep of Ireland don't have any horns. According to my "Lonely Planet" guide (the travellers Bible/Koran), getting invited to a tabaski meal is indeed a great honour as it is the most important Muslim feast in all of West Africa. So I would be normally very chuffed as such a proposition. Unfortunately, this year the tabaski falls on exactly the same day as Saint Patrick's day, which commemorates St. Patrick's conversion of the Irish to stout or something like that. So I'll have to tread carefully between not offending local religious sensibilities, and exercising my Celtic birthright to get rightly plastered. If the worst comes to the worst, I'll just have to wait till Sunday's rugby match between France and Ireland, which I hope to see on a television somehow, somewhere. So with all that happened above, Sunday's regular game of footie with the boys and a lazy day at the beach at Ngor on Monday, you'd wonder how I even got the time to fit in any homesickness. It probably had a lot to do with the restless night I spend continuously vomiting and rushing back and forth from the toilet. But becoming ill while travelling was inevitable and hopefully now that I've swallowed a load of pills and antibiotics, my body should begin to adapt to the local cuisine. I'm convinced it must have been the thieboudienne and two glasses of bissap I had for lunch yesterday which reeked havoc on my internal bodily functionings. But at least I got to finish "The Chamber" by John Grisham, which I'd been threatening to read since I left Europe. Like all his novels, it's fiercely plot-driven and is very hard to put down (unless you have to dash to the loo that is)! Anyway, in order to remain upbeat and healthy I believe the secret is just to keep busy. Which I will certainly be in the next week, as ahead of me lies an internal Senegal Air flight down to Ziguinchor in the Casamance and a journey back north by boat, via the Gambia (where I'll probably hang out for a few days), to Dakar, which will have with any luck calmed down after the elections. So finally, before I go, I'd just like to wish all my family, friends and "eager readers" a very happy Saint Patrick's day. It's nice to know that my presence propping up the bar in "Dan Donnelly's" will be missed this Friday, or as Claudio subtly put it: "It will not be the same, Gav, without your dancing (and the pub shaking under your 90 kilos of fat jumping around)". Surely you mean 80 kilos, Claudio! Must have been a typing error. In any case, I'm sure I lost a few after last night. As for meself, I'll probably have a relatively sober Paddy's day, but a very memorable one nonetheless. Till my speedy return to Dakar, slan agus beannacht! Gavin (15 March 2000) |
"Guinness on my Compass: March 2000 - "Ziguinchor - Saint Patrick's Day, Casamance Style" |
The
45-minute internal flight from Dakar to Ziguinchor was unneventful enough.
I spent most of it dozing lightly, though I did choose to awaken and gaze
out of the window of the small Air Senegal aeroplane just as we hovered
two metres above the sandy brown runway. It was then that I discovered
that the sight of rapidly approaching "terra firma" is quite an
effective method to rouse oneself with a start from even the heaviest of
slumbers. Collected at the tiny airport in a relatively intact taxi,
I was taken by Sophie to meet her family. Introductions were made,
hands were shook and jokes were cracked about how I, being at the time the
only adult male in the house, would be required to kill the ram the next
day for the tabaski. I laughed this off, but nonetheless tried not
to count sheep as I settled down for the night. |
"Guinness on my Compass: March 2000 - "Ziguinchor - France versus Ireland - A West African Perspective" |
The following is an
article I wrote last Sunday for an Irish newspaper in the foolishly forlorn
hope that it might someday see the light of morning. |
"Guinness on my Compass: March 2000 - "Casamance - I want to ride my bicycle" |
Not wishing to
overstay my welcome with Sophie's clan, I decided to literally "get on
my bike" and head into the wilds of Casamance. Heading south-west
to the lovely beaches of Cap Skiring was not an option, given the recent
rebel activity in the area. So, not burning with desire to be held up
at gun point by a group of drunken 12-year-olds with Kalashnikovs, I decided
to venture north of Ziguinchor instead. |
"Guinness on my Compass: March 2000 - "The Gambia - Africa for Beginners" |
I arrived in the
Gambian capital, Banjul, after a surprisingly smooth three hour
"Kassoumaye Kep" boat trip from Dakar. Having ingested a
powerful anti-sea sickness tablet, Nautamine, I still felt only
semi-conscious when I set foot on dry land again. But despite my
self-indused chemical stupor, I somehow managed to negotiate my way through
customs, pound the streets of the small town with my weighty rucksack,
acquire some local currency and finally hop aboard a 15-man shared taxi to
Fajara on the Atlantic coast. Though the Gambian countryside is very similar
to that of Casamance, it's British colonial history makes for some starling
differences from Gallic Senegal. Hearing English being spoken on the streets
is the first change one notices. Streets are named after Wellington,
Stanley and the like. De Gaulle doesn't even get a lok in.
Instead of supermarkets stocked with "Paris Match", "Nestlé"
chocolate and "Hollywood" chewing gum, one is treated to
"Hello" magazine, "Cadbury's" and "Wrigley's".
School children wear uniforms that remind one of documentaries about the
education system in South African townships. Even the currency, the
Dalasi, is modelled on sterling, the coins shaped like English pennies and
septagonal 50p pieces. The influence of Cuban salsa rhythms is much
reduced compared to its larger neighbour. In the Gambia reggae is
king, and there is a plethora of wannabe rastafari sporting dreadlocks and
Bob Marley t-shirts. Due to its burgeoning tourist industry, the areas where
foreigners frequent are remarkably clean. It merely takes a short jaunt away
from the tourist traps, however, to see that the litter-free myth of the
Gambia being "the Switzerland of West Africa" is just that - a
myth. And in the hotel where I stayed, the Malwai Guesthouse, one
could even dine on Yorkshire Pudding or be woken with a hearty full English
breakfast. The guesthouse, which sees its fair share of independent
travellers, cost 125 Dalasi (12.5 Euro) a night and is run by Mohamed, an
Englishman who converted to Islam and had just returned from the hadj. |
About My Actual Location |
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