The Corrido has a long tradition in Mexico throughout all the different stages of its history. Although it had considerable resurgence during the Revolution, it continues to be a live musical form of expression in the present.

Many folklorists trace its roots to the Medieval Andalusian verses and ballads brought by the Spanish. However as the study of the native cultures of México sheds more light many scholars are linking the narrative style of the corridos to the Nahuatl and native epic poetry of the Precolumbian times, such as the poems collected by Angel Maria Garibay K. (e.g., ``La Huída de Quetzalcóatl''.) A few selected ones are included in this collection.

In modern times, the corrido has portrayed all sorts of tragedies and misadventures that have not been uncommon in the life of Mexican peoples, including disgraces of celebrities, (e.g, ``El Circo'') and, to the concern of family moralists, the drug traffickers deeds in the narcocorridos (e.g., ``Contrabando y traición''.)

The following corridos and epic stories have become classics or reflect events that are considered important in Mexican history and culture.

Notes:

• Some of the entries are not considered corridos, strictly speaking.
• As a matter of fact, some are not even songs. Something to keep in mind if you are looking for the music.
• D.P. = Dominio Publico, i.e., traditional folksong.
  D.A.R. = Derechos de Autor Reservados, i.e., copyrighted by the songwriter.

There are songs in the following categories:

Sources:

Luis A. Astorga A., Mitología del "Narcotraficante" en México, UNAM/Plaza y Valdés, 1995.

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