Avlis Ministries

REVELATION CHAPTER 4
VERSES 1 - 11


                   

 

  
     VISION OF GOD'S THRONE IN HEAVEN; THE FOUR AND 
          TWENTY ELDERS; THE FOUR LIVING CREATURES.


  Here begins the Revelation proper; and first, the fourth and fifth 
 chapters set before us the heavenly scenery of the succeeding visions, and 
 God on His throne, as the covenant God of His Church, the Revealer of 
 them to His apostle through Jesus Christ. The first great portion 
 comprises the opening of the seals and the sounding of the trumpets (fourth 
 to eleventh chapters). As the communication respecting the seven 
 churches opened with a suitable vision of the Lord Jesus as Head of the 
 Church, so the second part opens with a vision suitable to the matter to be 
 revealed. The scene is changed from earth to heaven.


 1. After this--Greek, "After these things," marking the opening of the 
next vision in the succession. Here is the transition from "the things 
which are" (Revelation 1:19), the existing state of the seven churches, 
as a type of the Church in general, in John's time, to "the things 
which shall be hereafter," namely, in relation to the time when John wrote. 
I looked--rather as Greek, "I saw" in vision; not as English Version 
means, I directed my look that way. 
was--Omit, as not being in the Greek. 
opened--"standing open"; not as though John saw it in the act of being 
opened. Compare Ezekiel 1:1, Matthew 3:16, Acts 7:56, 10:11. But in 
those visions the heavens opened, disclosing the visions to those below on 
earth. Whereas here, heaven, the temple of God, remains closed to those 
on earth, but John is transported in vision through an open door up 
into heaven, whence he can see things passing on earth or in heaven, 
according as the scenes of the several visions require. 
the first voice which I heard--the voice which I heard at first, 
namely, in Revelation 1:10; the former voice. 
was as it were--Omit was, it not being in the Greek. "Behold" governs 
in sense both "a door," &c. and "the first voice," &c. 
Come up hither--through the "open door." 
be--come to pass. 
hereafter--Greek, "after these things": after the present time 
(Revelation 1:19).

 2. And--omitted in the two oldest manuscripts, Vulgate, Syriac. 
I was, &c.--Greek, "I became in the Spirit" I was completely rapt in 
vision into the heavenly world. 
was set--not was placed, but was situated, literally, "lay." 
one sat on the throne--the Eternal Father: the Creator (Revelation 
4:11): also compare Revelation 4:8 with Revelation 1:4, where also the 
Father is designated, "which is, and was, and is to come." When the Son, 
"the Lamb," is introduced, Revelation 5:5-9, a new song is sung which 
distinguishes the Sitter on the throne from the Lamb, "Thou hast redeemed 
us to God," and Revelation 5:13, "Unto Him that sitteth upon the 
throne, and unto the Lamb." So also in Revelation 5:7, as in Daniel 7:13, the 
Son of man brought before the Ancient of days is distinguished from 
Him. The Father in essence is invisible, but in Scripture at times is 
represented as assuming a visible form.

 3. was--omitted in the two oldest manuscripts but supported by Vulgate 
and Coptic. 
to look upon--Greek, "in sight," or "appearance." 
jasper--From Revelation 21:11, where it is called most precious, which 
the jasper was not, EBRARD infers it was a diamond. Ordinarily, the 
jasper is a stone of various wavy colors, somewhat transparent: in 
Revelation 21:11 it represents watery crystalline brightness. The sardine, our 
cornelian, or else a fiery red. As the watery brightness represents 
God's holiness, so the fiery red His justice executing fiery wrath. The 
same union of white or watery brightness and fiery redness appears in 
Revelation 1:14, 10:1, Ezekiel 1:4, 8:2, Daniel 7:9. 
rainbow round about the throne--forming a complete circle (type of 
God's perfection and eternity: not a half circle as the earthly rainbow) 
surrounding the throne vertically. Its various colors, which combined 
form one pure solar ray, symbolize the varied aspects of God's 
providential dealings uniting in one harmonious whole. Here, however, the 
predominating color among the prismatic colors is green, the most refreshing of 
colors to look upon, and so symbolizing God's consolatory promises in 
Christ to His people amidst judgments on His foes. Moreover, the rainbow 
was the appointed token of God's covenant with all flesh, and His 
people in particular. Hereby God in type renewed to man the grant originally 
made to the first Adam. The antitype will be the "new heavens and the 
new earth" restored to redeemed man, just as the earth, after the 
destruction by the flood, was restored to Noah. As the rainbow was first 
reflected on the waters of the world's ruin, and continues to be seen!
 only when a cloud is brought ov
er the earth, so another deluge, namely, of fire, shall precede the new 
heavens and earth: the Lord, as here, on His throne, whence (Revelation 
4:5) proceed "lightnings and thunderings," shall issue the commission 
to rid the earth of its oppressors: but then, amidst judgment, when 
other men's hearts fail them for fear, the believer shall be reassured by 
the rainbow, the covenant token, round the throne (compare DE BURGH, 
Exposition of Revelation). The heavenly bow speaks of the shipwreck of the 
world through sin: it speaks also of calm and sunshine after the storm. 
The cloud is the regular token of God's and Christ's presence, for 
example, in the tabernacle's holiest place; on Mount Sinai at the giving of 
the law; at the ascension (Acts 1:9); at His coming again (Revelation 
4:7).

 4. seats--rather as the Greek is translated in this very verse, 
"thrones," of course lower and smaller than the grand central throne. So 
Revelation 16:10, "the seat (rather, throne) of the beasts," in hellish 
parody of God's throne. 
four and twenty elders--Greek, "the four and twenty (or as one oldest 
manuscript, 'twenty-four') elders": the well-known elders [ALFORD]. But 
TREGELLES translates, "Upon the twenty-four thrones (I saw: omitted in 
two oldest manuscripts) elders sitting": which is more probable, as the 
twenty-four elders were not mentioned before, whereas the twenty-four 
thrones were. They are not angels, for they have white robes and crowns 
of victory, implying a conflict and endurance, "Thou hast redeemed us": 
they represent the Heads of the Old and New Testament churches 
respectively, the Twelve Patriarchs (compare Revelation 7:5-8, not in their 
personal, but in their representative character), and Twelve Apostles. So 
in Revelation 15:3, "the song of Moses, and of the Lamb," the double 
constituents of the Church are implied, the Old Testament and the New 
Testament. "Elders" is the very term for the ministry both of the Old and 
New Testament, the Jewish and the catholic Gentile Church. The tab!
ernacle was a "pattern" of the h
eavenly antitype; the holy place, a figure of HEAVEN ITSELF. Thus 
Jehovah's throne is represented by the mercy seat in the holiest, the 
Shekinah-cloud over it. "The seven lamps of fire before the throne" 
(Revelation 4:5) are antitypical to the seven-branched candlestick also in the 
holiest, emblem of the manifold Spirit of God: "the sea of glass" 
(Revelation 4:6) corresponds to the molten sea before the sanctuary, wherein 
the priests washed themselves before entering on their holy service; so 
introduced here in connection with the redeemed "priests unto God" 
(compare Note, living creatures" (Revelation 4:6,7) answer to the cherubim 
over the mercy seat. So the twenty-four throned and crowned elders are 
typified by the twenty-four chiefs of the twenty-four courses of 
priests, "Governors of the sanctuary, and governors of God" (1 Chronicles 
24:5, 25:1-31).

 5. proceeded--Greek, "proceed." 
thunderings and voices--The two oldest manuscripts transpose, "voices 
and thunderings." Compare at the giving of the law on Sinai, Exodus 
19:16. "The thunderings express God's threats against the ungodly: there 
are voices in the thunders (Revelation 10:3), that is, not only does He 
threaten generally, but also predicts special judgments" [GROTIUS]. 
seven lamps . . . seven Spirits--The Holy Spirit in His sevenfold 
operation, as the light-and-life Giver (compare Revelation 5:6, seven eyes . 
. . the seven Spirits of God; Revelation 1:4, 21:23, Psalms 119:105) 
and fiery purifier of the godly, and consumer of the ungodly (Matthew 
3:11).

 6. Two oldest manuscripts, A, B, Vulgate, Coptic, and Syriac read, "As 
it were a sea of glass." 
like . . . crystal--not imperfectly transparent as the ancient common 
glass, but like rock crystal. Contrast the turbid "many waters" on which 
the harlot "sitteth" (Revelation 17:1,15). Compare Job 37:18, "the sky 
. . . as a molten looking-glass." Thus, primarily, the pure ether which 
separates God's throne from John, and from all things before it, may be 
meant, symbolizing the "purity, calmness, and majesty of God's rule" 
[ALFORD]. But see the analogue in the temple, the molten sea before the 
sanctuary in this sea depth and transparency, but not the fluidity and 
instability of the natural sea (compare Revelation 21:1). It stands 
solid, calm, and clear, God's judgments are called "a great deep" (Psalms 
36:6). In Revelation 15:2 it is a "sea of glass mingled with fire." Thus 
there is symbolized here the purificatory baptism of water and the 
Spirit of all who are made "kings and priests unto God." In Revelation 15:2 
the baptism with the fire of trial is meant. Through both all t!
he king-priests have to pass in 
coming to God: His judgments, which overwhelm the ungodly, they stand 
firmly upon, as on a solid sea of glass; able like Christ to walk on the 
sea, as though it were solid. 
round about the throne--one in the midst of each side of the throne. 
four beasts--The Greek for "beasts," Revelation 13:1,11, is different, 
therion, the symbol for the carnal man by opposition to God losing his 
true glory, as lord, under Him, of the lower creatures, and degraded to 
the level of the beast. Here it is zoon, "living creatures"; not beast.

 7. calf--"a steer" [ALFORD]. The Septuagint often uses the Greek term 
here for an ox (Exodus 22:1, 29:10, &c.). 
as a man--The oldest manuscripts have "as of a man."

 8. about him--Greek, "round about him." ALFORD connects this with the 
following sentence: "All round and within (their wings) they are (so two 
oldest manuscripts, A, B, and Vulgate read) full of eyes." John's 
object is to show that the six wings in each did not interfere with that 
which he had before declared, namely, that they were "full of eyes before 
and behind." The eyes were round the outside of each wing, and up the 
inside of each when half expanded, and of the part of body in that 
inward recess. 
rest not--literally, "have no rest." How awfully different the reason 
why the worshippers of the beast "have no rest day nor night," namely, 
"their torment for ever and ever." 
Holy, holy, holy--The "tris-hagion" of the Greek liturgies. In Isaiah 
6:3, as here, it occurs; also Psalms 99:3,5,9, where He is praised as 
"holy," (1) on account of His majesty (Revelation 4:1) about to display 
itself; (2) His justice (Revelation 4:4) already displaying itself; (3) 
His mercy (Revelation 4:6-8) which displayed itself in times past. So 
here "Holy," as He "who was"; "Holy," as He "who is": "Holy," as He "who 
is to come." He showed Himself an object of holy worship in the past 
creation of all things: more fully He shows Himself so in governing all 
things: He will, in the highest degree, show Himself so in the 
consummation of all things. "Of (from) Him, through Him, and to Him, are all 
things: to whom be glory for ever. Amen." In Isaiah 6:3 there is added, 
"the whole EARTH is full of His glory." But in Revelation this is 
deferred until the glory of THE LORD fills the earth, His enemies having been 
destroyed [BENGEL]. 
Almighty--answering to "Lord of hosts" (Sabaoth), Isaiah 6:3.

The cherubim here have six wings, like the seraphim in Isaiah 6:2; 
whereas the cherubim in Ezekiel 1:6 had four wings each. They are called by 
the same name, "living creatures." But whereas in Ezekiel each living 
creature has all four faces, here the four belong severally one to each. 
by contrast to the four world powers represented by four beasts. The 
Fathers identified them with the four Gospels, Matthew the lion, Mark the 
ox, Luke the man, John the eagle: these symbols, thus viewed, express 
not the personal character of the Evangelists, but the manifold aspect 
of Christ in relation to the world (four being the number significant of 
world-wide extension, for example, the four quarters of the world) 
presented by them severally: the lion expressing royalty, as Matthew gives 
prominence to this feature of Christ; the ox, laborious endurance, 
Christ's prominent characteristic in Mark; man, brotherly sympathy with the 
whole race of man, Christ's prominent feature in Luke; the eagl!
e, soaring majesty, prominent in
 John's description of Christ as the Divine Word. But here the context 
best suits the view which regards the four living creatures as 
representing the redeemed election-Church in its relation of ministering 
king-priests to God, and ministers of blessing to the redeemed earth, and the 
nations on it, and the animal creation, in which man stands at the head 
of all, the lion at the head of wild beasts, the ox at the head of tame 
beasts, the eagle at the head of birds and of the creatures of the 
waters. Compare Revelation 5:8-10, "Thou hast redeemed us by Thy blood out 
of every kindred . . . and hast made us unto our God kings and priests: 
and we shall reign on the earth"; and Revelation 20:4, the partakers 
with Christ of the first resurrection, who conjointly with Him reign over 
the redeemed nations that are in the flesh. Compare as to the happy and 
willing subjection of the lower animal world, Isaiah 11:6-8, 65:25, 
Ezekiel 34:25, Hosea 2:18. Jewish tradition says the "four standa!
rds" under which Israel encamped
 in the wilderness, to the east, Judah, to the north, Dan, to the west, 
Ephraim, to the south, Reuben, were respectively a lion, an eagle, an 
ox, and a man, while in the midst was the tabernacle containing the 
Shekinah symbol of the Divine Presence. Thus we have "the picture of that 
blessed period when--the earth having been fitted for being the kingdom 
of the Father--the court of heaven will be transferred to earth, and 
the 'tabernacle of God shall be with men' (Revelation 21:3), and the 
whole world will be subject to a never-ending theocracy" (compare DE BURGH, 
Exposition of Revelation). The point of union between the two views 
given above is: Christ is the perfect realization of the ideal of man; 
Christ is presented in His fourfold aspect in the four Gospels 
respectively. The redeemed election-Church similarly, when in and through Christ 
(with whom she shall reign) she realizes the ideal of man, shall combine 
in herself human perfections having a fourfold aspect: (1) kingly!
 righteousness with hatred of ev
il and judicial equity, answering to the "lion"; (2) laborious 
diligence in every duty, the "ox"; (3) human sympathy, the "man"; (4) the 
contemplation of heavenly truth, the "eagle." As the high-soaring 
intelligence, the eagle, forms the contrasted complement to practical labor, the 
ox bound to the soil; so holy judicial vengeance against evil, the lion 
springing suddenly and terribly on the doomed, forms the contrasted 
complement to human sympathy, the man. In Isaiah 6:2 we read, "Each had 
six wings: with twain he covered his face (in reverence, as not presuming 
to lift up his face to God), with twain he covered his feet (in 
humility, as not worthy to stand in God's holy presence), and with twain he 
did fly [in obedient readiness to do instantly God's command]."

 9-11. The ground of praise here is God's eternity, and God's power and 
glory manifested in the creation of all things for His pleasure. 
Creation is the foundation of all God's other acts of power, wisdom, and 
love, and therefore forms the first theme of His creatures' thanksgivings. 
The four living creatures take the lead of the twenty-four elders, both 
in this anthem, and in that new song which follows on the ground of 
their redemption (Revelation 5:8-10). 
when--that is, whensoever: as often as. A simultaneous giving of glory 
on the part of the beasts, and on the part of the elders. 
give--"shall give" in one oldest manuscript. 
for ever and ever--Greek, "unto the ages of the ages."

 10. fall--immediately. Greek, "shall fall down": implying that this 
ascription of praise shall be repeated onward to eternity. So also, "shall 
worship . . . shall cast their crowns," namely, in acknowledgment that 
all the merit of their crowns (not kingly diadems, but the crowns of 
conquerors) is due to Him.

 11. O Lord--The two oldest manuscripts, A, B, Vulgate, and Syriac add, 
"and our God." "Our" by virtue of creation, and especially redemption. 
One oldest manuscript, B, and Syriac insert "the Holy One." But 
another, A, Vulgate, and Coptic omit this, as English Version does. 
glory, &c.--"the glory . . . the honour . . . the power." 
thou--emphatic in the Greek: "It is THOU who didst create." 
all things--Greek, "the all things": the universe. 
for, &c.--Greek, "on account of"; "for the sake of Thy pleasure," or 
"will." English Version is good Greek. Though the context better suits, 
it was because of Thy will, that "they were" (so one oldest manuscript, 
A, Vulgate, Syriac, and Coptic read, instead of English Version "are": 
another oldest manuscript, B, reads, "They were not, and were created," 
were created out of nothing), that is, were existing, as contrasted 
with their previous non-existence. With God to will is to effect: to 
determine is to perform. So in Genesis 1:3, "Let there be light, and there 
was light": in Hebrew an expressive tautology, the same word and tense 
and letters being used for "let there be," and "there was," marking the 
simultaneity and identity of the will and the effect. D. LONGINUS [On 
the Sublime, 9], a heathen, praises this description of God's power by 
"the lawgiver of the Jews, no ordinary man," as one worthy of the theme. 
were created--by Thy definite act of creation at a definite time.





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