Chapter 3: Methodology |
Chapter 1 |
Copyright John Worth; originally published 1997 |
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Research questionsPrior
research has established very little about how women are portrayed in
advertising. Studies into Japanese culture have shown that women perceive
themselves as tied to the home and family. However, White (1992) noted
that the image of the Japanese woman in the 1990s is
“career-professional,” a logical progression, she said, from the
“housewife-professional” that began to emerge in the 1980s. This seems
to represent a confused identity within Japanese society; there are
currently two roles that, some suggest, are coexisting. Mass media and advertising are pervasive forces in the expression
of values in society. In a heavy consumer culture such as exists in Japan,
examination of television advertising can provide insight into the
portrayal of women's roles. Based on these premises, this study will seek
to answer one research question. What
roles for women are portrayed in
Japanese
television advertising? Categories
To
answer this question, the possible social roles women can play have been
divided into three categories (based loosely on Pingree, et al.’s 1976
“Scale of Sexism”). First there is the role of ‘woman as dedicated
housewife/mother’. There are eight values which define this category:
home, shopping for the family, caring for the family, eating with the
family, products for the home and for the family, and food for preparation
at home. (‘Products for the home’ refers to cleaning supplies,
home-appliances, etc., i.e. those products used primarily to care for the
home; products for the family include houses, bathtubs/toilets, and
insurance/financial planning services.) The second category is woman as independent, with the subject never
shown in a home setting. The values defining this category are: work
(location variable for woman at work), woman at a department store, woman
at a convenience store, outdoors, school, other locations, images of a
woman shopping for herself, eating alone, relaxing because the product
eases her work load, relaxing because the product helps her relax after
work, sports, and product categories for fast/instant food, personal
use/beauty and other. The third category is a mixture of the first two. There are no
values that can be used to exclusively define this category; Category
Three is any combination of Categories One and Two. This category is also
referred to as ‘women in dual roles’. This study is looking for the
presence of the dual roles, not necessarily the way a woman plays those
roles. White’s business professional would be categorized as ‘woman as
independent’. This study hopes to find out if there is evidence of such
a role attributed to women in contemporary Japanese advertising. There is
one major category that will define this: work. If the advertising does
not physically show a woman in a workplace (the coders were instructed to
note the type of workplace), then the woman is not being portrayed as a
worker. Though business professionals might be shown outdoors or even in
the home, the viewer must have some clue that the woman is such a person.
One indicator is dress; however, attire is something difficult to
exhaustively code. Thus, in the debriefing of the coders, they were asked
their opinion on this and whether, in their opinion, they saw any evidence
of a ‘business professional’ in the advertising. Other variables
The study has three variables that are necessary to define the
sample. These are the presence or absence of people, presence or absence
of women, and the extent of the role the women play. There are also two
descriptor variables: the sex of the announcer (if one is present) and
whether women are shown using the product, including consumption of food
products. This last variable can not be forced into any of the above three
categories; rather, the category combined with using the product can
provide insight on the role of the woman. Description of sample
The sample for the study was Japanese television commercials taped
during prime-time. Through correspondence with a Dentsu manager it was
learned that prime-time in Japan is from 7:00 p.m. until 11:00 p.m. and
the existence of four major advertising-dependent (not government)
networks was confirmed. Each of the four major networks were recorded for
two nights in a ten day period. Of these two nights, one for each network
was randomly chosen for coding. Since the study is not designed to measure total exposure but,
rather, the content of the individual commercials, repeat commercials were
removed from the final sample. The final sample size was 411
advertisements. Quantitative analysis
This study uses quantitative content analysis. Content analysis
allows the researcher to identify advertising’s individual elements. A
chi-square test is used to determine if there is a relationship between
variables which make rows and columns of a data table. If the rows and
columns are independent, then the null hypothesis is supported.
Independence can be tested by comparing the observed cell frequencies to
the expected cell frequencies. The significance level for this study is
.10. Coders
The coders for this study are native Japanese students enrolled at
the University of Tennessee. After training, each student was given a tape
of the commercials to code. They were compensated financially for
assisting in the study. Reliability
Singletary (1994) noted that ”reliability is near the heart of
content analysis; if the coding is not reliable, the analysis cannot be
trusted.” To test intercoder reliability, Scott’s Pi was used. This
test was chosen because it takes into account chance agreement among the
coders. The formula for Scott’s Pi is:
pi=PO - PE/1-PE where
PO = percent agreement observed and PE
=percent agreement expected. Reliability was tested on 205 commercials
(roughly half the sample). Instrument
Each coder was given a two page coding sheet (Figure 1). The first
questions were designed to establish if there are any announcers, the sex
of the announcers, presence of people in the commercial, and role of the
women. Presence and sex of announcers is particularly important as the
announcer is the ‘voice in the wilderness’ that lends credence and
stability to the product claims. (Length of the ads will not be measured
because previous studies in Japanese advertising have consistently shown
that the majority of Japanese television commercials are 15 seconds in
length. See di Benedetto et al., 1992; Lin, 1993; Ramaprasad and Hasegawa,
1992 & 1990; Sengupta, 1995) The coding then focused on three areas. The first area was the
location of the woman. This is important to establish where women are
portrayed. What the woman is doing was the second area of focus. Finally,
the product categories associated with the women were defined. This study
did not use the product categories as defined in prior studies. It is not
in line with the purpose of the study to determine how many commercials
for appliances a woman appears in. What is important are the general
categories. The products are defined as those for the home (cleaning
supplies, home appliances, etc., i.e. those products used almost
exclusively by one person for the benefit of the rest of the family);
those for family (houses, toilets, bathtubs, insurance, etc., i.e.
products designed to be beneficial equally to all members of the family);
food for preparation at home (including mixes, seasoning, etc.); fast
food/restaurants and other food for outside the home (including canned
drinks, instant noodles, and other “ready to eat” products that
“take away” from the woman’s traditional role as cook); and products
for the woman (such as hair-sprays, bath oils, cosmetics, clothing, etc.).
An ‘other’ category was included in all three areas. Limitations
This study does not provide any historical tracking of how the
portrayal of women has changed. The logistics of undertaking such a study
are very complex and difficult to arrange without direct connection with a
Japanese advertising or mass media organization. There is also no coverage of advertising from different day parts,
and the days chosen for recording were not randomly selected over a long
period of time, but represent four days out of just over one week of
programming. A further complication that results from this is that, from
the researchers own experience, there seems, logically, to be significant
seasonal variation in the advertising; this study did not account for such
variation. Another area not covered in this study is age of the woman. Conclusion
This study, like all others, has its flaws. However, these
blemishes do not distract from the overall shape or effectiveness of the
study. The structure is designed to work around the logistical problems
and get to the core of the study with as little fat as possible. The end
result is a start towards defining the relationship between culture and
advertising. |
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