HDCD: | High Definition Compatible Digital - a coding system for CD which aims to get better sound. Needs a decoder to hear the full effects. |
Hertz (Hz): | Unit of frequency. One Hz means a signal has one cycle per second. |
Horn loading : | Improves a drive unit's efficiency and output, using a structure within the speaker shaped like a horn. Works like the trumpet on an old-fashioned gramophone. |
Impedance: | Electrical property. A low impedance draws a high current flow from the source, while a high impedance draws a little. This means that speakers with a low impedance (lower than 6-8ohms) are more difficult for an amplifier to drive. |
Line level: | Describes inputs to amplifiers which don't need amplifying before the amp can use them. |
Midband: | Frequency range where most of the instruments and voices are heard. Vital if singers, etc, are to sound natural. |
MiniDisc: | Sony's 64mm disc that can record up to 74 minutes of sound. Looks like a mini computer disc but works optically, like CD, on prerecorded discs, or magneto-optically in the case of blank software. |
Monoblock: | An independent mono power amp, so two are required for a stereo system. Advantage is a lack of interaction between channels. |
Moving coil: | Cartridges with a stylus connected to coils which move in relation to fixed magnets, creating electrical signals. Lower output than moving magnet |
Moving magnet: | Record-playing cartridge (pickup) design in which a tiny magnet connected to the stylus moves relative to a fixed coil in the body, thus generating the signal. |
Nicam: | CD-quality digital stereo television sound transmitted alongside the picture. |
Ohm: | Unit of resistance to current. Impedance of a speaker is measured in ohms - generally the lower the figure the harder it is to drive. |
Oversampling: | Used in DAC systems. Increases signal frequency, making it easier for conversion circuitry and ancillary systems to filter out unwanted signals. |
Passive: | A circuit or component which does not amplify the signal. Introduces very little distortion. |
Phono stage: | Cartridges output signals at much lower levels than CD players and tape decks. Many amps have the extra amplification built-in, but increasing numbers don't, and require an add-on phono amplifier. |
PMPO: | Stands for peak music power, used on gear that needs to look more powerful than it is. If you see a ghetto-blaster advertising 160watts output, ignore it. |
Power amplifier: | Supplies audio signals to the loudspeakers. |
Power handling: | The maximum safe power for speakers. But be aware that it's easier to damage speakers with an amp of too low power driven hard, than with too much power. |
Preamplifier: | The control part of an amp. Built into integrated amps, but can be separate and used with power amp or active speakers. |
Pro-Logic: | see Dolby |
RDS: | Radio Data System: data piggybacked on FM radio allowing RDS tuners to display the names of stations, and perform a range of station-seek and switching functions. |
Sampling rate: | How fast a digital recorder or player samples a signal. CD, DCC and MiniDisc use a rate of 44.1kHz - ie 44,100 samples per second - while DATrecorders offer a choice of 48kHz or 44.1kHz, and Digital Audio Broadcasting will work on 32kHz. A digital-to-analogue converter needs to work on all three rates. The sampling rate determines the highest frequency recordable a digital system can carry - hence the development of higher-sampling formats, such as Pioneer's 96kHz system, for better treble extension. |
Shielding: | Keeps a conductor or equipment away from interference. |
Signal-to-noise ratio: | Describes the difference between the level of the audio signal and the level of unwanted noise. The larger the figure, measured in dB, the lower the noise will be. |
Subwoofer: | A separate woofer box to produce the deep lows smaller speakers can't reach. |
Tape loop: | A pair of sockets on an amp letting the signal out for recording on a tape deck and another pair to let the signal back in for replay. |
THX: | Developed by LucasFilm, this is basically a set of standards for Dolby Pro-Logic gear, which should guarantee a certain quality of home cinema sound. Needs electronics and speakers made to exacting specs, which tend to be pricey. |
Tonearm: | The device on a turntable which holds the cartridge. |
Toroidal transformer: | Transformers bring mains voltages down to the levels required. Toroidal transformers (doughnut-shaped) get better stability and less flux leakage (magnetic radiation that can interfere with other circuits). |
Transients: | Short and sudden events in music (eg a cymbal crash). Difficult to reproduce. |
Treble: | High frequencies. When we say treble is splashy, it means cymbals, for example, sound like they're going 'tizzshsh', rather than having a crisp sting. |
Triamping/triwiring: | Like biamping and biwiring, but for three-way speakers. Needs three runs of cable in the case of triwiring and three stereo amps if you want to triamp the speakers. |
Tweeter: | The speaker driver handling the treble. |
Valve: | Amplifying device: electrodes in a glass vacuum enclosure. Produces a warm, seductive sound. |
Watt: | Unit of power. More watts mean more power, but how loud a system sounds also depends on speaker sensitivity and room size. See PMPO. |
Wavelength: | The length of a wave. Sound at 50Hz in air has a wavelength of around 6.9 metres. |
Woofer: | The large drive unit in a speaker to produce bass frequencies. |